If everything that came from your tongue were to come into your hands, then every beggar would be a pasha.
Turkish proverbs
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El-Zorab
An Arab comes, looking like hell,
His voice is weak, he can't speak well,
– O, pasha, please, don't be severe,
From Bab-el-Manteb I've come here
My EL-Zorab to sell.
All Arabs then approach with care
To see my horse with reddish hair.
I pull the reins, he trots a while
I love him for his graceful style,
I'd die to leave him there.
But my three kids do starve in pain
Their mouth is dry, I go insane,
And my wife's misery is great,
Because her breasts are in such state
They can't give milk again!
My dearest ones are cold as ice,
But you, O, pasha, you are nice!
Now buy the horse! I'm poor, indeed!
Give me some money on the steed,
Be good and name a price!
He takes the horse and rides about
Slowly and fast, to clear his doubt;
Then pasha's eyes begin to glow
Touches his beard and his thoughts flow,
His soul is somewhere out.
– One thousand sequins, you agree?
– How noble, pasha, you can be!
It's more than ever crossed my mind!
May God be good to you and kind
For how you're paying me!
The Arab takes with smiling eyes
The golden sequins, his dear prize –
From now on they will not be sad,
From now on they'll be rich and glad
Won't beg from foreign guys!
Won't live in tent and breathe the smoke
His kids won't beg from other folk,
His wife will be as was before
And they themselves will give the poor
Some money when they're broke! –
He grabs the money on a whim
And leaves; the fate is good to him.
[...] Read more
poem by George Coşbuc, translated by Octavian Cocoş
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Pasha Bailey Ben
A proud Pasha was BAILEY BEN,
His wives were three, his tails were ten;
His form was dignified, but stout,
Men called him "Little Roundabout."
HIS IMPORTANCE
Pale Pilgrims came from o'er the sea
To wait on PASHA BAILEY B.,
All bearing presents in a crowd,
For B. was poor as well as proud.
HIS PRESENTS
They brought him onions strung on ropes,
And cold boiled beef, and telescopes,
And balls of string, and shrimps, and guns,
And chops, and tacks, and hats, and buns.
MORE OF THEM
They brought him white kid gloves, and pails,
And candlesticks, and potted quails,
And capstan-bars, and scales and weights,
And ornaments for empty grates.
WHY I MENTION THESE
My tale is not of these - oh no!
I only mention them to show
The divers gifts that divers men
Brought o'er the sea to BAILEY BEN.
HIS CONFIDANT
A confidant had BAILEY B.,
A gay Mongolian dog was he;
I am not good at Turkish names,
And so I call him SIMPLE JAMES.
HIS CONFIDANT'S COUNTENANCE
A dreadful legend you might trace
In SIMPLE JAMES'S honest face,
For there you read, in Nature's print,
"A Scoundrel of the Deepest Tint."
HIS CHARACTER
A deed of blood, or fire, or flames,
[...] Read more
poem by William Schwenck Gilbert
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The Beggar's Daughter of Bednall-Green
Part the First
Itt was a blind beggar, had long lost his sight,
He had a faire daughter of bewty most bright;
And many a gallant brave suiter had shee,
For none was soe comelye as pretty Bessee.
And though shee was of favor most faire,
Yett seing shee was but a poor beggars heyre,
Of ancyent housekeepers despised was shee,
Whose sonnes came as suitors to prettye Bessee.
Wherefore in great sorrow faire Bessy did say,
'Good father, and mother, let me goe away
To seeke out my fortune, whatever itt bee.'
This suite then they granted to prettye Bessee.
Then Bessy, that was of bewtye soe bright,
All cladd in gray russett, and late in the night
From father and mother alone parted shee,
Who sighed and sobbed for prettye Bessee.
Shee went till shee came to Stratford-le-Bow,
Then knew shee not whither, nor which way to goe;
With teares shee lamented her hard destinie,
So sadd and soe heavy was pretty Bessee.
Shee kept on her journey untill it was day,
And went unto Rumford along the hye way;
Where at the Queenes Armes entertained was shee,
Soe faire and wel favoured was pretty Bessee.
Shee had not beene there a month to an end,
But master and mistres and all was her friend;
And every brave gallant that once did her see
Was straight-way enamoured of pretty Bessee.
Great gifts they did send her of silver and gold,
And in their songs daylye her love was extold;
Her beawtye was blazed in every degree,
Soe faire and soe comelye was pretty Bessee.
The young men of Rumford in her had their joy;
Shee shewed herself courteous, and modestlye coye,
And at her commandment still wold they bee,
Soe fayre and so comelye was pretty Bessee.
Foure suitors att once unto her did goe,
They craved her favor, but still she sayd noe;
'I wild not wish gentles to marry with mee,-'
Yett ever they honored pretty Bessee.
[...] Read more
poem by Anonymous Olde English
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Bible in Poetry: Gospel of St. John (Chapter 9)
Jesus saw a man, blind since birth;
His disciples asked Him, ‘Rabbi,
By whose sins was the man born blind-
His own sins or that of parents’? ’
So, Jesus answered them, ‘Neither.
It is so that the works of God
Be manifested through the man.
The day is meant for all to work;
The night is for slumber and rest.’
‘While in this world, I am the light.’
Then Jesus spat on ground near-by
And mixed the clay with saliva;
He smeared the clay over man’s eyes
And said, ’ Go wash in Siloam Pool! ’
The man did so and got vision.
The beggar was able to see!
The neighbors saw and then remarked,
‘Isn’t this the beggar who was blind? ’
The beggar replied, ‘Yes, I am! ’
They asked, ‘How were your eyes opened? ’
The man described the whole story.
They asked him, ‘Where is Jesus now?
The beggar said, ‘I do not know.’
They brought the man to Pharisees;
Now Jesus did the miracle,
On Sabbath day and all knew that.
The Pharisees queried the man;
They said, ‘This man is not from God!
He does not keep the Sabbath-day.
How can a sinful man do signs?
They asked the beggar’s opinion;
He told them, ‘He is a prophet! ’
The Jews summoned his parents then
And enquired about their son;
His parents said, ‘He was born blind.’
But they didn’t know how he saw then.
They neither knew the healer’s name;
They told them to ask the beggar.
His parents were afraid of Jews;
If anyone believed Jesus,
And acknowledged Him, Messiah,
[...] Read more
poem by John Celes
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The Spaewife
OH, I wad like to ken—to the beggar-wife says I—
Why chops are guid to brander and nane sae guid to fry.
An’ siller, that ’s sae braw to keep, is brawer still to gi’e.
It ’s gey an’ easy spierin’, says the beggar-wife to me.
Oh, I wad like to ken—to the beggar-wife says I—
Hoo a’things come to be whaur we find them when we try,
The lasses in their claes an’ the fishes in the sea.
It ’s gey an’ easy spierin’, says the beggar-wife to me.
Oh, I wad like to ken—to the beggar-wife says I—
Why lads are a’ to sell an’lasses a’ to buy;
An’ naebody for dacency but barely twa or three.
It ’s gey an’ easy spierin’, says the beggar-wife to me.
Oh, I wad like to ken—to the beggar-wife says I—
Gin death’s as shure to men as killin’ is to kye,
Why God has filled the yearth sae fu’ o’ tasty things to pree.
It ’s gey an’ easy spierin’, says the beggar-wife to me.
Oh, I wad like to ken—to the beggar-wife says I—
The reason o’ the cause an’ the wherefore o’ the why,
Wi’ mony anither riddle brings the tear into my e’e.
It ’s gey an’ easy spierin’, says the beggar-wife to me.
poem by Robert Louis Stevenson
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Beggar To Beggar Cried
'TIME to put off the world and go somewhere
And find my health again in the sea air,'
Beggar to beggar cried, being frenzy-struck,
'And make my soul before my pate is bare.-
'And get a comfortable wife and house
To rid me of the devil in my shoes,'
Beggar to beggar cried, being frenzy-struck,
'And the worse devil that is between my thighs.'
And though I'd marry with a comely lass,
She need not be too comely -- let it pass,'
Beggar to beggar cried, being frenzy-struck,
'But there's a devil in a looking-glass.'
'Nor should she be too rich, because the rich
Are driven by wealth as beggars by the itch,'
Beggar to beggar cried, being frenzy-struck,
'And cannot have a humorous happy speech.'
'And there I'll grow respected at my ease,
And hear amid the garden's nightly peace.'
Beggar to beggar cried, being frenzy-struck,
'The wind-blown clamour of the barnacle-geese.'
poem by William Butler Yeats
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Kemal - The Posh Pasha
We have heard of the mythical lands of the East
And of caliphs and sultans galore;
Of Haroun al Raschid, of Abdul the beast,
And dark deeds by the Bosphorous shore.
But the picture we knew fades completely from view,
When we glimpse modern wonders that are
In the wonderful land of the greatest of Turks
Of Mustapha Kemal Pasha.
With a wave of his hand he has altered his land
From a fabulous country and strange
To an organised State wide-awake, up to date;
And he's made them content with the change.
Bastinado and bow-strings, and bodies in bags,
And the flash of the sharp scimitar
Are but memories dim, since they learned pep and vim
From Mustapha Kemal Pasha.
No magician of old ever dared to unfold
Such a box of tricks and strange spells.
To the joy of the males he has banished the veils
From the faces of Bosphorous belles.
Now with lip-stick and shingle they joyfully mingle
With crowds in the modern bazaar,
Whilst straw-hatted young bloods, in swish tailor-made duds,
Swear by Mustapha Kemal Pasha.
Cross-legged on a couch, cross-grained with a grouch
Old die-hards smoke hookahs and glower,
As they sigh for the days of the fez and old ways
With harems and intrigues in flower;
But the light-hearted lads give the bird to their dads,
While they puff at a fag or cigar;
To have all their trust, as Mustapha must,
Must gladden Mustapha Pasha
poem by Clarence Michael James Stanislaus Dennis
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Christ at Carnival
THE hand of carnival was at my door,
I listened to its knocking, and sped down:
Faith was forgotten, Duty led no more:
I heard a wonton revelry in the town;
The Carnival ran in my veins like fire!
And some unfrustrable desire
Goaded me on to catch the roses thrown
From breast to breast, and with my own
Fugitive kiss to snatch the fugitive kiss;
I broke all faith for this
One wild and worthless hour,
To dance, to run, to beckon, as a flower
Maddens the bee with half-surrendering,
Then flies back in the air with petals shut.
Fainting with laughter and pursuit
I heard shrill winds leap out and sink again,
Tracking the green bed where the Spring hath lain,
And vanished from, whose feet made audible
Music among the tall trees on the hill.
Above me leaned a nightingale
Burdened and big with song, whose throat let fall
Long notes, so poignant and so musical,
I deemed his young mate, listening,
Heard him less passionately sing
Than I a-foot at Carnival!
Above the town, swart Night came rolling in
Upon her couch of heliotrope:
A new Moon, young and thin,
Lay like a Columbine
Teasing the spent hill, her old Harlequin,
She, who of late waned on the bitter sky,
Furtive and old, a woman without hope,
Begging in long-familiar streets, where Sin
Once seeking her, now shuddered and went by.
Caught in the meshes of a merry throng,
I stumbled through the lighted Market Place;
The lanterns swung an undetermined rose
In Night's convulsive face
As we were swept along
In crazy dance and song,--
On through the mirth-mad alleys of the town,
With shrill loud laughter tumbled roughly down,
Whirled up in swift embrace.
All, all went swinging, swaying in the revel,
Laughing and reeling, kissing each and all--
A crowd that wildest jesting did dishevel--
O mad night of Carnival!
[...] Read more
poem by Muriel Stuart
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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The Beggar And The Angel
An angel burdened with self-pity
Came out of heaven to a modern city.
He saw a beggar on the street,
Where the tides of traffic meet.
A pair of brass-bound hickory pegs
Brought him his pence instead of legs.
A murky dog by him did lie,
Poodle, in part, his ancestry.
The angel stood and thought upon
This poodle-haunted beggar man.
'My life is grown a bore,' said he,
'One long round of sciamachy;
I think I'll do a little good,
By way of change from angelhood.'
He drew near to the beggar grim,
And gravely thus accosted him:
'How would you like, my friend, to fly
All day through the translucent sky;
To knock at the door of the red leaven,
And even to enter the orthodox heaven?
If you would care to know this joy,
I will surrender my employ,
And take your ills, collect your pelf,
An humble beggar like yourself.
For ages you these joys may know,
While I shall suffer here below;
And in the end we both may gain
Access of pleasure from my pain.'
The stationary vagrant said,
'I do not mind, so go ahead.'
The angel told the heavenly charm,
He felt a wing on either arm;
'Good-day,' he said, 'this floating's queer
If I should want to change next year--?'
[...] Read more
poem by Duncan Campbell Scott
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The Odyssey: Book 17
When the child of morning, rosy-fingered Dawn, appeared,
Telemachus bound on his sandals and took a strong spear that suited
his hands, for he wanted to go into the city. "Old friend," said he to
the swineherd, "I will now go to the town and show myself to my
mother, for she will never leave off grieving till she has seen me. As
for this unfortunate stranger, take him to the town and let him beg
there of any one who will give him a drink and a piece of bread. I
have trouble enough of my own, and cannot be burdened with other
people. If this makes him angry so much the worse for him, but I
like to say what I mean."
Then Ulysses said, "Sir, I do not want to stay here; a beggar can
always do better in town than country, for any one who likes can
give him something. I am too old to care about remaining here at the
beck and call of a master. Therefore let this man do as you have
just told him, and take me to the town as soon as I have had a warm by
the fire, and the day has got a little heat in it. My clothes are
wretchedly thin, and this frosty morning I shall be perished with
cold, for you say the city is some way off."
On this Telemachus strode off through the yards, brooding his
revenge upon the When he reached home he stood his spear against a
bearing-post of the cloister, crossed the stone floor of the
cloister itself, and went inside.
Nurse Euryclea saw him long before any one else did. She was putting
the fleeces on to the seats, and she burst out crying as she ran up to
him; all the other maids came up too, and covered his head and
shoulders with their kisses. Penelope came out of her room looking
like Diana or Venus, and wept as she flung her arms about her son. She
kissed his forehead and both his beautiful eyes, "Light of my eyes,"
she cried as she spoke fondly to him, "so you are come home again; I
made sure I was never going to see you any more. To think of your
having gone off to Pylos without saying anything about it or obtaining
my consent. But come, tell me what you saw."
"Do not scold me, mother,' answered Telemachus, "nor vex me,
seeing what a narrow escape I have had, but wash your face, change
your dress, go upstairs with your maids, and promise full and
sufficient hecatombs to all the gods if Jove will only grant us our
revenge upon the suitors. I must now go to the place of assembly to
invite a stranger who has come back with me from Pylos. I sent him
on with my crew, and told Piraeus to take him home and look after
him till I could come for him myself."
She heeded her son's words, washed her face, changed her dress,
and vowed full and sufficient hecatombs to all the gods if they
would only vouchsafe her revenge upon the suitors.
Telemachus went through, and out of, the cloisters spear in hand-
not alone, for his two fleet dogs went with him. Minerva endowed him
with a presence of such divine comeliness that all marvelled at him as
he went by, and the suitors gathered round him with fair words in
their mouths and malice in their hearts; but he avoided them, and went
to sit with Mentor, Antiphus, and Halitherses, old friends of his
father's house, and they made him tell them all that had happened to
[...] Read more
poem by Homer, translated by Samuel Butler
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Throw Your Hands Up
1,2,3,4,5,6,7,8,90 aaliyahs in the house so check,check it out
1,2,3,4,5,6,7,8,90 aaliyahs in the house so check,check it out
The time has finally come to save my beats with the funky hip hop swing
(the funky swing I might add) oh check it
No holding back now is the time, to get busy
So take me to the bridge
I work hard for mine, spending all my time
To give you what you need
So if you down with this funky flavor thorw your hands up
And if you got fever for aaliyah throw your hands up
And if you down with blackground thorw your hands up
And if it got soul let me see your hands up
If you got bass in your jeeps thorw your hands up
If your not down with the crack thorw your hands up
And if you think your hyper enough to swing it thorw your hands up
And if your down with the second chapter thorw your hands up
Straight from the streets is where Im coming from (sraight out the streets)
With the touch of jazz in me, check it
Take in no shorts when it comes down to shows
I got to reck it, so take me to the bridge
I work hard for mine spending all my time
To give what you need
Where you at, where you at
So if your down with the pa let me see your hands up
And if your head is bobin to the track throw your hands up
And if you got loot in your pocket throw your hands up
And if you not foul let me see your hands up
And if your protected and you know it throw your hands up
And if r kellys record is sharp let me see your hands up
And if your body swing to the track throw your hands up
And if you want some more of the flover throw your hands up
Uh,uh,uh yeah,yeah
Aaliyah bust a free style
This is for the jeeps
Strictly for the jeeps
This is for the jeeps
(repeat)
So if your down with the funky flover thorw your hands up
And if you got the fever for aaliyah throw your hands up
And if you down with blackground throw your hands up
And if you got bass in your jeeps throw your hands up
If your not down with the crack throw your hands up
And if you think your hyper enough to swing it throw your hands up
And if your down with the second chapter throw your hands up
So if your down with the pa let me see your hands up
And if your head is bobin to the track throw your hands up
And if you got loot in your pocket throw your hands up
And if you not foul let me see your hands up
And if your protected and you know it throw your hands up
And if r kellys record is sharp let me see your hands up
[...] Read more
song performed by Aaliyah
Added by Lucian Velea
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Sugar Feat Ludacris & Cee-Lo)
[Cee-Lo] Uh huh
[T-Dubl] Yeah
[Cee-Lo] Aw man I got a sweet tooth, can you dig it
[T-Dubl] After this one you gon need a root canal then
[Cee-Lo] I love sugar all of it
[T-Dubl] This one for all the clean, decent women
[Cee-Lo] Lay it on me girl
[T-Dubl] Pay Close Attention
[Hook: Cee-Lo]
She put that sugar on my tongue
Shes gonna
Gimme gimme some
She put it right there on my tongue [Skeet Skeet]
Right there on my tongue [She turns me on, like no other]
[Trick Daddy]
And gimme some of your butter pecan
Put it right there on tip of my tongue, hold it
Right jeeeah
Cuz baby, if I bite you
I bet you like it
French Vanilla's a hell of a flavor for me
With strawberries, two cherries and whipped cream
The best things are the wet dreams
And uh, the rest is just a flick without a sex scene
Or lee, I speak the truth
Cuz the blacker the berry
The sweeter the juice
Cuz, Florida oranges and Georgia peaches
When they nice and ripe, they the best for eatin'
Southern boys we crave for old slice of pie after they main course
So if you game for it
I came for it
I got a thing for ya
That I can't ignore
[Hook: Cee-Lo]
She put that sugar on my tongue
Shes gonna
Gimme gimme some
She put it right there on my tongue [Skeet Skeet]
Right there on my tongue [She turns me on, like no other]
[Ludacris]
She put that sugar on my tongue, tongue
Yippie Yippie, Yum Yum
Goodie goodie gum drop
Put me in a tongue lock
Did it till my body went numb, numb
Laid her on her back, back
Turned her round, gave her bottom a smack, smack
She's a woman from the block with the best of weed
But I won't stop till I'm pullin out tracks, tracks
[...] Read more
song performed by Trick Daddy
Added by Lucian Velea
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For President, Leland Stanford
Mahomet Stanford, with covetous stare,
Gazed on a vision surpassingly fair:
Far on the desert's remote extreme
A mountain of gold with a mellow gleam
Reared its high pinnacles into the sky,
The work of _mirage_ to delude the eye.
Pixley Pasha, at the Prophet's feet
Piously licking them, swearing them sweet,
Ventured, observing his master's glance,
To beg that he order the mountain's advance.
Mahomet Stanford exerted his will,
Commanding: 'In Allah's name, hither, hill!'
Never an inch the mountain came.
Mahomet Stanford, with face aflame,
Lifted his foot and kicked, alack!
Pixley Pasha on the end of the back.
Mollified thus and smiling free,
He said: 'Since the mountain won't come to me,
I'll go to the mountain.' With infinite pains,
Camels in caravans, negroes in trains,
Warriors, workmen, women, and fools,
Food and water and mining tools
He gathered about him, a mighty array,
And the journey began at the close of day.
All night they traveled-at early dawn
Many a wearisome league had gone.
Morning broke fair with a golden sheen,
Mountain, alas, was nowhere seen!
Mahomet Stanford pounded his breast,
Pixley Pasha he thus addressed:
'Dog of mendacity, cheat and slave,
May jackasses sing o'er your grandfather's grave!'
poem by Ambrose Bierce
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Tales Of A Wayside Inn : Part 3. The Spanish Jew's Second Tale; Scanderbeg
The battle is fought and won
By King Ladislaus, the Hun,
In fire of hell and death's frost,
On the day of Pentecost.
And in rout before his path
From the field of battle red
Flee all that are not dead
Of the army of Amurath.
In the darkness of the night
Iskander, the pride and boast
Of that mighty Othman host,
With his routed Turks, takes flight
From the battle fought and lost
On the day of Pentecost;
Leaving behind him dead
The army of Amurath,
The vanguard as it led,
The rearguard as it fled,
Mown down in the bloody swath
Of the battle's aftermath.
But he cared not for Hospodars,
Nor for Baron or Voivode,
As on through the night he rode
And gazed at the fateful stars,
That were shining overhead;
But smote his steed with his staff,
And smiled to himself, and said;
'This is the time to laugh.'
In the middle of the night,
In a halt of the hurrying flight,
There came a Scribe of the King
Wearing his signet ring,
And said in a voice severe:
'This is the first dark blot
On thy name, George Castriot!
Alas! why art thou here,
And the army of Amurath slain,
And left on the battle plain?'
And Iskander answered and said:
'They lie on the bloody sod
By the hoofs of horses trod;
But this was the decree
Of the watchers overhead;
For the war belongeth to God,
And in battle who are we,
Who are we, that shall withstand
[...] Read more
poem by Henry Wadsworth Longfellow
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Sir Orfeo
We often read and written find,
as learned men do us remind,
that lays that now the harpers sing
are wrought of many a marvellous thing.
Some are of weal, and some of woe,
and some do joy and gladness know;
in some are guile and treachery told,
in some the deeds that chanced of old;
some are of jests and ribaldry,
and some are tales of Faërie.
Of all the things that men may heed
'tis most of love they sing indeed.
In Britain all these lays are writ,
there issued first in rhyming fit,
concerning adventures in those days
whereof the Britons made their lays;
for when they heard men anywhere
tell of adventures that there were,
they took their harps in their delight
and made a lay and named it right.
Of adventures that did once befall
some can I tell you, but not all.
Listen now, lordings good and true,
and 'Orfeo' I will sing to you.
Sir Orfeo was a king of old,
in England lordship high did hold;
valour he had and hardihood,
a courteous king whose gifts were good.
His father from King Pluto came,
his mother from Juno, king of fame,
who once of old as gods were named
for mighty deeds they did and claimed.
Sir Orfeo, too, all things beyond
of harping's sweet delight was fond,
and sure were all good harpers there
of him to earn them honour fair;
himself he loved to touch the harp
and pluck the strings with fingers sharp.
He played so well, beneath the sun
a better harper was there none;
no man hath in this world been born
who would not, hearing him, have sworn
that as before him Orfeo played
to joy of Paradise he had strayed
and sound of harpers heavenly,
such joy was there and melody.
This king abode in Tracience,
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poem by Anonymous Olde English
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
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poem by Conrad Potter Aiken
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Gotham - Book I
Far off (no matter whether east or west,
A real country, or one made in jest,
Nor yet by modern Mandevilles disgraced,
Nor by map-jobbers wretchedly misplaced)
There lies an island, neither great nor small,
Which, for distinction sake, I Gotham call.
The man who finds an unknown country out,
By giving it a name, acquires, no doubt,
A Gospel title, though the people there
The pious Christian thinks not worth his care
Bar this pretence, and into air is hurl'd
The claim of Europe to the Western world.
Cast by a tempest on the savage coast,
Some roving buccaneer set up a post;
A beam, in proper form transversely laid,
Of his Redeemer's cross the figure made--
Of that Redeemer, with whose laws his life,
From first to last, had been one scene of strife;
His royal master's name thereon engraved,
Without more process the whole race enslaved,
Cut off that charter they from Nature drew,
And made them slaves to men they never knew.
Search ancient histories, consult records,
Under this title the most Christian lords
Hold (thanks to conscience) more than half the ball;
O'erthrow this title, they have none at all;
For never yet might any monarch dare,
Who lived to Truth, and breathed a Christian air,
Pretend that Christ, (who came, we all agree,
To bless his people, and to set them free)
To make a convert, ever one law gave
By which converters made him first a slave.
Spite of the glosses of a canting priest,
Who talks of charity, but means a feast;
Who recommends it (whilst he seems to feel
The holy glowings of a real zeal)
To all his hearers as a deed of worth,
To give them heaven whom they have robb'd of earth;
Never shall one, one truly honest man,
Who, bless'd with Liberty, reveres her plan,
Allow one moment that a savage sire
Could from his wretched race, for childish hire,
By a wild grant, their all, their freedom pass,
And sell his country for a bit of glass.
Or grant this barbarous right, let Spain and France,
In slavery bred, as purchasers advance;
Let them, whilst Conscience is at distance hurl'd,
With some gay bauble buy a golden world:
An Englishman, in charter'd freedom born,
Shall spurn the slavish merchandise, shall scorn
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poem by Charles Churchill
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Sugar On My Tongue
Oh, oh, Oh, oh,she's my neighbour
Fill my cup, I'll bet you baby
She'll fill it up
She'll drop the sugar on my tongue
Will she gimme gimme gimme some
She's gonna put sugar on my tongue
She's gonna gimme gimme gimme some
She'll put it right there on my tongue
Put it right there on my tongue
Sweet sweet, lover lover
Never never never find another
to put sugar on my tongue
Gimme gimme gimme some
Is she gonna put sugar on my tongue?
Is she gonna gimme gimme gimme some?
She'll put it right there on my tongue
Put it right there on my tongue
I've been waiting years and years
Finally I see that you appear
My friends are here, and they ask of me
'Is this the time that we're gonna see
her put the sugar on my tongue?'
Is she gonna put sugar on my tongue?
Is she gonna put sugar on my tongue?
Is she gonna gimme gimme some?
She'll put it right there on my tongue
put it right there on my tongue
Sugar on my tongue
Oh, oh, oh...
song performed by Talking Heads
Added by Lucian Velea
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Tongue Bath
Yeah, (ohhh), we got the hood rats in the house right
(Would you like a tongue bath babe)
They say they like tongue bath (from the back)
So, uh, we went and got Methron
But of course, it's the Ying-Yang Twins
Let me see you freak your body
I won't stop until you get enough
Anyway you want it, I'm with it
I just wanna get up in it
(You want a tongue bath, you need a tongue bath)
Let me see you freak your body
I won't stop until you get enough
A tongue bath, from the back
Oh yes, that's the way I like it
(You want a tongue bath, you need a tongue bath)
Forget about that Summer we stretched straight thuggin it up
In the tongue bath world we was loving it up
I've been told by the eye we were holding each other
To the room, sexual, of the Isley Brothers
Sippin' Alazez and Hennessee, straight thug passion
Licking nipples, got you gigglin', so you started to laugh
And now it's getting so erotic baby
All of a sudden so I'm kissing on your body baby
Admit it babb
See baby a tongue bath is what I like
Lick me up, lick me down, curve my appetite
Let me open up my legs, show me what you got
The way you licking on my body's got me really hot
And I'm loving the way you lick me though
Do it little daddy, let your tongue take control
You got me shaking like hell when you're licking my toes
From the top to the bottom, make your tongue roll
Let me see you freak your body
I won't stop until you get enough
Anyway you want it, I'm with it
I just wanna get up in it
(You want a tongue bath, you need a tongue bath)
Let me see you freak your body
I won't stop until you get enough
A tongue bath, from the back
Oh yes, that'
song performed by Ying Yang Twins
Added by Lucian Velea
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