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He stands the mud.

Hungarian proverbs
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Monsters Of Mud

Monsters of mud, covered in mud (made of mud)
Monsters of mud (made of mud)
Monsters of mud, covered in mud (repeat six times)
Made of mud, they're made of mud (repeat six times)
(2x)
Look at that mudman
It's disgraceful
Check out the dirt pile
He's got a face full
It's unbelievable, they're walking through the streets of town
They act like people, but they're shapeless, grimy, grey and brown
(Made of mud, they're made of mud) (2x)
It used to be that everyone you'd see was so well scrubbed
Everything's different now, ever since the monsters of mud
Monsters of mud, covered in mud (3x)
Made of mud (3x), they're made of mud
Made of mud, they're made of mud
Look out there's one right there
It freaks me out, It's covered in crud
All of our values have been challenged
by the monsters of mud
Here they slime
There they slouch
On your carpet
On my couch
Mud monsters everywhere
You can't escape the slobbering flood
We couldn't stop them
So we all became the monsters of mud
It's unbelievable, we're walking through the streets of town
We act like people, but we're shapeless, grimy, grey and brown
(Made of mud, they're made of mud)(2x)
It used to be that everyone you'd see was so well scrubbed
Everything's different now, ever since the monsters of mud

song performed by They Might Be Giants
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The mud volcano Lusi

The world's largest mud dome, also called the mud volcano,
Is located in Sidoarjo, a regency in Indonesia and it is very active
It had erupted also on twenty nine May, only five years ago
Now it gushes forty Olympic pools each day being very emissive.

A mud dome emits helium, nitrogen, usually belches of flammable gas
Through a deepening lake of hydrocarbon fluids, acid water and sludge.
The temperature is as low as the freezing point for its fast-moving mass
It's associated with petroleum deposits looking like dark brown smudges.

The creeks transport amounts of sediment to rivers which flow into the ocean.
This time the Indonesian volcano displaced thirteen thousand families.
For saving their lives they had to leave their home being forced to run
They needed to escape, because the volcano showed an increased activity.

This volcano eruption will dropp to a manageable level in twenty six years,
And Lusi will continue to gush gray mud until it will turn into a bubbling volcano,
And the processes erosion will begin to bevel the mountain but until that the tears
Of people will not stop for those who were killed after Lusi erupted five years ago.

All these years the volcano Lusi, situated in Sidoarjo regency, East Java
Can become highly destructive, even it can sweep up almost everything
Even it is likely to gush gray cold or hot mud instead of usual lava
Thousands of people living there can die or live without saving anything.

Lusi's staying power and its lake of mud has now smothered twelve villages
To an incredible depth of up to fifty feet and just in the middle of this new lake
There is one hundred and sixty four feet real vent and it is not a mirage.
Even it wasn't specified this time that Yogyakarta was hit by another nearby earthquake.

The cause of the volcanic eruption which occurred five years ago was debatable.
Maybe an earthquake caused it, or maybe it was due to drilling a well in the zone.
The Indonesian government blamed the eruption on an earthquake which is contestable
Foreign experts said Lapindo Brantas didn't use the protective casing for its section.

Mud and gas accumulates when sea sediments are trapped in subduction zones.
The mud eruption is a hybrid between typical mud volcanoes and hydrothermal vents.
So, one tectonic plate slides under another, and can erupt out of volcanic cones
From a crack in the ground and this way mud volcanoes have burst on all continents.

Sixty six years ago an earthquake in Pakistan generated a tsunami very destructive
And caused the eruption of a mud volcano on the Makran Coast, in the Sindh region,
Which formed four islands, and everyone could see its gas flames while it was active
And could know about the petroleum deposits, methane, ethane and other hydrocarbons.

poem by Marieta Maglas
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The Twa Sisters

There liv'd twa sisters in a bower,
Hey Edinbruch, how Edinbruch.
There liv'd twa sisters in a bower,
Stirling for aye:
The youngest o' them, O, she was a flower!
Bonny Sanct Johnstonne that stands upon Tay.

There came a squire frae the west,
Hey Edinbruch, how Edinbruch.
There cam a squire frae the west,
Stirling for aye:
He lo'ed them baith, but the youngest best,
Bonny Sanct Johnstonne that stands upon Tay.

He gied the eldest a gay gold ring,
Hey Edinbruch, how Edinbruch.
He gied the eldest a gay gold ring,
Stirling for aye:
But he lo'ed the youngest aboon a' thing,
Bonny Sanct Johnstonne that stands upon Tay.

'Oh sister, sister, will ye go to the sea?
Hey Edinbruch, how Edinbruch.
Oh sister, sister, will ye go to the sea?
Stirling for aye:
Our father's ships sail bonnilie,
Bonny Sanct Johnstonne that stands upon Tay.'

The youngest sat down upon a stane,
Hey Edinbruch, how Edinbruch.
The youngest sat down upon a stane,
Stirling for aye:
The eldest shot the youngest in,
Bonny Sanct Johnstonne that stands upon Tay.

'Oh sister, sister, lend me your hand,
Hey Edinbruch, how Edinbruch.
Oh, sister, sister, lend me your hand,
Stirling for aye:
And you shall hae my gouden fan,
Bonny Sanct Johnstonne that stands upon Tay.

'Oh, sister, sister, save my life,
Hey Edinbruch, how Edinbruch.
Oh sister, sister, save my life,
Stirling for aye:
And ye shall be the squire's wife,
Bonny Sweet Johnstonne that stands upon Tay.'

First she sank, and then she swam,

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poem by Andrew Lang
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Pillage Hangman - Parody LONGFELLOW - The Village Blacksmith

Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face
For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.

He goes on Sunday to the church
and sits among his boys;
He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.

It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.

Toiling, -rejoicing, -sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend

[...] Read more

poem by Jonathan Robin
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The Dunciad: Book II.

High on a gorgeous seat, that far out-shone
Henley's gilt tub, or Flecknoe's Irish throne,
Or that where on her Curlls the public pours,
All-bounteous, fragrant grains and golden showers,
Great Cibber sate: the proud Parnassian sneer,
The conscious simper, and the jealous leer,
Mix on his look: all eyes direct their rays
On him, and crowds turn coxcombs as they gaze.
His peers shine round him with reflected grace,
New edge their dulness, and new bronze their face.
So from the sun's broad beam, in shallow urns
Heaven's twinkling sparks draw light, and point their horns.

Not with more glee, by hands Pontific crown'd,
With scarlet hats wide-waving circled round,
Rome in her Capitol saw Querno sit,
Throned on seven hills, the Antichrist of wit.

And now the queen, to glad her sons, proclaims
By herald hawkers, high heroic games.
They summon all her race: an endless band
Pours forth, and leaves unpeopled half the land.
A motley mixture! in long wigs, in bags,
In silks, in crapes, in garters, and in rags,
From drawing-rooms, from colleges, from garrets,
On horse, on foot, in hacks, and gilded chariots:
All who true dunces in her cause appear'd,
And all who knew those dunces to reward.

Amid that area wide they took their stand,
Where the tall maypole once o'er-looked the Strand,
But now (so Anne and piety ordain)
A church collects the saints of Drury Lane.

With authors, stationers obey'd the call,
(The field of glory is a field for all).
Glory and gain the industrious tribe provoke;
And gentle Dulness ever loves a joke.
A poet's form she placed before their eyes,
And bade the nimblest racer seize the prize;
No meagre, muse-rid mope, adust and thin,
In a dun night-gown of his own loose skin;
But such a bulk as no twelve bards could raise,
Twelve starveling bards of these degenerate days.
All as a partridge plump, full-fed, and fair,
She form'd this image of well-bodied air;
With pert flat eyes she window'd well its head;
A brain of feathers, and a heart of lead;
And empty words she gave, and sounding strain,
But senseless, lifeless! idol void and vain!

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poem by Alexander Pope
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MuDdY......... wAtEr............! !

MuDdY......... wAtEr............! !
Pouring muddy water?
I clean my self
Again he throws
Muddy water
I throw him out again
There walks a new person
Sprinkles little mud around
I dust them here n there
And I walk towards life
He stops me there
I turn back at him
He splashes the muddy water
I wash them again with
With waters of tears!
Words of apology
Gestures of forgiveness
He takes my crying face
And paints me again
Again with muddy water
No tears this time
Its blood I use again
To clear the muddy water
And I limit the days I want to live
In distress he pats my pats my back
With his right hand
But alas he was staining me
With his left hand
Muddy water was it again
I clear my seat
I tidy myself
Painstakingly not with
Brush nor broom
But with scalpel and knife
Cutting and chistlling
Callous and critical
Every inch of my individuality
But still he would silently take me
Take me to the corners of love
& again teem me with muddy water
There I attempt to kill myself
& he pacifies me again
With explanations of muddy water
Now I know scrubbing and scouring
Will never help
Virtuous and untainted
Spotless and shipshape do I wannu be
But its muddy water this lfe
So i`l go beneath heaps of mud
Cause however much of muddy water

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poem by Dr DHANA LAKSHMI
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Metamorphoses: Book The Sixth

PALLAS, attending to the Muse's song,
Approv'd the just resentment of their wrong;
And thus reflects: While tamely I commend
Those who their injur'd deities defend,
My own divinity affronted stands,
And calls aloud for justice at my hands;
Then takes the hint, asham'd to lag behind,
And on Arachne' bends her vengeful mind;
One at the loom so excellently skill'd,
That to the Goddess she refus'd to yield.
The Low was her birth, and small her native town,
Transformation She from her art alone obtain'd renown.
of Arachne Idmon, her father, made it his employ,
into a Spider To give the spungy fleece a purple dye:
Of vulgar strain her mother, lately dead,
With her own rank had been content to wed;
Yet she their daughter, tho' her time was spent
In a small hamlet, and of mean descent,
Thro' the great towns of Lydia gain'd a name,
And fill'd the neighb'ring countries with her fame.
Oft, to admire the niceness of her skill,
The Nymphs would quit their fountain, shade, or
hill:
Thither, from green Tymolus, they repair,
And leave the vineyards, their peculiar care;
Thither, from fam'd Pactolus' golden stream,
Drawn by her art, the curious Naiads came.
Nor would the work, when finish'd, please so much,
As, while she wrought, to view each graceful touch;
Whether the shapeless wool in balls she wound,
Or with quick motion turn'd the spindle round,
Or with her pencil drew the neat design,
Pallas her mistress shone in every line.
This the proud maid with scornful air denies,
And ev'n the Goddess at her work defies;
Disowns her heav'nly mistress ev'ry hour,
Nor asks her aid, nor deprecates her pow'r.
Let us, she cries, but to a tryal come,
And, if she conquers, let her fix my doom.
The Goddess then a beldame's form put on,
With silver hairs her hoary temples shone;
Prop'd by a staff, she hobbles in her walk,
And tott'ring thus begins her old wives' talk.
Young maid attend, nor stubbornly despise
The admonitions of the old, and wise;
For age, tho' scorn'd, a ripe experience bears,
That golden fruit, unknown to blooming years:
Still may remotest fame your labours crown,
And mortals your superior genius own;
But to the Goddess yield, and humbly meek

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poem by Ovid
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Name Value

What is a name?
What does it mean?

From where does it attain stamina?
From whence are its tactics formulated?

What does it signify when processing
an established aristocratic name-tag?

A name derives authentic revered value; both
individually and collectively; without exception;
sourced upon each birthed or adopted member;
within extended compressed collective; known as family.

Therefore a name stands spot-lighted; solitary in soliloquy;
resting upon inquisitional value; each optimum responsible ranked;
caring moralistic member; associate; places superimposed upon it.

It stands soluble in soprano; resting upon;
greatest and lowest achievements; an associated
individual; productively or carelessly insolvent produces.

It stands solvent upon sojourn soiree;
as sorrowful as actions regretted induce;
for collective crimes are ingredients sordid.

It stands upon all reputations in friendship enemy associations.
It stands upon all glorious or ignoble endeavours attempted.
It stands upon all achievements failures triumphs disasters.
It stands upon all morality integrity compassion or exploitation.
It stands upon all random rumoured or proven past actions.

A name posses no more; than sum totaled; money rolled;
steadfast patronage power; corporation willed; applied or directed.
Talisman talent we individually; or collectively; endow it with.
It stands or falls; upon aspirations; upon dreams; upon talented gut
feelings; upon all social mobility; arising from actions deliberated.

In truth a name; cannot mean more; than we make it.
It is ingested; as ingredients; in our ingressed identity.

It is harmonious or inharmonious interaction; innovative within; interconnected family fibre; comprising collective embodiment.

It is the synchronism synopsis; of simultaneous contemporary
events; within precession of historically arranged; preceding events.

A name is n extended; elementary identity; we walk within.
Irremovable clothing; we wear upon class judged; inquisition.

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poem by Terence George Craddock
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Song Of The Broad-Axe

WEAPON, shapely, naked, wan!
Head from the mother's bowels drawn!
Wooded flesh and metal bone! limb only one, and lip only one!
Gray-blue leaf by red-heat grown! helve produced from a little seed
sown!
Resting the grass amid and upon,
To be lean'd, and to lean on.

Strong shapes, and attributes of strong shapes--masculine trades,
sights and sounds;
Long varied train of an emblem, dabs of music;
Fingers of the organist skipping staccato over the keys of the great
organ.

Welcome are all earth's lands, each for its kind; 10
Welcome are lands of pine and oak;
Welcome are lands of the lemon and fig;
Welcome are lands of gold;
Welcome are lands of wheat and maize--welcome those of the grape;
Welcome are lands of sugar and rice;
Welcome the cotton-lands--welcome those of the white potato and sweet
potato;
Welcome are mountains, flats, sands, forests, prairies;
Welcome the rich borders of rivers, table-lands, openings;
Welcome the measureless grazing-lands--welcome the teeming soil of
orchards, flax, honey, hemp;
Welcome just as much the other more hard-faced lands; 20
Lands rich as lands of gold, or wheat and fruit lands;
Lands of mines, lands of the manly and rugged ores;
Lands of coal, copper, lead, tin, zinc;
LANDS OF IRON! lands of the make of the axe!

The log at the wood-pile, the axe supported by it;
The sylvan hut, the vine over the doorway, the space clear'd for a
garden,
The irregular tapping of rain down on the leaves, after the storm is
lull'd,
The wailing and moaning at intervals, the thought of the sea,
The thought of ships struck in the storm, and put on their beam ends,
and the cutting away of masts;
The sentiment of the huge timbers of old-fashion'd houses and
barns; 30
The remember'd print or narrative, the voyage at a venture of men,
families, goods,
The disembarkation, the founding of a new city,
The voyage of those who sought a New England and found it--the outset
anywhere,
The settlements of the Arkansas, Colorado, Ottawa, Willamette,

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poem by Walt Whitman
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Trivia ; or, the Art of Walking the Streets of London : Book II.

Of Walking the Streets by Day.

Thus far the Muse has trac'd in useful lays
The proper implements for wintry ways;
Has taught the walker, with judicious eyes,
To read the various warnings of the skies.
Now venture, Muse, from home to range the town,
And for the public safety risk thy own.
For ease and for dispatch, the morning's best;
No tides of passengers the street molest.
You'll see a draggled damsel, here and there,
From Billingsgate her fishy traffic bear;
On doors the sallow milk-maid chalks her gains;
Ah! how unlike the milk-maid of the plains!
Before proud gates attending asses bray,
Or arrogate with solemn pace the way;
These grave physicians with their milky cheer,
The love-sick maid and dwindling beau repair;
Here rows of drummers stand in martial file,
And with their vellum thunder shake the pile,
To greet the new-made bride. Are sounds like these
The proper prelude to a state of peace?
Now industry awakes her busy sons,
Full charg'd with news the breathless hawker runs:
Shops open, coaches roll, carts shake the ground,
And all the streets with passing cries resound.
If cloth'd in black, you tread the busy town
Or if distinguish'd by the rev'rend gown,
Three trades avoid; oft in the mingling press,
The barber's apron soils the sable dress;
Shun the perfumer's touch with cautious eye,
Nor let the baker's step advance too nigh;
Ye walkers too that youthful colours wear,
Three sullying trades avoid with equal care;
The little chimney-sweeper skulks along,
And marks with sooty stains the heedless throng;
When small-coal murmurs in the hoarser throat,
From smutty dangers guard thy threaten'd coat:
The dust-man's cart offends thy clothes and eyes,
When through the street a cloud of ashes flies;
But whether black or lighter dyes are worn,
The chandler's basket, on his shoulder borne,
With tallow spots thy coat; resign the way,
To shun the surly butcher's greasy tray,
Butcher's, whose hands are dy'd with blood's foul stain,
And always foremost in the hangman's train.
Let due civilities be strictly paid.
The wall surrender to the hooded maid;
Nor let thy sturdy elbow's hasty rage
Jostle the feeble steps of trembling age;

[...] Read more

poem by John Gay
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Mud Slide Slim

Mud slide slim and the blue horizon
Oh, mud slide, Im dependent on you
I dont know but Ive been told
Theres a time from time to time
I cant eat, I cant sleep
But I just might move my feet
cause theres nothing like
The sound of sweet soul music
To change a young ladys mind
And theres nothing like a
Walk on down by the bayou
To leave the world behind
Mud slide Im depending upon you
Mister mud slide slim and the blue horizon
Ive been letting the time go by
Letting the time go by
Yes, Im letting the time go by
Letting the time go by
Im gonna cash in my hand and
Pick up on a piece of land
And build myself a cabin back in the woods
Lord, its there Im gonna stay
Until there comes a day
When this old world starts to changing for the good
Now the reason Im smiling is over on a island
On a hillside in the woods where I belong
I wanna thank jimmy, jimmy, john, nick and laurie
The no jets construction for setting
Me down a homestead on the farm
Mud slide, Im depending upon you
Mister mud slide slim and the blue horizon

song performed by James Taylor
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Creola

By: jimmy buffett, ralph macdonald, william salter
Chorus:
Creola
In my sola
I loved what they were sayin
I loved what they were playin
Creola
Creola
On my victrola
Makes me feel like dancin
Fall in love romancin the melody
Creola, creola, creola for me
I remember as a child all the happiness and smiles
Flowed around my grandmas sunday table
While auntie mae was sayin grace
Papa t would sneak a taste
Catch a funny look from my cousin mabel
Then daddyd beat the drum
The old folks start to hum
Sing the only song that we all knew
Ambiance so fine, dancin drinkin wine
Sing about the lifestyle on the bayou
Chorus:
Creola (creola)
In my sola (sola)
Loved what they were sayin (sayin)
Loved what they were playin (playin)
Creola
Creola (creola)
On my victrola (victrola)
Makes me feel like dancin (dancin)
Fall in love romancin the melody
(do do do do, do do do do)
Creola, creola (creola), creola for me
Its in the mood, its in the blood
Its in the food, its in the mud
Its a spicy kind of life
Creola
Its in the mood, its in the blood
Its in the food, its in the mud
Creola, creola, creola for me
(pan instrumental)
The years have come and gone
Still the old song lingers on
I keep it in my heart with fond affection
Like the family good luck charm
That keeps away the harm
Creolas always there for my protection
Chorus:
Creola (creola)

[...] Read more

song performed by Jimmy Buffett
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My Name Is Mud

My name is mud
Not to be confused with bill or jack or pete or dennis
My name is mud and its always been
cause Im the most boring sons-a-bitch youve ever seen
I dress in blue-yes navy blue
From head to toe Im rather drab except my patent shoes
I make em shine, well most the time
cept today my feet are troddin on by this friend of mine
Six foort two and rude as hell
I got to get him in the ground before he starts to smell
My name is mud
My name is mud, but call me alowishus devadander abercrombie
Thats long for mud so Ive been told
Told that by this sonsabitch that lies before me bloated blue and cold
Ive got my pride, I drink my wine
Id drink the finest except I havent earned a dime in several months
Or were it years
The breath on that fat bastard could bring any man to tears
We had our words, a common spat
So I kissed him upside the cranium with an aluminum baseball bat
My name is mud

song performed by Primus
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Mud Bath

So thrilled to bits, was he that day,
He raced towards the mud!
The elephant hell-bent to play
And also cool his blood!
He jumped with one almighty splosh!
The mud jumped skyward bound!
He wasn't there to have a wash,
Just there to fool around!

'Oh, yeah! The mud gets everywhere!
Oh, yeah! This feels so cool!
Oh, yeah! Let everybody stare
And think that I'm a fool!
But this is what life's all about!
Not lazing in the sun...
Life isn't fretting, full of doubt...
Come on! Let's have some fun! '

So there he squished and squashed a while
And squelched the mud so nice...
To greet the world with one huge smile,
As if in Paradise!
To think, for him, such fun was free...
His mud bath felt so grand!
His Shangri-La, his ecstacy...
His private Disneyland!

Denis Martindale, copyright, February 2011.

The poem is based on the magnificent painting
by Stephen Gayford called 'Mud Bath'.

More Stephen Gayford poems here:
denis-martindale-dot-blogspot-dot-com

poem by Denis Martindale
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A Song Of Winter Weather

It isn't the foe that we fear;
It isn't the bullets that whine;
It isn't the business career
Of a shell, or the bust of a mine;
It isn't the snipers who seek
To nip our young hopes in the bud:
No, it isn't the guns,
And it isn't the Huns --
It's the MUD,
MUD,
MUD.

It isn't the melee we mind.
That often is rather good fun.
It isn't the shrapnel we find
Obtrusive when rained by the ton;
It isn't the bounce of the bombs
That gives us a positive pain:
It's the strafing we get
When the weather is wet --
It's the RAIN,
RAIN,
RAIN.

It isn't because we lack grit
We shrink from the horrors of war.
We don't mind the battle a bit;
In fact that is what we are for;
It isn't the rum-jars and things
Make us wish we were back in the fold:
It's the fingers that freeze
In the boreal breeze --
It's the COLD,
COLD,
COLD.

Oh, the rain, the mud, and the cold,
The cold, the mud, and the rain;
With weather at zero it's hard for a hero
From language that's rude to refrain.
With porridgy muck to the knees,
With sky that's a-pouring a flood,
Sure the worst of our foes
Are the pains and the woes
Of the RAIN,
THE COLD,
AND THE MUD.

poem by Robert William Service
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The Aeneid of Virgil: Book 12

WHEN Turnus saw the Latins leave the field,
Their armies broken, and their courage quell’d,
Himself become the mark of public spite,
His honor question’d for the promis’d fight;
The more he was with vulgar hate oppress’d, 5
The more his fury boil’d within his breast:
He rous’d his vigor for the last debate,
And rais’d his haughty soul to meet his fate.
As, when the swains the Libyan lion chase,
He makes a sour retreat, nor mends his pace; 10
But, if the pointed jav’lin pierce his side,
The lordly beast returns with double pride:
He wrenches out the steel, he roars for pain;
His sides he lashes, and erects his mane:
So Turnus fares; his eyeballs flash with fire, 15
Thro’ his wide nostrils clouds of smoke expire.
Trembling with rage, around the court he ran,
At length approach’d the king, and thus began:
“No more excuses or delays: I stand
In arms prepar’d to combat, hand to hand, 20
This base deserter of his native land.
The Trojan, by his word, is bound to take
The same conditions which himself did make.
Renew the truce; the solemn rites prepare,
And to my single virtue trust the war. 25
The Latians unconcern’d shall see the fight;
This arm unaided shall assert your right:
Then, if my prostrate body press the plain,
To him the crown and beauteous bride remain.”
To whom the king sedately thus replied: 30
“Brave youth, the more your valor has been tried,
The more becomes it us, with due respect,
To weigh the chance of war, which you neglect.
You want not wealth, or a successive throne,
Or cities which your arms have made your own: 35
My towns and treasures are at your command,
And stor’d with blooming beauties is my land;
Laurentum more than one Lavinia sees,
Unmarried, fair, of noble families.
Now let me speak, and you with patience hear, 40
Things which perhaps may grate a lover’s ear,
But sound advice, proceeding from a heart
Sincerely yours, and free from fraudful art.
The gods, by signs, have manifestly shown,
No prince Italian born should heir my throne: 45
Oft have our augurs, in prediction skill’d,
And oft our priests, a foreign son reveal’d.
Yet, won by worth that cannot be withstood,
Brib’d by my kindness to my kindred blood,
Urg’d by my wife, who would not be denied, 50

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poem by Publius Vergilius Maro
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Georgic 4

Of air-born honey, gift of heaven, I now
Take up the tale. Upon this theme no less
Look thou, Maecenas, with indulgent eye.
A marvellous display of puny powers,
High-hearted chiefs, a nation's history,
Its traits, its bent, its battles and its clans,
All, each, shall pass before you, while I sing.
Slight though the poet's theme, not slight the praise,
So frown not heaven, and Phoebus hear his call.
First find your bees a settled sure abode,
Where neither winds can enter (winds blow back
The foragers with food returning home)
Nor sheep and butting kids tread down the flowers,
Nor heifer wandering wide upon the plain
Dash off the dew, and bruise the springing blades.
Let the gay lizard too keep far aloof
His scale-clad body from their honied stalls,
And the bee-eater, and what birds beside,
And Procne smirched with blood upon the breast
From her own murderous hands. For these roam wide
Wasting all substance, or the bees themselves
Strike flying, and in their beaks bear home, to glut
Those savage nestlings with the dainty prey.
But let clear springs and moss-green pools be near,
And through the grass a streamlet hurrying run,
Some palm-tree o'er the porch extend its shade,
Or huge-grown oleaster, that in Spring,
Their own sweet Spring-tide, when the new-made chiefs
Lead forth the young swarms, and, escaped their comb,
The colony comes forth to sport and play,
The neighbouring bank may lure them from the heat,
Or bough befriend with hospitable shade.
O'er the mid-waters, whether swift or still,
Cast willow-branches and big stones enow,
Bridge after bridge, where they may footing find
And spread their wide wings to the summer sun,
If haply Eurus, swooping as they pause,
Have dashed with spray or plunged them in the deep.
And let green cassias and far-scented thymes,
And savory with its heavy-laden breath
Bloom round about, and violet-beds hard by
Sip sweetness from the fertilizing springs.
For the hive's self, or stitched of hollow bark,
Or from tough osier woven, let the doors
Be strait of entrance; for stiff winter's cold
Congeals the honey, and heat resolves and thaws,
To bees alike disastrous; not for naught
So haste they to cement the tiny pores
That pierce their walls, and fill the crevices
With pollen from the flowers, and glean and keep

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poem by Publius Vergilius Maro
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A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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poem by James Russell Lowell
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Mud

Mud is Beauty in the making,
Mud is melody awaking;
Laughter, leafy whisperings,
Butterflies with rainbow wings;
Baby babble, lover's sighs,
Bobolink in lucent skies;
Ardours of heroic blood
All stem back to Matrix Mud.

Mud is mankind in the moulding,
Heaven's mystery unfolding;
Miracles of mighty men,
Raphael's brush and Shakespear's pen;
Sculpture, music, all we owe
Mozart, Michael Angelo;
Wonder, worship, dreaming spire,
Issue out of primal mire.

In the raw, red womb of Time
Man evolved from cosmic slime;
And our thaumaturgic day
Had its source in ooze and clay . . .
But I have not power to see
Such stupendous alchemy:
And in star-bright lily bud
Lo! I worship Mother Mud.

poem by Robert William Service
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