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The Death Of Carthullin

ARGUMENT.

Cuthullin, after the arms of Fingal had expelled Swaran from Ireland, continued to manage the affairs of that kingdom as the guardian of Cormac the young king. In the third year of Cuthullin's administration, Torlath, the son of Cantela, rebelled in Connaught: and advanced to Temora to dethrone Cormac. Cuthullin marched against him, came up with him at the lake of Lego, and totally defeated his forces. Torlath fell in battle by Cuthullin's hand; but as he too eagerly pressed on the enemy, he was mortally wounded. The affairs of Cormac, though for some time supported by Nathos, as mentioned in the preceding poem, fell into confusion at the death of Cuthullin. Cormac himself was slain by the rebel Cairbar; and the re-establishment of the royal family of Ireland, by Fingal, furnishes the subject of the epic poem of Temora.

Is the wind on the shield of Fingal? Or is the voice of past times in my hall? Sing on, sweet voice! for thou art pleasant. Thou carriest away my night with joy. Sing on, O Bragéla, daughter of car-borne Sorglan!

"It is the white wave of the rock, and not Cuthullin's sails. Often do the mists deceive me for the ship of my love! when they rise round some ghost, and spread their gray skirts on the wind. Why dost thou delay thy coming, son of the generous Semo? Four times has autumn returned with its winds, and raised the seas of Togorma, since thou hast been in the roar of battles, and Bragéla distant far! Hills of the isle of mist! when will ye answer to his hounds? But ye are dark in your clouds. Sad Bragéla calls in vain! Night comes rolling down. The face of ocean falls. The heath-cock's head is beneath his wing. The hind sleeps with the hart of the desert. They shall rise with morning's light, and feed by the mossy stream. But my tears return with the sun. My sighs come on with the night. When wilt thou come in thine arms, O chief of Erin's wars?"

Pleasant is thy voice in Ossian's ear, daughter of car-borne Sorglan! But retire to the hall of shells, to the beam of the burning oak. Attend to the murmur of the sea: it rolls at Dunscäi's walls: let sleep descend on thy blue eyes. Let the hero arise in thy dreams!

Cuthullin sits at Lego's lake, at the dark rolling of waters. Night is around the hero. His thousands spread on the heath. A hundred oaks burn in the midst. The feast of shells is smoking wide. Carril strikes the harp beneath a tree. His gray locks glitter in the beam. The rustling blast of night is near, and lifts his aged hair. His song is of the blue Togorma, and of its chief, Cuthullin's friend! "Why art thou absent, Connal, in the days of the gloomy storm? The chiefs of the south have convened against the car-borne Cormac. The winds detain thy sails. Thy blue waters roll around thee. But Cormac is not alone. The son of Semo fights his wars! Semo's son his battles fights! the terror of the stranger! He that is like the vapor of death, slowly borne by sultry winds. The sun reddens in its presence; the people fall around."

Such was the song of Carril, when a son of the foe appeared. He threw down his pointless spear. He spoke the words of Torlath; Torlath chief of heroes, from Lego's sable surge! He that led his thousands to battle, against car-borne Cormac. Cormac, who was distant far, in Temora's echoing halls: he learned to bend the bow of his fathers; and to lift the spear. Nor long didst thou lift the spear, mildly-shining beam of youth! death stands dim behind thee, like the darkened half of the moon behind its growing light. Cuthullin rose before the bard, that came from generous Torlath. He offered him the shell of joy. He honored the son of songs. "Sweet voice of Lego!" he said, "what are the words of Torlath? Comes he to our feast or battle, the car-borne son of Cantela?"

"He comes to thy battle," replied the bard, "to the sounding strife of spears. When morning is gray on Lego, Torlath will fight on the plain. Wilt thou meet him, in thine arms, king of the isle of mist? Terrible is the spear of Torlath! it is a meteor of night. He lifts it, and the people fall! death sits in the lightning of his sword!" — "Do I fear," replied Cuthullin, "the spear of car-borne Torlath? He is brave as a thousand heroes: but my soul delights in war! The sword rests not by the side of Cuthullin, bard of the times of old! Morning shall meet me on the plain, and gleam on the blue arms of Semo's son. But sit thou on the heath, O bard, and let us hear thy voice. Partake of the joyful shell: and hear the songs of Temora!"

"This is no time," replied the bard, "to hear the song of joy: when the mighty are to meet in battle, like the strength of the waves of Lego. Why art thou so dark, Slimora! with all thy silent woods? No star trembles on thy top. No moonbeam on thy side. But the meteors of death are there: the gray watery forms of ghosts. Why art thou dark, Slimora! why thy silent woods?" He retired, in the sound of his song. Carril joined his voice. The music was like the memory of joys that are past, pleasant and mournful to the soul. The ghosts of departed bards heard on Slimora's side. Soft sounds spread along the wood. The silent valleys of night rejoice. So when he sits in the silence of the day, in the valley of his breeze, the humming of the mountain bee comes to Ossian's ear: the gale drowns it in its course: but the pleasant sound returns again! Slant looks the sun on the field! gradual grows the shade of the hill!

"Raise," said Cuthullin to his hundred bards, "the song of the noble Fingal: that song which he hears at night, when the dreams of his rest descend; when the bards strike the distant harp, and the faint light gleams on Selma's walls. Or let the grief of Lara rise: the sighs of the mother of Calmar, when he was sought, in vain, on his hills; when she beheld his bow in the hall. Carril, place the shield of Caithbat on that branch. Let the spear of Cuthullin be near; that the sound of my battle may rise, with the gray beam of the east."

The hero leaned on his father's shield: the song of Lara rose! The hundred bards were distant far: Carril alone is near the chief. The words of the song were his: the sound of his harp was mournful.

"Alcletha with the aged locks! mother of car-borne Calmar! why dost thou look towards the desert, to behold the return of thy son? These are not his heroes, dark on the heath: nor is that the voice of Calmar. It is but the distant grove, Alcletha! but the roar of the mountain-wind — [Alcletha speaks] 'Who bounds over Lara's stream, sister of the noble Calmar? Does not Alcletha behold his spear? But her eyes are dim! Is it not the son of Matha, daughter of my love?'

"'It is but an aged oak, Alcletha!' replied the lovely weeping Alona. 'It is but an oak, Alcletha, bent over Lara's stream. But who comes along the plain? sorrow is in his speed. He lifts high the spear of Calmar. Alcletha, it is covered with blood!' —

"[Alcletha speaks] 'But it is covered with the blood of foes, sister of car-borne Calmar! His spear never returned unstained with blood: nor his bow from the strife of the mighty. The battle is consumed in his presence: he is a flame of death, Alona! — Youth of the mournful speed! where is the son of Alcletha! Does he return with his fame, in the midst of his echoing shields? Thou art dark and silent! Calmar is then no more! Tell me not, warrior, how he fell. I must not hear of his wound!' Why dost thou look towards the desert, mother of low-laid Calmar?"

Such was the song of Carril, when Cuthullin lay on his shield. The bards rested on their harps. Sleep fell softly around. The son of Semo was awake alone. His soul fixed on war. The burning oaks began to decay. Faint red light is spread around. A feeble voice is heard! The ghost of Calmar came! He stalked dimly along the beam. Dark is the wound in his side. His hair is disordered and loose. Joy sits pale on his face. He seems to invite Cuthullin to his cave.

"Son of the cloudy night!" said the rising chief of Erin; "why dost thou bend thy dark eyes on me, ghost of the noble Calmar? wouldst thou frighten me, O Matha's son! from the battles of Cormac? Thy hand was not feeble in war: neither was thy voice for peace. How art thou changed, chief of Lara! if thou now dost advise to fly! But, Calmar, I never fled. I never feared the ghosts of night. Small is their knowledge, weak their hands; their dwelling is in the wind. But my soul grows in danger, and rejoices in the noise of steel. Retire thou to thy cave. Thou art not Calmar's ghost. He delighted in battle. His arm was like the thunder of heaven! He retired in his blast with joy, for he had heard the voice of his praise."

The faint beam of the morning rose. The sound of Caithbat's buckler spread. Green Erin's warriors convened, like the roar of many streams. The horn of war is heard over Lego. The mighty Torlath came! "Why dost thou come with thy thousands, Cuthullin," said the chief of Lego." I know the strength of thy arm. Thy soul is an unextinguished fire. Why fight we not on the plain, and let our hosts behold our deeds? Let them behold us like roaring waves, that tumble round a rock; the mariners hasten away, and look on their strife with fear."

"Thou risest like the sun, on my soul, replied the son of Semo. Thine arm is mighty, O Torlath! and worthy of my wrath. Retire, ye men of Ullin, to Slimora's shady side. Behold the chief of Erin, in the day of his fame. Carril, tell to mighty Connal, if Cuthullin must fall, tell him I accused the winds, which roar on Togorma's waves. Never was he absent in battle, when the strife of my fame arose. Let his sword be before Cormac, like the beam of heaven. Let his counsel sound in Temora, in the day of danger!"

He rushed, in the sound of his arms, like the terrible spirit of Loda, when he comes, in the roar of a thousand storms, and scatters battles from his eyes. He sits on a cloud over Lochlin's seas. His mighty hand is on his sword. Winds lift his flaming locks! The waning moon half lights his dreadful face. His features blended in darkness arise to view. So terrible was Cuthullin in the day of his fame. Torlath fell by his hand. Lego's heroes mourned. They gather around the chief, like the clouds of the desert. A thousand swords rose at once; a thousand arrows flew; but he stood like a rock in the midst of a roaring sea. They fell around. He strode in blood. Dark Slimora echoed wide. The sons of Ullin came on. The battle spread over Lego. The chief of Erin overcame. He returned over the field with his fame. But pale he returned! The joy of his face was dark. He rolled his eyes in silence. The sword hung, unsheathed, in his hand. His spear bent at every step!

"Carril," said the chief in secret, "the strength of Cuthullin fails. My days are with the years that are past. No morning of mine shall arise. They shall seek me at Temora, but I shall not be found. Cormac will weep in his hall, and say, Where is Erin's chief? But my name is renowned! my fame in the song of bards. The youth will say, in secret, O let me die as Cuthullin died! Renown clothed him like a robe. The light of his fame is great. — Draw the arrow from my side. Lay Cuthullin beneath that oak. Place the shield of Caithbat near, that they may behold me amidst the arms of my fathers!"

"And is the son of Semo fallen?" said Carril with a sigh." Mournful are Tura's walls. Sorrow dwells at Dunscäi. Thy spouse is left alone in her youth. The son of thy love is alone! He shall come to Bragéla and ask her why she weeps! He shalt lift his eyes to the wall, and see his father's sword. Whose sword is that? he will say. The soul of his mother is sad. Who is that, like the hart of the desert, in the murmur of his course? His eyes look wildly round in search of his friend. Connal, son of Colgar, where hast thou been, when the mighty fell? Did the seas of Togorma roll around thee? Was the wind of the south in thy sails? The mighty have fallen in battle, and thou wast not there. Let none tell it in Selma, nor in Morven's woody land. Fingal will be sad, and the sons of the desert mourn!"

By the dark-rolling waves of Lego they raised the hero's tomb. Luath, at a distance, lies. The song of bards rose over the dead.

Blest be thy soul, son of Semo! Thou wert mighty in battle. Thy strength was like the strength of a stream; thy speed like the eagle's wing. Thy path in battle was terrible: the steps of death were behind thy sword. Blest be thy soul, son of Semo, car-borne chief of Dunscäi! Thou hast not fallen by the sword of the mighty, neither was thy blood on the spear of the brave. The arrow came, like the sting of death in a blast: nor did the feeble hand, which drew the bow, perceive it. Peace to thy soul, in thy cave, chief of the isle of mist!

"The mighty are dispersed at Temora; there is none in Cormac's hall. The king mourns in his youth. He does not behold thy return. The sound of thy shield is ceased: his foes are gathering round. Soft be thy rest in thy cave, chief of Erin's wars! Bragéla will not hope for thy return, or see thy sails in ocean's foam. Her steps are not on the shore: nor her ear open to the voice of thy rowers. She sits in the hall of shells. She sees the arms of him that is no more. Thine eyes are full of tears, daughter of car-borne Sorglan! Blest be thy soul in death, O chief of shady Tura!"

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The Four Seasons : Spring

Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!

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All Alone

SHE SITS THERE ALL ALONE
HER CHILDREN GROWN
WITH FAMILY OF THEIR OWN
SHE WONDERS WHAT HAPPEN
CHILDREN ALL OF THREE
THEY HAVE GROWN LIKE FRUIT UPON THE TREES
GRANDCHILDREN SHE HAS SIX
GETTING HARDER TO REMEMBER THEIR NAMES
SHE SITS THERE ALL ALONE
NO ONE COMES TO VISIT
HER GRANDCHILDREN DOESN, T KNOW HER
HER CHILDREN HAS FORSAKEN HER
SHE WONDERS WHY
SHE SITS THERE ALL ALONE
SHE LOVED HER CHILDREN DEARLY
WANTED NOTHING BUT THE BEST
WORKED HARD AND WENT WITHOUT
HER CHILDREN SHE WOULD DIE FOR
SHE SITS THERE ALL ALONE
SHE WONDERS WHY
SHE THOUGHT THEY WOULD BE AROUND HER
LIKE ALL MOTHERS DO
GET TOGETHERS ON SUNDAYS
SEE A MOVIE OR TWO
SHE SITS THERE ALL ALONE
SHE REEKS HER BRAIN
WONDERS WHAT DID SHE EVER DO
TO GET SUCH COLD TREATMENT
FROM THE BABIES SHE ONCE KNEW
SHE SITS THERE ALL ALONE
THE ANGELS CAME AND CARRIED HER HOME

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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John Milton

Paradise Lost: Book 02

High on a throne of royal state, which far
Outshone the wealth or Ormus and of Ind,
Or where the gorgeous East with richest hand
Showers on her kings barbaric pearl and gold,
Satan exalted sat, by merit raised
To that bad eminence; and, from despair
Thus high uplifted beyond hope, aspires
Beyond thus high, insatiate to pursue
Vain war with Heaven; and, by success untaught,
His proud imaginations thus displayed:--
"Powers and Dominions, Deities of Heaven!--
For, since no deep within her gulf can hold
Immortal vigour, though oppressed and fallen,
I give not Heaven for lost: from this descent
Celestial Virtues rising will appear
More glorious and more dread than from no fall,
And trust themselves to fear no second fate!--
Me though just right, and the fixed laws of Heaven,
Did first create your leader--next, free choice
With what besides in council or in fight
Hath been achieved of merit--yet this loss,
Thus far at least recovered, hath much more
Established in a safe, unenvied throne,
Yielded with full consent. The happier state
In Heaven, which follows dignity, might draw
Envy from each inferior; but who here
Will envy whom the highest place exposes
Foremost to stand against the Thunderer's aim
Your bulwark, and condemns to greatest share
Of endless pain? Where there is, then, no good
For which to strive, no strife can grow up there
From faction: for none sure will claim in Hell
Precedence; none whose portion is so small
Of present pain that with ambitious mind
Will covet more! With this advantage, then,
To union, and firm faith, and firm accord,
More than can be in Heaven, we now return
To claim our just inheritance of old,
Surer to prosper than prosperity
Could have assured us; and by what best way,
Whether of open war or covert guile,
We now debate. Who can advise may speak."
He ceased; and next him Moloch, sceptred king,
Stood up--the strongest and the fiercest Spirit
That fought in Heaven, now fiercer by despair.
His trust was with th' Eternal to be deemed
Equal in strength, and rather than be less
Cared not to be at all; with that care lost
Went all his fear: of God, or Hell, or worse,
He recked not, and these words thereafter spake:--

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If Someone 'Is' Dismissed

Do not believe for one second,
One dismissed sits and fidgets...
Wishing their presence is missed.

Too many perceive they have the power to do this.
As if the one that has been dismissed,
Sits making adjustments...
In a chair doing nothing,
But looking at thumbs as a twisting of them is done.

Do not believe for one second,
One dismissed sits with wishes to be enlisted...
Into a clique of forget-me-nots full of 'wannabees'.
And usually they are the ones issuing approvals,
To those fearing rejection.

Too many perceive they have the power to do this.
As if the one that has been dismissed,
Sits making adjustments...
In a chair doing nothing,
But looking at thumbs as a twisting of them is done.

Do not believe for one second,
One dismissed sits and fidgets...
Wishing their presence is missed.
How foolish would this be...
If someone sat seeking for an authority,
To approve the choosing of what they do...
And 'who' they should do it with.

If someone 'is' dismissed,
They should be glad of it.
Since there has been a lifting from them,
Any kind of restrictions.

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Only In The Making Of Movies

Only in the making of movies,
Are actors found to be handed scripts.
To then learn lines some find to be tedious.
And time well spent is sacrificed to deliver,
What's right for the price...
For the cost being paid.

Camera angles are selected,
By a director who chooses the best scenes.
And the actors are blocked within them,
To emote with belief as an audince viewing this...
Sits,
With their emotions manipulated.

Only in the making of movies,
Are 'realities' depicted.
Although many in the audience become captivated,
With beliefs they also can deceive truth easily.
By saying and doing things they wish to sell.
With hopes their 'portrayals' have gone over well.

And only those who become offended,
They can not sell lies they told to tell...
Are those who become combative,
When confronted by others...
Who are specific and direct AND caring less,
How a charade is masqueraded to address.

Only in the making of movies,
Are actors found to be handed scripts.
To then learn lines some find to be tedious.
Until what is done has been finished.
But many unpaid to 'act' but embellish facts,
Find it difficult to strip away all their fantasies.

Only in the making of movies...
No one sits back to snack.
Only in the making of movies...
Every actor wants to get paid.
And,
Only in the making of movies...
No one sits back to snack.
No one has time for that,
Since a budget has to be paid back.
Oh.
Only in the making of movies...
No one sits back to snack.
Only in the making of movies...
Every actor wants to get paid.
And,

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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

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The Thorn

I

'There is a Thorn--it looks so old,
In truth, you'd find it hard to say
How it could ever have been young,
It looks so old and grey.
Not higher than a two years' child
It stands erect, this aged Thorn;
No leaves it has, no prickly points;
It is a mass of knotted joints,
A wretched thing forlorn.
It stands erect, and like a stone
With lichens is it overgrown.

II

'Like rock or stone, it is o'ergrown,
With lichens to the very top,
And hung with heavy tufts of moss,
A melancholy crop:
Up from the earth these mosses creep,
And this poor Thorn they clasp it round
So close, you'd say that they are bent
With plain and manifest intent
To drag it to the ground;
And all have joined in one endeavour
To bury this poor Thorn for ever.

III

'High on a mountain's highest ridge,
Where oft the stormy winter gale
Cuts like a scythe, while through the clouds
It sweeps from vale to vale;
Not five yards from the mountain path,
This Thorn you on your left espy;
And to the left, three yards beyond,
You see a little muddy pond
Of water--never dry
Though but of compass small, and bare
To thirsty suns and parching air.

IV

'And, close beside this aged Thorn,
There is a fresh and lovely sight,
A beauteous heap, a hill of moss,
Just half a foot in height.
All lovely colours there you see,
All colours that were ever seen;

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Matthew Arnold

Sohrab and Rustum

And the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.
But all the Tartar camp along the stream
Was hush'd, and still the men were plunged in sleep;
Sohrab alone, he slept not; all night long
He had lain wakeful, tossing on his bed;
But when the grey dawn stole into his tent,
He rose, and clad himself, and girt his sword,
And took his horseman's cloak, and left his tent,
And went abroad into the cold wet fog,
Through the dim camp to Peran-Wisa's tent.

Through the black Tartar tents he pass'd, which stood
Clustering like bee-hives on the low flat strand
Of Oxus, where the summer-floods o'erflow
When the sun melts the snows in high Pamere
Through the black tents he pass'd, o'er that low strand,
And to a hillock came, a little back
From the stream's brink--the spot where first a boat,
Crossing the stream in summer, scrapes the land.
The men of former times had crown'd the top
With a clay fort; but that was fall'n, and now
The Tartars built there Peran-Wisa's tent,
A dome of laths, and o'er it felts were spread.
And Sohrab came there, and went in, and stood
Upon the thick piled carpets in the tent,
And found the old man sleeping on his bed
Of rugs and felts, and near him lay his arms.
And Peran-Wisa heard him, though the step
Was dull'd; for he slept light, an old man's sleep;
And he rose quickly on one arm, and said:--

"Who art thou? for it is not yet clear dawn.
Speak! is there news, or any night alarm?"

But Sohrab came to the bedside, and said:--
"Thou know'st me, Peran-Wisa! it is I.
The sun is not yet risen, and the foe
Sleep; but I sleep not; all night long I lie
Tossing and wakeful, and I come to thee.
For so did King Afrasiab bid me seek
Thy counsel, and to heed thee as thy son,
In Samarcand, before the army march'd;
And I will tell thee what my heart desires.
Thou know'st if, since from Ader-baijan first
I came among the Tartars and bore arms,
I have still served Afrasiab well, and shown,
At my boy's years, the courage of a man.
This too thou know'st, that while I still bear on
The conquering Tartar ensigns through the world,

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Anne Brontë

Alexander and Zenobia

Fair was the evening and brightly the sun
Was shining on desert and grove,
Sweet were the breezes and balmy the flowers
And cloudless the heavens above.
It was Arabia's distant land
And peaceful was the hour;
Two youthful figures lay reclined
Deep in a shady bower.

One was a boy of just fourteen
Bold beautiful and bright;
Soft raven curls hung clustering round
A brow of marble white.

The fair brow and ruddy cheek
Spoke of less burning skies;
Words cannot paint the look that beamed
In his dark lustrous eyes.

The other was a slender girl,
Blooming and young and fair.
The snowy neck was shaded with
The long bright sunny hair.

And those deep eyes of watery blue,
So sweetly sad they seemed.
And every feature in her face
With pensive sorrow teemed.

The youth beheld her saddened air
And smiling cheerfully
He said, 'How pleasant is the land
Of sunny Araby!

'Zenobia, I never saw
A lovelier eve than this;
I never felt my spirit raised
With more unbroken bliss!

'So deep the shades, so calm the hour,
So soft the breezes sigh,
So sweetly Philomel begins
Her heavenly melody.

'So pleasant are the scents that rise
From flowers of loveliest hue,
And more than all - Zenobia,
I am alone with you!

Are we not happy here alone

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

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The Pillage Hangman - Parody LONGFELLOW - The Village Blacksmith

Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face
For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.

He goes on Sunday to the church
and sits among his boys;
He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.

It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.

Toiling, -rejoicing, -sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend

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The Fisherman

He sits by the shore
all day long casting his bait
line after line
into the lake fishing
hoping for that bite
the kind that makes his day
but nothing comes
he sits there alone
only thoughts for company
what goes through his head
while he sits there
watching cold eyed
the open lake before him
is he at peace
or making plans
who could say
he just sits there alone
watching

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The Strength of Jesus

The strength of Jesus
Ties their hearts;
She sits by the gates of Heaven;
She sits by the weak and the lost;
She sits by her Jesus
Who is the lonely little boy,
And she visits the needy.
The strength of Jesus ties their hearts!
She sits by her because
Jesus shines
within the gates
of the city

Mar 25,2012

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Ravens Child

This song appears on four albums, and was first released on the earth songs album. it has been released on the flower that shattered the stone, the very best ofjohn denver (single cd) and the j
Enver collection - rocky mountain high albums.
Ravens child
Is chasing salvation
Black beak turned white
From the crack and the snow
On the streets of despair
The answer is simple
A spoonful of mercy
Can set free the soul
The drug king sits
On his arrogant throne
Away and above and apart
Even children
Are twisted to serve him
And greed has corrupted
What once was a heart
Ravens child
Keeps vigil for freedom
Trades for the arms
That once made her strong
With nuclear warheads
And lasers in heaven
Fear does the choosing
Between right and wrong
The arms king sits
On his arrogant throne
Away and above and apart
Bankers assure him
That he neednt care
And greed makes a stone of
What once was a heart
Ravens child
Is washing the water
All of her wing-feathers
Blackened with tar
Prince william shorelines
An unwanted highway
Of asphalt and anger
An elegant scar
The oil king sits
On his arrogant throne
Away and above and apart
Lawyers have warned him
He mustnt speak
And greed has made silent
What once was a heart
You know there are walls
That come tumbling down
For people who yearn to be free

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The Patient Mental

Patient,
Just as I am,
As always,
Watch the time go by,
Nothing left to pass by,
The minutes follow me,
Drunken little people,
Work away in me,
Why wont they leave me, leave me alone
When I dont even want me, want me
I have to, kill the words,
Before they, form my sentence,
The sentence that is me,
Judged by those that carry
The patient sits in cradled arms
That comfort me by strangling
Why wont they leave me, leave me alone
When I dont even want me,
The patient mental sits and stares
An idle mind thats empty, screaming
Staring back
Why wont they leave him, leave him alone
A passive speared ritual
Drive by our war ship...the hate driven envy
They have to kill the meal,
Before they can consume,
Consume my inner peace,
Without the understanding,
Trapped inside the works,
The hands are moving me
The patient mental sits and stares
An idle mind thats empty, screaming
Staring back
Why wont they leave him, leave him alone
A passive speared ritual
Drive by our war ship...the hate driven envy
Release me,
Let me go,
Why do they observe me?
Theres nothing here to cure,
I can see the silhouettes,
That sit behind the mirror
Im just like a clock upon the wall
Always moving, but never going anywhere
The patient mental sits and stares
An idle mind thats empty, screaming
Staring back
Why wont they leave him, leave him alone
A passive speared ritual
Drive by our war ship...the hate driven envy

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The Only Black Sheep

The black sheep sits among us.
His eyes' glisten as he waits undivided.
His ghost knows he's already here.
It whispers, 'of despair, with a chill in the air.'
Anger, begets this fear monger.
Control, and dominance.
Nothing less then absolute dictatorship, for this tyrant.
A rule with a iron fist.
The money's is his.
Multiple women with polygamous desires.
A united military is his wanted transgression.
Put down all, who threat this rule.
Destroy,
Hurt,
Rob,
Enslave,
Hate.
Humiliate,
Devastate
Those under the empires flag.
Burn It.
It's evil.

It means nothing no more.
Who are we but mere pawns?
And a new dawn is coming.
It will sit to waste human life at the face of greed and gluttony.
Those who want to buy something and don't need.
And the people who want make money off everything.
Including the air you breath.
Yeah paying for the air you breath.
Those rich companies get taxes off green house gases.
Who created them and got us hooked in the first place.
Which doesn't make any sense.
Why can't we just do something good for doing it?
Why does their have to be that catch?

The black sheep sits among us.
His eyes' glisten as he waits undivided.
His ghost knows he's already here.
It whispers, 'of despair, with a chill in the air.'
Anger, begets this fear monger.
Control, and dominance.
Nothing less then absolute dictatorship, for this tyrant.
A rule with a iron fist.
The money's is his.
Multiple women with polygamous desires.
A united military is his wanted transgression.
Put down all, who threat this rule.
Destroy,

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