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For every ailing foot, there is a slipper.

Brazilian proverbs
Added by Lucian Velea
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Vida's Game Of Chess

TRANSLATED

ARMIES of box that sportively engage
And mimic real battles in their rage,
Pleased I recount; how, smit with glory's charms,
Two mighty Monarchs met in adverse arms,
Sable and white; assist me to explore,
Ye Serian Nymphs, what ne'er was sung before.
No path appears: yet resolute I stray
Where youth undaunted bids me force my way.
O'er rocks and cliffs while I the task pursue,
Guide me, ye Nymphs, with your unerring clue.
For you the rise of this diversion know,
You first were pleased in Italy to show
This studious sport; from Scacchis was its name,
The pleasing record of your Sister's fame.

When Jove through Ethiopia's parch'd extent
To grace the nuptials of old Ocean went,
Each god was there; and mirth and joy around
To shores remote diffused their happy sound.
Then when their hunger and their thirst no more
Claim'd their attention, and the feast was o'er;
Ocean with pastime to divert the thought,
Commands a painted table to be brought.
Sixty-four spaces fill the chequer'd square;
Eight in each rank eight equal limits share.
Alike their form, but different are their dyes,
They fade alternate, and alternate rise,
White after black; such various stains as those
The shelving backs of tortoises disclose.
Then to the gods that mute and wondering sate,
You see (says he) the field prepared for fate.
Here will the little armies please your sight,
With adverse colours hurrying to the fight:
On which so oft, with silent sweet surprise,
The Nymphs and Nereids used to feast their eyes,
And all the neighbours of the hoary deep,
When calm the sea, and winds were lull'd asleep
But see, the mimic heroes tread the board;
He said, and straightway from an urn he pour'd
The sculptured box, that neatly seem'd to ape
The graceful figure of a human shape:--
Equal the strength and number of each foe,
Sixteen appear'd like jet, sixteen like snow.
As their shape varies various is the name,
Different their posts, nor is their strength the same.
There might you see two Kings with equal pride
Gird on their arms, their Consorts by their side;
Here the Foot-warriors glowing after fame,

[...] Read more

poem by Oliver Goldsmith
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Straw Foot

I guess you didnt hear me
When I told you for the first time
Well dont you worry
It wont be the last
All I need a floorboard
An a wooden shoe
Step aside an let my lady through
Hey foot, straw foot
Low we lay em down
Hey foot, straw foot
Up an back around
See the high priest
He took my place
When the judge looks to me
He saw his sons face
Not gonna join you in
Your tower of babble, boy
Tired o that talkin
Im sick o that noise
Hey foot, straw foot
Low we lay em down
Hey foot, straw foot
Coverin ground
Im not alone
An looks can be deceivin
When we get down to it
Youre talkin when you
Should be leavin
Ive been to nebraska
It reminded me of spain
All the questions loaded
All my answers same
Hey foot, straw foot
Low we lay em down
Hay foot, straw foot
Coverin ground
Let us not mince our words
Lets say it true this time
I need your forgiveness
Just like you need mine
Tell me how it is that
You dont want what hes given
It aint no sin son
To be forgiven
Hey foot, straw foot
Low we lay em down
Hey foot, straw foot
All over town

song performed by 16 Horsepower
Added by Lucian Velea
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Opposites

The Half-Soled-Boots-With-Toecaps-Child
Walked out into the street
And splashed in all the pubbles till
She had such shocking feet

The Patent-Leather-Slipper-Child
Stayed quietly in the house
And sat upon the fender stool
As still as any mouse.

The Half-Soled-Boots-With-Toecaps-Child
Her hands were black as ink;
She would come running through the house
And begging for a drink.

The Patent-Leather-Slipper-Child
Her hands were white as snow;
She did not like to play around,
She only liked to sew.

The Half-Soled-Boots-With-Toecaps-Child
Lost hair ribbons galore;
She dropped them on the garden walks,
She dropped them on the floor.

The Patent-Leather-Slipper-Child
O thoughtful little girl!
She liked to walk quite soberly,
It kept her hair in curl.

The Half-Soled-Boots-With-Toecaps-Child
When she was glad or proud
Just flung her arms round Mother's neck
And kissed her very loud.

The Patent-Leather-Slipper-Child
Was shocked at such a sight,
She only offered you her cheek
At morning and at night.

O Half-Soled-Boots-With-Toecaps-Child
Your happy laughing face
Does like a scented Summer rose
Make sweet the dullest place.

O Patent-Leather-Slipper-Child
My dear, I'm well content
To have my daughter in my arms,
And not an ornament.

poem by Katherine Mansfield
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To Heaven On Foot

Ta.................Ta.................Ta..
My journey began a long time ago
how it began is unknown
in this journey I was born
where to go lies in
Ta..............Ta...............Ta
the thuds of my foot steps
as I head to heaven.
Ts a long way to go
A life time ride by horse
through suns outstretched
to a land where
I find my own foot marks
telling me I have been here before
I am lost
perhaps the path lies in
Ta.............Ta.............Ta
the thuds of my foot steps
as I head to heaven on foot

Ts a long way to go
a one day ride by time
if day be eternal,
A journey o'er that hurdle
I hope time offers me its saddle.
Ts still a long way to go
miles and miles above the skies
a dismayed try after all the tries
ts still a long way to go
to heaven on foot.
My feet has become heavy
lardened with the sound
of my foot steps
my mind is lost at the centre
of direction,
am lost at the centre of a compass
hesitant to haste
so I move slow, a still gas
the path lies in
Ta.............Ta............Ta
as I heard to heaven
on foot.

I have walked for a life time
I have walked at least to death's time
now before me
are woods of green
and songs of birds playing,
are dear birds flying happily to heaven?

[...] Read more

poem by Chanda Mwenechanya
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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poem by Robert Browning from The Ring and the Book
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The Iliad: Book 11

And now as Dawn rose from her couch beside Tithonus, harbinger of
light alike to mortals and immortals, Jove sent fierce Discord with
the ensign of war in her hands to the ships of the Achaeans. She
took her stand by the huge black hull of Ulysses' ship which was
middlemost of all, so that her voice might carry farthest on either
side, on the one hand towards the tents of Ajax son of Telamon, and on
the other towards those of Achilles- for these two heroes,
well-assured of their own strength, had valorously drawn up their
ships at the two ends of the line. There she took her stand, and
raised a cry both loud and shrill that filled the Achaeans with
courage, giving them heart to fight resolutely and with all their
might, so that they had rather stay there and do battle than go home
in their ships.
The son of Atreus shouted aloud and bade the Argives gird themselves
for battle while he put on his armour. First he girded his goodly
greaves about his legs, making them fast with ankle clasps of
silver; and about his chest he set the breastplate which Cinyras had
once given him as a guest-gift. It had been noised abroad as far as
Cyprus that the Achaeans were about to sail for Troy, and therefore he
gave it to the king. It had ten courses of dark cyanus, twelve of
gold, and ten of tin. There were serpents of cyanus that reared
themselves up towards the neck, three upon either side, like the
rainbows which the son of Saturn has set in heaven as a sign to mortal
men. About his shoulders he threw his sword, studded with bosses of
gold; and the scabbard was of silver with a chain of gold wherewith to
hang it. He took moreover the richly-dight shield that covered his
body when he was in battle- fair to see, with ten circles of bronze
running all round see, wit it. On the body of the shield there were
twenty bosses of white tin, with another of dark cyanus in the middle:
this last was made to show a Gorgon's head, fierce and grim, with Rout
and Panic on either side. The band for the arm to go through was of
silver, on which there was a writhing snake of cyanus with three heads
that sprang from a single neck, and went in and out among one another.
On his head Agamemnon set a helmet, with a peak before and behind, and
four plumes of horse-hair that nodded menacingly above it; then he
grasped two redoubtable bronze-shod spears, and the gleam of his
armour shot from him as a flame into the firmament, while Juno and
Minerva thundered in honour of the king of rich Mycene.
Every man now left his horses in charge of his charioteer to hold
them in readiness by the trench, while he went into battle on foot
clad in full armour, and a mighty uproar rose on high into the
dawning. The chiefs were armed and at the trench before the horses got
there, but these came up presently. The son of Saturn sent a portent
of evil sound about their host, and the dew fell red with blood, for
he was about to send many a brave man hurrying down to Hades.
The Trojans, on the other side upon the rising slope of the plain,
were gathered round great Hector, noble Polydamas, Aeneas who was
honoured by the Trojans like an immortal, and the three sons of
Antenor, Polybus, Agenor, and young Acamas beauteous as a god.
Hector's round shield showed in the front rank, and as some baneful

[...] Read more

poem by Homer, translated by Samuel Butler
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Cinderella

I guess you think you know this story.
You don't. The real one's much more gory.
The phoney one, the one you know,
Was cooked up years and years ago,
And made to sound all soft and sappy
just to keep the children happy.
Mind you, they got the first bit right,
The bit where, in the dead of night,
The Ugly Sisters, jewels and all,
Departed for the Palace Ball,
While darling little Cinderella
Was locked up in a slimy cellar,
Where rats who wanted things to eat,
Began to nibble at her feet.

She bellowed 'Help!' and 'Let me out!
The Magic Fairy heard her shout.
Appearing in a blaze of light,
She said: 'My dear, are you all right?'
'All right?' cried Cindy .'Can't you see
'I feel as rotten as can be!'
She beat her fist against the wall,
And shouted, 'Get me to the Ball!
'There is a Disco at the Palace!
'The rest have gone and I am jealous!
'I want a dress! I want a coach!
'And earrings and a diamond brooch!
'And silver slippers, two of those!
'And lovely nylon panty hose!
'Done up like that I'll guarantee
'The handsome Prince will fall for me!'
The Fairy said, 'Hang on a tick.'
She gave her wand a mighty flick
And quickly, in no time at all,
Cindy was at the Palace Ball!

It made the Ugly Sisters wince
To see her dancing with the Prince.
She held him very tight and pressed
herself against his manly chest.
The Prince himself was turned to pulp,
All he could do was gasp and gulp.
Then midnight struck. She shouted,'Heck!
I've got to run to save my neck!'
The Prince cried, 'No! Alas! Alack!'
He grabbed her dress to hold her back.
As Cindy shouted, 'Let me go!'
The dress was ripped from head to toe.

She ran out in her underwear,

[...] Read more

poem by Roald Dahl
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Ineptness

Carry a big stick,
To threaten from a distance.
Send me pictures of it...
To upset me quick,
With visions I'll be hit with it!
But you'll be wrong wrong.
And I'll be long gone!

Foot power...
Zip.

I like buttered biscuits,
Baked and fresh.
Heated from the oven,
And tasting their best!
You can bring that big stick,
To threaten me with it.
But when I've eaten buttered biscuits,
I'm prepared to split.
Humming a song...
With,
Foot power...zip!

Inept.
Foot power,
Zip!
Ineptness.
Foot power zip!
Inept.
Foot power,
Zip!
Ineptness.
Foot power zip!

'What? '

Foot power zip!
'What is this? '
Foot power zip!
'What? '
Foot power zip!
'What is this? '
Foot power zip!
'What? '

Ineptness!

poem by Lawrence S. Pertillar
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Put Your Foot On the Pedal

No ember that you've struck...
Could heat up a fire burning out.
And no engine that is cool...
Should keep ready,
For a driver who ain't behind the wheel.
Or thinking that a boost,
Is not needed to get started.

You gotta give up,
Mo' steam.
And get up offa that...
Low self-esteem.

You gotta give up,
Mo' steam.
And get up offa that,
Low self-esteem.

Put your foot on the pedal,
And steer me to all your needs.
Put your foot on the pedal.
Put the pedal to the metal.

Put your foot on the pedal,
And steer me to all your needs.
Put your foot on the pedal.
Put the pedal to the metal.

Put that pedal to the metal,
If you wanna get with me.
Put your foot on the pedal.
Put that pedal to the metal.

Put your foot on the pedal,
And steer me to all your needs.
Put your foot on the pedal.
Put the pedal to the metal.

No ember that you've struck...
Could heat up a fire burning out.
And no engine that is cool...
Should keep ready,
For a driver who ain't behind the wheel.
Or thinking that a boost,
Is not needed to get started.

You gotta give up,
Mo' steam.
And get up offa that...
Low self-esteem.

[...] Read more

poem by Lawrence S. Pertillar
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Tarantella for Cinderella - Parody Hilaire BELLOC - Tarantella

Do you remember the Ball, Cinderella, do you recall the Ball?
And the prancing, glancing, dancing
of blissed eyes Do you remember the Ball, Cinderella, do you recall the Ball?
And the prancing, glancing, dancing
of blissed eyes Chance kissed romancing;
and the breeeze teasing sneeze when I fell to my knees with a bawl,
winter freezing causing wheezing, seizing me just when advancing,
causing you to forestall!
shining goblets fine wine full, lining guzzling gullets, free for all,
the vicious suspicious looks of ambitious
matrons with delicious daughters on call!
supercallifragilisticexpialidocious withal!

Do you remember the Ball, Cinderella, do you recall the free-for-all brawl?
Then the clock that twelve struck when luck ran amuck
when the slipper slipped ‘mid many
that it didn’t fit, - not any, neither Terri, Tonie, Jenny, -
And the hammering on the doors and the din?
And the hip! hop! hap! of the clap
of the reins on the rump on the pump-
kin’s horses clancing, prancing, fading hooves distancing.
Waiting not, with forceful trot they went, with wings lent,
and tlic! tloc! knock echoed far...

Do you remember the Ball, Cinderella, do you recall the Ball?
Never more, Cinderella, what a bore! Only the fairy foresaw
the slipper left standing at the door. No trace! – none at all,
in the walls of the Hall where falls the face
of the Prince rincing eyes, for the foot-falls
echo like the boom of doom in an empty room
while the footman horsing around with the kitchen maid
made merry with the sherry on the fly which wasn't very
prim and proper till p'lice copper came and played
on his whistle calling order be obeyed
with his siren shrilling, silver badge displayed.

In this New Year now I'm chasing shadows everywhere retracing
Cinderella's steps my heart can't bear replacing,
pacing here and there and up and down unlacing
treasured slipper pleasure's promise acts as casing,
spacing out without her footloose pulse a-racing,
only pain remains it seems, vain dreams embracing...

poem by Jonathan Robin
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The Aeneid of Virgil: Book 10

THE GATES of heav’n unfold: Jove summons all
The gods to council in the common hall.
Sublimely seated, he surveys from far
The fields, the camp, the fortune of the war,
And all th’ inferior world. From first to last, 5
The sov’reign senate in degrees are plac’d.
Then thus th’ almighty sire began: “Ye gods,
Natives or denizens of blest abodes,
From whence these murmurs, and this change of mind,
This backward fate from what was first design’d? 10
Why this protracted war, when my commands
Pronounc’d a peace, and gave the Latian lands?
What fear or hope on either part divides
Our heav’ns, and arms our powers on diff’rent sides?
A lawful time of war at length will come, 15
(Nor need your haste anticipate the doom),
When Carthage shall contend the world with Rome,
Shall force the rigid rocks and Alpine chains,
And, like a flood, come pouring on the plains.
Then is your time for faction and debate, 20
For partial favor, and permitted hate.
Let now your immature dissension cease;
Sit quiet, and compose your souls to peace.”
Thus Jupiter in few unfolds the charge;
But lovely Venus thus replies at large: 25
“O pow’r immense, eternal energy,
(For to what else protection can we fly?)
Seest thou the proud Rutulians, how they dare
In fields, unpunish’d, and insult my care?
How lofty Turnus vaunts amidst his train, 30
In shining arms, triumphant on the plain?
Ev’n in their lines and trenches they contend,
And scarce their walls the Trojan troops defend:
The town is fill’d with slaughter, and o’erfloats,
With a red deluge, their increasing moats. 35
Æneas, ignorant, and far from thence,
Has left a camp expos’d, without defense.
This endless outrage shall they still sustain?
Shall Troy renew’d be forc’d and fir’d again?
A second siege my banish’d issue fears, 40
And a new Diomede in arms appears.
One more audacious mortal will be found;
And I, thy daughter, wait another wound.
Yet, if with fates averse, without thy leave,
The Latian lands my progeny receive, 45
Bear they the pains of violated law,
And thy protection from their aid withdraw.
But, if the gods their sure success foretell;
If those of heav’n consent with those of hell,
To promise Italy; who dare debate 50

[...] Read more

poem by Publius Vergilius Maro
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Cinderella

Written by j. kimball and d. vidal, 1984
Found on perspective.
I was out last night having a ball
And comin home, I wasnt thinkin nothin at all
And there on the sidewalk what did I see
A little glass slipper starin back at me
Cinderella (cinderella)
Well Im not superstitious but Im smarter than I seem
And I knew it was love, if you know what I mean
When I saw that slipper it occurred to me
The shoe fit her and she fit me
Cinderella (cinderella)
Cinderella (cinderella)
When I find her it will be
A fairy tale for her and me
I will never let her go
Cinderella
Now the other girls hold no fascination for me
I just think of her wherever she may be
I will search my whole life through
cause no one else will ever do
Cinderella (cinderella)
Cinderella (cinderella)
When I find her it will be
A fairy tale for her and me
I will never let her go
She will give my heart a home
Until that day Ill be alone
With just a slipper and a dream
Cinderella (cinderella)
Cinderella (cinderella)
Oo (cinderella)
Cinderella (cinderella)

song performed by America
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Walkin Away

(annie roboff/craig wiseman)
Sometimes a careless word just rolls right off my tongue
Now matter what I do it leaves you all undone
Hey baby no need to go crazy over some little something Ive said
Cant you see youre the keeper of my heart
Even when I lose my head
Weve still got it good no matter how bad it gets
Even after all this time the slipper still fits
Hey just look at how far weve come by choosing to stay
Baby dont go there love dont get nowhere walkin away
Sometimes the whisper of love gets lost in the angry shout
Even hearts that are in this deep might think about an easy way out
One honest touch makes those worries just fade like stars at dawn
These occasional moments of weakness
Only makes our love more strong
Weve still got it good no matter how bad it gets
Even after all this time the slipper still fits
Hey just look at how far weve come by choosing to stay
Baby dont go there love dont get nowhere walkin away
It gets easier all the time
Oh and harder and harder to leave behind
Weve still got it good no matter how bad it gets
Even after all this time the slipper still fits
Hey just look at how far weve come by choosing to stay
Baby dont go there love dont get nowhere walkin away
Baby dont go there love dont get nowhere walkin away

song performed by Diamond Rio
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Glass Slipper

She flounced into his private rooms
without a 'by your leave' to woo
and fluttering long eyelashes
had him by her side: News Flashes!

Hot young damsel woos the prince,
she with honeycombed plump lips
sweeter than most sugar candy
dressed in 'Tantalizing Pink'

Roll up, roll up read all about it,
hot young damsel and the Prince,
going out for a late supper.
It's the latest off the press.

They were spotted in a restaurant
small glass slipper in his hand
as he lent across the table
really, do I need expand?

Honeyed damsel tried the slipper
and by Jove, I say, it fit her!
'Marry me' said handsome prince
for the magic slipper fits.

Oh kind sir, said hot young damsel
then I would be Queen sweet man
I will wed you and be married,
P'haps you ought to meet my mam.

Mummy thought she'd caught a good'n
now she's talking to the press
which is how we got this story
Editor was most impressed!

poem by Ruth Walters
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32 - Cinderella

Running towards her pumpkin
At the stroke of midnight
Her lost slipper upon the stair
In the silver majestic moonlight
The fairytale turns to dust
As the witching hour begins
Down in the forgotten cellar
Her sorrow and pain she sings
So not to loose her memories of this night’s enchantment
She tearfully produces ink of thoughts onto peasant parchment
Recumbent but weary on her bed of mice invested hay
Crying her self to sleep still and alone Cinderella lay
The next morning prince charming comes round
With the clear glass slipper he had found
A gentleman he lowers down on one knee, while Cinderella sits
Drawing eloquent smiles as the slipper perfectly fits

poem by Nicola Burkett
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Good Foot

I aint tryin to be rude dude
But we tryin to tear up the place, come on
Hey Timbo (yeah)
Dont you hate it when a dude starts actin up
Like this fella over here with his hands on the scuff
Be muggin and carryin on
Hey J.T. (yeah)
Why these dudes keep starin at us
I dont know but Im about to find out whats up
Be easy dont take it to rough
Talk to them
Im not being cocky
I just noticed that she was lookin at me
Chill homeboy be cool
Cause there aint no reason for all the fussin at me
Its just gettin started
And theres alot of fish around here
Just shakin their jelly
I aint tryin to be rude dude
But we tryin to tear up the place, come on
Chorus:
There aint nothing to it
If you wanna get down
Then we can do it, do it
There aint nothing to it
Get out your seat (why)
You aint glued to it
Be easy and watch that tone
Keep stepping with your new suede shoes on
Boys and girls lets all sing along
Now everybody just get on the good foot
Get on the good foot
Now how am I supposed to know shes yours
She aint got no ring on her finger
It aint our fault homeboy
That your girl likes to wonder and linger
You actin so serious
We just danced I aint even ask for her number
Dont be mad cause we the life of the party
We aint really tryin to hurt nobody, talk to them
Im not being cocky
I just noticed that she was lookin at me
Chill homeboy be cool
Cause there aint no reason for all the fussin at me
Its just gettin started
And theres alot of fish around here
Just shakin their jelly
I aint tryin to be rude dude
But we tryin to tear up the place, come on
Chorus:

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song performed by Justin Timberlake
Added by Lucian Velea
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One Foot On The Path

You say, come over baby, come talk to me
Then you drive me so crazy
I cant hardly see
If this keeps goin on
I might just leave and not come back
I got one foot in your doorway
I got one foot on the path
Well you beg me to stay
Then you order me to go
All this up and down
Is wear and tear on my soul
Im wonderin if our future
Is gonna look just like our past
I got one foot in your doorway
I got one foot on the path
Now I love you, baby
Dont get me wrong
But this heart of mine
May not be that strong
You got me on your line
Reel me in or throw me back
I got one foot in your doorway
I got on foot on the path
Youd best thing about it, baby
But dont take too long
If we cant get it right
Ill just be movin on
I cant wait forever
For us to get this thing on track
I got one foot in your doorway, baby
I got on foot on the path

song performed by Kenny Wayne Shepherd
Added by Lucian Velea
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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