Figs he calls figs, a spade a spade.
Latin proverbs
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When Death Calls
He saw the world, dim with the glow of the vertical sun
His skin crept cold knowing that this was the hours of dying
Misguided mortals, youll burn with me
Spirit of man, cannot be freed.
When death calls - this is the hours of dying
When death calls - the spirit of man cannot be freed
When death calls - theres no tomorrow
When death calls - just an evil shadow
Tell me not fear of the flames means that heaven is closer
For I believe satan lives, in the souls of the dying
Misguided mortals, youll burn with me
Spirit of man, cannot be freed.
When death calls - heaven is closer
When death calls - feel the heat of the flames from the souls of the dying
When death calls - here it comes, here it comes, here it comes
When death calls - youre gonna burn
Dont look in those sunken eyes
Dont look and youll stay alive
Dont laugh at the face of death or your toungue will blister
Cant die until satan says you die
And satan takes your soul
In the face of death or your toungue will blister
Dont look in those sunken eyes
Dont look and youll stay alive
Dont laugh at the face of death or your toungue will blister
Cant die until satan says you die
The devil takes your soul
With all his wrath he calls the reaper
When death calls - this is the hours of dying
When death calls - the spirit of man cannot be freed
When death calls - theres no tomorrow
When death calls - just an evil shadow
When death calls - feel the heat of the flames from the souls of the dying
When death calls - youre gonna burn, burn, burn
When death calls - heaven is closer
When death calls - I can feel it, gonna take you down
song performed by Black Sabbath
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Spade
The beauty spot was borrowed
Now my sweet knife rusts tomorrow
I'm a confession that is waiting to be heard
Burn your empty rain down on me
Whisper your deathbeat so softly
We bend our knees at the alter of my ego
You drained my heart, and made a spade
There's still traces of me in your veins
You drained my heart, and made a spade
There's still traces of me in your veins
All my lilies' mouths are open, like they're begging for dope and hoping
their bitter petal chant, "we can kick, you wont be back"
Im a diamond that is tired, of all the faces i've aquired, we must secure the shadow ere the substance fades
You drained my heart, and made a spade
There's still traces of me in your veins
You drained my heart, and made a spade
There's still traces of me in your veins
And we said 'til we die
And we said 'til we die
You drained my heart, and made a spade
There's still traces of me in your veins
You drained my heart, and made a spade
There's still traces of me in your veins
You drained my heart, and made a spade
There's still traces of me in your veins
You drained my heart, and made a spade
There's still traces of me in your veins
And we said 'til we die
And we said 'til we die
song performed by Marilyn Manson
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Well, Say It As You See It
it is nice
yes, always the feeling is nice
when you call a spade a spade
lets your heart out
nothing tightens
or chokes
nothing to vomit
at the end
nothing hidden
well, they laid the principle
of candid honesty
say it as it pleases you
not as it pleases them
always, yes, always
call a spade a spade
that is rule # one
honesty, that lonely word
well, i learned it by heart
learning to say
what is in my mind
but what do i get?
nothing
everyone is displeased
with my honesty
that i am one tactless
form of shit
this monstrous mammal
this elephant with a tusk
this snake with a venom
this mischievous child
laughing at the
naked emperor
without clothes
well, yes, i still say what i see
calling a spade always a spade
and what do i get?
yes, this one,
nothing but this one
this poetry
poem by Ric S. Bastasa
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M'Fingal - Canto III
Now warm with ministerial ire,
Fierce sallied forth our loyal 'Squire,
And on his striding steps attends
His desperate clan of Tory friends.
When sudden met his wrathful eye
A pole ascending through the sky,
Which numerous throngs of whiggish race
Were raising in the market-place.
Not higher school-boy's kites aspire,
Or royal mast, or country spire;
Like spears at Brobdignagian tilting,
Or Satan's walking-staff in Milton.
And on its top, the flag unfurl'd
Waved triumph o'er the gazing world,
Inscribed with inconsistent types
Of Liberty and thirteen stripes.
Beneath, the crowd without delay
The dedication-rites essay,
And gladly pay, in antient fashion,
The ceremonies of libation;
While briskly to each patriot lip
Walks eager round the inspiring flip:
Delicious draught! whose powers inherit
The quintessence of public spirit;
Which whoso tastes, perceives his mind
To nobler politics refined;
Or roused to martial controversy,
As from transforming cups of Circe;
Or warm'd with Homer's nectar'd liquor,
That fill'd the veins of gods with ichor.
At hand for new supplies in store,
The tavern opes its friendly door,
Whence to and fro the waiters run,
Like bucket-men at fires in town.
Then with three shouts that tore the sky,
'Tis consecrate to Liberty.
To guard it from th' attacks of Tories,
A grand Committee cull'd of four is;
Who foremost on the patriot spot,
Had brought the flip, and paid the shot.
By this, M'Fingal with his train
Advanced upon th' adjacent plain,
And full with loyalty possest,
Pour'd forth the zeal, that fired his breast.
"What mad-brain'd rebel gave commission,
To raise this May-pole of sedition?
[...] Read more
poem by John Trumbull
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Figs he calls figs, a spade a spade. [Said of a man who speaks with sincerity and means what he says.]
Latin proverbs
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The Great Hunger
I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,
[...] Read more
poem by Patrick Kavanagh
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Absolutely Bills Mood
I was born in a lighthouse, my mother was the sea
I crawled to school each morning, when it occured to me
That lifes just a mood ring were not allowed to see
And this is what it said to me
My room is comfortably small
With rubber lining the walls
And theres someone always calling my name
He calls when Im alone
And he calls when Im not home
And he calls when Im stuck out in the rain
Im insane
Im insane
Im insane
Im insane
Now listen all you swingers, dont you try to tag along
I know monkey see, but monkeys dead, for you it would be wrong
Put a dime in my jukebox, youll only hear this song
And it wont be fun for long
Because my room is comfortably small
With rubber lining the walls
And theres someone always calling my name
He calls when Im alone
And he calls when Im not home
And he calls when Im stuck out in the rain
Im insane
Im insane
Im insane
Im insane
Thank you
Thank you
My room is comfortably small
With rubber lining the walls
And theres someone always calling my name
He calls when Im alone
And he calls when Im not home
And he calls when Im stuck out in the rain
Im insane
Im insane
Im insane
Im insane
song performed by They Might Be Giants
Added by Lucian Velea
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Our Mistress and Our Queen
We set no right above hers,
No earthly light nor star,
She hath had many lovers,
But not as lovers are:
They all were gallant fellows
And died all deaths for her,
And never one was jealous
But comrades true they were.
Oh! each one is a brother,
Though all the lands they claim—
For her or for each other
They’ve died all deaths the same
Young, handsome, old and ugly,
Free, married or divorced,
Where springtime bard or Thug lie
Her lover’s feet have crossed.
’Mid buttercups and daisies
With fair girls by their side,
Young poets sang her praises
While day in starlight died.
In smoke and fire and dust, and
With red eyes maniac like,
Those same young poets thrust and—
Wrenched out the reeking pike!
She is as old as ages,
But she is ever young.
Upon her birthday pages
They’ve writ in every tongue;
Her charms have never vanished
Nor beauty been defiled,
Her lovers ne’er were banished—
Can never be exiled.
Ah! thousands died who kissed her,
But millions died who scorned
Our Sweetheart, Queen and Sister,
Whom slaves and Cæsars spurned!
And thousands lost her for her
Own sweet sake, and the world,
Her first most dread adorer,
From Heaven’s high state was hurled.
No sign of power she beareth,
In silence doth she tread,
But evermore she weareth
A cap of red rose red.
Her hair is like the raven,
[...] Read more
poem by Henry Lawson
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When The Bird Calls…
When, from the blossoming apple-tree,
The singing bird calls,
With a throbbing heart you wait
For the spell – the magic words…
And you, all strewed up with sparks,
Start to seek the guelder-rose in dells,
Your heart can’t bear any longer
The grief, and the buttoned up dress…
When, from the blossoming apple-tree,
The singing bird calls,
The earth, bursting into laughter,
Spreads to you, like carpets, the roads…
The wind with the flock of sparrows
Disperses your winter sorrows,
And makes you sing out
The rose-colored dreams…
When, from the blossoming apple-tree,
The singing bird calls…When, from the blossoming apple-tree,
The singing bird calls,
With a throbbing heart you wait
For the spell – the magic words…
And you, all strewed up with sparks,
Start to seek the guelder-rose in dells,
Your heart can’t bear any longer
The grief, and the buttoned up dress…
When, from the blossoming apple-tree,
The singing bird calls,
The earth, bursting into laughter,
Spreads to you, like carpets, the roads…
The wind with the flock of sparrows
Disperses your winter sorrows,
And makes you sing out
The rose-colored dreams…
When, from the blossoming apple-tree,
The singing bird calls…
WHEN THE BIRD CALLS… ( II)
From the blossoming apple-tree,
When, the singing bird calls,
You wait with a throbbing heart
[...] Read more
poem by Tsira Gogeshvili
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Goblin Market
MORNING and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries-
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries--
All ripe together
In summer weather--
Morns that pass by,
Fair eves that fly;
Come buy, come buy;
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye,
Come buy, come buy."
Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"O! cried Lizzie, Laura, Laura,
You should not peep at goblin men."
[...] Read more
poem by Christina Georgina Rossetti
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Now Im A Farmer
Ive got a spade and a pick-axe
Ive got a spade and a pick-axe
And a hundred miles square of land to churn about
And a hundred miles square of land to churn about
My old horse is weary but sincerely
My old horse is weary but sincerely
I believe that he can pull a plough
I believe that he can pull a plough
Well Ive moved into the jungle of the agriculture rumble,
Well Ive moved into the jungle of the agriculture rumble,
To grow my own food
To grow my own food
And Ill dig and plough and scrape the weeds
And Ill dig and plough and scrape the weeds
Till I succeed in seeing cabbage growing through
Till I succeed in seeing cabbage growing through
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Its alarming how charming it is to be a-farming
Its alarming how charming it is to be a-farming
How calming and balming the effect of the air
How calming and balming the effect of the air
Well, I farmed for a year and grew a crop of corn
Well, I farmed for a year and grew a crop of corn
That stretched as far as the eye can see
That stretched as far as the eye can see
Thats a whole lot of cornflakes,
Thats a whole lot of cornflakes,
Near enough to feed new york till 1973
Near enough to feed new york till 1973
Cultivation is my station and the nation
Cultivation is my station and the nation
Buys my corn from me immediately
Buys my corn from me immediately
And holding sixty thousand bucks, I watch as dumper trucks
And holding sixty thousand bucks, I watch as dumper trucks
Tip new yorks corn flakes in the sea
Tip new yorks corn flakes in the sea
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Its alarming how charming it is to be a-farming
Its alarming how charming it is to be a-farming
How calming and balming the effect of the air
How calming and balming the effect of the air
Now look here son
Now look here son
[...] Read more
song performed by Who
Added by Lucian Velea
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The Monster Diamond
A TALE OF THE PENAL COLONY OF WEST AUSTRALIA.
'I’LL have it, I tell you! Curse you!—there!'
The long knife glittered, was sheathed, and was bare.
The sawyer staggered and tripped and fell,
And falling he uttered a frightened yell:
His face to the sky, he shuddered and gasped,
And tried to put from him the man he had grasped
A moment before in the terrible strife.
'I'll have it, I tell you, or have your life!
Where is it?' The sawyer grew weak, but still
His brown face gleamed with a desperate will.
'Where is it?' he heard, and the red knife's drip
In his slayer's hand fell down on his lip.
'Will you give it?' 'Never!' A curse, the knife
Was raised and buried.
Thus closed the life
Of Samuel Jones, known as 'Number Ten'
On his Ticket-of-Leave; and of all the men
In the Western Colony, bond or free,
None had manlier heart or hand than he.
In digging a sawpit, while all alone,—
For his mate was sleeping,—Sam struck a stone
With the edge of the spade, and it gleamed like fire,
And looked at Sam from its bed in the mire,
Till he dropped the spade and stooped and raised
The wonderful stone that glittered and blazed
As if it were mad at the spade's rude blow;
But its blaze set the sawyer's heart aglow
As he looked and trembled, then turned him round,
And crept from the pit, and lay on the ground,
Looking over the mold-heap at the camp
Where his mate still slept. Then down to the swamp
He ran with the stone, and washed it bright,
And felt like a drunken man at the sight
Of a diamond pure as spring-water and sun,
And larger than ever man's eyes looked on!
Then down sat Sam with the stone on his knees,
And fancies came to him, like swarms of bees
To a sugar-creamed hive; and he dreamed awake
Of the carriage and four in which he'd take
His pals from the Dials to Drury Lane,
The silks and the satins for Susan Jane,
The countless bottles of brandy and beer
He'd call for and pay for, and every year
The dinner he'd give to the Brummagem lads,—
[...] Read more
poem by John Boyle O'Reilly
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Call A Spade A Spade
at that very young age
you were taught to call a spade a spade
and a square a square. There are no exceptions to the rule.
There are no compromises with the truth.
Then you grow to be a very nice, self-made man.
You practice what was taught to you.
And you meet pain and disappointments.
And you suspect that the teachers are wrong.
Time teaches you.
Squares sometimes become rectangles on an extension of a principle
to accommodate a compromise of a certain shape.
A spade need not be a spade depending on who gets axed.
A square peg you sometimes put in a round hole and it does not matter
really what happens next. You are simply told to do so as ordered.
And what is important is that they like it.
You survive the hazards of this life.
You become successful on the science of compromise,
the art of plea bargaining, the techniques of human relations.
You get some plaques for a lessened self-restraint.
You get the awards and recognitions for being their man of the year.
And one day you look at yourself in the mirror.
You see a different face and you do not like it anymore.
You quit and hide. You go away. You want to be left alone.
You want to reinvent yourself and listen to the voice.
Carefully, you cure the sickness of success.
All you need is a self who accepts yourself. All you need is the touch
of your hand. The applause has become pain itself.
And there you are, finding the truth again.The real meaning.
poem by Ric S. Bastasa
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The Lay of the Laborer
A spade! a rake! a hoe!
A pickaxe, or a bill!
A hook to reap, or a scythe to mow,
A flail, or what ye will—
And here's a ready hand
To ply the needful tool,
And skill'd enough, by lessons rough,
In Labor's rugged school.
To hedge, or dig the ditch,
To lop or fell the tree,
To lay the swarth on the sultry field,
Or plough the stubborn lea;
The harvest stack to bind,
The wheaten rick to thatch,
And never fear in my pouch to find
The tinder or the match.
To a flaming barn or farm
My fancies never roam;
The fire I yearn to kindle and burn
Is on the hearth of Home;
Where children huddle and crouch
Through dark long winter days,
Where starving children huddle and crouch,
To see the cheerful rays,
A-glowing on the haggard cheek,
And not in the haggard's blaze!
To Him who sends a drought
To parch the fields forlorn,
The rain to flood the meadows with mud,
The blight to blast the corn,
To Him I leave to guide
The bolt in its crooked path,
To strike the miser's rick, and show
The skies blood-red with wrath.
A spade! a rake! a hoe!
A pickaxe, or a bill!
A hook to reap, or a scythe to mow,
A flail, or what ye will—
The corn to thrash, or the hedge to plash,
The market-team to drive,
Or mend the fence by the cover side,
And leave the game alive.
Ay, only give me work,
And then you need not fear
That I shall snare his Worship's hare,
[...] Read more
poem by Thomas Hood
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The Aeneid of Virgil: Book 11
SCARCE had the rosy Morning rais’d her head
Above the waves, and left her wat’ry bed;
The pious chief, whom double cares attend
For his unburied soldiers and his friend,
Yet first to Heav’n perform’d a victor’s vows: 5
He bar’d an ancient oak of all her boughs;
Then on a rising ground the trunk he plac’d,
Which with the spoils of his dead foe he grac’d.
The coat of arms by proud Mezentius worn,
Now on a naked snag in triumph borne, 10
Was hung on high, and glitter’d from afar,
A trophy sacred to the God of War.
Above his arms, fix’d on the leafless wood,
Appear’d his plumy crest, besmear’d with blood:
His brazen buckler on the left was seen; 15
Truncheons of shiver’d lances hung between;
And on the right was placed his corslet, bor’d;
And to the neck was tied his unavailing sword.
A crowd of chiefs inclose the godlike man,
Who thus, conspicuous in the midst, began: 20
“Our toils, my friends, are crown’d with sure success;
The greater part perform’d, achieve the less.
Now follow cheerful to the trembling town;
Press but an entrance, and presume it won.
Fear is no more, for fierce Mezentius lies, 25
As the first fruits of war, a sacrifice.
Turnus shall fall extended on the plain,
And, in this omen, is already slain.
Prepar’d in arms, pursue your happy chance;
That none unwarn’d may plead his ignorance, 30
And I, at Heav’n’s appointed hour, may find
Your warlike ensigns waving in the wind.
Meantime the rites and fun’ral pomps prepare,
Due to your dead companions of the war:
The last respect the living can bestow, 35
To shield their shadows from contempt below.
That conquer’d earth be theirs, for which they fought,
And which for us with their own blood they bought;
But first the corpse of our unhappy friend
To the sad city of Evander send, 40
Who, not inglorious, in his age’s bloom,
Was hurried hence by too severe a doom.”
Thus, weeping while he spoke, he took his way,
Where, new in death, lamented Pallas lay.
Acoetes watch’d the corpse; whose youth deserv’d 45
The father’s trust; and now the son he serv’d
With equal faith, but less auspicious care.
Th’ attendants of the slain his sorrow share.
A troop of Trojans mix’d with these appear,
And mourning matrons with dishevel’d hair. 50
[...] Read more
poem by Publius Vergilius Maro
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The Day That Curly Billy Shot Down Crazy Sam Mcgee
(clarke)
Big tall man standing in the street
Gun hanging by his side
Just one man that hed like to meet
Thats when I began to hide
I recognised him from the face of his son
The hate in his eye didnt lie
Oh what I did cant be undone
Borrowed time theres none to buy
Well I hid round the back of a derelict shack
Aint looking for a mad showdown
But he was smart, hed already checked
A week in advance Id paid down
Well the hotel clerk was a fun-loving man
The job he had it didnt pay
He told all about what happened that night
There he is, thats the ones all hed say
Well all the people were running, jumping, even thumping
On my bad neighbours doors
Crying curly billy silly with his colt he calls filly
Let me in I gotta hide
Well everybody was crying, sighing sam mcgees dying
No one to protect our town
Curly billy silly with his colt he calls filly,
Hes gonna shoot your sherriff down
Big tall man standing in the street
Now a hand hovering waiting to slide
Drew out his gun it wasnt for fun
Let me in theres nowhere to hide
Well I made my play but it wasnt my day
I felt the ripping lead
Thats when I knew my time was through
Rest in peace were the last words he said
Well all the people were running, jumping, even thumping
On my bad neighbours doors
Crying curly billy silly with his colt he calls filly
Let me in I gotta hide
Well everybody was crying, sighing sam mcgees dying
No one to protect our town
Curly billy silly with his colt he calls filly,
Hes gonna shoot your sherriff down
Well all the people were running, jumping, even thumping
On my bad neighbours doors
Crying curly billy silly with his colt he calls filly
Let me in I gotta hide
Well everybody was crying, sighing sam mcgees dying
No one to protect our town
Curly billy silly with his colt he calls filly,
Hes gonna shoot your sherriff down
song performed by Hollies
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The Ballad of Nyakato I
Kinsmen, Kinsmen, Kinsmen
Is it not only the man with no relatives who stays back when the Great Kangabaijje drum is sounded?
Wherever you are assemble here for I have a story to tell..
Those in the millet fields,
Those in the hunting grounds,
Those in war practice, seek permission for leave from the heads of your respective regiments,
Women, hold fast to your dangling breasts and run
For I want you here.
Those from the Well, don't break those delicate clay pots on your heads, but hurry...
Those tending cattle as is your anointed job, drive the herds to the kraals, be fast here..
And all of you lazy men who are in bed glued to the aprons of your wives at this hour of the day
Mounting them hard in the bliss of frenzy,
Come hither, come hither, come hither
all ye my kinsmen
*****
I am Nyakato the fair twin
Yes In the rich traditions of Kitara,
Nyakato is the name given to the girl who comes after the first twin.
At least Omugurusi Mikaili Kabuubi told me that when I raced there to deliver news that the wife to the King's royal drummer,
Kangere Bikundi, had given the King's humble servant
The joy of a bouncing baby boy.
So the one whose ways am bringing to sunlight calls herself Sheena.
To date we have never known what it means, not even her herself!
We hear it is a name that came with these white skinned.
*****
When you look at her
What strikes you most is that thing she calls a wig;
A master- weave of hair scrapped from the decomposing skulls of
white women's rotting corpses.
Sheena paints her eyebrows with charcoal powder
But prefers to call it eyebrow pencil.
She used to apply lime all around her face
Yes, kinsmen,
White lime all around her terribly black face
and rumour has it that she calls it powder!
She wears a very short skirt long enough to expose her oft- tormented womanhood
She does this with immeasurable joy
That those are the ways of the civilized
But when you steal a glance at her in this outfit,
She threatens to burst like an overstuffed sack of potatoes..
Hmmmm...I wonder how her oft- tormented womanhood breathes..
Poor little thing......
[...] Read more
poem by Kyomuhendo Ateenyi
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Spade
In my heart, my love fades
To the small corners of dark color spades
I see it fester in its pointed edge
And to its death I solemnly pledge
"Kill my love, kill my heart"
then I smash the spade, till its love falls apart
Now all that's there, is sable ink
And into its fluid my hand does sink
I write with it all love's gain
And all we seek all in vain.
Love is not defined by anything
But a broken heart that cannot sing
In morbid ink, my soul I dress
And to love, my love I confess
My love of love, a dark spade
That kills my heart, the spade it made
I fade....
poem by Kevin Michael Murphy
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A Better Way
There’s a better way of digging
Than that, Uncle said, taking the
Spade from your hands and showing
You with a craftsman’s touch how
It should be done. You watched in
Wonder how with ease and skill he’d
Made the trench begin to shape far
More quickly than your frail work
Produced. He handed you back the
Spade and you noticed the calluses
That years of using spades and other
Workman’s tools had made. He took
Hold of your hand and turned it over,
Gazed intently and smiled and shook
His head. Such lily-white hands were
Made for pen not spade or hoe or rake,
He said, finish what’s started, lad, then
Return to your studies and pen instead.
poem by Terry Collett
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L'Ennemi (The Enemy)
Ma jeunesse ne fut qu'un ténébreux orage,
Traversé çà et là par de brillants soleils;
Le tonnerre et la pluie ont fait un tel ravage,
Qu'il reste en mon jardin bien peu de fruits vermeils.
Voilà que j'ai touché l'automne des idées,
Et qu'il faut employer la pelle et les râteaux
Pour rassembler à neuf les terres inondées,
Où l'eau creuse des trous grands comme des tombeaux.
Et qui sait si les fleurs nouvelles que je rêve
Trouveront dans ce sol lavé comme une grève
Le mystique aliment qui ferait leur vigueur?
— Ô douleur! ô douleur! Le Temps mange la vie,
Et l'obscur Ennemi qui nous ronge le coeur
Du sang que nous perdons croît et se fortifie!
The Enemy
My youth has been nothing but a tenebrous storm,
Pierced now and then by rays of brilliant sunshine;
Thunder and rain have wrought so much havoc
That very few ripe fruits remain in my garden.
I have already reached the autumn of the mind,
And I must set to work with the spade and the rake
To gather back the inundated soil
In which the rain digs holes as big as graves.
And who knows whether the new flowers I dream of
Will find in this earth washed bare like the strand,
The mystic aliment that would give them vigor?
Alas! Alas! Time eats away our lives,
And the hidden Enemy who gnaws at our hearts
Grows by drawing strength from the blood we lose!
— Translated by William Aggeler
The Enemy
My youth was but a tempest, dark and savage,
Through which, at times, a dazzling sun would shoot
The thunder and the rain have made such ravage
My garden is nigh bare of rosy fruit.
Now I have reached the Autumn of my thought,
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poem by Charles Baudelaire
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