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Fences have ears.

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Diminishing Defenses

Let's remove the platitudes.
And rid the phony subtleties,
To dropp to be who we are...
To let that be seen,
Moving forward to do more progressive things.

You offend. I offend.
Let us diminish the fences.
Diminishing defenses.
Let's remove the platitudes,
I defend. You defend.
Let us diminish the fences.
Diminishing defenses.

Let's remove the platitudes.
You offend. I offend.
Let us diminish the fences.
And let's do it to prove,
It done,
To do.
Diminishing defenses.
Down with the fences.

You offend. I offend.
Let us diminish the fences.
Diminishing defenses.
Let's remove the platitudes,
I defend. You defend.
Let us diminish the fences.
Diminishing defenses.

Let us remove those platitudes
Diminishing defenses.
Down with the fences.

Let us remove those platitudes
Diminishing defenses.
Down with the fences.

Let us remove those platitudes.
Diminishing defenses.
Down with the fences.
Diminishing defenses.
Let us remove those platitudes.
Let us remove those platitudes.
Diminishing defenses.
Down with the fences.
Diminishing defenses.
Down with the fences.
Diminishing defenses.

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Just Make It Stop

Just make it stop.
The stillness in the air.
The shattered mirror just sitting their.

The hate.
The anger.
Just make it all stop.
I can't take it no more.
The constant ringing upon my ears.
The blood curdling screams I continuously hear.

Just make it stop.
The stillness in the air.
The shattered mirror just sitting their.

The hate.
The anger.
Just make it all stop.
I can't take it no more.
The constant ringing upon my ears.
The blood curdling screams I continuously hear.

Fist flying.
Object Throwing.
Door Slamming.
Here's my pause button.
Cranking up the music and start jamming.
For its my only way out.

Just make it stop.
The stillness in the air.
The shattered mirror just sitting their.

The hate.
The anger
Just make it all stop.
I can't take it no more.
The constant ringing upon my ears.
The blood curdling screams I continuously hear.

Just make it stop.
The stillness in the air.
The shattered mirror just sitting their.

The hate.
The anger.
Just make it all stop.
I can't take it no more.
The constant ringing upon my ears.
The blood curdling screams I continuously hear.

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Samuel Butler

Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

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Too Late

Well, its too late for walking in the middle,
Too late to try.
Yes, its too late for sitting in the balance,
No more middle line.
Oh, its too late for walking on fences,
Time to choose your side.
Yes, its too late for flirtin with the darkness,
Make up your mind.
Oh, the time has come for making a decision,
And you say youve found the light.
But the talk is cheap when I see the way youre living,
Walking in the night.
Well, its too late for walking in the middle,
Too late to try.
Yes, its too late for sitting in the balance,
No more middle line.
Oh, its too late for thinking you can walk the middle line...
Better get wise.
You may think that you can live by your feelings,
Different every night.
But an emotional religion will crumble at our feet,
If were made to stand and fight.
Well, its too late for walking on fences,
Time to choose you side.
Yes, its too late for flirtin with the darkness,
Make up your mind.
Well, its too late for thinking you can walk the middle line...
Better get wise.
Well, its too late for walking in the middle,
Too late to try.
Yes, its too late for sitting in the balance,
No more middle line.
Oh, its too late for walking on fences,
Time to choose your side.
Yes, its too late for flirtin with the darkness,
Please make up your mind.
Well, its too late for walking in the middle,
Too late to try.
Yes, its too late for sitting in the balance,
No more middle line.
Oh, its too late for walking on fences,
Time to choose your side.
Yes, its too late for flirtin with the darkness,
Please make up your mind.

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The Amateur Rider

Him goin' to ride for us! Him -- with the pants and the eyeglass and all.
Amateur! don't he just look it -- it's twenty to one on a fall.
Boss must be gone off his head to be sending out steeplechase crack
Out over fences like these with an object like that on his back.
Ride! Don't tell me he can ride. With his pants just as loose as balloons,
How can he sit on a horse? and his spurs like a pair of harpoons;
Ought to be under the Dog Act, he ought, and be kept off the course.
Fall! why, he'd fall off a cart, let alone off a steeplechase horse.

* *

Yessir! the 'orse is all ready -- I wish you'd have rode him before;
Nothing like knowing your 'orse, sir, and this chap's a terror to bore;
Battleaxe always could pull, and he rushes his fences like fun --
Stands off his jump twenty feet, and then springs like a shot from a gun.

Oh, he can jump 'em all right, sir, you make no mistake, 'e's a toff --
Clouts 'em in earnest, too, sometimes; you mind that he don't clout you off --
Don't seem to mind how he hits 'em, his shins is as hard as a nail,
Sometimes you'll see the fence shake and the splinters fly up from the rail.

All you can do is to hold him and just let him jump as he likes,
Give him his head at the fences, and hang on like death if he strikes;
Don't let him run himself out -- you can lie third or fourth in the race --
Until you clear the stone wall, and from that you can put on the pace.

Fell at that wall once, he did, and it gave him a regular spread,
Ever since that time he flies it -- he'll stop if you pull at his head,
Just let him race -- you can trust him -- he'll take first-class care he don't fall,
And I think that's the lot -- but remember, he must have his head at the wall.

* *

Well, he's down safe as far as the start, and he seems to sit on pretty neat,
Only his baggified breeches would ruinate anyone's seat --
They're away -- here they come -- the first fence, and he's head over heels for a crown!
Good for the new chum! he's over, and two of the others are down!

Now for the treble, my hearty -- By Jove, he can ride, after all;
Whoop, that's your sort -- let him fly them! He hasn't much fear of a fall.
Who in the world would have thought it? And aren't they just going a pace?
Little Recruit in the lead there will make it a stoutly-run race.

Lord! but they're racing in earnest -- and down goes Recruit on his head,
Rolling clean over his boy -- it's a miracle if he ain't dead.
Battleaxe, Battleaxe, yet! By the Lord, he's got most of 'em beat --
Ho! did you see how he struck, and the swell never moved in his seat?

Second time round, and, by Jingo! he's holding his lead of 'em well;
Hark to him clouting the timber! It don't seem to trouble the swell.

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Death and Dreams

Death, with it, brings silence,
the silence which conceals the voice of life,
the same voice in which dreams revertebrated,
so, with arriving death dreams die.

But, few dreams didn't surrender,
instead they chose to fight,
some fighters were experienced and some were tender,
but struugle for existance was thier common plight.

Oh! this battle wasn't for victory, but for existance,
on path of dreams death laid some fences,
the fences fo failure, the fences of defeat,
but, in the path of hope few made thier exit.

In fences of failure few dreams were caught,
enemy was destiny but will was not,
with power of optimism they tatterd the fence,
such a mighty blow even death couldn't defend.

Dreams marched ahead stunning the death,
they vanquished the region which once ablazed,
happy was the sky and soothing became night,
even death hailed dreams for this formidable fight.

Death, being, an end is now a myth,
the men by thier dreams will forever exist,
some people died and some will born,
but legacy of dreams wii go on.

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Book IV - Part 03 - The Senses And Mental Pictures

Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.

Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see

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Samuel Butler

Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

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Cross The River

A hot cloud was hangin'around
We were a rowdy crowd
Drinkin'beer and smokin' at the end of the pier
Danny was shufflin' through a magazine
Clippin'out pictures of a car
To get us out of here
Laura was hounding him to get a bike
Warning him the time was now
Or he'd be out on his ear, she'd disappear
If only we could cross the river
We couldn't get a jump-start on life
The whispers across the Hudson
Grow louder in our ears
Louder in our ears every night
We were all somewhat out of school
Jersey by birth, relaxing but not on a holiday
An appalling amount of time spent at the mall
Not a tragedy, but not exactly the Milky Way
Looking for a bigger laugh, a better store,
A cutter guy, a shorter working day, better pay
If only we could cross the river
We couldn't get a jump-start on life
The whispers across the Hudson
Grow louder in our ears
Louder in our ears
Louder in our ears every night
When Laura and Danny broke up
She set her sights on Billy Stone
Well, I had just split from Jonathan
So by chance, I was all alone
Danny and I got along as well
We spent hours on the phone
Just talkin'on the phone
When I was twenty and crazy as a joke
I went to bed with a broker
When I was broke
I got used to doormen and limousines
And Christmas cards from friends signed by a machine
And woman, they were calling me "Ma'am"
As they cleaned up after me
If only we could cross the river
But something is holding us back
A way of life that's too familiar
Like the lines are to the railroad track
If only we could cross the river
We couldn't get a jump-start on life
The whispers across the Hudson
Grow louder in our ears
Louder in our ears every night
Dear Laura, I know it's been years

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William Shakespeare

Venus and Adonis

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis tried him to the chase;
Hunting he lov'd, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac'd suitor 'gins to woo him.
'Thrice fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses;
And being set, I'll smother thee with kisses:
'And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety;
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enrag'd, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens;--O! how quick is love:--
The steed is stalled up, and even now
To tie the rider she begins to prove:
Backward she push'd him, as she would be thrust,
And govern'd him in strength, though not in lust.
So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips;
And kissing speaks, with lustful language broken,
'If thou wilt chide, thy lips shall never open.'
He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;

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William Shakespeare

Venus and Adonis

'Vilia miretur vulgus; mihi flavus Apollo
Pocula Castalia plena ministret aqua.'

To the right honorable Henry Wriothesly, Earl of Southampton, and Baron of Tichfield.
Right honorable.

I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burden only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it to your honourable survey, and your honour to your heart's content; which I wish may always answer your own wish and the world's hopeful expectation.

Your honour's in all duty.

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis hied him to the chase;
Hunting he loved, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor 'gins to woo him.
'Thrice-fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses,
And being set, I'll smother thee with kisses;
'And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety,
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein,
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens:--O, how quick is love!--
The steed is stalled up, and even now
To tie the rider she begins to prove:

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Eight Years Old

SUN, whom the faltering snow-cloud fears,
Rise, let the time of year be May,
Speak now the word that April hears,
Let March have all his royal way;
Bid all spring raise in winter’s ears
All tunes her children hear or play,
Because the crown of eight glad years
On one bright head is set to-day.

II.

What matters cloud or sun to-day
To him who wears the wreath of years
So many, and all like flowers at play
With wind and sunshine, while his ears
Hear only song on every way?
More sweet than spring triumphant hears
Ring through the revel-rout of May
Are these, the notes that winter fears.

III.

Strong-hearted winter knows and fears
The music made of love at play,
Or haply loves the tune he hears
From hearts fulfilled with flowering May,
Whose molten music thaws his ears
Late frozen, deaf but yesterday
To sounds of dying and dawning years,
Now quickened on his deathward way.

IV.

For deathward now lies winter’s way
Down the green vestibule of years
That each year brightens day by day
With flower and shower till hope scarce fears
And fear grows wholly hope of May.
But we—the music in our ears
Made of love’s pulses as they play
The heart alone that makes it hears.

V.

The heart it is that plays and hears
High salutation of to-day.
Tongue falters, hand shrinks back, song fears
Its own unworthiness to play
Fit music for those eight sweet years,
Or sing their blithe accomplished way.

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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Fences

Fences not to mend
Fences not to build
Fences be demolish
But
Only with caution.

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Barbed Wire Fences

Barbed wire fences
And chains around the heart
In the grind
Of the circle called life
On and on we go
Around a meaningless show
Where does thou stop
One does not know
Yet we slave on
To be free
Yet what defines freedom
And what is this bond
Or bondages unbound
Freedom is not
Or is Freedom a knot
Tied to barbed wire fences
Where we live in the luxury of nothing
And call it freedom profound
We are but fools
With existences defined
Around are the barbed wire fences
And the joys of it abound.

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Exile House

EXILE HOUSE

Our tiled roof dripped
and the four walls threatened to fall apart
but we were to go home soon,

We grew papayas
in front of our house
chillies in our garden
and changmas for our fences,
then pumpkins rolled down the cowshed thatch
calves trotted out of the manger,

grass on the roof,
beans sprouted and
climbed the vines,
money plants crept in through the window,
our house seems to have grown roots.

The fences have grown into a jungle,
now how can I tell my children
where we came from?

Changmas – a tree usually planted for fences; flexible and flourishing

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Comin Apart At Every Nail

Its awful hard to find a job
On one side the government, the other the mob
Hey, hey aint that right
The workin mans in for a hell of a fight.
Oh, this country sure looks good to me
But these fences are comin apart at every nail.
Way up on the old dew line
Some of the boys were feelin fine
A big light flashed across the sky
But somethin else went slippin by
Meanwhile at the pentagon
The brass was a wonderin what went wrong.
Oh, this country sure looks good to me
But these fences are comin apart at every nail.
Hey hey, aint that right
The workin mans in for a hell of a fight.
Oh, this country sure looks good to me
But these fences are comin apart at every nail.

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The Open Steeplechase

I had ridden over hurdles up the country once or twice,
By the side of Snowy River with a horse they called 'The Ace'.
And we brought him down to Sydney, and our rider, Jimmy Rice,
Got a fall and broke his shoulder, so they nabbed me in a trice,
Me, that never wore the colours, for the open Steeplechase.

'Make the running,' said the trainer, 'it's your only chance whatever,
Make it hot from start to finish, for the old black horse can stay,
And just think of how they'll take it, when they hear on Snowy River
That the country boy was plucky, and the country horse was clever.
You must ride for old Monaro and the mountain boys today.'

'Are you ready? said the starter, as we held the horses back.
All ablazing with impatience, with excitement all aglow;
Before us like a ribbon stretched the steeplechasing track,
And the sun-rays glistened brightly on the chestnut and the black
As the starter's words came slowly, 'Are, you, ready? Go!'

Well I scarcely knew we'd started, I was stupid-like with wonder
Till the field closed up beside me and a jump appeared ahead.
And we flew it like a hurdle, not a baulk and not a blunder,
As we charged it all together, and it fairly whistled under,
And then some were pulled behind me and a few shot out and led.

So we ran for half the distance, and I'm making no pretenses
When I tell you I was feeling very nervous-like and queer,
For those jockeys rode like demons; you would think they'd lost their senses
If you saw them rush their horses at those rasping five-foot fences,
And in place of making running I was falling to the rear.

Till a chap came racing past me on a horse the called 'The Quiver',
And said he, 'My country joker, are you going to give it best?
Are you frightened of the fences? does their stoutness make you shiver?
Have they come to breeding cowards by the side of Snowy River?
Are there riders in Monaro?, 'but I never heard the rest.

For I drove The Ace and sent him just as fast as he could pace it
At the big black line of timber stretching fair across the track,
And he shot beside The Quiver. 'Now,' said I, 'my boy, we'll race it.
You can come with Snowy River if you're only game to face it,
Let us mend the pace a little and we'll see who cries a crack.'

So we raced away together, and we left the others standing,
And the people cheered and shouted as we settled down to ride,
And we clung beside The Quiver. At his taking off and landing
I could see his scarlet nostril and his mighty ribs expanding,
And The Ace stretched out in earnest, and we held him stride for stride.

But the pace was so terrific that they soon ran out their tether,
They were rolling in their gallop, they were fairly blown and beat,

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Father Riley's Horse

'Twas the horse thief, Andy Regan, that was hunted like a dog
By the troopers of the upper Murray side,
They had searched in every gully -- they had looked in every log,
But never sight or track of him they spied,
Till the priest at Kiley's Crossing heard a knocking very late
And a whisper "Father Riley -- come across!"
So his Rev'rence in pyjamas trotted softly to the gate
And admitted Andy Regan -- and a horse!
"Now, it's listen, Father Riley, to the words I've got to say,
For it's close upon my death I am tonight.
With the troopers hard behind me I've been hiding all the day
In the gullies keeping close and out of sight.
But they're watching all the ranges till there's not a bird could fly,
And I'm fairly worn to pieces with the strife,
So I'm taking no more trouble, but I'm going home to die,
'Tis the only way I see to save my life.

"Yes, I'm making home to mother's, and I'll die o' Tuesday next
An' be buried on the Thursday -- and, of course,
I'm prepared to meet my penance, but with one thing I'm perplexed
And it's -- Father, it's this jewel of a horse!
He was never bought nor paid for, and there's not a man can swear
To his owner or his breeder, but I know,
That his sire was by Pedantic from the Old Pretender mare
And his dam was close related to The Roe.

"And there's nothing in the district that can race him for a step,
He could canter while they're going at their top:
He's the king of all the leppers that was ever seen to lep,
A five-foot fence -- he'd clear it in a hop!
So I'll leave him with you, Father, till the dead shall rise again,
Tis yourself that knows a good 'un; and, of course,
You can say he's got by Moonlight out of Paddy Murphy's plain
If you're ever asked the breeding of the horse!

"But it's getting on to daylight and it's time to say goodbye,
For the stars above the east are growing pale.
And I'm making home to mother -- and it's hard for me to die!
But it's harder still, is keeping out of gaol!
You can ride the old horse over to my grave across the dip
Where the wattle bloom is waving overhead.
Sure he'll jump them fences easy -- you must never raise the whip
Or he'll rush 'em! -- now, goodbye!" and he had fled!

So they buried Andy Regan, and they buried him to rights,
In the graveyard at the back of Kiley's Hill;
There were five-and-twenty mourners who had five-and-twenty fights
Till the very boldest fighters had their fill.
There were fifty horses racing from the graveyard to the pub,
And their riders flogged each other all the while.

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Out Of the Heat

Go away...
You heartbreak sender.
We're mending inside,
And we don't need repeats.

Go away...
We need no fences to hinder.
We're going to mend together,
And we believe.
We overloaded on a wrong road,
And was towed...
To be sold,
Out in the cold.

We overloaded on a wrong road,
And were told...

We made a U Turn few could beat!
And,
We beat it getting...
Out of the heat.
Out of the heat!

Go away...
You heartbreak sender.
We're mending inside,
And we don't need repeats.

Go away...
We need no fences to hinder.
We're going to mend together,
And we believe.

We overloaded on a wrong road.
That we agree.
We overloaded from the greed.
That we agree.
We overloaded from a lazy life.
That we agree.
And took the meaning out of living it.
That we agree.
And that was the key!
Too get away quick,
Direct.

Out of the heat.
Out of the heat.

Go away...
We need no fences to hinder.

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