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Every bed has lice.

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Handles Bermuda

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Luggage Canada

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Bed Bed Bed

The day is done
The sun is down
The curtains have been drawn
And darkness has descended over everything in town
The covers have been turned and I've got my pajamas on
I've had my fun
I've stretched and yawned and all is said and done
I'm going to bed
Bed bed bed bed bed
I've done so many things today
There's nothing left to do
I ate three meals, I rode my bike, I hung out with my friends
I did my chores, I watched TV, I practiced the guitar
I brushed my teeth, I read my book, and then I sat around
I'm going to bed
Bed bed bed bed bed
Moo
Moo
Moo
Moo
Oh it's pointless staying up for even twenty seconds more
When everything has happened and there's nothing else in store
The thing is now to lay my head down, close my eyes, and snore
And so to bed directly I go
The day is done
The sun is down
The curtains have been drawn
And darkness has descended over everything in town
The covers have been turned and I've got my pajamas on
I've had my fun
I've stretched and yawned and all is said and done
I'm going to bed
Bed bed bed bed bed
Bed
Bed bed bed bed bed
I'm going to bed
Bed bed bed bed bed bed bed bed bed

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George Meredith

The Nuptials Of Attila

I

Flat as to an eagle's eye,
Earth hung under Attila.
Sign for carnage gave he none.
In the peace of his disdain,
Sun and rain, and rain and sun,
Cherished men to wax again,
Crawl, and in their manner die.
On his people stood a frost.
Like the charger cut in stone,
Rearing stiff, the warrior host,
Which had life from him alone,
Craved the trumpet's eager note,
As the bridled earth the Spring.
Rusty was the trumpet's throat.
He let chief and prophet rave;
Venturous earth around him string
Threads of grass and slender rye,
Wave them, and untrampled wave.
O for the time when God did cry,
Eye and have, my Attila!

II

Scorn of conquest filled like sleep
Him that drank of havoc deep
When the Green Cat pawed the globe:
When the horsemen from his bow
Shot in sheaves and made the foe
Crimson fringes of a robe,
Trailed o'er towns and fields in woe;
When they streaked the rivers red,
When the saddle was the bed.
Attila, my Attila!

III

He breathed peace and pulled a flower.
Eye and have, my Attila!
This was the damsel Ildico,
Rich in bloom until that hour:
Shyer than the forest doe
Twinkling slim through branches green.
Yet the shyest shall be seen.
Make the bed for Attila!

IV

Seen of Attila, desired,

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Mad Maria

Mad Maria in the Square
Sits upon a wicker chair.
When the keeper asks the price
Mad Maria counts her lice.
No pesito can she pay,
So he shrugs and goes away;
Hopes she'll pay him with her prayers,
Shabby keeper of the chairs.

Mad Maria counts her lice,
Cracks them once and cracks them twice,
Combs them from her sunny hair;
People stop to turn and stare.
Innocent in thought and deed
Mad Maria pays no heed,
And the Cross upon her breast
Proves her blessed of the blest.

So she sings her little song,
Happy as the day is long,
hunting in her camisole
Shy partakers of her dole;
thinking: Heaven please forgive -
Even lice have leave to live;
(But sweet Reader, do not blame,
For she kills them just the same.)

Mad Maria goes unchid,
Mildest maid in all Madrid;

While around in serried ranks
Rear the bold facades of Banks;
But when wrath of Heaven smites
Hosts of Mammon's parasites,
Mad Maria will not fall,
Being oh so very small.

Pariahs to God belong,
to be weak is to be strong;
Fools are richer than the wise,
And who see with shining eyes
Angels in the sordid street
Deem their happiness complete. . . .
Mad Maria counts her beads,
Cracks her lice and - Heaven heeds.

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House Alone

House alone, house alone
House alone, house alone
House alone, house alone
I'm in the house alone at night, but I don't want to go to bed now
I don't want to go to bed now, I don't want to go to bed
Don't make me go to bed now
Don't make me go to bed now
Go to bed, go to bed
House alone, house alone
House alone, house alone hey, hey
House alone, house alone
I'm in the house alone at night, but I don't want to go to bed now
I don't want to go to bed now I don't want to go to bed
Don't make me go to bed now
Don't make me go to bed now
Go to bed, go to bed, go to bed, go to bed

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Homer

The Odyssey: Book 23

Euryclea now went upstairs laughing to tell her mistress that her
dear husband had come home. Her aged knees became young again and
her feet were nimble for joy as she went up to her mistress and bent
over her head to speak to her. "Wake up Penelope, my dear child,"
she exclaimed, "and see with your own eyes something that you have
been wanting this long time past. Ulysses has at last indeed come home
again, and has killed the suitors who were giving so much trouble in
his house, eating up his estate and ill-treating his son."
"My good nurse," answered Penelope, "you must be mad. The gods
sometimes send some very sensible people out of their minds, and
make foolish people become sensible. This is what they must have
been doing to you; for you always used to be a reasonable person.
Why should you thus mock me when I have trouble enough already-
talking such nonsense, and waking me up out of a sweet sleep that
had taken possession of my eyes and closed them? I have never slept so
soundly from the day my poor husband went to that city with the
ill-omened name. Go back again into the women's room; if it had been
any one else, who had woke me up to bring me such absurd news I should
have sent her away with a severe scolding. As it is, your age shall
protect you."
"My dear child," answered Euryclea, "I am not mocking you. It is
quite true as I tell you that Ulysses is come home again. He was the
stranger whom they all kept on treating so badly in the cloister.
Telemachus knew all the time that he was come back, but kept his
father's secret that he might have his revenge on all these wicked
people.
Then Penelope sprang up from her couch, threw her arms round
Euryclea, and wept for joy. "But my dear nurse," said she, "explain
this to me; if he has really come home as you say, how did he manage
to overcome the wicked suitors single handed, seeing what a number
of them there always were?"
"I was not there," answered Euryclea, "and do not know; I only heard
them groaning while they were being killed. We sat crouching and
huddled up in a corner of the women's room with the doors closed, till
your son came to fetch me because his father sent him. Then I found
Ulysses standing over the corpses that were lying on the ground all
round him, one on top of the other. You would have enjoyed it if you
could have seen him standing there all bespattered with blood and
filth, and looking just like a lion. But the corpses are now all piled
up in the gatehouse that is in the outer court, and Ulysses has lit
a great fire to purify the house with sulphur. He has sent me to
call you, so come with me that you may both be happy together after
all; for now at last the desire of your heart has been fulfilled; your
husband is come home to find both wife and son alive and well, and
to take his revenge in his own house on the suitors who behaved so
badly to him."
"'My dear nurse," said Penelope, "do not exult too confidently
over all this. You know how delighted every one would be to see
Ulysses come home- more particularly myself, and the son who has
been born to both of us; but what you tell me cannot be really true.

[...] Read more

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Who's Been Sleeping In My Bed

Something's in the air
I answer the phone and there's nobody there
And your changin' the way that you're wearin your hair
And I wonder
Yes I wonder
Something's on my mind
The letters you get, cigarettes that I find
And you know I have to be deaf ,dumb and blind
Not to wonder
Not to wonder
Who's been sleeping in my bed
Gettin' what I get
When I don't get it
Who's been sleeping in my bed
Yeah, that's what I said
I just don't get it
Who's been sleepin'
Who's been sleepin' in my bed
Little things I miss
The ring on your finger, the fire in your kiss
How the hell could the love that we had come to this
And I wonder
Yes I wonder
I don't understand
The paperboy winks at the telephone man
And the milkman he smiles when he's shakin' my hand
And I wonder
Yes I wonder
Who's been sleeping in my bed
Gettin'what I get
When I don't get it
Who's been sleeping in my bed
Yeah, that's what I said
I just don't get it
Who's been sleepin'
Who's been sleepin' in my bed
Who's been sleeping in my bed
Gettin' what I get
When I don't get it
Who's been sleepin' in my bed
Yeah, that's what I said
I just don't get it
Who's been sleepin'
Who's been sleepin in my bed
Who's been sleepin'in my bed
Who's been sleepin'in my bed
Who's been sleepin'in my bed
Who's been sleepin'in my bed
Who's been
You got to tell me

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Charles Baudelaire

Le Vampire (The Vampire)

Toi qui, comme un coup de couteau,
Dans mon coeur plaintif es entrée;
Toi qui, forte comme un troupeau
De démons, vins, folle et parée,

De mon esprit humilié
Faire ton lit et ton domaine;
— Infâme à qui je suis lié
Comme le forçat à la chaîne,

Comme au jeu le joueur têtu,
Comme à la bouteille l'ivrogne,
Comme aux vermines la charogne
— Maudite, maudite sois-tu!

J'ai prié le glaive rapide
De conquérir ma liberté,
Et j'ai dit au poison perfide
De secourir ma lâcheté.

Hélas! le poison et le glaive
M'ont pris en dédain et m'ont dit:
«Tu n'es pas digne qu'on t'enlève
À ton esclavage maudit,

Imbécile! — de son empire
Si nos efforts te délivraient,
Tes baisers ressusciteraient
Le cadavre de ton vampire!»

The Vampire

You who, like the stab of a knife,
Entered my plaintive heart;
You who, strong as a herd
Of demons, came, ardent and adorned,

To make your bed and your domain
Of my humiliated mind
— Infamous bitch to whom I'm bound
Like the convict to his chain,

Like the stubborn gambler to the game,
Like the drunkard to his wine,
Like the maggots to the corpse,
— Accurst, accurst be you!

I begged the swift poniard
To gain for me my liberty,
I asked perfidious poison

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The Hair

The ritual evanesced when we observed it,
The ritual completed when our lice grew.
The head was full of lice, I hear them and saw each of them,
Restraining the children with feet, the arms also.
Inexorable lice swayed in the hair of our heads
Until the ritual was entire.
What is this ritual?
The ritual is of the dressing of hair,
Or the cutting of hair by the hairdresser.

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Sic Transit

Sudden summer laughter wave lift-drifts. Lush vale
stirs startled, sweating afternoon. Echo's no avail,
for sounds are swiftly smothered, as if some spider’s veil
Present, Past, Hereafter, threads, cocooning mortal wail.

Slowly drifting over sun-sparkling sylvan stream’s
springs and falls, bright sunlit halls, where silver salmon teems,
that fisher’s mind recalls far larger than his life-size dreams.
Scene subtle, suddenly disturbed, is smashed to smithereens.

Beasts tied to dry land try Time’s patience, thresher’s flail,
Brash bipeds too, though new, shall pass, ~ such small detail, ~
their lice must perish too, should spiders tell spun tale?
Arachnidae survive where flies die, race over, trace trails fail.

The crush-rush mortals know no wind-blown stones record
when hush dawn’s blushing show will welcome silence sans discord...

(23 March 1975 revised 3 August 2007,27 May 2008 robi03_0053)

For previous versions see below
Sic Transit
Sudden summer laughter wave lift-drifts through lush vale,
stirs, startles afternoon; - echo of no avail,
for sounds are smothered soon, as if some spider’s veil
Present, Past, Hereafter, surrounds â€" cocoons prevail.

Slowly drifting over sun-sparkling sylvan stream’s,
springs and falls, sunlit halls, where silver salmon teems
that fisher’s mind recalls far larger than his dreams, -
scene one sun, supernova, flash beams to smithereens.

Beasts tied to dry land try Time’s patience, thresher’s flail;
Brash bipeds too, though new, shall pass, ~ such small detail, ~
their lice must perish too, will insects tell their tale?
Who’d fly shall also die, race over, trace trails fail.

The crush, the rush, we know, what wind-blown stone records
when hush dawn’s blushing show welcomes without discord...?

(3 August 2007)

Sic Transit Gloria Mundi
Scented summer laughter, softly sifting through the vale,
stirs the silence sixty seconds, though all to no avail,
as the sound is swiftly smothered, as if by spider’s veil.

Slowly drifting over the rushing mountain streams, -
those springs and falls, the sunlit halls, where silver salmon teems, -
in which for scaly fare oft search the fearsome fishing teams.

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Picaro turns her face towards the sun

…chameleon like chiseled in a rock rock chained pours the rainbow colours the silent sky reflections where to think is if I was a tree I would turn my leaves to you so that you can mirror yourself in the streams of written currents if I were a butterfly I would turn my wings to you so that you can wing yourself in warmth from the hands an embrace to you if I had hands I would repeat the digging up of the wells which your light has not as yet reached if I was the light I would be faster than a thought if I had a thought from you I would make it a gift to the face cut in years towards death if I had a face I would not be a picaro of self an unoverstepped hurdle at the threshold of an entrance…I’ve got nothing.

Pikaro okreć e lice ka suncu
...kameleonski uzidan u stijenu stijenom rpikovan preliva dugine boje tihe odraze neba gdje misliti je da sam drvo okrenula bih lice ka tebi da se ogledaš u potocima ispisanog toka da sam leptir okrenula bih krila ka tebi da se raskriliš toplinom od ruku zagrljaj da imam ruke ponovila bih kopanja bunara gdje svjetlost tvoja stigla nije da sam svjetlost bila bih brža od misli da imam misao od tebe poklonila bih je licu što mu godine urezuju smrt da imam lice ne bih bila pikaro sopstva nepreskoč ena prepreka na pragu ulaska...Nemam ništa.

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This is not my face/Ovo nije moje lice

This is not my face
This thing oozing out of your insipid reflection theories
When you're putting it into A is A A is B B is C

You know
C is maybe a newly born naked
Syllogism pointing at a tzar
So that you can ask him ask him
‘Tzar tzar oh master tell us what's the time'
And the tzar cannot hear you for he's got a goat's ears

This is not my face
This thing you're folding after you've ironed it
And placed it among the skirts trousers and shirts

You know
A shirt is perhaps a flag of my home
Put on a post to limit the borders of pain
So that you may ask it ask it
‘Does it hurt does it hurt tell us what's the time'
And the pain cannot hear you for its ears are cut

This is not my face
This thing you're turning to see it from each side
Whenever you turn it from A to B from B to C

You know
C is perhaps just a point without a face
Thrown into the universe
A monada looking for the Father

Why don't you take your reflections home

Ovo nije moje lice
To što curi iz bljutavih teorija odraza
Kada ga sklapate u A je A, A je B, B je C

Znate
C je možda ko od majke roden
Silogizam što upire prstom u cara
Pa ga pita pa ga pita
Care care o gospodare ko'ko ima sati
A car ne cuje jer ima kozje uši

Ovo nije moje lice
To što sklapate poslije peglanja
Medu suknje pantalone i košulje

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Existences

Fenced carabaos of this Agricultural college Thrive on limited spread of grass Man-made They look forward To angles and rows of green hills and valley And clear flowing creeks To the other side The white herons, (wild ducks, sparrows, and mayas)
Fly above trees and (daffodils) And land on paddies with flecks Of surface mud fishes and tadpoles and mosquito larvae

I see The sparrows rest In flocks Lining up On electric cables Or Power Lines Watching army Worms and golden shells (kuhol) etching slowly, eating green greedily On rice and grass stalks

An owl hovers (the late owl, where was it last night?) On the island of twigs On an old mango tree (balding & ugly & dying)

No wonder The white herons (about twenty in all, I counted them patiently on digital cam) taunt The carabaos (muddy and thin as grasses were cut and cleaned by ROTC cadettes on Sundays, I can’t rationalize why the grass population be reduced) fenced On a limited supply of Manmade grass and Growth controlled

They wing finally when I got near them Lightly like blown leaves
This February wind And land on Carabaos’ backs Gleaning for lice Feasting on some pecking and swallowing & pecking again

Thriving on carabaos’ Hairs and skin some creatures though still

On the other side of the landscape A thin brown, woman With a buri hat And a rattan basket on one hand and a sack on the other Leans over A dry ricefield Gleaning for leftovers of palay

Beside her but not that really near The man drives the white herons Away to the other side of the island of banana trunks
Then he goes to the carabaos Their wet noses tied to an abaca roof and tied again to the cemented posts of this accredited agricultural college spreading about two hectares of stupidity

The questions about lice and herons and carabaos and grasses
And golden snails, tadpoles and mud fishes and sparrows died

The lice are free Feeding away from The eating white herons
They have flown away since then to the other side of my world

By now the flock of Sparrows On the electric cables or power lines Wing their way To a farther town as I leave them fast for lack of time for shortness of serendipity for lack of interest

There are pebbles inside my shoes.

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The Complaint of Lisa

There is no woman living who draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.
Toward whom I look as looks the sunflower
All day with all his whole soul toward the sun;
While in the sun's sight I make moan all day,
And all night on my sleepless maiden bed.
Weep and call out on death, O Love, and thee,
That thou or he would take me to the dead.
And know not what thing evil I have done
That life should lay such heavy hand on me.

Alas! Love, what is this thou wouldst with me?
What honor shalt thou have to quench my breath,
Or what shall my heart broken profit thee?
O Love, O great god Love, what have I done,
That thou shouldst hunger so after my death?
My heart is harmless as my life's first day:
Seek out some false fair woman, and plague her
Till her tears even as my tears fill her bed:
I am the least flower in thy flowery way,
But till my time be come that I be dead,
Let me live out my flower-time in the sun,
Though my leaves shut before the sunflower.

O Love, Love, Love, the kingly sunflower!
Shall he the sun hath looked on look on me,
That live down here in shade, out of the sun,
Here living in the sorrow and shadow of death?
Shall he that feeds his heart full of the day
Care to give mine eyes light, or my lips breath?
Because she loves him, shall my lord love her
Who is as a worm in my lord's kingly way?
I shall not see him or know him alive or dead;
But thou, I know thee, O Love, and pray to thee
That in brief while my brief life-days be done,
And the worm quickly make my marriage-bed.

For underground there is no sleepless bed.
But here since I beheld my sunflower
These eyes have slept not, seeing all night and day
His sunlike eyes, and face fronting the sun.
Wherefore, if anywhere be any death,
I fain would find and fold him fast to me,
That I may sleep with the world's eldest dead,
With her that died seven centuries since, and her
That went last night down the night-wandering way.
For this is sleep indeed, when labor is done,
Without love, without dreams, and without breath,

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Ill Make Your Bed

Im not the kind of girl that married dear dad
I dont bake apple pies and cookies from scratch
Im not even handy with a needle or thread
But youll never go hungry and Ill make your bed
Ill make your bed a place you cant wait to go
Softer than feathers and as sweet as a rose
Smooth satin pillows I will fluff for your head
And youll want for nothin and Ill make your bed
Ill love you to sleep at night, wake you with a kiss
Things that I cant do, I swear you wont miss
I promised forever on the day that we meet
Thats love you truly and
Ill make your bed
Do-do-do-do-do-do, de-de-de-oh-h
Do-do-do-do-do-do, de-de-de ah
Do-do-do-do-do-do, de-de-de-oh-h
Ill love you truly and Ill make your bed
Ill clothe you in dreams or I will feed you with love
Show you a magic life that few have dreamed of
I know this can be the love youll never regret
cause Im your forever and Ill make your bed
Ill make your bed a place you cant wait to go
Softer than feathers and as sweet as a rose
Smooth satin pillows I will fluff for your head
And Ill love you truly and
Ill make your bed
Ill love you to sleep at night, wake you with a kiss
Things that I cant do, I swear you wont miss
Forever and always I will prove what I said
And love you a lifetime and
Ill make your bed
And youll want for nothing and Ill make your bed
Do-do-do-do-do-do, dum-de-de oh-h
De-de-de-de-de-de, do-do-do ah
Do-do-do-do-do-do, de-de-de oh
Ill love you truly and Ill make your bed
Do-do-do-do-do-do, da-de-de-de-oh-h
De-de-da-de-de, dum-de-de-ah
De-de-da-de, de-dum de-de-oh
Ill love you truly and Ill make your bed
Fades

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Bed

My little darling it's a crying shame
The way that you lead me on
And I've got nobody but myself to blame
Cause I've always just played along

Well show me a body that gets no love
And I'll show you a body that's way messed up
Well it seems like you're aware of the effect you have on my head

If you feel like I'm asking you for too much
We can keep in touch
And I'll find someone else to bed
Bed
Find some
Find someone else to bed

My little darling I'm a tangled mess
When you tease me the way you do
and what it would be like I can only guess
If you'd please me like I wanna please you

Well show me a friendship that's pure and chaste
And I'll show you and engine that's dying to race
Well the time has come for me to find
Another way to get my soul fed

I know we could be the sweetest friends
But if that's where it ends
Then I'll find someone else to bed
Bed
Find some
Find someone else to bed
Bed
Find some
Find someone else to bed

Well the time has come for me
To take care of myself instead
You know if we remain
On a spiritual plane I will go insane
Don't make me find someone else to bed
Bed
Find someone
Find someone else to bed

song performed by Semisonic from All About ChemistryReport problemRelated quotes
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True Confession

1
Today, recovering from influenza,
I begin, having nothing worse to do,
This autobiography that ends a
Half of my life I'm glad I'm through.
O Love, what a bloody hullaballoo
I look back at, shaken and sober,
When that intemperate life I view
From this temperate October.
To nineteen hundred and forty-seven
I pay the deepest of respects,
For during this year I was given
Some insight into the other sex.
I was a victim, till forty-six,
Of the rosy bed with bitches in it;
But now, in spite of all pretexts,
I never sleep a single minute.

O fellow sailor on the tossing sea,
O fleeting virgin in the night,
O privates, general in lechery,
Shun, shun the bedroom like a blight:
Evade, O amorous acolyte,
That pillow where your heart can bury -
For if the thing was stood upright
It would become a cemetery.

I start with this apostrophe
To all apostles of true love:
With your devotion visit me,
Give me the glory of the dove
That dies of dereliction. Give
True love to me, true love to me,
And in two shakes I will prove
It's false to you and false to me.

Bright spawner, on your sandbank dwell
Coldblooded as a plumber's pipe -
The procreatory ocean swell
Warming, till they're over ripe,
The cockles of your cold heart, will
Teach us true love can instil
Temperature into any type.

Does not the oyster in its bed
Open a yearning yoni when
The full moon passes overhead
Feeling for pearls? O nothing, then,
Too low a form of life is, when
Love, abandoning the cloister,

[...] Read more

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Metamorphoses: Book The Tenth

THENCE, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
The Story of With dread these inauspicious signs were view'd,
Orpheus And soon a more disastrous end ensu'd;
and Eurydice For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.
When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.
Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.

[...] Read more

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