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Don't tell any more fairy tales when the child has gone to sleep.

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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….


The Song of Wink Star
a happy story for children of all ages


☼ 1


Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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(Freedom poems) Fairy child

Fairy child
You child of a god
Fairy child
You have given
up your freedom
Fairy
Fairy child
And now you roam
our world free
Fairy child
because
you know no borders
and your education
Ain't enough fairy child
So you cross borders
to disrespect international
Treaties
You're wanted by INTERPOL
(Can you spell that out loud?)
and the host of
The international agencies
you fairy child
You will know forwards
Fairy child
That the world serves
the interests of one
Super state
When the sanctions
begin to bite fairy child
You will cry like your
Fairy mama fairy
Because here there's
the scarcity
of the sanctions busters
Fairy child
You better go away fairy child
And find yourself
A love mate in Tokyo
Fairy child
'Cause in Tel Aviv
They hunt down the black
infiltrators
Yes they do fairy child
'cause they fear the black brothers
'cause they and the Israelis
Share the same black ancestor fairy child
You better run my brother
And fall in love and marry yourself
off to a Ethiop woman
To get a alien citizenship fairy child

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Talking China Doll Dreams of Merry Go Round, Playground & Fairy Stage

Fair fairy tales would be perfect for putting child to bed,
inciting images of speedy spinner merry-go-round or swings instesad,
for once ignoring the bare wood or carpet
which level inner sides of the house to let.

Listen to talking over obscure passage abiss
that drops as the gentle rain from heaven's bliss
of the midwinter's nightmarish dream,
that most fairies piece together in writing a reem.

Legendary voices appear as light, flexible and round ales
who are drunk upon observing intoxicating illustrations to fairy tales.
For the poet, without talking about it.
is being there were gone except for royal wit.

However under fairy tales of old bloat
the wizard encounters the talking scape goat.
Metamorphosis of stork to love is unlike modern fairy tale
of wolves abd talking animals where imginative realms fail.

With merry nonchalance man and beast encounter each other
in obnoxious gossiping all over this book in smother.
On the stage will be seen the actual play operated
just as it is operational all seem to have done liberated.

On her frock the doll wore a yellow ribbon and made dismayed more.
Dolls face reality in this versional reversion score.
Glittering fountains in forgotten fairy tale draw what you
regards as gentlemen, friends and brought back talk out of the blue.

Dreams appeal naturally of course, to you
that without looking round wants to compare old with new,
Or not yet created, in talking to himself or with audience,
asking what was the man other than personified benevolence.

Protagonist in play gets a porcelain doll
which the protagonist covets less than a troll;
having always a merry day, when asunder in party,
parting in fine clothes and gay laughter hearty.

When up in the morning, recalled his dream and before
in prefernce of dreams of future wind and more,
yet not indicating despair to merry friend
talking about later reading tale to end.

Unveiled doll gazes at crescent moon, sun and star
past the merry-go-round, carousel and picturesque postcards from afar.
The of and to is to with of that what is to he
for merciful merriment's enjoy and benefit for all to see.

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Song Of Being A Child

When the child was a child
It walked with arms hanging
Wanted the stream to be a river and the river a torrent
And this puddle, the sea
When the child was a child, it didnt know
It was a child
Everything for it was filled with life and all life was one
Saw the horizon without trying to reach it
Couldnt rush itself and think on command
Was often terribly bored
And couldnt wait
Passed up greeting the moments
And prayed only with its lips
When the child was a child
It didnt have an opinion about a thing
Had no habits
Often sat crossed-legged, took off running
Had a cow lick in its hair
And didnt put on a face when photographed
When the child was a child
It was the time of the following questions
Why am I me and why not you
Why am I here and why not there
Why did time begin and where does space end
Isnt what I see and hear and smell
Just the appearance of the world in front of the world
Isnt life under the sun just a dream
Does evil actually exist in people
Who really are evil
Why cant it be that I who am
Wasnt before I was
And that sometime i, the i, I am
No longer will be the i, I am
When the child was a child
It gagged on spinach, on peas, on rice pudding
And on steamed cauliflower
And now eats all of it and not just because it has to
When the child was a child
It woke up once in a strange bed
And now time and time again
Many people seem beautiful to it
And now not so many and now only if its lucky
It had a precise picture of paradise
And now can only vaguely conceive of it at best
It couldnt imagine nothingness
And today shudders in the face of it
Go for the ball
Which today rolls between its legs
With its Im here it came
Into the house which now is empty

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Kensington Garden

______ Campos, ubi Troja fuit.
Virg.


Where Kensington, high o'er the neighbouring lands
Midst greens and sweets, a regal fabric, stands,
And sees each spring, luxuriant in her bowers,
A snow of blossoms, and a wild of flowers,
The dames of Britain oft in crowds repair
To gravel walks, and unpolluted air.
Here, while the town in damps and darkness lies,
They breathe in sun-shine, and see azure skies;
Each walk, with robes of various dyes bespread,
Seems from afar a moving tulip-bed,
Where rich brocades and glossy damasks glow,
And chints, the rival of the showery bow.
Here England's daughter, darling of the land,
Sometimes, surrounded with her virgin band,
Gleams through the shades. She, towering o'er the rest,
Stands fairest of the fairer kind confest,
Form'd to gain hearts, that Brunswick's cause deny'd,
And charm a people to her father's side.
Long have these groves to royal guests been known,
Nor Nassau first prefer'd them to a throne.
Ere Norman banners wav'd in British air;
Ere lordly Hubba with the golden hair
Pour'd in his Danes; ere elder Julius came;
Or Dardan Brutus gave our isle a name;
A prince of Albion's lineage grac'd the wood,
The scene of wars, and stain'd with lovers' blood.
You, who thro' gazing crowds, your captive throng,
Throw pangs and passions, as you move along,
Turn on the left, ye fair, your radiant eyes,
Where all unlevel'd the gay garden lies:
If generous anguish for another's pains
Ere heav'd your hearts, or shiver'd through your veins,
Look down attentive on the pleasing dale,
And listen to my melancholy tale.
That hollow space, were now in living rows
Line above line the yew's sad verdure grows,
Was, ere the planter's hand its beauty gave,
A common pit, a rude unfashion'd cave.
The landscape now so sweet we well may praise:
But far, far sweeter in its ancient days,
Far sweeter was it, when its peopled ground
With fairy domes and dazzling towers was crown'd.
Where in the midst those verdant pillars spring,
Rose the proud palace of the Elfin king;
For every edge of vegetable green,
In happier years a crowded street was seen;

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Fairy Tale High

On a fairy tale high
Don't you believe that your dreams all come true
The fairy tale world inside can bring it to you
You just have to wish, and you'll take off and fly
On a fairy tale high, fairy tale high
Fairy tale high, fairy tale high
On a fairy tale high
Just look around you, the dark clouds are far
Stand on your tiptoes, and reach for a star
As stardust comes sprinkling, it will brighten your eyes
On a fairy tale high, fairy tale high
Fairy tale high, fairy tale high
Fairy tale high, fairy tale high, fairy tale high
On a fairy tale high, feeling higher and higher
On a fairy tale high, feeling higher and higher
On a fairy tale high, feeling higher and higher
On a fairy tale high, feeling higher and higher
On a fairy tale high, feeling higher and higher

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Tennants Anster Fair

I.

'TIS the middle watch of a summer's night -
The earth is dark, but the heavens are bright;
Nought is seen in the vault on high
But the moon, and the stars, and the cloudless sky,
And the flood which rolls its milky hue,
A river of light on the welkin blue.
The moon looks down on old Cronest,
She mellows the shades on his shaggy breast,
And seems his huge gray form to throw
In a sliver cone on the wave below;

His sides are broken by spots of shade,
By the walnut bough and the cedar made,
And through their clustering branches dark
Glimmers and dies the fire-fly's spark -
Like starry twinkles that momently break
Through the rifts of the gathering tempest's rack.

II.

The stars are on the moving stream,
And fling, as its ripples gently flow,
A burnished length of wavy beam
In an eel-like, spiral line below;
The winds are whist, and the owl is still,
The bat in the shelvy rock is hid,
And nought is heard on the lonely hill
But the cricket's chirp, and the answer shrill
Of the gauze-winged katy-did;
And the plaint of the wailing whip-poor-will,
Who moans unseen, and ceaseless sings,
Ever a note of wail and wo,
Till morning spreads her rosy wings,
And earth and sky in her glances glow.

III.

'Tis the hour of fairy ban and spell:
The wood-tick has kept the minutes well;
He has counted them all with click and stroke,
Deep in the heart of the mountain oak,
And he has awakened the sentry elve
Who sleeps with him in the haunted tree,
To bid him ring the hour of twelve,
And call the fays to their revelry;
Twelve small strokes on his tinkling bell -
('Twas made of the white snail's pearly shell:- )
"Midnight comes, and all is well!

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The Culprit Fay

'TIS the middle watch of a summer's night -
The earth is dark, but the heavens are bright;
Nought is seen in the vault on high
But the moon, and the stars, and the cloudless sky,
And the flood which rolls its milky hue,
A river of light on the welkin blue.
The moon looks down on old Cronest,
She mellows the shades on his shaggy breast,
And seems his huge gray form to throw
In a sliver cone on the wave below;

His sides are broken by spots of shade,
By the walnut bough and the cedar made,
And through their clustering branches dark
Glimmers and dies the fire-fly's spark -
Like starry twinkles that momently break
Through the rifts of the gathering tempest's rack.

II.

The stars are on the moving stream,
And fling, as its ripples gently flow,
A burnished length of wavy beam
In an eel-like, spiral line below;
The winds are whist, and the owl is still,
The bat in the shelvy rock is hid,
And nought is heard on the lonely hill
But the cricket's chirp, and the answer shrill
Of the gauze-winged katy-did;
And the plaint of the wailing whip-poor-will,
Who moans unseen, and ceaseless sings,
Ever a note of wail and wo,
Till morning spreads her rosy wings,
And earth and sky in her glances glow.

III.

'Tis the hour of fairy ban and spell:
The wood-tick has kept the minutes well;
He has counted them all with click and stroke,
Deep in the heart of the mountain oak,
And he has awakened the sentry elve
Who sleeps with him in the haunted tree,
To bid him ring the hour of twelve,
And call the fays to their revelry;
Twelve small strokes on his tinkling bell -
('Twas made of the white snail's pearly shell:- )
'Midnight comes, and all is well!
Hither, hither, wing your way!
'Tis the dawn of the fairy day.'

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Fanciful Dream

I left my love in the Fairy Glen
Home of the litte fairy men
I met her there on a July night
When a Summer moon was beaming bright.

For my love was the Fairy Queen
In Fairyland she reign supreme
She wore a glittering diamond cloak
Queen of the little fairy folk.

Though the night was bright it was bright as day
In a wooded vale I lost my way
Then I sat me down by a tall oak tree
And the Fairy Queen she came to me.

I gazed upon this fairy small
She stood scarcely more than two foot tall
Tiny shoes covered her tiny feet
And she bowed towards me in a fairy greet

Her pretty little face showed no trace of woe
And her hair was white as new fallen snow
And her eyes were sparkling bright and brown
And on her head she wore a tiny crown.

Then she smiled at me and this did say
You're in Fairyland you have lost your way
Sorry to disturb you from your rest
Come along with me and be my guest.

Then she led me to the fairy ball
To a fairy dance in a fairy hall
All the fairy folk were dancing there
And fairy music filled the air.

But when we stepped inside the fairy dance hall door
A hushed silence fell across the floor
Fairy men and women scarce one third my size
All looked up at me with fear in their eyes.

But their Queen she spoke to them and said
Of this gentle giant you need hold no dread
I met him in the oak tree shade
Into Fairyland he has somehow strayed.

Then the fairy band started playing anew
And the fairy folk started dancing too
Round and round the dance floor they did wheel
To the haunting sound of a fairy reel.

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Child Molester

Note- I wanted to write something something darker and deeper then what I currently have been.

This is what came out.

Dark Rewrite of Britney Spear's Womanizer

Storyline-One woman takes the stand that no one else will to save her street from the unthinkable

Perverted neighbor
I know where you're from
I think it's best you get your twisted... going
Got more then just a clue what you're up to
You can play squeaky clean tp all the others gathered here
But I know what you really are, what you really are sickie

Look at you
Tryin' to act so on the up and up
Sickie, you
Got everyone else here fooled
But not me, oh no, not me
Fakin' like deep down you're a good one
Let's just lay our cards out on the table
Get it all out now
Call 'em like we both know 'em

Child molester, child-child molester
You're a child molester
Oh, child molester, oh you're a child molester, sickie
You-you know-you know you are
You-you know-you know you are
Child molester, child molester, child molester

Sicko, don't try stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
Sicko, don't try to stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
(Spoken) You got some kind of twisted game goin'
You got them all believin' you're so charmin'
But I won't let you keep on doin' it
You child molester

Sicko, don't try stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
Sicko, don't try to stage that front
Oh no, no, not with me
Cos I know just-just what you are, ah, ah, what you are
(Spoken) You say I'm crazy

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Elizabeth Barrett Browning

Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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Broken Fairy Tales

Heres a little story that I made up
So let's play make believe
In my castle on the cliff
I look out to sea

I just wanna have some fun
I just wanns have a good time
My party is nothing special
I just can't seem to realize

In my little fairy tale book
That's where my dreams wait for me
In my little own world
My prince waits for me

Broken dreams and fairy tales
One of those things I know so well
My fantasy dreams aren't real anymore
They're just Broken Fairy Tales

The wicked witch dreams in her sleep
She is making green elephants for tea
She cackles and cries
The witch is alive and she's ready for the sun

A white horse rides the waves
His mane is silver and snow
The moon which rides
Along the great tides
Is living his life to the full

In my little fairy tale book
That's where my dreams wait for me
In my little own world
My prince waits for me

Broken dreams and fairy tales
One of those things I know so well
My fantasy dreams aren't real anymore
They're just Broken Fairy Tales

Walking through my winter wonderland
The pine tree's sway, glistened with snow
As we walk along, we hear Santa say
'Welcome to the book of Broken Fairy Tales.'

Broken dreams and fairy tales
One of those things I know so well
My fantasy dreams aren't real anymore
They're just Broken Fairy Tales

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The Story Of Nevermore

now I cast a hypnotic spell
to free a child from her hell
surrender now child fall deep in my spell
just come to me child and all will be well

rise now child in sleep you now come
walk now child thought your scenes stay numb
fall now child in to a peaceful dream
but nothing there is as it seems

even thought child in you dream all is right
really your body walks still throw the night
relax now child let that dream ease your mind
follow now child let my voice be your guild

dont worry child my intentions are pure
you’ll be happy with me of that I am sure
I’m just so tired of being alone
I want a child all of my own

so sleepwalk now child to the pull of my charm
sleepwalk to me child you’ll be safe in my arms
nevermore child shall you cry out in pain
your old life will be lost but a new one will be gained

sleepwalk to me child you’ll be my daughter soon
find your way to me child by the light of the moon
sleepwalk to me child and I’ll show you my ways
all the things I can show you; you’ll be amazed

sleepwalk to me child your almost here
come to me child soon all will be clear
sleepwalk to me child come meet your new mom
soon the whole world will rest in your palm

I see you now child I have you in sight
I run to you child now all is right
your eyes are dazed child unseeing and blank
I can see you now child what a great daughter you’ll make

come to me child collapse in my arms
come to me child you’re safe now from harm
I hold you now child and cradle you close to my heart
I hum to you child as I carry you throw the dark

were home now dear child far from all you ones knew
were home now dear child only one thing left to do
I made this child a special potion just for you
and with it your life begins anew

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Surfs Up

A diamond necklace played the pawn
Hand in hand some drummed along, oh
To a handsome man and baton
A blind class aristocracy
Back through the opera glass you see
The pit and the pendulum drawn
Columnated ruins domino
Canvass the town and brush the backdrop
Are you sleeping?
Hung velvet overtaken me
Dim chandelier awaken me
To a song dissolved in the dawn
The music hall a costly bow
The music all is lost for now
To a muted trumperter swan
Columnated ruins domino
Canvass the town and brush the backdrop
Are you sleeping, brother john?
Dove nested towers the hour was
Strike the street quicksilver moon
Carriage across the fog
Two-step to lamp lights cellar tune
The laughs come hard in auld lang syne
The glass was raised, the fired rose
The fullness of the wine, the dim last toasting
While at port adieu or die
A choke of grief hard hardened i
Beyond belief a broken man too tough to cry
Surfs up
Aboard a tidal wave
Come about hard and join
The young and often spring you gave
I heard the word
Wonderful thing
A childrens song
Child, child, child, child, child
A child is the father of the man
Child, child, child, child, child
A child is the father of the man
A childrens song
Have you listened as they played
Their song is love
And the children know the way
Thats why the child is the father to the man
Child, child, child, child, child
Child, child, child, child, child
Na na na na na na na na
Child, child, child, child, child
Thats why the child is the father to the man
Child, child, child, child, child

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Lord Rubadub

'Neath the shade of a daisy, just two inches high,
A poor little fairy sits weeping alone;
She says, “What a desolate creature am I,
My Lord Rubadub has the heart of a stone!

“He will not allow me to dance on a cherry,
To swing in a cobweb, or ride on a bee;
He tells me to hush when I want to be merry,
Which is hard on a gay little fairy like me.
“Our queen is so delicate, dainty, and dear,
But I fear she will marry my Lord Rubadub.
He struts at her side with a lounge and a leer,—
I wonder she'll look at the dandified cub!

To fly from the court I announced my intention,
But Rubadub says (and I fancy 'tis true),
I must serve seven years, or I'll not get my pension;
So what is a poor little fairy to do?
“Lord Rubadub's head is as large as my house;
His legs stride as far as the north from the south;
He can hold in his hand that big monster, the mouse;
And he puts a whole dinner at once in his mouth!

“I do not deny he has wit and acumen,
But he's dreadfully fat and disgracefully tall;
I think he's a changeling, a thing they call human;
I do not believe he's a fairy at all!
“But, hush! here he comes.” So she hid in the moss,
While vulgarly saunter'd, in insolent pride,
A fat little boy, who appear'd rather cross,
Though the beautiful fairy queen flew at his side.

He flung himself down with a flop on the daisy,
And sticking a meerschaum his thick lips between,
Bawl'd out, “Look alive there—Flare up—Don't be lazy,
But fan me to sleep with your wings, fairy queen!”
The delicate fairy queen perch'd on his nose,
And flapping her gossamer wings up and down,
The cross little fellow is wrapt in repose—
A sneer on his lips, on his forehead a frown.

The delicate fairy queen falters and flutters,
Afraid to desist. Ah, what slavery this!
But the fairy that's hid in the moss slily mutters,
“Now, now is the moment to test what he is!”
41:She creepeth along, (we can all guess what for,
For who is so stupid as not to have heard
That test of a fairy, that signal of awe,
That almost unspeakable, horrible word!)

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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A Beautiful Fairy And The Fairy Dust Rain

Around this time of the year
The arrival of Spring is near
The arrival of Spring is almost here
And I'll happily be one with the spirits of nature
I'll completely embrace the magic of spring
As well as the wonder of nature
And the many other worldly pleasures

Around this time of the year
I await the fairy dust rain

Surrounded by trees and flowers
And many other things that are green
I await the arrival of the fairy dust rain
And many other sights of nature just waiting to be seen

A beautiful fairy flutters down from the sky
And lands down in front of me
She's almost as tall as me

We greet each other
And our hopes are the same
As we wait for the fairy dust rain

In the meantime
The beautiful fairy shows me her gifts of magic
And shares her knowledge with me as well

After periods of time have gone by
Fairy dust begins to rain down from the sky

The fairy dust rain has finally arrived
And we share the smiles and laughter

You ask me for a dance
And I don't hesitate to pass up this chance

We dance
Surrounded by flowers
Surrounded by trees
Surrounded by the fairy dust rain

After dancing
We look into each other's eyes
And then up to the skies
As the fairy dust rain continues to fall

Our eyes then return to each other
And we share a hug
You flutter your wings a little

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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The Plea Of The Midsummer Fairies

I

'Twas in that mellow season of the year
When the hot sun singes the yellow leaves
Till they be gold,—and with a broader sphere
The Moon looks down on Ceres and her sheaves;
When more abundantly the spider weaves,
And the cold wind breathes from a chillier clime;—
That forth I fared, on one of those still eves,
Touch'd with the dewy sadness of the time,
To think how the bright months had spent their prime,


II

So that, wherever I address'd my way,
I seem'd to track the melancholy feet
Of him that is the Father of Decay,
And spoils at once the sour weed and the sweet;—
Wherefore regretfully I made retreat
To some unwasted regions of my brain,
Charm'd with the light of summer and the heat,
And bade that bounteous season bloom again,
And sprout fresh flowers in mine own domain.


III

It was a shady and sequester'd scene,
Like those famed gardens of Boccaccio,
Planted with his own laurels evergreen,
And roses that for endless summer blow;
And there were fountain springs to overflow
Their marble basins,—and cool green arcades
Of tall o'erarching sycamores, to throw
Athwart the dappled path their dancing shades,—
With timid coneys cropping the green blades.


IV

And there were crystal pools, peopled with fish,
Argent and gold; and some of Tyrian skin,
Some crimson-barr'd;—and ever at a wish
They rose obsequious till the wave grew thin
As glass upon their backs, and then dived in,
Quenching their ardent scales in watery gloom;
Whilst others with fresh hues row'd forth to win
My changeable regard,—for so we doom
Things born of thought to vanish or to bloom.

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