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Better the grave than a slave.

Bulgarian proverbs
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The Giaour

No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
First greets the homeward-veering skiff
High o'er the land he saved in vain;
When shall such Hero live again?

Fair clime! where every season smiles
Benignant o'er those blesséd isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to lonliness delight.
There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave:
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That waves and wafts the odours there!
For there the Rose, o'er crag or vale,
Sultana of the Nightingale,

The maid for whom his melody,
His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchilled by snows,
Far from winters of the west,
By every breeze and season blest,
Returns the sweets by Nature given
In soft incense back to Heaven;
And gratefu yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that Love might share,
And many a grotto, meant by rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the pasiing peaceful prow,
Till the gay mariner's guitar
Is heard, and seen the Evening Star;

Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turns to groan his roudelay.
Strande—that where Nature loved to trace,
As if for Gods, a dwelling place,

[...] Read more

poem by Byron (1813)
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The Giaour: A Fragment Of A Turkish Tale

No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
First greets the homeward-veering skiff
High o'er the land he saved in vain;
When shall such Hero live again?

Fair clime! where every season smiles
Benignant o'er those blesséd isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to lonliness delight.
There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave:
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That waves and wafts the odours there!
For there the Rose, o'er crag or vale,
Sultana of the Nightingale,

The maid for whom his melody,
His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchilled by snows,
Far from winters of the west,
By every breeze and season blest,
Returns the sweets by Nature given
In soft incense back to Heaven;
And gratefu yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that Love might share,
And many a grotto, meant by rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the pasiing peaceful prow,
Till the gay mariner's guitar
Is heard, and seen the Evening Star;
Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turns to groan his roudelay.
Strande-that where Nature loved to trace,
As if for Gods, a dwelling place,
And every charm and grace hath mixed

[...] Read more

poem by Byron
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Murrow Turning Over In His Grave

All the sainted sinners
They pay handsomely
And eventually?
They make the weapons
And they run the prisons
And they sell the justice
Cause being guilty is
Just good business
And well be standing on
The borderline
Aint no one there gonna
Stop it now
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Better watch out
Murrow turning over in his grave
Hes gonna turn wild
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Better watch out
Murrow turning over in his grave
Hes gonna run wild
Half-closed eyes
And the countrys deadly
Do you feel the ooze as your brain drains out
From your pneumatic drills and sharpening knives
Blood in the sky
Are you dead or alive?
All the restless people and the bitter green
Well it fakes this gold, makes the spirit mean
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Better watch out
Murrow turning over in his grave
Hes gonna turn wild
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Murrow turning over in his grave
Better watch out
Murrow turning over in his grave
Hes gonna run wild

song performed by Fleetwood Mac
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Nun in FRiar Small-Bro's Grave... Yard

The midnight clings to dwarfish kings
While robot drones, adorning thrones,
Kneel, bowing to the Old...Guard.
Arrhythmic clocks and wooden box
Grace FRiar Small-Bro's grave...yard.

The diplohacks, in melting wax,
Are swept along, a thriving throng,
Just dying for a life...guard.
And Nun, alone, has beached their bones
In FRiar Small-Bro's grave...yard.

Beyond the streams, a raven screams
At loser fish that swarm and swish;
Nun gently drips her dreams...jarred.
There are no thanks along the banks
Of FRiar Small-Bro's grave...yard.

While FRiar smiles and prowls the aisles
The hierarch obeys his bark;
His maw is oozing pure...lard.
He tells you who and what to do
In FRiar Small-Bro's grave...yard.

Well, FRiar's pets are in a sweat;
He calls the tunes near burning dunes
And taps his cloven feet...charred.
They roast in rooms within the tombs
In FRiar Small-Bro's grave...yard.

His myrmidons, they drool and fawn
While chanting verse near FRiar's hearse -
Extolling, wild, the van...guard.
Remote controls promote the trolls
In FRiar Small-Bro's grave...yard.

With faces straight, in bent debate,
They compromise their empty lies
With any passing re...tard.
Grey zombies groom white flies in bloom
In FRiar Small-Bro's grave...yard.

With ghouls, unlearned, no stone's unturned,
They burnish blame with Nun's proud name
And leave the midnight sky... scarred.
They raise their hats to copy cats
In FRiar Small-Bro's grave...yard.

The rumours spread amongst the dead -
Nun marks the place with saving grace,

[...] Read more

poem by Terry O'Leary
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The New Inner-City Slave Plantation

The now-a-day slave or labor force
The ruling-class determines the course
The political master’s pastor contorts
Politics and policy aborts

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

Work like a blind jackass
Support and finance the ruling class
Being bi-partisan-just a mask
Cultured career criminals civilizing crass

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

The political engineers of The Greater Good own
The inner city war-zone
The psychotropic drug sets the tone
Slavery as the new world order is the throne

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

Multi-tasking a labor saving device
Freedom of movement has no right
Monopolized government enslaved all might
The inner city slave- plantation private and prime
Real estate blight

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

The thirteenth amendment of the constitution
On the inner city slave-plantation no social, no economical,
No educational, no political absolution

On the inner city slave-plantation, indentured servants,
Chattel slaves, still considered Black Gold
By the God Fearing slave codes used to control

The new inner city slave-plantation
Human and civil rights violation with extreme taxation

On the new inner city slave-plantation
The American Flag can not wave
Even Democracy is revered as a Black Slave

poem by Josephine DixonBanks
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Amusing Trial, in Which a Yankee Lawyer Rendered a Just Verdict.

A Slave sold at Auction.
A time there was, when no one thought
It sin, to hold a slave he'd bought,
And of his strength have the command,
As much as of his house and land.
A Yankee Lawyer long had kept
A negro-man with whom he slept.

And ate, and Sabbath day,
He half the time from church would stay;
When Cuff his master's garments wore.—
'Twas strange you say, but he was poor;
And though he cared not for Cuff's soul,
Yet such the times, that on the whole,

'Disguise thyself as thou wilt, still, slavery, thou art a bitter draught.'—Sterne.
His slave must to the meeting go,
If 'twas for nothing but a show.
They lived on thus for several years—
One would not think, that many tears
Would fall from off that shining face,
So sleek and smooth, or he would trace

Note.—In some parts of the country, slaves are scantily fed, while their masters live in luxury.
Note.—In some parts of the country, slaves are scantily fed, while their masters live in luxury.
The chain which bound, or wish to break,
But choose to stay for his own sake,
Where he so well was clothed and fed,
And shared the lawyer's food and bed,
So well contented he might be,
He'd hardly know but he was free,

Fetters formerly used by the slave traders, to confine the ankles of their victims. The editor has seen some that were actually used by Rhode Island traders.
Fetters formerly used by the slave traders, to confine the ankles of their victims. The editor has seen some that were actually used by Rhode Island traders.
But make the fetters of pure gold.
They're hateful still, they gall, they hold,
And if the pill is sugared o'er,
'Tis still as bitter as before.
Cuff ponder'd much, but did not know,
If he his master left to go,

And seek his fortune, he could find
Another master half so kind,
And who would give so large a share
Of the small pittance he could spare,
And every privilege could grant,
Which he could need or ever want;

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poem by Anonymous Americas
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The Zenana

WHAT is there that the world hath not
Gathered in yon enchanted spot?
Where, pale, and with a languid eye,
The fair Sultana listlessly
Leans on her silken couch, and dreams
Of mountain airs, and mountain streams.
Sweet though the music float around,
It wants the old familiar sound;

And fragrant though the flowers are breathing,
From far and near together wreathing,
They are not those she used to wear,
Upon the midnight of her hair.—

She's very young, and childhood's days
With all their old remembered ways,
The empire of her heart contest
With love, that is so new a guest;
When blushing with her Murad near,
Half timid bliss, half sweetest fear,
E'en the beloved past is dim,
Past, present, future, merge in him.
But he, the warrior and the chief,
His hours of happiness are brief;
And he must leave Nadira's side
To woo and win a ruder bride;

Sought, sword in hand and spur on heel,
The fame, that weds with blood and steel.
And while from Delhi far away,
His youthful bride pines through the day,
Weary and sad: thus when again
He seeks to bind love's loosen'd chain;
He finds the tears are scarcely dry
Upon a cheek whose bloom is faded,
The very flush of victory
Is, like the brow he watches, shaded.
A thousand thoughts are at her heart,
His image paramount o'er all,
Yet not all his, the tears that start,
As mournful memories recall
Scenes of another home, which yet
That fond young heart can not forget.
She thinks upon that place of pride,
Which frowned upon the mountain's side;

While round it spread the ancient plain,
Her steps will never cross again.
And near those mighty temples stand,
The miracles of mortal hand,

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poem by Letitia Elizabeth Landon
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

[...] Read more

poem by Charles Churchill
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The Bride of Abydos

"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns

TO
THE RIGHT HONOURABLE LORD HOLLAND,
THIS TALE IS INSCRIBED,
WITH EVERY SENTIMENT OF REGARD AND RESPECT,
BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,

BYRON.

THE BRIDE OF ABYDOS

CANTO THE FIRST.

I.

Know ye the land where cypress and myrtle
Are emblems of deeds that are done in their clime,
Where the rage of the vulture, the love of the turtle,
Now melt into sorrow, now madden to crime?
Know ye the land of the cedar and vine,
Where the flowers ever blossom, the beams ever shine;
Where the light wings of Zephyr, oppress'd with perfume,
Wax faint o'er the gardens of Gúl in her bloom; [1]
Where the citron and olive are fairest of fruit,
And the voice of the nightingale never is mute;
Where the tints of the earth, and the hues of the sky,
In colour though varied, in beauty may vie,
And the purple of Ocean is deepest in dye;
Where the virgins are soft as the roses they twine,
And all, save the spirit of man, is divine?
'Tis the clime of the East; 'tis the land of the Sun —
Can he smile on such deeds as his children have done? [2]
Oh! wild as the accents of lovers' farewell
Are the hearts which they bear, and the tales which they tell.

II.

Begirt with many a gallant slave,
Apparell'd as becomes the brave,
Awaiting each his lord's behest
To guide his steps, or guard his rest,

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poem by Byron
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Not My Slave

With sadness in my heart and joy in my mind
I thought about the ghost that we left behind.
With everyone around telling us what to do
With deafening sound whisper I love you.
The fire in your eyes-- may it never go out.
The sweetness of your tears make it feel like night.
I see no escape from the roles we always play
What do we have to prove on this judgement day
Youre missing the whole point-- youre not my little pet
Dont throw away your life-- the games not over yet
I do not own your soul--dont want you in a cage
I only want your heart to find a special place
Youre mine now but youre not my sister
Youre mine now but youre not my slave
Youre mine but youre not my child
Youre mine now but youre not my slave
Youre mine now but youre not my slave
With sadness in my heart and clounds in my head
I thought about us both and the lives we led.
The pages on a book and pictures on a screen
We shape ourselves like clay from someone elses dream.
One second you are cast just like stones at my feet
But I am not a king please dont worship me.
With everyone around telling us what to do
With deafening sound whisper I love you.
Youre missing the whole point-- youre not my little pet
Dont throw away your life-- the games not over yet
I do not own your soul--dont want you in a cage
I only want your heart to find a special place
Youre mine now but youre not my sister
Youre mine now but youre not my slave
Youre mine but youre not my child
Youre mine now but youre not my slave
Youre mine but youre not my sister
Youre mine now but youre not my slave
Youre mine but youre not my child
Youre mine now but youre not my slave
Youre mine now but youre not my slave
Youre mine now but youre not my slave
Youre mine now but youre not my slave

song performed by Oingo Boingo
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Slave 2 The System

Slave) {repeat in song}
Slave, yeah {x2}
Slave 2 the system here before I was born
Slave 2 the master, workin' me till I'm worn
The only penthouse I can count on's a big black ball and chain
Slave 2 the system, the future's all arranged
Oh, U better fetch that water, boy {x2}
Slave 2 the system
Thompson's my last name, but my daddy's name is Lloyd
The farther back I trace it, the more it becomes null and void
All my life I've struggled just 2 be called a boy
Slave 2 the system, oh what a joy
Oh, U better fetch that water, boy
Hell if I do!
(Oh, U better fetch that water, boy)
Oh, I'm just a slave 2 the system
Here before I was born
Slave 2 the master, workin' me till I'm worn
Slave 2 the system

song performed by Prince
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

[...] Read more

poem by Robinson Jeffers
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The Corsair

'O'er the glad waters of the dark blue sea,
Our thoughts as boundless, and our soul's as free
Far as the breeze can bear, the billows foam,
Survey our empire, and behold our home!
These are our realms, no limits to their sway-
Our flag the sceptre all who meet obey.
Ours the wild life in tumult still to range
From toil to rest, and joy in every change.
Oh, who can tell? not thou, luxurious slave!
Whose soul would sicken o'er the heaving wave;
Not thou, vain lord of wantonness and ease!
whom slumber soothes not - pleasure cannot please -
Oh, who can tell, save he whose heart hath tried,
And danced in triumph o'er the waters wide,
The exulting sense - the pulse's maddening play,
That thrills the wanderer of that trackless way?
That for itself can woo the approaching fight,
And turn what some deem danger to delight;
That seeks what cravens shun with more than zeal,
And where the feebler faint can only feel -
Feel - to the rising bosom's inmost core,
Its hope awaken and Its spirit soar?
No dread of death if with us die our foes -
Save that it seems even duller than repose:
Come when it will - we snatch the life of life -
When lost - what recks it but disease or strife?
Let him who crawls enamour'd of decay,
Cling to his couch, and sicken years away:
Heave his thick breath, and shake his palsied head;
Ours - the fresh turf; and not the feverish bed.
While gasp by gasp he falters forth his soul,
Ours with one pang - one bound - escapes control.
His corse may boast its urn and narrow cave,
And they who loath'd his life may gild his grave:
Ours are the tears, though few, sincerely shed,
When Ocean shrouds and sepulchres our dead.
For us, even banquets fond regret supply
In the red cup that crowns our memory;
And the brief epitaph in danger's day,
When those who win at length divide the prey,
And cry, Remembrance saddening o'er each brow,
How had the brave who fell exulted now!'

II.
Such were the notes that from the Pirate's isle
Around the kindling watch-fire rang the while:
Such were the sounds that thrill'd the rocks along,
And unto ears as rugged seem'd a song!
In scatter'd groups upon the golden sand,
They game-carouse-converse-or whet the brand:

[...] Read more

poem by Byron
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Slave Nation

my allegation
its alright
slave nation
alright
want to tell ya
all is gone
you're a slave nation
right or wrong
tell
oh
take a moment to tell
oh
slave nation
its alright
you're a slave nation
oh my
its cool
its fine
slave nation
alright
tell
tell
tell me not to tell
wanna tell
slave nation
slave nation
slave nation
slave nation
its alright
isolation
right
oh?
its alright
its alright
its alright
Back to Simple Lyrics & Desktop Wallpapers
Back Home

song performed by Simple Minds
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Rebekkah

When Abraham was weak and old
he forced his slave to swear an oath,
while grasping of his member hold:
“Make sure that Isaac plights his troth
to someone from my ancient clan;
from Canaanites don’t choose a damsel;
in Canaan I believe each man
to be a mamzer, girl a mamzelle.”
Everybody knows a mamzer
is repulsive to the Jews,
a cockroach rather than Greg Samsa,
but mamzelle is a word I choose
instead of mademoiselle, for rhyming;
a lot of members of my tribe
like them a lot when they’re good-timing,
though outlawed by the Bible scribe.

The slave asked God to make it clear,
by giving him a secret sign:
“The first young girl who will appear
and bring me water, not cool wine,
should be for Isaac lifelong mate.”
She came, of Bethuel the daughter,
and didn’t cause the slave to wait
until she brought him ice-cold water.
A prompt response, what he’d been urgin’,
occurred at once, and what is more
she was what he had asked for, virgin,
a miracle, I’d say, encore.
Some water for the camels, too,
she brought, precisely as he’d bid,
although she clearly never knew
it was God’s will, because He hid,
as later He would hide when Ruth
by Boaz was allowed to glean.
His hidden will reveals the truth
like daylight coming through a screen,
a scrim that only may be lifted
by those who’re spiritually gifted.

I ought to mention here a point.
Though Canaanite, the slaveman thought
that Abraham might yet appoint
him as his heir, and therefore sought
to lie with that young girl, he knew
he ought to bring back to his lord
for Isaac as a virgin. Clue
for this interpretation find
in language that describes him as
a man, a word that should remind

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poem by Gershon Hepner
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Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

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poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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Rescue The Slave

This song was composed while George Latimer, the fugitive slave, was
confined in Leverett Street Jail, Boston, expecting to be carried back
to Virginia by James B. Gray, his claimant.

Sadly the fugitive weeps in his cell,
Listen awhile to the story we tell;
Listen ye gentle ones, listen ye brave,
Lady fair! Lady fair! weep for the slave.

Praying for liberty, dearer than life,
Torn from his little one, torn from his wife,
Flying from slavery, hear him and save,
Christian men! Christian men! help the poor slave.

Think of his agony, feel for his pain,
Should his hard master e'er hold him again;
Spirit of liberty, rise from your grave,
Make him free, make him free, rescue the slave.

Freely the slave master goes where he will;
Freemen, stand ready, his wishes to fulfil,
Helping the tyrant, or honest or knave,
Thinking not, caring not, for the poor slave.

Talk not of liberty, liberty is dead;
See the slave master's whip over our head;
Stooping beneath it, we ask what he craves,
Boston boys! Boston boys! catch me my slaves.

Freemen, arouse ye, before it's too late;
Slavery is knocking, at every gate,
Make good the promise, your early days gave,
Boston boys! Boston boys! rescue the slave.

poem by Anonymous Americas
Added by Poetry Lover
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Jesus Christ

Written by Woodie Guthrie
One, two, three, four
Well Jesus was a man
Who traveled through the land
A hard working man and brave
Well he said to the rich 'Give your money to the poor'
For they layed Jesus Christ in his grave
Hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ is his grave
Well he went to the preacher
He went to the law
And told them all the same
He said sell all your jewelery and give it to the poor
For they layed Jesus Christ in his grave
Hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ in his grave
When Jesus came to town all the working folks around
Believed what he did say
Well the bankers and the preachers
They nailed him on a cross
For they layed Jesus Christ in his grave
And [hard] working people
They followed him around
They sung and shouted gay
Well the cops and the soldiers
They nailed him in the head
And they layed Jesus Christ in his grave
Oh, hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ in his grave
Hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ in his grave
Well this song was written in New York City
A rich man, preacher and slave
Well if Jesus was to preach while he preached in Galilee
They would lay Jesus Christ in his grave
One, two, three, four!
Hale, halelujah
Hale, halelujah
Hale, halelujah
For they layed Jesus Christ in his grave
Hale, halelujah
Hale, halelujah

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song performed by U2
Added by Lucian Velea
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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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poem by Wilfrid Scawen Blunt
Added by Poetry Lover
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Jones The Rhythm

Rhythm is both the songs manical and its demoinc charge.
It is the original breath , it is the whisper of unremitting demand.
What do you still want to be said of the singer?
What do you think you can still draw from my lips?
Exact presence that no fantasy can represent.
Purveyor of the old secret, alive with the blood that boils again,
And is pulsing where the rhythm is torn apart.
How your singers blood is incensed at the depth of sound.
Lacerations echo in the mouths open erotic sky where dance together,
The lost trenches of rythm and an imploring immobility...
Ladies and gentlemen...miss grace jones...jones the rhythm.
Slave!!
Slave to the rhythm, dance to the rhythm,
Axe to wood in ancient times, man machine production line,
The fire burns, with heart beats strong,
Sing out loud, the chaing gang song.
Never stop the action, keep it up, keep it up,
Never stop the action, keep it up, keep it up.
Slave to the rhythm, dance to the rhythm,
The rhythm...master...master.
Never stop the action, keep it up,
Never stop the action, keep it up, keep it up.
Slave to the rhythm, work to the rhythm,
Dance to the rhythm, live to the rhythm.
Slave to the rhythm,
Dance to the rhythm, live to the rhythm,
Slave to the rhythm, work...to the rhythm,
To the rhythm, work to the rhythm, to the rhythm.
Slave, slave,
To the rhythm, to the rhythm, to the rhythm.
*grace: oh thats weird [laughs].*
*interviewer: grace jones, welcome.*
*grace: thank you paul [laughs], if youre wondering whats wrong with my voice I just choked on my saliva...so...[laughs].*
*interviewer: now obviously, youre in the bond movie...*

song performed by Grace Jones
Added by Lucian Velea
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