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Ask not what your profits can do for you, but what you can do for your profits.

Klingon proverbs
Added by Lucian Velea
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I'll Do My Best To Deliver

Ask me for what you want.
Just ask me,
Ask me.
And make it anything,
You need...
From me.

Ask me for what you want.
Ask me for what you need,
And I'll do my best to deliver.
Ask me.
Just ask me.

Ask me for what you want.
Just ask me.
Ask me.
Ask me for anything,
And I will fullfill...
That need.

Ask me for what you want.
Ask me for what you need,
And I'll do my best to deliver.
Ask me.
Just ask me.
And I'll do my best to deliver.
Ask me.
Just ask me.

Oh ask me for what you want.
Ask me for what you need,
And I'll do my best to deliver.
Ask me.
Just ask me.
And I will do my best to deliver.
Ask me.
Just ask me.
And I'll do my best to deliver.
Ask me.
Just ask me.
And I will do my best to deliver.

Just ask me for what you want.
Just ask me for what you need,
And I will do my best to deliver.

Come thunderstorms, rain or shine...
That pressure you have will be taken right off your mind.
I will do my best to deliver.
Just ask me...

[...] Read more

poem by Lawrence S. Pertillar
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Y

Don't ask us Y!
We do the things that we do
Don't ask us Y!
We feel the same as you
Don't ask us Y!
Life can be so damn cruel
Don't ask us Y!
It's all been decided for you
Pure soul first breath is filled with sin
A young child just born quit suffering
A mother's greed, get high, chasin' ghosts again
This will happen over and over again!
Don't ask us Y!
We do the things that we do
Don't ask us Y!
We feel the same as you
Don't ask us Y!
Life can be so damn cruel
Don't ask us Y!
It's all been decided for you
I look into your eyes, I feel your pain, life's insane
I'm gonna do my best to try again and live again
I know we're all the same, we live our lives it's like a game
And still we do it over and over again!
Don't ask us Y!
We do the things that we do
Don't ask us Y!
We feel the same as you
Don't ask us Y!
Life can be so damn cruel
Don't ask us Y!
It's all been decided for you
First communion done, now your life has just begun
Second plot the whole world is looking with a gun
Another child will do it when he's on the run
The vicious circle of life has just begun!
Don't ask us Y!
We do the things that we do!
Don't ask us Y!
We feel the same as you!
Don't ask us Y!
Life can be sooo cruel!
Don't ask us Y!
It's all been decided for you!
Don't ask us Y!
We feel the same as you
Don't ask us Y!
Life can be so damn cruel
Don't ask us Y!
It's all been decided for you

[...] Read more

song performed by Zug Izland
Added by Lucian Velea
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Ask

This is our new single ...
Ask !
Shyness is nice, and
Shyness can stop you
From doing all the things in life
That you'd like to
Shyness is nice, and
Shyness can stop you
From doing all the things in life
That you'd like to
So, if there's something you'd like to try
If there's something you'd like to try
Ask me - i won't say "no" - how could i ?
Coyness is nice, and
Coyness can stop you
From doing all the things in
Life that you want to
So, if there's something you'd like to try
If there's something you'd like to try
Ask me - i won't say "no" - how could i ?
Spending warm summer days indoors
Writing frightening verse
To a buck-toothed girl in luxembourg
Ask me, ask me, ask me
Ask me, ask me, ask me
Because if it's not love
Then it's the bomb, the bomb, the bomb, the bomb, the bomb, the bomb, the bomb
That will bring us together
Nature is a language - can't you read ?
Nature is a language - can anybody read ?
So ... ask me, ask me, ask me
Ask me, ask me, ask me
Because if it's not love
Then it's the bomb, the bomb, the bomb, the bomb, the bomb, the bomb, the bomb
That will bring us together
If it's not love
Then it's the bomb
Then it's the bomb
That will bring us together
So ... ask me, ask me, ask me
Ask me, ask me, ask me
Oh, la ...

song performed by Smiths
Added by Lucian Velea
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Ancestral Woman

I was never child
My maternal granny called me an old, old soul
I seen time come and go
I gave birth to giving birth
Ain’t nothin I don’t know

The sun is my shade I pull it down to allow darkness and light
To give birth to the same day, the eternal now

Then, you ask me, as woman
Then, you ask me, as a colored woman
Then, you ask me, as a female
Then, you ask me, as a black female
Then, you ask me, as a Mother
Then, you ask me, as the epitome of androgeny

What is my contribution, evolution ain’t as old
I been in the grave, beyond the grave
I been the grave, I had to brave the newness of oldness

I remember when silence was communication
Being blind the revelation
Not knowing the greatest education
Nothingness the only information

I am the past, my innateness the futre
My being the immediate now
I am the ancient androgenous embryo
I render gender apropos

I survived domestice violence and sexual abuse
Being told I am of no use
Cause I won’t accept yo validation
As my self-reaization

Then, you ask me, as a woman
Then, you ask me, as a colored woman
Then, you ask me, as a female
Then, you ask me, as a black female
Then, you ask me, as a Mother
Then, you ask me, as the epitome of androgeny

What is my contribution, evolution ain’t as old
I been the grave, beyond the grave
I been the grave, I had to brave the newness of oldness

How does it feel being a Woman
It feels like
I Am all, in all, sustain all, absolutely independent of all
My power never diminishes

[...] Read more

poem by Josephine DixonBanks
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Don't Ask God

Don’t ask God for wisdom lest he give you folly to teach your heart.
Don’t ask God for wealth lest he give you poverty to make you depend on him.
Don’t ask God for vision lest he give you blindness to guide your way.
Don’t ask God for strength lest he give you weakness to sustain you.
Don’t ask God for protection lest he give you adversity, so he can fight for you.
Don’t ask God for progress lest he give you stillness so you can know him.
Don’t ask God for water lest he give you thirst, so you can seek the living water.
Don’t ask God for food lest he give you hunger for righteousness.
Don’t ask God for joy, lest he give you mourning to put your heart on eternity.
Don’t ask God for beauty lest he give you ashes to teach you how to look inward.
Don’t ask God for friends lest he give you enemies so he can be your friend.
Don’t ask God for life lest he give you death to mortify your flesh.
Don’t ask God for crown lest he give you a cross to save your soul.

In pride,
In selfishness,
In haughtiness,
In foolishness
In arrogance,
In self righteousness,

Don’t ask God for anything
Don’t ask God for something
Don’t ask God for everything
Just ask God for God.

Isaac 'Slimx'
November 2008

poem by Isaac 'slimx'
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Wisdom

Let's go to the green steps of the lawn
And do the sums of life there sitting down

If we want only profits and no losses
And all the losses turn into profits
And all the profits turn into losses
Then the scale of life, of course, dis-balances
This leads us not in paradises but, of course, in hells.

It seems to be small whatever things we gained
It seems to be big whatever things we lost
If all the lost things are gained
And all the gained things are lost
Then life is not, at a gain but definitely at a loss.

If the profits are the blissful graces
Then the losses are not less than the spices

Whatever we do on the steps sitting
All these are not sums but a bargaining
This Leads us nowhere but to do mistakes
In this we never do profits but always do losses.

poem by Abdul Wahab
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Ask Me

Amy grant/tom hemby
Copyright 1991 age to age music, inc./edward grant, inc./puxico music (ascap), adm. by reunion music group, inc.
This song is about a girlfriend of mine. if you or someone you love has been a victim of sexual abuse, please dont be afraid to seek help. the sexual abuse helpline is open 24 hours a day, and
Ne who cares is waiting for your call...(800)4a-child
I see her as a little girl hiding in her room
She takes another bath and she sprays her mommas perfume
To try to wipe away the scent he left behind
But it haunts her mind.
You see shes his little rag, nothing more than just a waif
And hes mopping up his need, she is tired and afraid
Maybe shell find a way through these awful years to disappear.
Ask me if I think theres a God up in the heaven
Where did he go in the middle of her shame?
Ask me if I think theres a God up in the heavens
I see no mercy and no one down heres naming names
Nobodys naming names.
Now shes looking in the mirror at a lovely woman face
No more frightened little girl, like shes gone without a trace
Still she leaves the light burning in the hall
Its hard to sleep at all.
Still she crawls up in her bed acting quiet as a mouse
Deep inside shes listening for a creaking in the house
But noones left to harm her, shes finally safe and sound
Theres a peace shes found.
Ask her how she knows theres a God up in the heaven
Where did he go in the middle of her shame?
Ask her how she knows theres a God up in the heavens
She said his mercy is bringing her life again.
Ask me how I know theres a God up in the heaven
(how do you know? )
Where did he go in the middle of her shame
(where did he go? )
Ask me how I know theres a God up in the heavens
(how do you know? )
She said his mercy is bringing her life again
Shes coming to life again.
Hes in the middle of her pain
In the middle of her shame
Mercy brings life
Hes in the middle
Mercy in the middle.
So ask me how I know
Ask me how I know, yeah
Ask me how I know theres a God up in the heaven
(how do you know? )
Ask me how I know theres a God up in the heavens
(how do you know? )
Yeah, ask me how I know
(how do you know? )
Ask me

[...] Read more

song performed by Amy Grant
Added by Lucian Velea
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Ask Me How I Feel

Oh Im waiting in the storm ask me how I feel
When things are going wrong why dont you ask me how I feel
The night is awful cold ask me how I feel
Youre much too loose to hold why dont you ask me how I feel
I close my eyes to follow you
To my surprise youre so untrue
And Im crying Im dying
Oh Im waiting in the storm ask me how I feel
When you keep me hanging on why dont you ask me how I feel
The waters run so deep ask me how I feel
When I dont get any sleep why dont you ask me how I feel
And when youre down you lean on me
Youre a fool too blind to see
That Im crying Im dying
Oh Im waiting in the storm why dont you ask me how I feel
What the hell is going on why dont you ask me how I feel
When you stay out late at night ask me how I feel
When you think that Im uptight why dont you ask me how I feel oh
You dont treat me tender no matter what I do
But Im the great pretender woah ho ho ho
Im waiting in the storm ask me how I feel
What the hell is going on
When you stay out late at night you never ask me how I feel
You just say that Im uptight
When youre down I do for you
And now I find that youre untrue

song performed by Tina Turner
Added by Lucian Velea
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Ask Me Who Is The Most Loving

Ask Me Who Is The Most Loving
Its My Best Friend

Ask Me Who Is The Most Caring
Its My Best Friend

Ask Me Who Is The Sweetest
Its My Best Friend

Ask Me Who Is The Most Sober
Its My Best Friend

Ask Me Who Is The Most Simple
Its My Best Friend

Ask Me Who Is The Biggest Hearted
Its My Best Friend

Ask Me Who Is The Most Lovable
Its My Best Friend

Ask Me Who Is The Most Trustworthy
Its My Best Friend

Ask Me Who Is The Most Sensible
Its My Best Friend

Ask Me Who Is The Cutest
Its My Best Friend

Ask Me Who Is The Coolest
Its My Best Friend

Ask Me Who Is Better Than All Friends
Its My Best Friend

Ask Me Who Is My Best Friend

poem by Muhammad Raza Master
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Death Of The Middle Class

Oligarchs and Banksters tighten financial screws
In a bold attempt to kill the global Middle Class
Heads of State unable/unwilling to halt this ruse
The “Great Depression of 1929” we soon surpass

ROTMS

By Andrew Gavin Marshall - Global Research

We now stand at the edge of the global financial abyss of a ‘Great Global Debt Depression, ’ where nations, mired in extreme debt, are beginning to implement ‘fiscal austerity’ measures to reduce their deficits, which will ultimately result in systematic global social genocide, as the middle classes vanish and the social foundations upon which our nations rest are swept away. How did we get here? Who brought us here? Where is this road leading? These are questions I will briefly attempt to answer.

At the heart of the global political economy is the central banking system. Central banks are responsible for printing a nation’s currency and setting interest rates, thus determining the value of the currency. This should no doubt be the prerogative of a national government, however, central banks are of a particularly deceptive nature, in which while being imbued with governmental authority, they are in fact privately owned by the world’s major global banks, and are thus profit-seeking institutions. How do central banks make a profit? The answer is simple: how do all banks make a profit? Interest on debt. Loans are made, interest rates are set, and profits are made. It is a system of debt, imperial economics at its finest.

In the United States, President Woodrow Wilson signed the Federal Reserve Act in 1913, creating the Federal Reserve System, with the Board located in Washington, appointed by the President, but where true power rested in the 12 regional banks, most notably among them, the Federal Reserve Bank of New York. The regional Fed banks were private banks, owned in shares by the major banks in each region, which elected the board members to represent them, and who would then share power with the Federal Reserve Board in Washington.

In the early 1920s, the Council on Foreign Relations was formed in the United States as the premier foreign policy think tank, dominated by powerful banking interests. In 1930, the Bank for International Settlements (BIS) was created to manage German reparations payments, but it also had another role, which was much less known, but much more significant. It was to act as a “coordinator of the operations of central banks around the world.” Essentially, it is the central bank for the world’s central banks, whose operations are kept ‘strictly confidential.’ As historian Carroll Quigley wrote:

'The powers of financial capitalism had another far-reaching aim, nothing less than to create a world system of financial control in private hands able to dominate the political system of each country and the economy of the world as a whole. This system was to be controlled in a feudalist fashion by the central banks of the world acting in concert, by secret agreements arrived at in frequent private meetings and conferences. The apex of the system was to be the Bank for International Settlements in Basel, Switzerland, a private bank owned and controlled by the world’s central banks which were themselves private corporations.'

In 1954, the Bilderberg Group was formed as a secretive global think tank, comprising intellectual, financial, corporate, political, military and media elites from Western Europe and North America, with prominent bankers such as David Rockefeller, as well as European royalty, such as the Dutch royal family, who are the largest shareholders in Royal Dutch Shell, whose CEO attends every meeting. This group of roughly 130 elites meets every year in secret to discuss and debate global affairs, and to set general goals and undertake broad agendas at various meetings. The group was initially formed to promote European integration. The 1956 meeting discussed European integration and a common currency. In fact, the current Chairman of the Bilderberg Group told European media last year that the euro was debated at the Bilderberg Group.

In 1973, David Rockefeller, Chairman and CEO of Chase Manhattan Bank, Chairman of the Council on Foreign Relations and a member of the Steering Committee of the Blderberg Group, formed the Trilateral Commission with CFR academic Zbigniew Brzezinski. That same year, the oil price shocks created a wealth of oil money, which was discussed at that years Bilderberg meeting 5 months prior to the oil shocks, and the money was funneled through western banks, which loaned it to ‘third world’ nations desperately in need of loans to finance industrialization.

When Jimmy Carter became President in 1977, he appointed over two dozen members of the Trilateral Commission into his cabinet, including himself, and of course, Zbigniew Brzezinski, who was his National Security Adviser. In 1979, Carter appointed David Rockefeller’s former aide and friend, Paul Volcker, who had held various positions at the Federal Reserve Bank of New York and the U.S. Treasury Department, and who also happened to be a member of the Trilateral Commission, as Chairman of the Federal Reserve. When another oil shock took place in 1979, Volcker decided to raise interest rates from 2% in the late 70s, to 18% in the early 80s. The effect this had was that the countries of the developing world suddenly had to pay enormous interest on their loans, and in 1982, Mexico announced it could no longer afford to pay its interest, and it defaulted on its debt, which set off the 1980s debt crisis – collapsing nations in debt across Latin America, Africa and parts of Asia.

It was the IMF and the World Bank came to the ‘assistance’ of the Third World with their ‘structural adjustment programs’, which forced countries seeking assistance to privatize all state owned industries and resources, devalue their currencies, liberalize their economies, dismantle health, education and social services; ultimately resulting in the re-colonization of the ‘Third World’ as Western corporations and banks bought all their assets and resources, and ultimately created the conditions of social genocide, with the spread of mass poverty, and the emergence of corrupt national elites who were subservient to the interests of Western elites. The people in these nations would protest, riot and rebel, and the states would clamp down with the police and military.

In the West, corporations and banks saw rapid, record-breaking profits. This was the era in which the term ‘globalization’ emerged. While profits soared, wages for people in the West did not. Thus, to consume in an economy in which prices were rising, people had to go into debt. This is why this era marked the rise of credit cards fueling consumption, and the middle class became a class based entirely on debt.

In the 1990s, the ‘new world order’ was born, with America ruling the global economy, free trade agreements began integrating regional and global markets for the benefit of global banks and corporations, and speculation dominated the economy.

The global economic crisis arose as a result of decades of global imperialism – known recently as ‘globalization’ – and the reckless growth of– speculation, derivatives and an explosion of debt. As the economic crisis spread, nations of the world, particularly the United States, bailed out the major banks (which should have been made to fail and crumble under their own corruption and greed) , and now the West has essentially privatized profits for the banks, and socialized the risk. In other words, the nations bought the debt from the banks, and now the people have to pay for it. The people, however, are immersed in their own personal debt to such degrees that today, the average Canadian is $39,000 in debt, and students are graduating into a jobless market with tens to hundreds of thousands of dollars of student debt that they will never repay. Hence, we are now faced with a global debt crisis.

To manage the economic crisis, the G20 was established as the major international forum for cooperation among the 20 major economies of the world, including the major developing – or emerging – economies, such as India, Brazil, South Africa and China. At the onset of the financial crisis, China and Russia’s central banks began calling for the establishment of a global currency to replace the U.S. dollar as the world reserve currency. This proposal was backed by the UN and the IMF. It should be noted, however, that the Chinese and Russian central banks cooperate with the Western central banks through the Bank for International Settlements – which the President of the European Central Bank, Jean-Claude Trichet, recently said was the principle forum for “governance of central bank cooperation” and that the G20 is “the prime group for global economic governance.” In 2009, the IMF stated that the BIS “is the central and the oldest focal point for coordination of global governance arrangements.” The President of the European Union, appointed to the position after attending a Bilderberg meeting, declared 2009 as the “first year of global governance.” The 2009 Bilderberg meeting reported on the desire to create a global treasury, or global central bank, to manage the world economy. In 2009, prior to the Bilderberg meeting in fact, the G20 set in motion plans to make the IMF a global central bank of sorts, issuing and even printing its own currency – called Special Drawing Rights (SDRs) – which is valued against a basket of currencies. In May of 2010, the IMF Managing Director stated that “crisis is an opportunity, ” and while Special Drawing Rights are a step in the right direction, ultimately what is needed is “a new global currency issued by a global central bank, with robust governance and institutional features.” Thus, we see the emergence of a process towards the formation of a global central bank and a global currency, totally unaccountable to any nation or people, and totally controlled by global banking interests.

In 2010, Greece was plunged into a debt crisis, a crisis which is now spreading across Europe, to the U.K. and eventually to Japan and the United States. If we look at Greece, we see the nature of the global debt crisis. The debt is owed to major European and American banks. To pay the interest on the debt, Greece had to get a loan from the European Central Bank and the IMF, which forced the country to impose ‘fiscal austerity’ measures as a condition for the loans, pressuring Greece to commit social genocide. Meanwhile, the major banks of America and Europe speculate against the Greek debt, further plunging the country into economic and social crisis. The loan is granted, to pay the interest, yet simply has the effect of adding to the overall debt, as a new loan is new debt. Thus, Greece is caught in the same debt trap that re-colonized the Third World.

At the recent G20 meeting in Toronto, the major nations of the world agreed to impose fiscal austerity – or in other words, commit social genocide – within their nations, in a veritable global structural adjustment program. So now we will see the beginnings of the Great Global Debt Depression, in which major western and global nations cut social spending, create mass unemployment by dismantling health, education, and social services. Further, state infrastructure – such as roads, bridges, airports, ports, railways, prisons, hospitals, electric transmission lines and water – will be privatized, so that global corporations and banks will own the entirely of national assets. Simultaneously, of course, taxes will be raised dramatically to levels never before seen. The BIS said that interest rates should rise at the same time, meaning that interest payments on debt will dramatically increase at both the national and individual level, forcing governments to turn to the IMF for loans – likely in the form of its new global reserve currency – to simply pay the interest, and will thus be absorbing more debt. Simultaneously, of course, the middle class will in effect have its debts called in, and since the middle class exists only as an illusion, the illusion will vanish.

Already, towns, cities, and states across America are resorting to drastic actions to reduce their debts, such as closing fire stations, scaling back trash collection, turning off street lights, ending bus services and public transportation, cutting back on library hours or closing them altogether, school districts cutting down the school day, week or year. Simultaneously, this is occurring with a dramatic increase in the rate of privatizations or “public-private partnerships” in which even libraries are being privatized.

No wonder then, that this month, the Managing Director of the IMF warned that America and Europe, in the midst of the worst jobs crisis since the Great Depression, face an “explosion of social unrest.” Just yesterday, Europe experienced a wave of mass protests and social unrest in opposition to ‘austerity measures’, with a general strike in Spain involving millions of people, and a march on the EU headquarters in Brussels of nearly 100,000 people. As social unrest spreads, governments will likely react – as we saw in the case of the G20 in Toronto – with oppressive police state measures. Here, we see the true relevance of the emergence of ‘Homeland Security States’, designed not to protect people from terrorists, but to protect the powerful from the people.

So while things have never seemed quite so bleak, there is a dim and growing beacon of hope, in what Zbigniew Brzezinski has termed as the greatest threat to elite interests everywhere – the ‘global political awakening’. The global political awakening is representative of the fact that for the first time in all of human history, mankind is politically awakened and stirring, activated and aware, and that generally – as Zbigniew Brzezinski explains – generally is aware of global inequalities, exploitation, and disrespect. This awakening is largely the result of the information revolution – thus revealing the contradictory nature of the globalization project – as while it globalizes power and oppression, so too does it globalize awareness and opposition. This awakening is the greatest threat to entrenched elite interests everywhere. The awakening, while having taken root in the global south – already long subjected to exploitation and devastation – is now stirring in the west, and will grow as the economy crumbles. As the middle classes realize their consumption was an illusion of wealth, they will seek answers and demand true change, not the Wall Street packaged ‘brand-name’ change of Obama Inc., but true, inspired, and empowering change.

In 1967, Martin Luther King delivered a speech in which he spoke out against the Vietnam War and the American empire, and he stated that, “It seems as if we are on the wrong side of a world revolution.” So now it seems to me that the time has come for that to change.

Andrew Gavin Marshall is a Research Associate with the Centre for Research on Globalization (CRG) .

poem by Ray Lucero
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Enoch Arden

Long lines of cliff breaking have left a chasm;
And in the chasm are foam and yellow sands;
Beyond, red roofs about a narrow wharf
In cluster; then a moulder'd church; and higher
A long street climbs to one tall-tower'd mill;
And high in heaven behind it a gray down
With Danish barrows; and a hazelwood,
By autumn nutters haunted, flourishes
Green in a cuplike hollow of the down.

Here on this beach a hundred years ago,
Three children of three houses, Annie Lee,
The prettiest little damsel in the port,
And Philip Ray the miller's only son,
And Enoch Arden, a rough sailor's lad
Made orphan by a winter shipwreck, play'd
Among the waste and lumber of the shore,
Hard coils of cordage, swarthy fishing-nets,
Anchors of rusty fluke, and boats updrawn,
And built their castles of dissolving sand
To watch them overflow'd, or following up
And flying the white breaker, daily left
The little footprint daily wash'd away.

A narrow cave ran in beneath the cliff:
In this the children play'd at keeping house.
Enoch was host one day, Philip the next,
While Annie still was mistress; but at times
Enoch would hold possession for a week:
`This is my house and this my little wife.'
`Mine too' said Philip `turn and turn about:'
When, if they quarrell'd, Enoch stronger-made
Was master: then would Philip, his blue eyes
All flooded with the helpless wrath of tears,
Shriek out `I hate you, Enoch,' and at this
The little wife would weep for company,
And pray them not to quarrel for her sake,
And say she would be little wife to both.

But when the dawn of rosy childhood past,
And the new warmth of life's ascending sun
Was felt by either, either fixt his heart
On that one girl; and Enoch spoke his love,
But Philip loved in silence; and the girl
Seem'd kinder unto Philip than to him;
But she loved Enoch; tho' she knew it not,
And would if ask'd deny it. Enoch set
A purpose evermore before his eyes,
To hoard all savings to the uttermost,
To purchase his own boat, and make a home

[...] Read more

poem by Alfred Lord Tennyson
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Ask The Dragon

Ask the dragon why shes crawling with eight legs,
And she says, donno, Im just doing it.
Ask a giraffe why hes keeping his neck straight,
And he says, donno, Im just doing it.
Ask a bird why hes flying so high,
And he says, donno, Im just doing it.
Ask a girl why shes dancing in the wind,
And this is what she says:
Ask an elephant why hes raising his trunk,
And he says, donno, Im just doing it.
Ask a tiger why hes running so fast,
And he says, donno, Im just doing it.
Ask a monkey why hes swinging from a tree,
And he says, donno, Im just doing it.
Ask a guy why hes dancing in the sun,
And this is what he says:
Ask an elephant why hes raising his trunk,
And he says, donno, Im just doing it.
Ask a tiger why hes running so fast,
And he says, donno, Im just doing it.
Ask a monkey why hes swinging from a tree,
And he says, donno, Im just doing it.
Ask a guy why hes dancing in the sun,
And this is what he says:

song performed by Yoko Ono
Added by Lucian Velea
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Ask The Dragon

Ask the dragon why shes crawling with eight legs,
And she says, donno, Im just doing it.
Ask a giraffe why hes keeping his neck straight,
And he says, donno, Im just doing it.
Ask a bird why hes flying so high,
And he says, donno, Im just doing it.
Ask a girl why shes dancing in the wind,
And this is what she says:
Ask an elephant why hes raising his trunk,
And he says, donno, Im just doing it.
Ask a tiger why hes running so fast,
And he says, donno, Im just doing it.
Ask a monkey why hes swinging from a tree,
And he says, donno, Im just doing it.
Ask a guy why hes dancing in the sun,
And this is what he says:
Ask an elephant why hes raising his trunk,
And he says, donno, Im just doing it.
Ask a tiger why hes running so fast,
And he says, donno, Im just doing it.
Ask a monkey why hes swinging from a tree,
And he says, donno, Im just doing it.
Ask a guy why hes dancing in the sun,
And this is what he says:

song performed by Yoko Ono
Added by Lucian Velea
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Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Alabama Song

Show me the way to the next whisky bar
Oh, don't ask why, oh, don't ask why
Show me the way to the next whisky bar
Oh, don't ask why, oh, don't ask why
For if we don't find the next whisky bar
I tell you we must die
I tell you we must die
I tell you
I tell you
I tell you we must die

Oh, moon of Alabama
We now must say say good-bye
We've lost our good old mamma
And must have whisky
Oh, you know why.

Show me the way to the next pretty girl
Oh, don't ask why, oh, don't ask why
Show me the way to the next pretty girl
Oh don't ask why, oh, don't ask why
For if we don't find the next pretty girl
I tell you we must die
I tell you we must die
I tell you
I tell you
I tell you we must die

Oh, moon of Alabama
We now must say good-bye
We've lost our good old mamma
And must have a girl
Oh, you know why.

Show me the way to the next little dollar
Oh, don't ask why, oh, don't ask why
Show me the way to the next little dollar
Oh, don't ask why, oh, don't ask why
For if we don't find the next little dollar
I tell you we must die
I tell you we must die
I tell you
I tell you
I tell you we must die

Oh, moon of Alabama
We now must say good-bye
We've lost our good old mamma
And must have dollars
Oh, you know why.

poem by Bertolt Brecht
Added by Poetry Lover
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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All I Ask For

Walters vanished got no one
Lived in fear on the run
Do no right, do no wrong
Drink all day until I'm gone
Yeah
At last I know how you felt
When I leave when I go
Lay alone by yourself
What you thought was all wrong
Do you know what to feel
What you thought was all wrong
Lay alone by yourself
?(I have no idea what he says here)
Have we lost it
Have we lost it just because
Have we lost it
Have we lost it just because
Walters vanished got no one
Lived in fear on the run
Do no right, do no wrong
Drink all day until I'm gone
And all I ask for
Nothing, Nothing
Well all I ask for
Nothing, Nothing
Well all I ask for
Nothing, nothing
Well all I ask for
Nothing
Lay alone by yourself in your bed
With all your thoughts inside your head
Lay alone by yourself inside your bed
With all your thoughts inside your head
All I ask for
Nothing, Nothing
All I ask for
Nothing, Nothing
Lay alone by yourself inside your bed
With all your thoughts inside your head
Lay alone by yourself inside your bed
With all your thoughts inside your head
Well all I ask for
Nothing, nothing
Well All I ask for
Nothing, nothing
Yeah
All I ask for
Nothing, nothing
All I ask for
Nothing

[...] Read more

song performed by Puddle Of Mudd
Added by Lucian Velea
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Ask The Lonely

Just ask the lonely
When you feel
That you can make it all alone
Remember no one is big enough
To go it all alone
Just ask the lonely
They know the hurting pain
Of losing the love
You can never regain
Just ask the lonely
The young and foolish
Who laugh at love and slowly run away
Confident and sure that fate
Will bring another love their way
But ask the lonely
How vainly a heart can yearn
For losing a love
That will never return
Just ask the lonely
Just ask the lonely
Just ask the lonely
Theyll tell you a story of sadness
A story too hard to believe
Theyll tell you
The lonliest one is me
Just ask the lonely
Just ask the lonely
Just ask the lonely
Ask me, Im the lonliest one of all

song performed by Vonda Shepard
Added by Lucian Velea
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Gimmie Gimmie Gimmie

Gimme, gimme, gimme, gimme
I need it more
I need it more
Gimme, gimme, gimme, gimme
Don't ask what for
Don't ask what for
Sitting here like a loaded gun
Waiting to go off
I've got nothing to do
But shoot my mouth off
Gimme, gimme, gimme, gimme
I need it more
I need it more
Gimme, gimme, gimme, gimme
Don't ask what for
Don't ask what for
I know the worlds got problems
I've got problems of my own
They aint the kind that
Can be solved with an
Atom bomb!
Gimme, gimme, gimme, gimme
I need it more
I need it more
Gimme, gimme, gimme, gimme
Don't ask what for
Don't ask what for
You know I'm gonna go out
Get something for my head
If I keep on doing this
I'm gonna end up dead
Gimme, gimme, gimme, gimme
I need it more
I need it more
Gimme, gimme, gimme, gimme
Don't ask what for
Don't ask what for
Gimme, gimme, gimme, gimme
I need it more
I need it more
Gimme, gimme, gimme, gimme
Don't ask what for
Don't ask what for

song performed by A Perfect Circle
Added by Lucian Velea
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