A heavy burden does not kill on the day it is carried.
Kenyan proverbs
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Carried Away
(barry gibb/albhy galuten)
There you are
Shiny as a morning star
Its a figure of speech
But youre still out of reach
You never told me loving you could be so wrong and right
And its gonna be a lonely night
I turn to you
You turn away
Youre looking at someone else
And here am i
Loving you more and more
Weve got an open door, my love
Oh let it be just a state of mind
And suddenly you appear
Im carried away
Im carried away
To be carried away
Im carried away
To be carried away
Im carried away
Cest la vie
So you wanna play another part
Can you say goodbye
Can you live a lie
Shell never give you what I gave you was my breaking heart
Better than I ever knew
And if you can live without my love
Youre really gonna be alone
And here am i
Walking against the crowd
Calling your name out loud, my love
Oh let it be just a state of mind
And suddenly you appear
Im carried away
Im carried away
To be carried away
Im carried away
To be carried away
Im carried away
Carried away
Baby there aint no final word
Ill be yours again
I got a world of tenderness
Yours until the end
Im carried away
Im carried away
To be carried away
Im carried away
To be carried away
[...] Read more
song performed by Olivia Newton-John
Added by Lucian Velea
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[intro]
Yo, my name is Taquell A.K.A Baby Poppa
Told ya I know ali
Yall thought I was playin
I told yall I know the Lunatics
Leezy, Nelly, Spud, Murph AND Kyjuan man
I know all of em since '99
Before Country Grammar before the Free City album
And now, Big Lee got that Heavy Starch out in the streets
It's over fo' real
Now next time Baby Poppa tell you somethin
You better listen
So keep your ears open cuz it's Ali
Heavy Starch let's go
Yo, Ali, Heavy Starch
Heavy Starch
Heavy Starch
Say it again
Heavy Starch
Do it like we do Heavy Starch Big Lee
Big Leezy fo sheezie with Heavy Starcheezy
What's up Ali
Hey Ali Heavy Starch
Peace to Ali comin from Son keepin it real, luv
Yo what's up Ali
Shouts out to Big Lee yea
Ali
Heavy Starch
What's up Ali
Heavy Starch
Big Leezy with the Heavy Starch
What's crack-a-lackin Heavy Starch
Heavy Starch
What's up Ali
Heavy Starch
Hi Ali Heavy Starch
Heavy Starch Big Lee
Big Lee Heavy Starch, Heavy Heavy Heavy Starch hahaha one luv
Right on Ali Right on Heavy Starch
Ali Heavy Starch, whatever you do dirty, keep it St. Louis
song performed by Eels
Added by Lucian Velea
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Tom Zart's 52 Best Of The Rest America At War Poems
SONS AND DAUGHTERS OF WORLD WAR III
The White House
Washington
Tom Zart's Poems
March 16,2007
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan
Dear Lillian:
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
Best Wishes.
Sincerely,
George W. Bush
SONS AND DAUGHTERS OF WORLD WAR III
Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.
They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.
The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.
They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.
The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.
[...] Read more
poem by Tom Zart
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Lay It All Down
Written by bob welch.
Let me retell
A story of old
About a man named moses
Who lived long ago
He prophicied good
He prophicied bad
And now that prophecys
Coming to pass
Let all your sons, and your daughters
Of the golden calf
Lay down your burden of sorrow
Lay down your burden of hurt
Lay it all down, for paradise here on earth
A whole lot of people, including myself
Thought the story of moses was just a tall tale
But all of the things that we see going on
Are just what moses set down
Let all your sons, and your daughters
Of the golden-yeah
Lay down your burden of sorrow
Lay down your burden of hurt
Lay it all down, for paradise here on earth
Let me retell
A story I know
About a man named moses
Who lived long ago
He prophicied good
He prophicied bad
And now that prophecys
Coming to pass
Let all your sons, and your daughters
Of the golden-yeah
Lay down your burden of sorrow
Lay down your burden of hurt
Lay down your burden of sorrow
Lay down your burden of hurt
Lay down your burden of sorrow
Lay down your burden of hurt
I just cant imagine a reason for sorrow
Just cant imagine the hurt
Youve got to lay it down
Youve got to lay it down
Youve got to lay it down
Youve got to lay it down
I said lay down your burden of sorrow
Lay down your burden of hurt
Lay down your burden of sorrow
Theres just no reason to hurt
Youve got to lay down your burden of sorrow
[...] Read more
song performed by Fleetwood Mac
Added by Lucian Velea
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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Venus and Adonis
'Vilia miretur vulgus; mihi flavus Apollo
Pocula Castalia plena ministret aqua.'
To the right honorable Henry Wriothesly, Earl of Southampton, and Baron of Tichfield.
Right honorable.
I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burden only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it to your honourable survey, and your honour to your heart's content; which I wish may always answer your own wish and the world's hopeful expectation.
Your honour's in all duty.
Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis hied him to the chase;
Hunting he loved, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor 'gins to woo him.
'Thrice-fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses,
And being set, I'll smother thee with kisses;
'And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety,
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein,
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens:--O, how quick is love!--
The steed is stalled up, and even now
To tie the rider she begins to prove:
[...] Read more
poem by William Shakespeare
Added by Veronica Serbanoiu
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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Magpie, My Keeper, Is Flying - Upon Freeing the Gift of Creativity Turned Inward
.
for Elaine Bellezza, Beloved Anima-as-Fate
'There is only one real deprivation, I decided this morning, and that is not to be able to give one's gift to those one loves most...The gift turned inward, unable to be given, becomes a heavy burden, even sometimes a kind of poison. It is as though the flow of life were backed up.' - May Sarton, Journal of a Solitude
This afternoon while still somewhat hungover from last night's rich meal and several glasses of strong red wine, I stumbled as one does when hungover, only today without feet but with eyes, upon the above quote by May Sarton. I had awakened this morning with fragments of a dream, repetitive of other dreams the past few months, where I am carrying something precious and just cannot put it down in any old place or upon just any available surface. I cannot put it down until I find the right surface and location.
These dreams are full of torrential flood waters, or backed up, stagnant water, toilets full of filth and pungent bright orange dark urine days old and fermenting. I cannot unhand the burden even though the urge to pee or flee or drive a car away or into flood waters is strong. I must not put down the burden odd as it is; it is my laptop carrying case made of canvas. It is large enough to carry not only my laptop but also many books with which I cannot, will not be parted from as they are the must-have-with-me-always 'bread', my staple and stability in a given to me world out of balance.
I have understood the dreams only a little - something within the psyche is flooding up, over-spilling or has already, has not been adequately canalized, channeled, streamed and guided, shaped and formed. Or flushed. I knew that eventually, as dreams do when one sits consciously, patiently, persistently with them, they would yield their messages to me, and upon revelation these must be obeyed, brought out into the world, Carl Jung having said that one has a moral responsibility to dreams once they are kenned and must be conscientiously acted upon in the outer world. Just dreaming is not enough. Everyone dreams but not very many know to dream them out into the world, to let their messages unfurl, flood and flow to bring forth new consciousness, to reshape old forms no longer adequate to self, place and time into symbol and their sense, usually not literal.
And thus, only just now, upon opening up haphazardly in a book about Dostoevsky and his struggle with addictions which mirror the profound compulsion to create at any cost perhaps beyond one's capacities to renew oneself, I find May Sarton's quote and suddenly the dreams clarify and sharpen into focus; I understand them as the burden of creativity too long turned inward, the burden of writing, the burden of poetry which I have carried heavily for most of my life since middle school when I was 11 or 12 years old when books became my lifeline, my link to existence that I could live on in spite of not wanting to do so. Written words, books, kept me from disappearing though I was and remain a mostly invisible word.
And thus the floods. One cannot ignore them. Alphabets tumble and roil. One dare not ignore them. One must see them without a choice to not see them. In them I am suddenly made visible, bright orange p*ss pots and all. I am both appalled and pleased. My burden is upon my knees.
The backed up water, the urine, is creativity. A somewhat odd symbol of creativity, there is more than enough evidence that urination is symbolic of self expression which is creativity. In ancient Rome the highly valued dirt from the urinals of boys' schools was collected to be used as a cosmetic in order to restore youthful energy and looks. A young boy, or puer in Latin, is an archetypal symbol of ongoing creativity and inspiration, the puer aeternas, the eternal youth, well springs of ongoing creativity still imaged in solid fountains of the world where eternal waters flow from the peni of cherubic youth.
I have struggled my entire life with a strong urge to create, to write, to express in words that creative daemon within which torments no matter the completion of a poem or essay, a lecture, a psalm. And now my dreams have had me consciously, urgently seeking a place to put the burden down, to perhaps come to it anew. I imagine that landing the burden means bringing it down to earth, manifesting creativity all the more by bringing my efforts to others for the strongest part of the compulsive urge in my creativity has been to contribute one good thing, one good poem or piece of writing which in some way might further the culture even if only by a flea's leg length.
The dreams urge me to let the urine flow, to let the flood waters indeed flood over, to be less self conscious of what I write and say but to have at it all and to say my say. And to let whatever waves there are crest and break upon ever receptive banks and shores whose duty it is to allow what may come from motion without complaint, the more compliant toward as yet to be fully formed purposes as yet to be scored.
Synchronistically, a few days ago I listened to a lecture by poet Allen Ginsberg about Walt Whitman and his imitators, those who were goodly influenced by his effulgent, self indulgent style, his garrulous poems which presumed to express the very expansiveness of the North American continent over-flooded by a plague of itinerant, persistent poachers and prophets from Europe to Eastern disembarkation and then inland and Westward, compelled to overtake land and native peoples in their possessed, pushed wake. Ginsberg imagined himself to be a timely extension of this unruly school, as savage as the projected upon land and justly-resistant, resident humanity stretched beyond known bounds and sounds. Blood drowned and pounded the god-hounded land even now is flooded by unleashed mighty rivers seeking, if rivers seek at all, to undo and renew in horse shoe and other shapes the crimes of consciousness compelled to overtake while leaving it up to human souls to repent and repair, to prepare for more powerful insurgencies of land and Self ever seeking new and nower expressions of dirt and deity. There's enough history beneath layers to support the scarp and scrape of momentary yet monumental motions finally given mouths to utter what lies both beneath and within the heaping huzzahs of here here here full and deep. As in my dream, it is hard to steer in such surpassing tides and currents. Still, I am searching for holy campground that I may lay my burden down.
I have no wish to imitate Whitman nor Ginsberg - though both are easily imitated since they did so themselves, an occupational hazard for writers - but only to be obedient to the daemon, that urgent, emergent, creative force within. It rushes within and against me. No matter whether derived of the grandiose American continent and the even more grandiose sky or not, I have all too successfully braced against it in fear of failure, reprisal or, worse, complete indifference from others. My dreams now urge floods and resultant coagulations, they bring creative splurges to ground from hand to the hard world. And Nature, too, is indifferent but begs none the less and all the more to be given utterance and response.
Respondeo ergo sum. I respond, therefore I am. I respond, therefore the other, earth, all her ants, is as long as there are eyes, ears, and scanning minds to acknowledge and touch, wrestle, caress, shape - some in scansions - outer from inner, inner from outer, landscapes to be all too quickly discarded in time for what is sung just ahead. And seen. Or hoped, all praise to telescopes. We would be they, so addicted to horizons, to bring them close.
Something there is needs completion via coagulation, forming, shaping, and sharing with whomever may be open to clods delivered. If not, rivers will, as they will without reason, continue to overrun their banks and insist upon covering designated previous cultivations. Let then excess of creativity have its say, play out, and leave the critical post-considerations to others. I will surely sit and ponder spent what spills forth, to shape, to edit, to discard. And watch my little yard sink beneath needed and needy floods.
I will have done with deprivation and bring myself, what I have shaped and misshapen, to the world. These things, this burden, have I most loved and felt responsible for, have born the shame of. I have fought and have failed utterly again and again though my attempts have been, and still are, sincere though not blameless. Fear has been my encampment, a longing beneath knowing feet in secret cellars just beyond reach of contracted hands forever spelling hunger. I know open bastion doors and windows to now fling beyond embankments what has been wrung out of my floes and woes though hands wither from too much turning against and inward. What a relief to burst beyond boundaries too long successfully restraining.
I recently wrote a poem about much too too solid bastions of self, of forceful puer energy ramming through and over and into long buried storms and petrified forms, of passion mangling the delusion of 'norms' ignoring too sensitive alarms. Given May Sarton's May revelation this morning I now understand that the poem is about more than eros, it is about that powerful creative/destructive force, the daemon/tyro that ever urges outward intent on making and staking Self in new land and at least one aging man wrenched and rendered from dried and calcified encrustations. I am, to borrow from the insistent dream image, beginning to leak. And to break open.
Archeology - What The Stele Says 'Upon Taking A Much Younger Lover'
That this old ground yields to plow stuns.
What begins to be, earth swell, breaks
root-room open to blood means.
Old skeins tear upon what is new terrain,
hunger worn, long appended. There is
no blame for pain is the blessing.
All hurt now stings twilight quaked into being.
Your breath falls upon me now, taut, sinew,
bruising hand, purple inside flares warrior nerves
[...] Read more
poem by Warren Falcon
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Venus and Adonis
Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis tried him to the chase;
Hunting he lov'd, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac'd suitor 'gins to woo him.
'Thrice fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses;
And being set, I'll smother thee with kisses:
'And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety;
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enrag'd, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens;--O! how quick is love:--
The steed is stalled up, and even now
To tie the rider she begins to prove:
Backward she push'd him, as she would be thrust,
And govern'd him in strength, though not in lust.
So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips;
And kissing speaks, with lustful language broken,
'If thou wilt chide, thy lips shall never open.'
He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
[...] Read more
poem by William Shakespeare (1593)
Added by Dan Costinaş
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Lean On Me
Heavy burden on your shoulder
Lean on me
Heavy burden on your shoulder
Lean on me
Heavy burden on your shoulder
Everyday just a little bit harder
Heavy burden on your shoulder
Lean on me
Down and out without hope
Lean on me
Down and out without hope
Lean on me
Down and out without hope
Im right here, Ill help you cope
Down and out without hope
Lean on me
Grab a rope and pull me in
But lean on me
Everyday, youll have a friend
But lean on me
Grab a rope, pull me in
Everyday youll have a friend
Grab a rope
In the world, ? ?
And if youre looking for a rainy day friend
Well grab a rope, pull me in
Lean on me
Heavy burden cloudy skies
Lean on me
Ill be the ? ? of weeping eyes
But lean on me
If you always feels like rain
All youve got in life is pain
Heavy burden, go away
Oh... , goodbye
Heavy burden, on you shoulder
Lean on me
song performed by Housemartins
Added by Lucian Velea
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Seasonable Retour-Knell
SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS
Author notes
A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000
In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.
For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.
Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.
One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.
Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER
Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.
Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.
AUTUMN WINTER
Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.
Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,
[...] Read more
poem by Jonathan Robin
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Heavy Metal Universe
We're the masters of the wind
We're demons left in howl
we're the undefeated warriors
we have heard the call
We're the keepers and the leaders
of the only thing we love
we're the saviours
and protectors from above
In your sky there is no limit
and masters we have none
heavy metal is the only one
'cause its heavy metal universe
an it's never going down
flying 'cross the universe
we're heavy metal bound
we're heavy metal bound
With a burning hot desire
like a supersonic blast
we have come to show the world
that we have come to last
There ain't no way to stop us
and you'll never kill our pride
'cause it's not only music
it's a chosen way of life
And our world has got no borders
and in union we all stand
'cause heavy metal is our promissed land
'cause it's a heavy metal universe
with a heavy metal sound
masters of the thunder
shake you to the ground
It's a heavy metal bomber
and it's never going down
flying 'cross the universe
we're heavy metal bound
we're heavy metal bound
See my hands held to the sky
let me rock you 'till forever
raise your voice we're soaring high
swear allegance now or never
burning up we build a flame
[...] Read more
song performed by Gamma Ray
Added by Lucian Velea
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A Ballad of Burdens
A Ballad of Burdens
The burden of fair women. Vain delight,
And love self-slain in some sweet shameful way,
And sorrowful old age that comes by night
As a thief comes that has no heart by day,
And change that finds fair cheeks and leaves them grey,
And weariness that keeps awake for hire,
And grief that says what pleasure used to say;
This is the end of every man's desire.
The burden of bought kisses. This is sore,
A burden without fruit in childbearing;
Between the nightfall and the dawn threescore,
Threescore between the dawn and evening.
The shuddering in thy lips, the shuddering
In thy sad eyelids tremulous like fire,
Makes love seem shameful and a wretched thing.
This is the end of every man's desire.
The burden of sweet speeches. Nay, kneel down,
Cover thy head, and weep; for verily
These market-men that buy thy white and brown
In the last days shall take no thought for thee.
In the last days like earth thy face shall be,
Yea, like sea-marsh made thick with brine and mire,
Sad with sick leavings of the sterile sea.
This is the end of every man's desire.
The burden of long living. Thou shalt fear
Waking, and sleeping mourn upon thy bed;
And say at night "Would God the day were here,"
And say at dawn "Would God the day were dead."
With weary days thou shalt be clothed and fed,
And wear remorse of heart for thine attire,
Pain for thy girdle and sorrow upon thine head;
This is the end of every man's desire.
The burden of bright colours. Thou shalt see
Gold tarnished, and the grey above the green;
And as the thing thou seest thy face shall be,
And no more as the thing beforetime seen.
And thou shalt say of mercy "It hath been,"
And living, watch the old lips and loves expire,
And talking, tears shall take thy breath between;
This is the end of every man's desire.
The burden of sad sayings. In that day
Thou shalt tell all thy days and hours, and tell
Thy times and ways and words of love, and say
[...] Read more
poem by Algernon Charles Swinburne
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Carried Away
There you are
Shiny as a morning star
Its a figure of speech
But youre still out of reach
You never told me loving you
Could be so wrong and right
And its gonna be a lonely night
I turn to you
You turn away
Youre looking at someone else
And here I am
Loving you more and more
We got an open door , my love
Oh let it be just a state of mind
And suddenly you appear
Chorus:
Im carried away
Im carried away
To be carried away
Im carried away
Cest la vie
So you wanna play another part
Can you say goodbye
Can you live a lie
Shell never give you what i
Gave you was my breaking heart
Better than I ever known
And if you can live without my love
You know youre gonna be alone
And here am i
Walking against the crowd
Calling your name out loud my love
Oh let it be just a state of mind
And suddenly you appear
Chorus:
Im carried away
Im carried away
To be carried away
And Im carried away
Bridge:
Baby there aint no final word
Ill be yours again
I got a world of tenderness
Yours until the end
Chorus:
Im carried
Im carried
To be carried away
Im carried
(repeat chorus and fade)
song performed by Bee Gees
Added by Lucian Velea
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Fireflies
My fancies are fireflies, —
Specks of living light
twinkling in the dark.
he voice of wayside pansies,
that do not attract the careless glance,
murmurs in these desultory lines.
In the drowsy dark caves of the mind
dreams build their nest with fragments
dropped from day's caravan.
Spring scatters the petals of flowers
that are not for the fruits of the future,
but for the moment's whim.
Joy freed from the bond of earth's slumber
rushes into numberless leaves,
and dances in the air for a day.
My words that are slight
my lightly dance upon time's waves
when my works havy with import have gone down.
Mind's underground moths
grow filmy wings
and take a farewell flight
in the sunset sky.
The butterfly counts not months but moments,
and has time enough.
My thoughts, like spark, ride on winged surprises,
carrying a single laughter.
The tree gazes in love at its own beautiful shadow
which yet it never can grasp.
Let my love, like sunlight, surround you
and yet give you illumined freedom.
Days are coloured vbubbles
that float upon the surface of fathomless night.
My offerings are too timid to claim your remembrance,
and therefore you may remember them.
Leave out my name from the gift
if it be a burden,
but keep my song.
[...] Read more
poem by Rabindranath Tagore
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[9] O, Moon, My Sweet-heart!
O, Moon, My Sweet-heart!
[LOVE POEMS]
POET: MAHENDRA BHATNAGAR
POEMS
1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song
[...] Read more
poem by Mahendra Bhatnagar
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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Ill Always Be With You
I just went to the corner
To get some bread and butter,
Dad called, hed got your letter,
This is his new number.
Chickens on the burner
But wait for me if you can,
Ill be back soon, honey,
Big kiss from mommy.
(chorus)
Kill, kill, kill, kill, kill,
Kill, kill, kill, kill, kill,
Kill, kill, kill, kill, kill.
Please, I have a son!
(chorus)
Kiss, kiss, kiss, kiss,
Kiss, kiss, kiss, kiss.
Sorry, I was so late,
Did you call your dad?
I hope he was nice to you,
I dont wanna see you sad.
I see you ate your chicken,
And saved me a plate,
I dont know how to tell you, I dont know how to tell,
But I love you, baby, rememember, Ill always be with you
Ill always be with you.
I love you, mommy, I love you with all my heart,
Please, always be with me.
(chorus)
Miss, miss, miss, miss,
Miss, miss, miss, miss.
Mommy! mommy!
Why do I love you so if youre just a spec of dust,
Floating endlessly amongst the trillion stars?
Knowing that one day we may float apart,
Meeting each other in universe.
song performed by Yoko Ono
Added by Lucian Velea
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Through the eyes of a Field Coronet (Epic)
Introduction
In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.
Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.
Prologue
The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain
mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact
that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals
becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,
who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight
in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.
Let them then also be patriotic
into their souls,
believe in and read
out of the word of God
[...] Read more
poem by Gert Strydom
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All Day Sucker
Come on up you say
Cause you can feel your love comin down
I find myself rushin over to
Do something for your love
I knock on the door
You answer askin what am I there for
I say I thought you wanted me to
Do something for your love
Im an all day sucker
Coming to give something to get nothin
Im an all day sucker
Coming to give something but to get none of your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
You call me up to say
Youre sorry for what went down the other day
And could I come over today
Do something for your love
One knuck gets me in
But then you say how very nice its been
That lets me know that I will once again
Get nothin fom your love
Im an all day sucker
Coming to give something to get nothin
Im an all day sucker
Coming to give something but to get none of your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
All day sucker for your love
All day sucker cup for your love
You drop by to say
Youre sorry for what went down the other day
[...] Read more
song performed by Stevie Wonder
Added by Lucian Velea
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