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William Shakespeare

Ofelia: You are keen my lord, you are keen.
Hamlet: It would cost you a groaning to take off mine edge.

classic lines from Hamlet, Act III, Scene 2 by (1599)Report problemRelated quotes
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How Long Do You Think It will Take Them?

In denial?
Here...
Take these!

'Gee...
I didn't see that! '

With these binoculars,
It can be clearly seen...
Those folks are still blinded,
By the darkness.
And their approach to consciousness,
Has been severly hampered.
By inflighting and division.
Come on...
Let's go.

'How long do you think it will take them? '

For what?

'To reach daylight? '

You can't be serious?
You are...
Aren't you?

'Why can't we give them a benefit of a doubt?
It was given to the others.'

How long have we been here waiting?
They have been there eroding everyone's patience...
Since...
Well,
Since the first computer was introduced.
And that was in the '60's!

Are you coming?
We've run out of flares.
The floodlights have been turned off.
And the bonfire is about to go out!
The ship is about to leave.
Do you want to be on it?
You can waste your years...
In preparation,
If you want to!

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We Are The Horsemen

As we search for black people and white people
Seeking the world of the four horsemen facing
John, henry, the robot, dr. smith, and will robinson
Come in please -- on track for the remix
[kool keith]
Adjusting our systems the horsemen are ready to go
Our jets, should be ready for take off, any second
Aheheheheheheheh!
I probe for evidence, movin, positive beams
Incite the first gadget, my atom explodes
Just hit the fifth planet, the x reload
Take a brother on a flight for the alpha, omega
I kick lyrics on earth, you think i'm cosmic
A spacewalker, dippin in my spacecraft
Through molecules, a steel wall interphase
The fourth horseman, legendary universe
Dark shadow human rhymin on a funky verse
I'm level 7, optimus pull back
Feeding the world of gamma data, to locate
You interlock, power 7 warp speed
Negative charge, biochemically crush
My own nucleus bomb, the great menudo
Yo wolverine i'm down, cyclops, rhythm x
X we can back up the four horsemen
Toronto blue jays, field, just like dave winfield
Pick up your bat and go to third
I see that man at the plate, he's waitin home
We are the horsemen -- enter your spaceship! (3x)
We are the horsemen -- enter!
While, returning back to my spaceship
On my galactic horse, this is what happened..
[ced gee]
I get super bionic
No my name's not mantronix, but i'm 4-h-m
Kickin flavor so steadily, so wickedy wicked
Can i switchedy switch it, i saw my troops last night
They said, "ced could you kick it?"
I got mega in concert
Then i wrote a deposit, i hit my mega-mini
Zoom back to outer space, ten nine eight seven six
Five four three - the chain reaction
Triggered the mad flows, then the rhymin got hyper
Plus i knew what they like-a, so i ripped it and rock it
Frequencies in the pocket, one blast two blast
Yes approximate, green in the chambers
The lights came on, infrared and exciting
Most don't know what i'm saying, galactic come beams
Beams beams beams beams beams beams
Beams beams beams...
Now it's classic the atom, no i don't mean the phantom
Molecules in the mix, with lots of protons to hand them
Plus i'm billin the workers, secret charts led to persia
When they're reachin their pick-up, i'ma crossover bezerker
We turn to the galaxy, the universe bothers me
From the wild wild west, i have a spaceship mentality
When i chill at the planet, magnesium flip
So i shake up the myolex, so what's left?
We are the horsemen -- enter your spaceship! (5x)
Yee-hah, ride em silver, we out!
Yeah, yeah, yeah, yeah, check it out, yeah..
Jimmy cliff down with the horsemen
Ron bordett down with the horsemen
Doc doc down with the horsemen
Kevvy kev down with the horsemen
Kleptor down with the horsemen
Drew love down with the horsemen
Old maid down with the horsemen
Chuck beats down with the horsemen
Jazz down with the horsemen
Kevvy kev down with the horsemen
Cut cut down with the horsemen
The whole world down with the horsemen
All the honies down with the horsemen
And we're out (yeahhhh) check it out
We are the horsemen -- enter your spaceship! (7x)

song performed by Ultramagnetic Mc'sReport problemRelated quotes
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Taking Off The Edge

(larry cordle/larry shell)
I been down on my luck
I been down on my knees
Well I been downtown
And I been down on the farm
I cant be satisfied
But Im gonna have to find
A way to kick back and
Take off the edge
Now theres a little gal I know
Just south of tupelo
Her hair is dark and her legs are long and tan
She rubs my back just right
Till way up in the night
She knows how to
Take off the edge
Ive been laid up with the flu
Laid off a time or two
Ive been uptight
And Ive been up a creek
Im gonna take my bamboo pole
And head out to the fishing hole
Dont you know it helps to
Take off the edge
Now theres a little gal I know
Just south of tupelo
Her hair is dark and her legs are long and tan
She rubs my back just right
Till way up in the night
She knows how to
Take off the edge
Now its morning once again
Oh, lord I just punched in
And I cant hardly wait till quitting time
Gonna get that big brown jug
All I need is a little slug
Just another way to
Takin off the edge
Now theres a little gal I know
Just south of tupelo
Her hair is dark and her legs are long and tan
She rubs my back just right
Till way up in the night
Well she knows how to
Take off the edge
Oh she sure knows how to
Take off the edge

song performed by John Michael MontgomeryReport problemRelated quotes
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The Feud: A Border Ballad

PLATE I
Rixa super mero

They sat by their wine in the tavern that night,
But not in good fellowship true :
The Rhenish was strong and the Burgundy bright,
And hotter the argument grew.

'I asked your consent when I first sought her hand,
Nor did you refuse to agree,
Tho' her father declared that the half of his land
Her dower at our wedding should be.'

'No dower shall be given (the brother replied)
With a maiden of beauty so rare,
Nor yet shall my father my birthright divide,
Our lands with a foeman to share.'

The knight stood erect in the midst of the hall,
And sterner his visage became,
'Now, shame and dishonour my 'scutcheon befall
If thus I relinquish my claim.'

The brother then drained a tall goblet of wine,
And fiercely this answer he made—
'Before like a coward my rights I resign
I'll claim an appeal to the blade.

'The passes at Yarrow are rugged and wide,
There meet me to-morrow alone ;
This quarrel we two with our swords will decide,
And one shall this folly atone.'

They've settled the time and they've settled the place,
They've paid for the wine and the ale,
They've bitten their gloves, and their steps they retrace
To their castles in Ettrick's Vale.


PLATE II
Morituri (te) salutant

Now, buckle my broadsword at my side
And saddle my trusty steed ;
And bid me adieu, my bonnie bride,
To Yarrow I go with speed.
'I've passed through many a bloody fray,
Unharmed in health or limb ;
Then why's your brow so sad this day
And your dark eye so dim ?'

'Oh, belt not on your broadsword bright,
Oh ! leave your steed in the stall,
For I dreamt last night of a stubborn fight,
And I dreamt I saw you fall.'

'On Yarrow's braes there will be strife,
Yet I am safe from ill ;
And if I thought it would cost my life
I must take this journey still.'

He turned his charger to depart
In the misty morning air,
But he stood and pressed her to his heart
And smoothed her glossy hair.

And her red lips he fondly kissed
Beside the castle door,
And he rode away in the morning mist,
And he never saw her more !


PLATE III
Heu ! deserta domus

She sits by the eastern casement now,
And the sunlight enters there,
And settles on her ivory brow
And gleams in her golden hair.
On the deerskin rug the staghound lies
And dozes dreamily,
And the quaint carved oak reflects the dyes
Of the curtain's canopy.

The lark has sprung from the new-mown hay,
And the plover's note is shrill
And the song of the mavis far away
Comes from the distant hill ;
And in the wide courtyard below
She heard the horses neigh,
The men-at-arms pass to and fro
The scraps of border-lay.
She heard each boisterous oath and jest
The rough moss-troopers made,
Who scoured the rust from spur or crest,
Or polished bit or blade.
They loved her well, those rugged men,—
How could they be so gay
When he perchance in some lone glen
Lay dying far away ?

She was a fearless Border girl,
Who from her earliest days
Had seen the banners oft unfurl
And the war-beacons blaze—
Had seen her father's men march out,
Roused by the trumpet's call,
And heard the foeman's savage shout
Close to their fortress wall.
And when her kin were arming fast,
Had belted many a brand—
Why was her spirit now o'ercast ?
Where was her self-command ?
She strove to quell those childish fears,
Unworthy of her name ;
She dashed away the rising tears,
And, flushed with pride and shame,
She rose and hurried down the stair,
The castle yard to roam ;
And she met her elder sister there,
Come from their father's home,
'Sister, I've ridden here alone,
Your lord and you to greet.'
'Sister, to Yarrow he has gone
Our brother there to meet ;
I dreamt last night of a stubborn fray
Where I saw him fall and bleed,
And he rode away at break of day
With his broadsword and his steed.'
'Oh ! sister dear, there will be strife :
Our brother likes him ill,
And one or both must forfeit life
On Yarrow's lonely hill.'

A stout moss-trooper, standing near,
Spoke with a careless smile :
'Now, have no fear for my master dear,—
He may travel many a mile,
And those who ride on the Border side,
Albeit they like him not,
They know his mettle has oft been tried
Where blows were thick and hot.
He left command that none should go
From hence till home he came ;
But, lady, the truth you soon shall know
If you will bear the blame.
Your palfrey fair I'll saddle with care,
Your sister shall ride the grey,
And I'll mount myself on the sorrel mare,
And to Yarrow we'll haste away.'

The sun was low in the western sky,
And steep was the mountain track,
But they rode from the castle rapidly—
Oh ! how will they travel back ?


PLATE IV
Gaudia certaminis

He came to the spot where his foe had agreed
To meet him in Yarrow's dark glade,
And there he drew rein amd dismounted his steed,
And fastened him under the shade.

Close by in the greenwood the ambush was set,
And scarce had he entered the glen
When, armed for the combat, the brother he met,
And with him were eight of his men.

'Now, swear to relinquish all claim to our land,
Or to give as a hostage your bride !
Or fly if you're able, or yield where you stand,
Or die as your betters have died !'

His doublet and hat on the greensward he threw,
He wrapt round the left arm his cloak ;
And out of its scabbard his broadsword he drew,
And stood with his back to an oak.

'My claim to your land I refuse to deny,
Nor will I restore you my bride,
Now will I surrender, nor yet will I fly :
Come on, and the steel shall decide !'

Oh ! sudden and sure were the blows that he dealt !
Like lightning the sweep of his blade !
Cut and thrust, point and edge, all around him they fell,
They fell one by one in the glade !

And pierced in the gullet their leader goes down !
And sinks with a curse on the plain ;
And his squire falls dead ! cut through headpiece and crown !
And his groom by a back stroke is slain.

Now five are stretched lifeless ; disabled are three !
Hard pressed, see the last caitiff reel !
The brother behind struggles up on one knee,
And drives through his body the steel.


PLATE V
Non habeo mihi facta adhuc cur Herculis uxor
Credar coniugii mors mihi pignus erit.

The traitor's father heard the tale,
In haste he mounted then,
And spurred his horse from Ettrick Vale
To Yarrow's lonely glen,
Some troopers followed in his track—
For them he tarried not,
He neither halted nor looked back
Until he found the spot.

The earth was trod and trampled bare,
And stained with dark red dew,
A broken blade lay here, and there
A bonnet cut in two ;
And stretched in ghastly shapes around
The lifeless corpses lie,
Some with their faces to the ground,
And some towards the sky.
And there the ancient Border chief
Stood silent and alone—
Too stubborn to give way to grief,
Too stern remorse to own.
A soldier in the midst of strife
Since he had first drawn breath,
He'd grown to undervalue life
And feel at home with death.
And yet he shuddered when he saw
The work that had been done ;
He knew his fearless son-in-law,
He knew his dastard son.
Despite the failings of his race
A brave old man was he,
Who would not stoop to actions base,
And hated treachery.
He loved his younger daughter well,
And though severe and rude,
For her sake he had tried to quell
That foolish Border feud.
Her brother all his schemes had marred,
And given his pledge the lie,
And sense of justice struggled hard
With nature's stronger tie.
He knew his son had richly earned
The stroke that laid him low,
Yet had not quite forgiveness learned
For him that dealt the blow.

There came a tramp of horses' feet :
He raised his startled eyes,
And felt his pulses throb and beat
With sorrow and surprise.
He saw his daughter riding fast,
And from her steed she sprung,
And on her lover's corpse she cast
Herself, and round him clung.
Her head she pillowed on his waist,
And all her clustering hair
Hung down, disordered by her haste
In silken masses there.
Her sister and their sturdy guide
Dismounted and drew nigh,
The elder daughter stood aside—
Her tears fell silently.
The stout moss-trooper glanced around
But not a word he said ;
He knelt upon the battered ground
And raised his master's head.
The face had set serene and sad,
Nor was there on the clay
The stamp of that fierce soul which had
In anger passed away.

With dagger blade he ripped the skirt,
The fatal wound to show,
And wiped the stains of blood and dirt
From throat and cheek and brow.
And all the while she did not stir,
She lay there calm and still,
Nor could he hope to comfort her,—
Her case was past his skill.
The father first that silence broke ;
His voice was firm and clear,
And every accent that he spoke
Fell on the listener's ear.
'Daughter, this quarrel to forgo,
I offered half our land
A dower to him—a feudal foe—
When first he sought your hand.
I only asked for some brief while,
Some few short weeks' delay,
Till I my son could reconcile ;
For this he would not stay.
He was your husband, so I'm told ;
But you yourself must own
He took you to his fortress-hold
With your consent alone.

Of late the strife broke out anew ;
They blame your brother there ;
But he was hot and headstrong, too—
He doubtless did his share.
Oh ! stout of heart, and strong of hand,
With all his faults was he,
The champion of his Border land ;
I ne'er his judge will be !
Now, grieve no more for what is done ;
Alike we share the cost ;
For, girl, I too have lost a son,
If you your love have lost.
Forget the deed ! and learn to call
A worthier man your lord
Than he whose arm has vexed us all ;
Here lies his fatal sword.
Think, when you seek his guilt to cloak,
Whose blood has dyed it red.
Who fell beneath its deadly stroke,
Whose life is forfeited.'
The old man paused, for while he spoke
The girl had raised her head.

Her silken hair she proudly dashed
Back from her crimson face !
And in her bright eyes once more flashed
The spirit of her race !
He beauty made her stand abashed !
Her voice rang thro' the place !

'Who held the treacherous dagger's hilt
When against odds he fought ?
My brother's blood was fairly spilt !
But his was basely sought !
Now, Christ absolve his soul from guilt ;
He sinned as he was taught !
'His next of kin by blood and birth
May claim his house and land !
His groom may slack his saddle-girth,
Or bid his charger stand !
But never a man on God's wide earth
Shall touch his darling's hand !'

The colour faded from her cheek,
Her eyelids drooped and fell,
And when again she sought to speak
Her accents came so low and weak
Her words they scarce could tell.
'Oh ! father, all I ask is rest,—
Here let me once more lie !'
She stretched upon the dead man's breast
With one long weary sigh ;
And the old man bowed his lofty crest
And hid his troubled eye !

They called her, but she spoke no more,
And when they raised her head
She seemed as lovely as before,
Though all her bloom had fled ;
But they grew pale at that they saw—
They knew that she was dead !


PLATE VI
Dies irae : dies illa

The requiem breaks the midnight air, the funeral bell they toll,—
A mass or prayer we well may spare, for a brave moss-trooper's soul ;
And the fairest bride on the Border side, may she too be forgiven !
The dirge we ring, the chant we sing, the rest we leave to Heaven !

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Heart and Brain, Two Poles

When you deliver judgment
Take off you your heart.
When you fall in love
Take off you your brain.
They both are intruders.

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I Give My Heart

I dont know how long I'll be gone,
But I promise you one day I'll be home.
No matter what I'll always be there,
I give my heart for I care.
When you are going down lifes road,
I give my heart to take off a load.
When you wonder who you are,
I give my heart for I wont be far.
When a teardropp falls down your chin,
I give my heart so dont cry again.
As the sunsets across your face,
I give my heart full of grace.
Close your eyes for the day is done,
I give my heart for it shines like the sun.
When you smell flowers outside,
I give my heart so please dont hide.
When you look at the sky above,
I give my heart full of love.
Now we are not to far away,
For in my heart you will always stay.

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Gives A Damn!

the day i changed
my last name to 'gives a damn',
that's when the trouble began!

why does it make people so mad
when you speak the truth?
and why so uncomfortable

when you admit your mistakes,
take off your mask and stand naked,
revealing that you're human?

and why the anger
when you treat everyone the same?
no favorites, no elite, no righteous!

no political agenda, no religious fervor,
no attempts to convert....
no need to lead or follow,

always walking beside!
equal in suffering, equal in needs,
equal freedom, equal dignity!

anti-war, and anti any government
that abuses, neglects, or terrorizes...
believing that God lives within

every living being,
not in churches, temples, or mosques....
thus believing that all life is holy,

that all beings are sacred!
'gives a damn', and always will!

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Beach Shack

(words & music by giant - baum - kaye)
When youre through swimming
Ill dry your back
Come and relax girl
In my little beach shack
Dum-di-dum-di-dum, yeah-yeah-yeah
Therell be nothing youll lack
Its a pleasure to welcome you
In my little beach shack
In my beach shack, baby well be alone
In my beach shack, Ill make you feel at home
Take off that wet cap
Let down your hair
Come to my beach shack
Youll be comfortable there
Dum-di-dum-di-dum, yeah-yeah-yeah
Be my guest, have a snack
See how nice I feed company
In my little beach shack
In my beach shack, baby well be alone
In my beach shack, Ill make you feel at home
Come see my etchings
I wish you would
Dont be afraid girl
My intentions are good
You believe me now..
Dum-di-dum-di-dum, yeah-yeah-yeah
I know girls by the pack
Theres no-one I want there but you
In my little beach shack
In my beach shack, baby well be alone
In my beach shack, Ill make you feel at home
In my little beach shack....

song performed by Elvis PresleyReport problemRelated quotes
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Here Comes The Weekend

Somewhere in the night
Theres a heart that beats so fast
I can feel the heat
Of the fire in your eyes
Burning like a naked flame
Waiting for the ice to break
Counting down the days
Waiting for the weekend
Lonely is the night
Silence is a friend to wake with
With no one else to talk to
But on a friday night
Its alright, its alright
You can be who you want to be
Take off for the weekend
If you can dance you can dance with me
cos its friday night
Its alright, its alright
Nothings gonna stop me now
Im all wired up and ready to go
Im on my way
Lets get on with the show
Here comes the weekend
Here comes the weekend
Somewhere in the heat
Theres a heart that beats so fast
I can hear your voice
Talk to me tonight
Taking a different face
Every time I hear your name
Im counting down the days
Waiting for the weekend
Lonely is the night
When all are sleeping
Silence is a friend you walk with
With no one else to talk to
But on a friday night
Its alright, its alright
You can be who you want to be
Take of for the weekend
If you dance you can dance with me
cos its friday night
Its alright, its alright
Nothings gonna stop me now
Im all wired up and ready to go
And Im on my way
Its the weekend
And its starting today
Here comes the weekend
Here comes the weekend

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Thirsty Boots

Thirsty boots
This song appears on three albums, and was first released on the I want to live
Album, and has also been released on the rocky mountain collection and the
Country roads collection albums.
Youve long been on the open road
Youve been sleepin in the rain
From dirty words and muddy cells
Youre clothes are soiled and stained
But the dirty words, the mud of cells
Will soon be judged insane
So only stop and rest yourself
And youll be off again
Oh take off your thirsty boots
And stay for awhile
Your feet are hard and weary
From a dusty mile
And maybe I can make you laugh
And maybe I can try
Lookin for the evening
And the morning in your eyes
Then tell me of the ones you saw
As far as you could see
Across the plains from field to town
Marchin to be free
And of the rusted prison gates
That tumbled by degree
Like laughing children one by one
They look like you and me
So take off your thirsty boots
And stay for awhile
Your feet are hard and weary
From a dusty mile
And maybe I can make you laugh
And maybe I can try
Just lookin for the evening
And the morning in your eyes
I know you are no stranger now
A crooked rainbow trail
From dancing cliffheads shattered sills
To slander shackled jails
Where the voices drift up from below
Its walls are being scaled
Yes, all of this, and more my friend
Your song shall not be failed

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The Ballad Of The Lonely Masturbator

The end of the affair is always death.
She's my workshop. Slippery eye,
out of the tribe of myself my breath
finds you gone. I horrify
those who stand by. I am fed.
At night, alone, I marry the bed.
Finger to finger, now she's mine.
She's not too far. She's my encounter.
I beat her like a bell. I recline
in the bower where you used to mount her.
You borrowed me on the flowered spread.
At night, alone, I marry the bed.
Take for instance this night, my love,
that every single couple puts together
with a joint overturning, beneath, above,
the abundant two on sponge and feather,
kneeling and pushing, head to head.
At night, alone, I marry the bed.
I break out of my body this way,
an annoying miracle. Could I
put the dream market on display?
I am spread out. I crucify.
My little plum is what you said.
At night, alone, I marry the bed.
Then my black-eyed rival came.
The lady of water, rising on the beach,
a piano at her fingertips, shame
on her lips and a flute's speech.
And I was the knock-kneed broom instead.
At night, alone, I marry the bed.
She took you the way a women takes
a bargain dress off the rack
and I broke the way a stone breaks.
I give back your books and fishing tack.
Today's paper says that you are wed.
At night, alone, I marry the bed.
The boys and girls are one tonight.
They unbutton blouses. They unzip flies.
They take off shoes. They turn off the light.
The glimmering creatures are full of lies.
They are eating each other. They are overfed.
At night, alone, I marry the bed.

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You Can't Brush Me Off

Why don't you just give in?
Just like a Siamese twin
I mean to stick to you
Until you do
I won't take it on the chin
You'll never leave me flat
I'm not a "last year's hat"
That you can cast aside
I've got my pride
And I won't stand for that
You can't brush me off
As you would a speck of powder, you may try
But you can't brush me off
You can't shout me down
You can yell but I'll yell louder, you can try
But you can't brush me off
You can say you're out but I'll keep phoning
You can tell me goodbye
You can tell me but I
Won't go
No
You can't leave me cold
As you would a plate of chowder, you may try
But you can't brush me off
[2]
What is this all about?
You've got me wrong, no doubt
I give you all my time
Believe me, I'm
Not looking for some way out
I want you for my wife
Sharing my care and strife
And that may not be fun
For when it's done
You're stuck with me for life
You can't brush me off
As you would a fresh mosquito, you may try
But you can't brush me off
You can't rub me out
Like a spot on my tuxedo, you may try
But you can't brush me off
You can cut me dead but I won't mind it
You may injure my pride
Still I'll never decide
To go
No
You can't drop me fast
As you would a live torpedo, you may try
But you can't brush me off
[3]
You can't brush me off
Like a colored pullman porter, you may try
But you can't brush me off
You can't lock me out
Like a frightened farmer's daughter, you may try
But you can't brush me off
You can drop a hint but I won't take it
You can tell me bad news
I intend to refuse
To go
No
You can't give me back
As you would a leaded quarter, you may try
But you can't brush me off

song performed by Irving BerlinReport problemRelated quotes
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The Red Shoes

Oh she move like the diva do
I said Id love to dance like you.
She said just take off my red shoes
Put them on and your dreamll come true
With no words, with no song
You can dance the dream with your body on
And this curve, is your smile
And this cross, is your heart
And this line, is your path
Oh its gonna be the way you always thought it would be
But its gonna be no illusion
Oh its gonna be the way you always dreamt about it
But its gonna be really happening to ya
Really happening to ya
Really happening to ya
Oh the minute I put them on
I knew I had done something wrong
All her gifts for the dance had gone
Its the red shoes, they cant stop dancing, dancing
And this curve, is your smile
And this cross, is your heart
And this line, is your path
Oh its gonna be the way you always thought it would be
But its gonna be no illusion
Oh its gonna be the way you always dreamt about it
But its gonna be really happening to ya
She gotta dance, she gotta dance
And she cant stop till them shoes come off
These shoes do, a kind of voodoo
Theyre gonna make her dance till her legs fall off
Feel your hair come tumbling down
Feel your feet start kissing the ground
Feel your arms are opening out
And see your eyes are lifted to god
With no words, with no song
Im gonna dance the dream
And make the dream come true
Im gonna dance the dream
And make the dream come true
She gotta dance, she gotta dance
And she cant stop till them shoes come off
These shoes do, a kind of voodoo
Theyre gonna make her dance till her legs fall off
Call a doctor, call a priest
Theyre gonna whip her up like a helicopter
Really happening to ya
Really happening to ya
You gotta dance....

song performed by Kate BushReport problemRelated quotes
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The Long Journey

Motorcycling along
the N1 freeway
from Pretoria in the north to Cape Town

the flaming sun rises over the horizon
small like a ripe apricot
while its dimensions gets larger

and then tomato red
a little later it turns orange and like a ripe fruit
hangs untouchable up on the sky

and corn fields, fences and trees
fly past almost blurring
in the twilight sketched like pencil drawings

and the sun like a huge pit being spitted
crosses the sky
changes to yellow and then to white hot

and the sky turns from dusk grey
to bright blue
and later to a darker hue

and the hot wind bristles
as if with loving fingers
touching and stroking your whole body

and in the early fresh morning
you draw in at a garage,
make a pit stop, to check the oil,

to fill your motorcycle up
and have a breakfast
at a Wimpy roadhouse

and the smell of fuel
hangs in the air
and you find children there

looking with huge curious eyes
at your motorbike
and gazing at you,

as if a hero character
has just walk right out
of a cartoon magazine

and you remove your helmet
take off your leather gloves
visit the loo where a guy or two

looks at you and comments
on your motorcycle, your leather jacket
the weather and the road

and in the restaurant
the waitress pours a Mega coffee,
smiles dazzling

when she puts it on the table
with your breakfast of steak,
French fries and coke

and you can swear
that there’s a twinkling in her eyes
before she walks away

with a French plate swishing to and thro
and buttocks leaving a distinct impression
of female grace

but the sun is drawing water
and time is flying,
you motorcycle thunders alive

and you return to the freeway
where at speed you pass
cars, greyhound busses and trucks

and the road feels almost without end
right through the flat Orange Free State,
later the acrid hell hot Karroo

where you see grazing flocks of sheep
like white specks
and some windmills

flashing and reflecting the sun
on their huge spinning blades
somewhat like lonely landmarks

and you make some more pit stops
to refuel and stretch your legs
have another meal

and just before driving through
the last tunnel on top of a hill
dusk envolopes the world, the sun dwindles away,

the evening star is just above the horizon
and a little later star after star flies pass
like leaves in autumn falling from a tree

and you are free, almost at the end
of your journey
or maybe you are always just passing by,

travelling to a new destination
with the wind, the sun and sky
and some people that you meet on the trip

and sometimes you go very fast,
at other times almost creeping slow
until suddenly destiny causes the journey to end.

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Tire Shop

I went down yesterday
to fix a leak in my tire. Off Bridge street
there's a place 95 cents
flats fixed,
smeary black paint on warped wood plank
between two bald tires.
I go in, an old Black man
with a Jackie Gleason hat greasy soft
with a mashed cigar stub in mouth
and another old Chicano man
working the other
pneumatic hissing tire changer. The walls are black with rubber
soot blown black dust everywhere
and rows of worn tires on gnawed board racks for sale,
air hoses snaking and looped over the floor.
I greet the two old men
'Yeah, how's it going!'
No response.
They look up at me as if I just gave them a week to live.
'I got a tire needs a tube.'
Rudy, a young Chicano emerges from the black part of the room
pony tailed and plump
walks me out to my truck and looks at the tire.
'It'll cost you five bucks to take off and change.'
I nod.
He tells the old Chicano, who pulls the roller jack
with a long steel handle outside,
and I wait in the middle of the grunting oval tire
changing machines,
while the old guy goes out and returns with my tire.
He looks at me like a disgruntled Carny
handling the ferriswheel
for the millionth time
and I'm just another ache in the arm,
a spoiled kid.
I watch the two old men work the tire machines
step on the foot levers that send the bars around
flipping the tire from the rim
and I wonder what brought these two old men to work here
on this gray evening in February –
are they ex-cons?
Drunks or addicts?
He whips the tube out,' Rudy ' he yells
and I see a gaping hole in the tube,
'Can't patch that,' Rudy says
Then in Spanish Slang says, 'no podemos pachiarlo,'
'we got a pile of old tubes over there, we'll do it for ten
dollars.'
At first I think he might be taking me
but I hedge away from that thought
and I watch the machines work
the spleesh of air
the final begrudging phoof! of rubber popped loose
then the holy clank of steel bar
against steel
and every gently the old Chicano man, instead of throwing the bar
on the floor,
takes the iron bar and wipes it clean of rubber bits
and oil
and slides it gently into his waist belt,
in such a way
I've only seen mother wipe their infant's mouth.
And I wonder where they live these two old guys
I turn and watch MASH on a tv suspended from the ceiling
six '0 clock news comes on
Hunnington beach blackened with oil.
Rudy comes behind me and says,
'Fucking shame they do that to our shores.'
I suddenly realize how I love these working men
working in half dark with bald tires
like medieval hunchbacks in a dungeon.
They eat soup and scrape along in their lives –
how can they live I wonder on 95 cents a tire change
in today's world?
I am pleased to be with them
and feel how barrio Chicanos love this too –
how some give up nice jobs
in foreign places
to live by friends working in these places
and out of these men revolutions have started.
The old Chicano is mumbling at me
how cheap I am
when he learns my four tires are bald
and spare flat,
shaking his head as he works the tube into the tirewell.
I notice his heels are chewed to the nails
his fingernails black
his face a weary room and board stairwell
of a downtown motel
given over to drunks and derelicts, his face hand worn
by drunks leaning their full weight on it
wooden steps grooved by hard soled men just out
of prison, a face condemned by life to live out more days
in futility.
I bid goodbye to the Black man chomping his ancient cigar
the Chicano man with his head down
and I feel ashamed, somehow, that I cannot live
their lives a while for them.
Grateful they are here, I respect such men, who have stories
that will never be told, who bring back to me
my simple boyish days, when men
in oily pants and grubby hands talked in rough tones
and worked at simply work, getting three meals a day
on the table the hard way.
They live in an imperfect world,
unlike men with money who have places
to put their shame
these men have none,
other put their shame on planes or Las Vegas
these have no place
but to put their shame on their endurance
their mothers
their kids
themselves
unlike men who put their shame
on new cars
condos
bank accounts
so they never have to face their shame
these men in the tire shop
have become more human with shame.
And I thought of the time my brother betrayed
me leaving me at 14
when we vowed we'd always be together
he left to live with some rich folks
and I was taken to the Detention Center for kids
with no place to live –
I became a juvenile
filled with anger at my brother who left me alone.
These tire shop men made choices
never to leave their brothers,
in them I saw shame with no place to go
but in a man's face, hands, work and silence.
And as I drove away, nearing my farm
I saw a water sprinkler shooting an arc of water
far over the fence and grass
it was intended to water --
the fountain of water hitting a weedy stickered spot
that grew the only single flower anywhere around
in the midst of rubble brush and stones
the water hit
and touched a dormant seed that blossomed all itself
into what it was
despite the surroundings.
Something made sense to me then
and I'm not quite sure what --
an unconditional love of being and living,
and taking what came one's way
with dignity.
That night in my dream
I cried for my brother as he was leaving,
all the words I used against myself
rotten, no good, shitty, failure,
dissolved in my tears,
my tears poured out of me in my dream and I wept
for my brother and wept when I turned after he left
and I reached for my sister and she was having coffee
with a friend --
I wept in my dream because she was not available for me
when I needed her,
and all my tears flowed, and how I wept, my feeling my pain
of abandonment,
all my tears became that arc of water
and I became the flower, by sheer accident in the middle
of nowhere, blossoming....

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Patrick White

I Should Lie In The Sun And Melt Into The Grass

I should lie in the sun and melt into the grass.
I listen to the bikers throttling up like chain-saws.
I sit here urgently trying not to pollute time.
A poem's got one foot on shore and one in the boat.
Let Atlantis rise or sink as it will. I can wait.
Even when it's calm, my heart is an idling storm
and every third thought is a voodoo doll
as it sees itself on the inside
behind the eyelid of a visionary eclipse.
Nothing to worry about. I'm not going to put
the eyes of the telescope out for looking at Lady Godiva.

Look at me tracking myself all over this paper,
mouse and bird letters in the snow at the base of a juniper.
How human it is to forgo yourself for a future that doesn't exist.
God, I wish there were more fireflies in my life than street signs.
Do you see the lack of meaning in how things are understood?
Thought will get you as far as a frog on a lily pad
but once you get there it's easy to see it's the lily that shines
in a whole other realm of language
that everyone understands but no one can speak.
I watch the honeysuckle burn the gate I came through.
I note the blue eye shadow of the damselfly
applying herself like a cosmetic pencil to the heavy petals
of the wild roses tangled in the fallen birch.

What a shock it would be if I were to take off my lifemask
and you were to discover me infinitely closer to you
like a dimension you hadn't detected in your awareness
than the light is to what you see when
you're sitting up in bed alone in the dark at three in the morning.
What a world, hey? What do you make of it?
The marvel and the horror and the mystery
and the way destiny manifestly unrolls like a lottery
for every living thing on a planet that occasionally plays
Russian roulette with the asteroids, and our tiny part in it all,
this mere speck of nothingness that can embody
in its formless spaces within, the superclustering of galaxies?
And the pain and the anger and the sorrow and the fear
and the way things change and disappear
as you look for the forms of your expectations everywhere
and everything's either an approximation or consolation
of what you can see so clearly, it burns the air?

I should lie down in the sun and melt into the grass,
but forgotten among buildings here, I am unbound
and not even the dead are as free as I am right now.
The whole universe is one big solid insight
where inanimate things are just another mode of motion
sitting in the room like Latin, dogpaddling in space and time,
and I'm tucked under your eyelids like a loveletter
you weren't expecting in a language that could read you
like any one of the seventy-two scholars of the Septuagint.
I've been listening to you for lightyears like leaves
listen for the wind and the rain and the moonlight
and what you have felt about being alive
to say hello and sing farewell, has been my feeling,
and when you have wept at the intransigence of angels
and the generosity of their expansive interventions,
I have been humbled by the eyes of my own exaltations.
And my feet swept out from under me
like an undertow of shadows on the moon.

Sister Lunacy, who can stand in the light
of these intensities and immensities for long
this vertigo of stars and skulls, bells and scars
without reeling in the delirium of simply being here
to witness them as if they somehow depended on us
to embody them in our hearts and minds and voids
as if they were no different from us than we were,
all waves of awareness the wind blows up on the ocean.
The imagination transforms everything in to us.
The stars reek of the eyes that have gazed up at them
like pyres and telescopes and censers, it's
in the hair of a comet like the smell of a lover,
it's what makes the meteorites as kissable
as the head of a snake to the lips of a gentle enemy.

Sister Lunacy, my heartfelt muse, my dark-side dakini,
what have you been dancing for all these years?
Have you been pearldiving among the castanets
for a moonrise in the mouth of a seashell
that could sing to you like the ocean you're lost upon?
You're the station every seeker gets to
on a pilgrimage he doesn't know he's taking
where he damns the consequences and blessings alike
and enters into the spiritual life as a rebel of compassion
as he addresses himself to what's arrayed before him
as if there were only one voice between himself and another
like a bridge that flows, like a star
that doesn't drown in your eye like a firefly.
And if there were anything I could ever say I was
it would have to be this just as it is, this
endlessness I keep being poured out into
as if my heart were the only waterclock I could live by
and disembodied space the only medium
that could accommodate my shapeshifting adaptations
like goldfish coming to the surface to feed on the stars.

Sister Lunacy, the moon reaches down to the roots of the river reeds
and the catfish thrive among the wild rice in the shallows,
and eyes in the darkness high overhead, as if
someone shattered a mirror into a billion bits of awareness
see you standing on your barren precipice
and long to know what it is you're thinking.
In order to understand you must become the thing itself.
You must abdicate your own presence to be
remotely at peace with the world, it's a strawdog anyway,
and it burns too fast to be much of a lighthouse.
And o my darkness, there are so many skins you have yet to shed
like the moon trying on a wardrobe of water
laying her gown across the lake like an early frost of sequins.
I shall come to you at first as a premonition
as lightly as a cloud touches the mountain, an aberrant insight,
a synchronistic intuition of our simultaneity,
and in your breath my breath shall be an atmosphere
and in your eye my eye shall lavish the most intimate of stars,
and in your blood my blood shall be the poppy and the rose.

Sister Lunacy, even after the house has burnt to the ground
my passion stands like a blackened doorway in the rain
and though I look at you through a broken window,
the moon is whole, and the sky is not torn or bruised.

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Patrick White

I Refuse

I refuse to persuade any emotion to a poem
like a horse I can lead to water but can't make drink.
If it's a straitjacket it's a straitjacket.
When its a wet suit it's a wet suit
to go swimming with stars in. Tea leaves.
Yarrow sticks. Tarot decks. Incinerated match books.
I listen to a poem as if it were a response
to what I've said, and didn't say.
I like the counter play of voices and mine
one among them, the whole tree full of birds,
and the chatter of black squirrels in the walls.

Midway between a car starting up and a stanza break
when I write, I feel like a thief that stole the prison
under the warden's nose, and broke out through the window,
exhilarated by the bliss of getting away with my freedom.
I'm on an island alone with the moon.
And it doesn't matter if I was marooned
or just washed up here like a wounded paint rag.
My spine is smoke. I drift tribes away from the fires
that send me like a message to the stars
without knowing what it is I'm going to say to them.
Until I get there like a crane-bag full of alphabets
and a couple of mystic words I'm keeping to myself.

Siderealized. Space speaks through its mere presence
like a field of unnamed wildflowers. Star clusters.
And there's a solitude you can't help answering
that gets deeper every time you open your mouth.
You stop fooling yourself about time the moment
it's realized there is none. You break the bones
of the sturdy ladders of all-well-and-good-but.
You crush the fossils of the crutches you once crawled upon,
take off your spurs, turn your scales into feathers,
and the wind comes along and fits wings to your heels.
Things stop being solid and become real. So
when I write everything writes along with me,
every leaf that falls upon the river like a map
changes the course of the flowing and I let it
and every fallen tree's got its hand on the rudder
and I say if not that way, where?
And the waves all answer in unison, here.

And even the loneliest guitar that ever sat under a willow
and thought of the home that wasn't there to go back to anymore
can feel crowded when myriad words begin
to introduce you to their relatives by close association,
and shades in the closets of the chameleons
that rainbows haven't worn in a thousand years.
You can see things through gravitational eyes
that telescopes have never dreamed of, and all the time
you're lost at sea in a derangement of stars,
you're pulling bodies into an empty lifeboat,
asking each of them as they begin to breathe,
if they knew where they were, because I'm sure
we've all been here before. And everyone
sat still as teeth in the mouth of a seagoing dragon.

Play. Full. Intensity. Sublime absurdity. Big Mind
full of chaotic potential, dark and yet to be the future
of everything, not exceptional perfections of lucidity.
Little Mind absorbed in playing with matches
that blossom in fire like the enlightened water stars.
Flare and dazzle. Ptolemaic translucency. The snow man
melts right down to his eyes in the heat of the picture-music,
peacock blues and greens of auroral acetylenes
and no one knows what it means, except it means deeper
than any answer could conceivably convey.
Here work is a form of worship, and the gods pray.
Mind is a gift. You just undo the ribbon of your chromosome
and let things out. Doves, dragons, and the occasional phoenix.
Or your own voice the tiger that wakes the valley up in the morning
with the roar of a vatic lily. The early breezes stir
and the dew trembles like an amateur on a spider-web.

Constant beginner, how could there be a precedent?
An exploration? An insight into what wasn't there
until you saw it flash across the waxing moon if even
for a nanosecond, the God particle that created you
without having anyone else in mind but you, the becoming
that always worries about the end it never reaches,
the mystic specificity of the unfinished paradigm?
If you don't feel like an idiot from the very start of a poem
you're not showing enough respect for yourself.
If you don't know where you're going, that's a good sign.
You've left everything behind the next world doesn't need.

And the memories will come of their own accord
like waterbirds setting down upon a lake, they'll reflect
what they only are for a moment as creative as the past,
and then they'll return like vases and urns to the mantle
to resonate with the stillness of objects, and you'll be the one
that's deeply moved. The fireflies and lighthouses
will see eye to eye, and things will come to you
and ask you why you're crying, and you'll them
because I wasn't expecting you to show up like open gates.
And this is an aesthetic madness, a crazy wisdom, an antidote
to being afraid to get out of your coffin once you reach shore.
Here the word beauty isn't the verbal fossil of the living tree.
And truth is a virgin sword that's never cut anything
or slept between two lovers like a vow that can't be kept.
Here you're the hydra-headed genius of your own horror story.
You can grow heads upon heads until you're delirious
with intellectual conception, and live in a snake pit
waiting to be bit back by your own black lightning,
or you can take the dandelion path of a parachute
the sky mends with patches of your own skin on the line
and land somewhere gentle as the eyelash of an unknown warrior.

The important thing is to let go. Even of the letting go.
Reacquaint yourself with the dream grammar of the dead
who've been gone for millennia from the bodies they left
before alphabets were born of man's hatred of women
when the sun comes up and the moon fades like soap in the daylight.
Be the nightbird. Be moon. Be shadow and light together.
Include the unlikely similitude without judgement
into the pantheon of your enduring monument to people or the gods
and if someone tells you there aren't any, make a few up on the spot.
Mermaid and witch, warlock and sorcerer alike,
all drink from the same well, but in each mouth,
a different flavour of life, mirages of blood, wine, and water.
Become the mirage and stop hallucinating
there's a reason for everything they can't discern.

There are eyes deep in a poem that are looking out at you
to see if you want to get close, whether you can intuit
the logic of metaphor whispering behind the door
through the keyhole on the inside, or you're stuck
in one long periodic sentence like the logic of syntax
laying tracks across the continent like a ladder of cautious thresholds,
expecting to reach the sky, without any risk of falling.
Fall and you'll find out you can grow wings on the way down.
Fall and the first thing you say will be the sound of bliss
freed from its cage to shriek in a language of its own
that surpasses the teacher like a sonic boom
that doesn't sit at the feet of the thunder in awe.
Real freedom, the most terrifying liberation of them all,
doesn't come up in an unkempt garden like the placard
of a flower that doesn't know what it's there to protest.

Reality? Illusion? Valley and crest of the same wavelength.
When you see the mindscape from the outside in
you're cutting gems with your eyes. You talk about
reality and objectivity as if your were in a solid state.
When you write from the inside out, turn the starmap over,
the light around, nothing is more acceptable than another.
All facets shine Even the abysmal inner spaces
that dwarf the heart into singularities that seed
the bottomless depths of blackholes that tunnel
like star-nosed moles into new worlds
like the other half of the hourglass of this one
seem no different than from here to the store for a loaf of bread.
Nothing's lost, effaced, expunged, or strictly given up
right down to the last detail of starmud in your make-up.
The sea learns not to fear its own weather, and the moon
ebbs and neaps with the tides, and the fish thrive
in the way it edges the waves with the flash of a sword
it's laid down upon the prodigal waters as a sign of itself.

The mystery is the mystery of the wonder
that stands before the beginning and after the end
of a poem that spans the mindstream like a bridge
that let's you see your own reflection on the flowing
inseparable from the water, more indelible than
blood is to skin. Less significant than who's standing beside you.
Or the fact that life is a river with only one bank
and no one's going to make it across in their secret lifeboat
without hauling everything into their inexhaustible emptiness.
Once you stop trying to figure out the universe,
and explain it to the rest of us, you can learn to play in it
like stars without curfews when the crows come home to roost.
The worst is bound to you in inestimable measure to the best.

Gather up your sorrows like old manuscripts
and fling them like leaves out to the stars on the wind.
Put eyes in your weeping and follow your tears
all the way back to the ocean that gave you them
and said water shall see, in the depths and the heights,
the whole of me as the mystic ocean of awareness
that eclipses the blossoms in the black mirror of the mind
to show you the darkness is not homeless
and no more than you can stain space with your blood
does it need to be washed off in the stars like Aldebaran
or our footprints in the red tides of the Pleiades.
You've held that tidal pool up to your face long enough now.
The lobster claw like an amputated crescent of the moon.
The grey nacreous dawns of Chinese-silk harder than porcelain.
The evictions of seashells like empty fortune-cookies
and koans with nothing more to tell, the nervous fish,
the dead starfish that jimmied the locks on the vaults of the clams.

O shore-hugger, when have you ever not felt discarded
by all those things you never took a risk upon
for fear of losing what you know and being washed out to sea
into the greater danger of being vividly alive beyond?
You may live in a marine cemetery but you know nothing about death.
You think because the mirror's broken it stops shining?
Because your missing a claw, you can't be made a constellation?
You live among your cupboards and empty cups
like craters on the moon, and your eyes are full of wariness
the sun's going to come out one day, hot and intense
and you're going to evaporate or there's going to come
one overwhelming wavelength that's going to steal the pot
like a man gathering money with both arms in poker,
and, just like that, you're gone. And what are you
going to do then, cling to the mountain tops like snow
for fear of falling, for fear of the echoes of your calling
sweeping through the valleys below, looking for you,
like eagles and sparrow hawks for something running away?

What a waste of good birds. Step out into the open.
Spread your own wings like Cygnus or Aquila.
Encompass what enlarges you by conceding to it
as if they were your own inimitable spaces you were
flying through with prophetic serpents in your talons
as you raise the lowest up like homely bread
to manna from heaven that tastes of the stars that leavened it.
Spare the scalpel of reason a swordfight with the thorn
of your heart trying not to spill blood out of season
because you've declared a holy month on the moon.
And don't try too hard to impress nothing
with the poetic depths of your vacuity, as the world
rushes in to fill the spaces between one lifeline and the next.
There's a sacred emptiness in the heart of everything
and it's built a temple out of the ground of your being
to receive your gifts like flowers and stars you lay upon the stairs.
And there's nothing from black walnuts to unified field theories
to explain this phenomena that isn't also the noumena
of your own mind listening to a voice older than your ears.
There's a shining in the least of things that could dazzle the stars
were you to take the blinders off your life,
that carapace off the heart of the world turtle you stand upon
like the cornerstone of the cosmic eggshell
that's been free of the encumbrance for fourteen billion lightyears
like a gift that gave itself freely away like an inexpressible secret
in the private lives of the wistful mirrors that reflect it.

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Come On & Love Me

I need you and I need love
I need truth and I need god
I dont know just how to say
But I love you anyway
You and I cant be too strong
Come on and love me
With the stars and moon above
Take me in your arms let love
Rule us in our hearts and in your minds
Just come here babay tell me what you feel
Oh you and I cant wait for that too long
Come on and love me
Lay your body next to mine
You dont have to take off all your cloths ooh
But if the only thing you take off is your mind
You and I gonna have a real good time
Aw you and I cant wait for that too long
Oh come on and love me
Come on and love me
Ooh ho what you feel yeah yeah
Ooh ho whats real
Whatcha feel
Whatcha feel now

song performed by Lenny KravitzReport problemRelated quotes
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Everyones Gone To The Movies

Kids if you want some fun
Mr. lapage is your man
Hes always laughing, having fun
Showing his films in the den
Come on, come on
Soon you will be eighteen
I think you know what I mean
Dont tell your mama
Your daddy or mama
Theyll never know where you been
Chorus:
Everyones gone to the movies
Now were alone at last
Listen to what I say
He wants to show you the way
Right down the hallway with open arms
To teach you a new game to play
Come on, come on
Soon it will be too late
Bobbing for apples can wait
We know youre used to sixteen or more
Sorry we only have eight
Chorus
Kids if you want some fun
See what you never have seen
Take off your cheaters and sit right down
Start the projection machine
Chorus

song performed by Steely DanReport problemRelated quotes
Added by Lucian Velea
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Barefootin'

Everybody get on your feet,
You make me nervous when you in your seat
Take off your shoes and pat your feet,
We're doin a dance that can't be beat
We're barefootin', We're barefootin',
We're barefootin', We're barefootin'
Went to a party the other night,
Long Tall Sally was out of sight
Threw way her wig, and her high sneakers too,
She was doin a dance without any shoes
She was barefootin', She was barefootin',
She was barefootin', She was barefootin'
Hey, little gal with the red dress on,
I bet you can barefoot all night long
Take off your shoes and throw them away,
Come back and get them another day
We're barefootin', We're barefootin',
We're barefootin', We're barefootin'
Instrumental
Lil' John Henry he said to Sue,
If I was barefootin' would you barefoot too
Sue told John, "I'm thirty two,
I was barefootin ever since I was two
We're barefootin', we're barefootin'
We're barefootin'', we're barefootin'
We're barefootin' we're barefootin'
We're barefootin' we're barefootin'
We're barefootin' we're barefootin'
We're barefootin'...

song performed by AlabamaReport problemRelated quotes
Added by Lucian Velea
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