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The moral sense is acquired in the childhood when you share the snack with your brothers.

aphorism by Ramon Eder, translated by Dan Costinaş
Added by Dan Costinaş
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Brothers

Lets get to the point now
Just because weve got the same mum and dad
That dont mean im your keeper
That dont mean I owe anything to you
You dont care for me
And man I dont think that much of you
Cause were brothers brothers brothers
I dont approve of anything you do
Cause were brothers brothers brothers
Cain and abel and me and you
You drove my car when we were young boys
And you tore it up too
You never paid to get it fixed
And you got me beat up a time or two
I know I should forgive and forget
But man I still hold a grudge against you
Cause were brothers brothers brothers
I dont approve of anything you do
Cause were brothers brothers brothers
Cain and abel and me and you
It is as normal as it can be
This sibling rivalry
We should have dropped it at 22
But man I cant stand the things you do
Cause were brothers brothers brothers
Youre always want something from me
Cause were brothers brothers brothers
It was so much fun having you in the family
Cause were brothers brothers brothers
Now that were grown it aint helped nothin? at all
Cause were brothers brothers brothers
On my birthday, please dont bother to call
Cause were brothers brothers brothers
Brothers brothers brothers
Yeah, youre my brother brother brother
Brothers brothers brothers
Yeah, were brothers brothers brothers
Yeah, were brothers brothers brothers
Brothers brothers brothers

song performed by John Mellencamp
Added by Lucian Velea
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The Believer's Principles : Chap. IV.

Faith and Sense Natural, compared and distinguished.

When Abram's body, Sarah's womb,
Were ripe for nothing but the tomb,
Exceeding old, and wholly dead,
Unlike to bear the promis'd seed:

Faith said, 'I shall an Isaac see;'
'No, no,' said Sense, 'it cannot be;'
Blind Reason, to augment the strife,
Adds, 'How can death engender life?'

My heart is like a rotten tomb,
More dead than ever Sarah's womb;
O! can the promis'd seed of grace
Spring forth from such a barren place?

Sense gazing but on flinty rocks,
My hope and expectation chokes:
But could I, skill'd in Abram's art,
O'erlook my dead and barren heart;

And build my hope on nothing less
That divine pow'r and faithfulness;
Soon would I find him raise up sons
To Abram, out of rocks and stones.

Faith acts as busy boatmen do,
Who backward look and forward row;
It looks intent to things unseen,
Thinks objects visible too mean.

Sense thinks it madness thus to steer,
And only trusts its eye and ear;
Into faith's boat dare thrust its oar,
And put it further from the shore.

Faith does alone the promise eye;
Sense won't believe unless it see;
Nor can it trust the divine guide,
Unless it have both wind and tide.

Faith thinks the promise sure and good;
Sense doth depend on likelihood;
Faith ev'n in storms believes the seers;
Sense calls all men, ev'n prophets, liars.

Faith uses means, but rests on none;
Sense sails when outward means are gone:

[...] Read more

poem by Ralph Erskine
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Granola Homemade

Give me some of those walnuts.
Dried cranberries, brown sugar...
And rolled oats to bunch up.

I'll crush that stuff with raisins...
To make granola to munch!

Add with that papaya bits.
Cashews too with diced pineapple mixed.
And a snack to enjoy with fingers to lick..
Is granola homemade that's great and fit.

Granola homemade is a wonderful taste.
And a snack that'll boost you up.
Replace that soda with some lemonade.
And a snack that'll boost you up!

Give me some of those walnuts.
Dried cranberries, brown sugar...
And rolled oats to bunch.

Granola homemade is a wonderful taste.
a-knock knock
And a snack that'll boost you up.
Replace that soda with some lemonade.
a-knock knock
And a snack that'll boost you up!

Add with that papaya bits.
Cashews too with diced pineapple mixed.
And a snack to enjoy with fingers to lick..
Is granola homemade that's great!

Granola homemade is a wonderful taste.
a-knock knock
And a snack that'll boost you up.
Replace that soda with some lemonade.
a-knock knock
That's a snack that'll boost you up!
a-knock knock
That's a snack that'll boost you up!
a-knock knock
That's a snack that'll boost you up!
a-knock knock
That's a snack that'll boost you up!

poem by Lawrence S. Pertillar
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Brothers O' Mine

Brothers o' mine, brothers o' mine,
All the world over, from pole to pole
All of them brothers of mine and thine
Every wondering, blundering soul.
Banded together by grace divine,
Brothers o' mine, brothers o' mine.

Good Brother Green at the service sat
Sat in the chapel and bowed his head;
Praying most fervently into his hat;
Bending his knee when The Word was read.
For good Brother Green was a godly man
A godly keristian; and what be more,
He loved all sinners, and carefully ran
A worldy and prosperous grocery store.

'Brothers o' mine, brothers o' mine,'
Quoted the preacher, with dolorous drone:
'The Lord He hath given thee all that is thine.
Love ye not gold for itself alone.
E'er to the fallen thy mercy incline,
Love thou thy neighbour! O, brothers o' mine.'

Good comrade Hal in the tavern sat
Sat in the tavern and tossed his head,
Tilting a glass to the brim of his hat;
Bending his arm when the toast was said.
But comrade Hal was a godless man
A godless sinner; and what be more,
He loved good liquor, and carelessly ran
A long, long bill at the grocery store.

'Brother o' mine, brother o' mine,'
Shouted the tippler in riotous tone,
'Toiled thou, and sweated for all that is thine;
But love not gold for itself alone.
Gold bringeth gladness and red, red wine.
Fill up another! O, brother o' mine.'

Every Sabbath, since childhood years,
Good Brother Green at the service sat
A traveller stern in this vale of tears
Breathing his piety into his hat;
Praying for guidance and praying for light;
Vowing unworthiness more and more;
With a nice warm feeling that all was right
With the business of Green's Cash Grocery Store.

'Brothers o' mine, brothers o' mine,'
Turn not away from thy brother in sin.

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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All You Want Is Just To Snack

You went across the border,
And you met a certain match.
Now you've got buyer's remorse,
And what you gave you want right back.

Oh you went across the border,
And you met a certain match.
But you don't wish a relationship.
And all you want is just to snack.

And like the wind,
You are gone...
To only reappear to snack like it's your private snatch.
And on and on and on and...on!

You brought it to the border,
And you met a certain match.
Now you've got buyer's remorse,
And what you gave you want right back.

And like the wind,
You are gone...
To only reappear to snack like it's your private snatch.

And on and on and on and...on!
But you don't want a commitment,
All you want is just to snack.

And on and on and on and...on!
You don't want a commitment,
All you want is just to snack.

And on and on and on and...on!
You don't want a relationship,
But you come back to snack.

And on and on and on and...on!
You don't want a commitment,
All you want is just to snack.

And on and on and on and...on!
You don't want a relationship,
But you come back to snack.

And on and on and on AND...on!
You don't want a commitment,
All you want is just to snack.

poem by Lawrence S. Pertillar
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The greatest sin

Having supremely spell binding eyes was simply not a sin at all; but
pretending that you were gruesomely blind; unable to see a step
further even after possessing them right since innocent childhood;
was the greatest sin,

Having robust complexioned feet was simply not a sin at all; but
pretending that you couldn't walk even an inch forward; had not the
slightest of capacity to run even after possessing them right since
innocent childhood; was the greatest sin,

Having tenaciously knotted fingers projecting from the palm was
simply not a sin at all; but pretending that you had grave difficulty
in hoisting objects; didn't posses the most minuscule of power to
defend yourself even after possessing them right since innocent
childhood; was the greatest sin,

Having dangling earlobes delectably cascading from the periphery of
your rubicund cheek was simply not a sin at all; but pretending that
you couldn't bear the tiniest of sound; floundered miserably to
decipher the intricacy of voice even after possessing them right
since innocent childhood; was the greatest sin,

Having a perfectly throbbing heart palpitating in marvellous
synchrony inside your chest was simply not a sin at all; but
pretending that you just didn't have the power to love; the virtue to
embrace other humans of your kind even after possessing it right
since innocent childhood; was the greatest sin,

Having dual pairs of luscious lips was simply not a sin at all; but
pretending that you couldn't speak a single word; abysmally stuttered
to convey the most infinitesimal of message to your compatriots even
after possessing them right since innocent childhood; was the
greatest sin,

Having ravishing clusters of hair on your scalp was simply not a sin
at all; but pretending that God had kept you disdainfully bald; that
your head shivered uncontrollably in cold even after possessing them
right since innocent childhood; was the greatest sin,

Having boundless lines on your glowing palm was simply not a sin at
all; but pretending that your entire life was ruined; your progress
had come to an abrupt standstill even after possessing them right
since innocent childhood; was the greatest sin,

Having pompously bulging muscle in your arms was simply not a sin at
all; but pretending that you were as feeble as a mosquito; couldn't
lift your very own body even after having them right since innocent
childhood; was the greatest sin,

Having thousands of voluptuously tantalizing eyelashes extruding from

[...] Read more

poem by Nikhil Parekh
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Vision Of Columbus - Book 8

And now the Angel, from the trembling sight,
Veil'd the wide world–when sudden shades of night
Move o'er the ethereal vault; the starry train
Paint their dim forms beneath the placid main;
While earth and heaven, around the hero's eye,
Seem arch'd immense, like one surrounding sky.
Still, from the Power superior splendors shone,
The height emblazing like a radiant throne;
To converse sweet the soothing shades invite,
And on the guide the hero fix'd his sight.
Kind messenger of Heaven, he thus began,
Why this progressive labouring search of man?
If man by wisdom form'd hath power to reach
These opening truths that following ages teach,
Step after step, thro' devious mazes, wind,
And fill at last the measure of the mind,
Why did not Heaven, with one unclouded ray,
All human arts and reason's powers display?
That mad opinions, sects and party strife
Might find no place t'imbitter human life.
To whom the Angelic Power; to thee 'tis given,
To hold high converse, and enquire of heaven,
To mark uncircled ages and to trace
The unfolding truths that wait thy kindred race.
Know then, the counsels of th'unchanging Mind,
Thro' nature's range, progressive paths design'd,
Unfinish'd works th'harmonious system grace,
Thro' all duration and around all space;
Thus beauty, wisdom, power, their parts unroll,
Till full perfection joins the accordant whole.
So the first week, beheld the progress rise,
Which form'd the earth and arch'd th'incumbant skies.
Dark and imperfect first, the unbeauteous frame,
From vacant night, to crude existence came;
Light starr'd the heavens and suns were taught their bound,
Winds woke their force, and floods their centre found;
Earth's kindred elements, in joyous strife,
Warm'd the glad glebe to vegetable life,
Till sense and power and action claim'd their place,
And godlike reason crown'd the imperial race.
Progressive thus, from that great source above,
Flows the fair fountain of redeeming love.
Dark harbingers of hope, at first bestow'd,
Taught early faith to feel her path to God:
Down the prophetic, brightening train of years,
Consenting voices rose of different seers,
In shadowy types display'd the accomplish'd plan,
When filial Godhead should assume the man,
When the pure Church should stretch her arms abroad,
Fair as a bride and liberal as her God;

[...] Read more

poem by Joel Barlow
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It Makes More Sense

It makes more sense,
Stopping something not to start.
Yes it makes more sense,
Not to tear things all apart.
Or bring up filthy garbage,
Knowing it is just a farce.

It makes more sense,
To walk away than to be petty.
And it makes more sense,
To prevent a thumping headache.
And it makes more sense,
Not to argue with a fool.
Knowing this is something done,
Many fools love to do.

And it makes more sense,
Stopping something not to start.
Yes it makes more sense,
Not to tear things all apart.
Or bring up filthy garbage,
Knowing it is just a farce.
And it makes more sense,
Not to argue with a fool.
Knowing this is something done,
Fools love to do.

And it makes more sense,
To keep the peace with every neighbor.
And it makes more sense,
To chase all bitterness away.
And it makes more sense,
To say, 'You're right' than build a hate.
Knowing that tomorrow promises another day.

And it makes more sense,
To keep the peace with every neighbor.
And it makes more sense,
To chase all bitterness away.
And it makes more sense,
To say, 'You're right' than build a hate.
Knowing that tomorrow promises another day.

Yes it makes more sense,
To keep the peace with every neighbor.
And it makes more sense,
To say, 'You're right' than build a hate.
Knowing that tomorrow promises another day.
Yes it makes more sense,
To keep the peace with every neighbor.

[...] Read more

poem by Lawrence S. Pertillar
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Echoes

Brothers!....
(That is to say, those of you that are.
For, even in the most altruistic mood, there are some I bar.)
Brothers!
Workers, shirkers, writers, skiters, philosophers and others,
Attend. I address myself only to those
Of the class that habitually looketh even beyond its nose.
To him I speak who shrewdly seeketh for the milk in the cocoanut, while his fellows are repeating the bald assertion that 'The fruit is not yet ripe!'
Him I address who knoweth the sheep from the goats, the chaff from the oats,
the half-quid from the gilded sixpence, and the common sense from common tripe.
To the 'Man in the Street' I speak not, nor to the 'Right-thinking Person,'
nor 'Constant Subscriber,' nor 'Vox Populi,' nor 'The Bloke on the Train,'
nor any of their band.
For of the things I write they wot not, neither may they hope to understand.
But ye whom I, even I, presume to address as brother:-
Journalists, politicians, burglars, company promoters, miners, millers,
navvies, shearers, confidence-men, piano-tuners, paling-splitters,
bookmakers, process-workers, judges, brass-fitters, policemen and others.
Attend. Him who looketh for the hall-mark on every link, and taketh not the say-so of the label, nor the sworn affidavit of the pill advertisement
him who hath it in him to discern the fair thing from that which is over the odds, and shaketh the new-laid egg that he may know what is within it
Him I address. For lo, my brothers, maybe there is one of us born once a week or thereabouts, but we know it is written that one of the others is born every minute.
Wherefore, attend,
And lend
An ear; for I have planned for you a pleasing diversion.
Come with me, my brothers, and let us make a little excursion
Out over the land, through the cities and the country places, even to the farthest limit of Back-o'-beyond. Hearken brothers! What are these sounds we hear?
Say, what is all this babbling and gabbling, this howling and growling, this muttering and spluttering, that smites the ear?
Listen again. Do you hear them, brothers? Lo, they are the Echoes calling.
They are the multitudinous echoes that sound up and down the land; crying and sighing, squalling and bawling.
In all places they sound; in the city and in the country; upon the high mountains and along the plains, wherever man hideth; and at all times, for the night is loud with the sound of them even as is the day.
Listen again, brothers! What is it that they say?
Lo, this one shouteth. 'The Time is Not Yet Ripe!' And another bawleth.
'Capital is fleeing the Land!' And yet another howleth, 'It is
Inimical to Private Enterprise and Thrift!' And yet another screameth.
'It will Bust up the Home and ruin the Marriage Tie!'
Why do they howl these things, my brothers? I ask ye, why?
For lo, even as they shout, still other Echoes take up the cry till it is increased and multiplied even unto 70,000 times seven;
And a howl, as of 1400 she-elephants simultaneously robbed of their young, assaileth Heaven.
What say ye, brothers? What is the inner significance of these Echoes, and why do they make these divers sounds? What say ye, brothers; is it because they think?
Aha! I apprehend ye! I say ye - nay, verily, I heard ye wink.
For the noise of the falling - of the flapping of your collective eyelid was even as the banging of the bar door what time the clock telleth of eleven thirty p.m., and the voice of Hebe murmureth through the night 'Good-bye, ducky.'....But I digress.
Which is a characteristic failing I must confess!
But, nevertheless,
It hath its compensations, as is plain to any noodle,
When matter is paid for at space rates, for it pileth up the boodle....
However, to resume. Let us isolate a case, my brothers. Let us sample an
Echo. Take Brown.
We all are well acquainted with Brown. Mayhap his name is Smith or Timmins, but no matter. He is the Man in the Street. He hath a domicile in the suburbs and an occupation in town.
This Brown riseth in the morning and donneth the garments of civilisation. In hot socks he garbeth his feet, and upon his back he putteth a coat which hath
a little split in the tail for no sane or accountable reason.

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.

'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

[...] Read more

poem by Alexander Pope
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The Calm

Brothers, have you observed the calm?
Even the leaves of that symbolic palm
That denotes peace, political and otherwise, are scarcely stirred
By the faintest breath of controversy. Not a word
Is heard,
Excepting, here and there, the belated spouting
Of some overcharged politician giving his vocabulary an outing.
Brothers, what does this denote?
Is there no longer any competition for your precious vote?
Nay, have you ever heard that alleged political axiom over which the
wily old campaigners oft make goodly sport:
'The memory of the sap-headed elector is short.'
Do you believe the allegation, brothers, or do you doubt it?
And, anyhow, what are you going to do about it?

Brothers, if ever you hope to know enough to come in out of the wet,
Mark this: They are giving you time to forget!
What of those great National Questions,
Those fine, broad, far-seeing and statesman-like suggestions,
Those urgent matters of life and death,
About which the politicians were so busy talking a while ago that they
had hardly time to draw breath?
Are they dead?
Have they been fatally bashed on the head?
Have they been decently interred attended by those solemn obsequies
usually afforded the remains of respectable and right-thinking
persons who impressed us in this life with their top-hats?
Rats!
What of the settlement of the Northern Territory?
Is this an abandoned story?
What of our sea defence?
Has this question been cast hence
Into the outer darkness and the gloom
Of the tomb?
What of efficient Protection?
Is this now merely a matter for maundering retrospection.
Amongst senile and toothless old parties whose minds ever dwell amongst
the dead and mouldy things of the past?
Oh, Blast, brothers! BLAST!
Blast those rocks of apathy that bind your sense of true citizenship!
Get a fresh grip.
Spring off your tall!
Give your political perspicaciousness a ball,
Revive it with a long, cool, refreshing drink,
And sit down and THINK....

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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The Columbiad: Book X

The vision resumed, and extended over the whole earth. Present character of different nations. Future progress of society with respect to commerce; discoveries; inland navigation; philosophical, med and political knowledge. Science of government. Assimilation and final union of all languages. Its effect on education, and on the advancement of physical and moral science. The physical precedes the moral, as Phosphor precedes the Sun. View of a general Congress from all nations, assembled to establish the political harmony of mankind. Conclusion.

Hesper again his heavenly power display'd,
And shook the yielding canopy of shade.
Sudden the stars their trembling fires withdrew.
Returning splendors burst upon the view,
Floods of unfolding light the skies adorn,
And more than midday glories grace the morn.
So shone the earth, as if the sideral train,
Broad as full suns, had sail'd the ethereal plain;
When no distinguisht orb could strike the sight,
But one clear blaze of all-surrounding light
O'erflow'd the vault of heaven. For now in view
Remoter climes and future ages drew;
Whose deeds of happier fame, in long array,
Call'd into vision, fill the newborn day.

Far as seraphic power could lift the eye,
Or earth or ocean bend the yielding sky,
Or circling sutis awake the breathing gale,
Drake lead the way, or Cook extend the sail;
Where Behren sever'd, with adventurous prow,
Hesperia's headland from Tartaria's brow;
Where sage Vancouvre's patient leads were hurl'd,
Where Deimen stretch'd his solitary world;
All lands, all seas that boast a present name,
And all that unborn time shall give to fame,
Around the Pair in bright expansion rise,
And earth, in one vast level, bounds the skies.

They saw the nations tread their different shores,
Ply their own toils and wield their local powers,
Their present state in all its views disclose,
Their gleams of happiness, their shades of woes,
Plodding in various stages thro the range
Of man's unheeded but unceasing change.
Columbus traced them with experienced eye,
And class'd and counted all the flags that fly;
He mark'd what tribes still rove the savage waste,
What cultured realms the sweets of plenty taste;
Where arts and virtues fix their golden reign,
Or peace adorns, or slaughter dyes the plain.

He saw the restless Tartar, proud to roam,
Move with his herds and pitch a transient home;
Tibet's long tracts and China's fixt domain,
Dull as their despots, yield their cultured grain;
Cambodia, Siam, Asia's myriad isles
And old Indostan, with their wealthy spoils

[...] Read more

poem by Joel Barlow
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

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poem by Samuel Butler
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Tirocinium; or, a Review of Schools

It is not from his form, in which we trace
Strength join'd with beauty, dignity with grace,
That man, the master of this globe, derives
His right of empire over all that lives.
That form, indeed, the associate of a mind
Vast in its powers, ethereal in its kind,
That form, the labour of Almighty skill,
Framed for the service of a freeborn will,
Asserts precedence, and bespeaks control,
But borrows all its grandeur from the soul.
Hers is the state, the splendour, and the throne,
An intellectual kingdom, all her own.
For her the memory fills her ample page
With truths pour’d down from every distant age;
For her amasses an unbounded store,
The wisdom of great nations, now no more;
Though laden, not encumber’d with her spoil;
Laborious, yet unconscious of her toil;
When copiously supplied, then most enlarged;
Still to be fed, and not to be surcharged.
For her the Fancy, roving unconfined,
The present muse of every pensive mind,
Works magic wonders, adds a brighter hue
To Nature’s scenes than Nature ever knew.
At her command winds rise and waters roar,
Again she lays them slumbering on the shore;
With flower and fruit the wilderness supplies,
Or bids the rocks in ruder pomp arise.
For her the Judgment, umpire in the strife
That Grace and Nature have to wage through life,
Quick-sighted arbiter of good and ill,
Appointed sage preceptor to the Will,
Condemns, approves, and, with a faithful voice,
Guides the decision of a doubtful choice.
Why did the fiat of a God give birth
To yon fair Sun and his attendant Earth?
And, when descending he resigns the skies,
Why takes the gentler Moon her turn to rise,
Whom Ocean feels through all his countless waves,
And owns her power on every shore he laves?
Why do the seasons still enrich the year,
Fruitful and young as in their first career?
Spring hangs her infant blossoms on the trees,
Rock’d in the cradle of the western breeze:
Summer in haste the thriving charge receives
Beneath the shade of her expanded leaves,
Till Autumn’s fiercer heats and plenteous dews
Dye them at last in all their glowing hues.—
‘Twere wild profusion all, and bootless waste,
Power misemploy’d, munificence misplaced,

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poem by William Cowper
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Blind Curve

(fish / marillion)
A) vocal under a bloodlight
Last night you said I was cold, untouchable
A lonely piece of action from another town
I just want to be free, Im happy to be lonely
Cant you stay away?
Just leave me alone with my thoughts
Just a runaway, just a runaway, Im saving myself
B) passing strangers
Strung out below a necklace of carnival lights
Cold moan, held on the crest of the night
Im too tired to fight
So now were passing strangers, at single tables
Still trying to get over, still trying to write love songs for passing strangers
All those passing strangers
And the twinkling lies, all those twinkling lies
Sparkle with the wet ink on the paper
C) mylo
Oh I remember toronto when mylo went down
And we sat and we cried on the phone
I never felt so alone
He was the first of our own
Some of us go down in a blaze of obscurity
Some of us go down in a haze of publicity
The price of infamy, the edge of insanity
Another holiday inn, another temporary home
And an interviewer threatened me with a microphone
talk to me, wont you tell me your stories.
So I talked about conscience and I talked about pain
And he looked out the window and it started to rain
I thought maybe Ive already gone crazy
So I reached for a bottle and he reached for the door
And I picked up the sleeping pills crushed on the floor
Inviting me to a casual obscenity
D) perimeter walk
It would be incredible if we could retrace all the times that we lived here
All the collisions
Wasted, Ive never been so wasted
Ive never been this far out before
Perimeter walk
Theres a presence here
I feel could have been ancient, I could have been mystical
Theres a presence
A childhood, my childhood
My childhood, childhood
A misplaced childhood
My childhood, a misplaced childhood
Give it back to me, give it back to me
A childhood, that childhood, that childhood, that childhood, that childhood
Oh please give it back to me

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song performed by Marillion
Added by Lucian Velea
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2010/08/07 Great Epic

Finished reading this version of The Mahabharata
must return to the beginning with insight regarding
the main character Yudhishthira -

son of Dharma, god of moral order and righteousness,
therefore Yudhishthira, eldest of the five godly Pandu
brothers, was honourable and virtuous

- and his enemy Duryodhana, eldest of a hundred Kuru brothers,
at his birth he brayed like a donkey and howled like a jackal while
wild winds blew and fires broke out

His father was warned Duryodhana would bring destruction to the
kingdom therefore he should be cast aside but he loved his son and
kept him alive; the end came about when

the hundred Kuru brothers made war against the five godly Pandu
brothers led by Yudhishthira, it is clear why De Santillana and Von
Dechend found a precession analogy

in this classic tale of men and gods and war: Mankind is represented
by the five godly Pandu brothers while the hundred Kuru brothers
represent the untamed forces of nature

unleashed through the Precession of the Equinoxes when the cycle
of 25 920 years reached completion, a new world age is ushered
in, chaos following in its wake

It is precipitate to jump to this conclusion, not having studied The
Mahabharata in depth, but a brilliant thread to follow in this grand
epic where so much is at stake

Ending on a high moral note - the Moral Order being victorious
after a cruel battle, revels are temporary, tribulation and pain are
fleeting, the story recommends:

Never go against the moral order out of fear or lust, foolishness
or rancour, anger or love; because the Moral Order, like our
eternal souls, will endure forevermore*

“The Mahabharata” retold by Vladimir Miltner, translated
by Stephen Finn, Treasure Press,1991 – * Quoted from
pp.242,243

“Hamlet’s Mill” Georgio De Santillana and Hertha Von Dechend

“Mahabharata” literally means “Great Epic of the Struggle between
the Bharata [dynasties]”

poem by Margaret Alice
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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poem by Charles Churchill
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

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poem by Percy Bysshe Shelley
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Social Netowrking Of Robots

end of world war
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end of ww11

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poem by Rwetewrt Erwtwer
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