Hunger Camp At Jaslo
Write it. Write. In ordinary ink
on ordinary paper: they were given no food,
they all died of hunger. "All. How many?
It's a big meadow. How much grass
for each one?" Write: I don't know.
History counts its skeletons in round numbers.
A thousand and one remains a thousand,
as though the one had never existed:
an imaginary embryo, an empty cradle,
an ABC never read,
air that laughs, cries, grows,
emptiness running down steps toward the garden,
nobody's place in the line.
We stand in the meadow where it became flesh,
and the meadow is silent as a false witness.
Sunny. Green. Nearby, a forest
with wood for chewing and water under the bark-
every day a full ration of the view
until you go blind. Overhead, a bird-
the shadow of its life-giving wings
brushed their lips. Their jaws opened.
Teeth clacked against teeth.
At night, the sickle moon shone in the sky
and reaped wheat for their bread.
Hands came floating from blackened icons,
empty cups in their fingers.
On a spit of barbed wire,
a man was turning.
They sang with their mouths full of earth.
"A lovely song of how war strikes straight
at the heart." Write: how silent.
"Yes."
poem by Wislawa Szymborska
Added by Veronica Serbanoiu
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poem by Caasder Fronds
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[...] Read more
poem by Rwetewrt Erwtwer
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Trash Bag
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[...] Read more
poem by Rwetewrt Erwtwer
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Skeletons
(ian hunter/darrel bath/honest john plain)
(transcribed by adrian perkins; corrections by colin ford)
Bimbo, flirts, sluts in skirts - muscles brightly glisten
Conversation's full of filth - let's all have a listen
Oh dear oh dear we live in fear
Media bulbs a poppin'
If you're bent, they're on your scent
There can be no stoppin'
Peroxide blondes, vagabonds, into 'eavy metal
Your hair looks like its been done by a dyke with a score to settle
Mud needs raking, photos taken of your murky past
Haunts you, taunts you, love it don't you
Hey hey the gang's all here
Pimps 'n' pervs, straights 'n' queers
Enquiring minds want to sneer at the skeletons in your closet
Sunday morning in the park,
Down the pub or in the bath
We'll all have a good old laugh
At the skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
It's bloody marvellous - innit?
It's bloody marvellous - innit?
Juicy bits, saucy snips, there's gold in them there gutters
Blue rinse mob on the job, curtains all a-flutter
It's cheapo culture, bleeding ulcers, burnt out by the score
Lurid tales never fails to shock you to the core
Kinky boots 'n' rubbber suits,
It's all going on next door!
Caught you, taught you, love it don't you
If you've had your face re-done
If you spank your girlfriend's bum
We can all join in the fun
At the skeletons in your closet
What's the world coming to?
Ain't we got nothin' better to do?
To spend all day sifting through
The skeletons in your closet
Hey hey the gang's all here
Pimps 'n' pervs, straights 'n' queers
Enquiring minds want to sneer
At the skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
song performed by Ian Hunter
Added by Lucian Velea
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Skeletons (In Your Closet)
(ian hunter/darrel bath/honest john plain)
(transcribed by adrian perkins; corrections by colin ford)
Bimbo, flirts, sluts in skirts - muscles brightly glisten
Conversations full of filth - lets all have a listen
Oh dear oh dear we live in fear
Media bulbs a poppin
If youre bent, theyre on your scent
There can be no stoppin
Peroxide blondes, vagabonds, into eavy metal
Your hair looks like its been done by a dyke with a score to settle
Mud needs raking, photos taken of your murky past
Haunts you, taunts you, love it dont you
Hey hey the gangs all here
Pimps n pervs, straights n queers
Enquiring minds want to sneer at the skeletons in your closet
Sunday morning in the park,
Down the pub or in the bath
Well all have a good old laugh
At the skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Its bloody marvellous - innit?
Its bloody marvellous - innit?
Juicy bits, saucy snips, theres gold in them there gutters
Blue rinse mob on the job, curtains all a-flutter
Its cheapo culture, bleeding ulcers, burnt out by the score
Lurid tales never fails to shock you to the core
Kinky boots n rubbber suits,
Its all going on next door!
Caught you, taught you, love it dont you
If youve had your face re-done
If you spank your girlfriends bum
We can all join in the fun
At the skeletons in your closet
Whats the world coming to?
Aint we got nothin better to do?
To spend all day sifting through
The skeletons in your closet
Hey hey the gangs all here
Pimps n pervs, straights n queers
Enquiring minds want to sneer
At the skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
Skeletons in your, skeletons in your, skeletons in your closet
song performed by Ian Hunter
Added by Lucian Velea
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Overweight with Food
Are you just a tub of lard and
Vastly overweight?
Do you think that when you die you'll
Need a piano crate
To act as coffin for your frame? -
Chosen as you die in shame, with
Only you to take the blame
For years of eating much the same:
A daily calorific fest
Gourmands of your ilk digest!
Is your heart in final fling and
Nearly set to burst?
Are your arteries bunged and clogged and
Feeling now the worst
For wear? - your aneurysm fit to blow
While blood as thick as rising dough
Cries 'Halt! ' to any hope of flow:
A dreadful state to put on show
In front of any nurse!
Best you hail a hearse.
Copyright Mark R Slaughter 2009
[...] Read more
poem by Mark R Slaughter
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Through the eyes of a Field Coronet (Epic)
Introduction
In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.
Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.
Prologue
The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain
mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact
that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals
becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,
who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight
in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.
Let them then also be patriotic
into their souls,
believe in and read
out of the word of God
[...] Read more
poem by Gert Strydom
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Skeletons In The Closet
Woah-oh, woah-oh
Skeletons in my closet
Woah-oh, woah-oh yeah
Skeletons in my closet
Skeletons in my closet
Skeletons in my shoes
Skeletons I can only see
I said woah-oh, woah-oh
I got skeletons in my closet
I said woah-oh, woah-oh yeah
Skeletons in my closet
Skeletons I can lose
Skeletons in my basement
Loitering on my streets
Wearing my best pajamas
Sandwiched between my sheets
I said woah-oh, woah-oh yeah
Skeletons in my closet
I said woah-oh, woah-oh yeah
Skeletons in my closet
Ooh, I see bones
I see bones, icy bones
Ooh, I see bones
Say say bones - say boys don't you see them bones?
Rattle them bones at midnight
Shaking my bed, no sleep
I find fingers in my coat pocket
Skeletons from the deep
I said woah-oh, woah-oh
I got skeletons in my closet
I said woah-oh, woah woah-oh
I got skeletons in my closet
Ooh, I see bones
I see bones, s-see bones
Ooh, I see bones
I see bones
Say boys don't you see them bones?
No?
Heart bones, leg bones, ankle bones, arm bones,
finger bones, dogie bones, head bones
Skeletons in my closet
They even know when I'm in my closet
It's my.. my closet
Not your closet
My closet
You can have it though
Alice we want you
Alice
Alice
A-Alice
[...] Read more
song performed by Alice Cooper
Added by Lucian Velea
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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Tale XXI
The Learned Boy
An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and
hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'
[...] Read more
poem by George Crabbe
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“Mathew” 6: 9-13
“our father in heaven”
(ode to the man who has children,
sitting around in an imaginary
place envied by other members
of the brainwashed)
“hallowed be your name”
(the sheep that baaaaa in unison
believe that there is a sound made
by all the simultaneous crying in
desperation which has then been
construed as a “name” then given
to the imaginary listener in said
imaginary place)
“your kingdom come”
(evidently, this wondrous trailer
park in the sky is something that is
supposed to be open to anyone sad
enough to submit their will to the pool
of simultaneous sheep baaaaa ing away
at the wall in hopes that the imaginary
listener in this imaginary place will
say something back)
“your will be done”
(those committed to baaaaa ing & to the
spread of this act of yelling to the sky in
hopes that said imaginary listener in said
imaginary trailer park will say something
back, wrote a lot of their babbling fiction
down & apparently there is where the aspiring
brainwashed can find the how to manual
for walking on four legs, growing a thick
coat of bustling hair & chewing grass)
“on earth as it is in heaven”
(and once you drink the kool aid, there is
no going back according to the sheep
gazing at the stars, baaaaa ing in unison
hoping for the trailer park in the sky
where they can continue to baaaaa
together, grow their coats together &
chew grass together obliviously)
“give us this day our daily bread”
(baaaaa ing loud enough at the sky is
supposed to bring 3 square meals back to
the sheep who have done so, because
after having created an imaginary listener
[...] Read more
poem by Andrew Delapruch
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
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poem by Conrad Potter Aiken
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The Scripture of the Golden Eternity
1
Did I create that sky? Yes, for, if it was anything other than a conception in my mind I wouldnt have said 'Sky'-That is why I am the golden eternity. There are not two of us here, reader and writer, but one, one golden eternity, One-Which-It-Is, That-Which- Everything-Is.
2
The awakened Buddha to show the way, the chosen Messiah to die in the degradation of sentience, is the golden eternity. One that is what is, the golden eternity, or, God, or, Tathagata-the name. The Named One. The human God. Sentient Godhood. Animate Divine. The Deified One. The Verified One. The Free One. The Liberator. The Still One. The settled One. The Established One. Golden Eternity. All is Well. The Empty One. The Ready One. The Quitter. The Sitter. The Justified One. The Happy One.
3
That sky, if it was anything other than an illusion of my mortal mind I wouldnt have said 'that sky.' Thus I made that sky, I am the golden eternity. I am Mortal Golden Eternity.
4
I was awakened to show the way, chosen to die in the degradation of life, because I am Mortal Golden Eternity.
5
I am the golden eternity in mortal animate form.
6
Strictly speaking, there is no me, because all is emptiness. I am empty, I am non-existent. All is bliss.
7
This truth law has no more reality than the world.
8
You are the golden eternity because there is no me and no you, only one golden eternity.
9
The Realizer. Entertain no imaginations whatever, for the thing is a no-thing. Knowing this then is Human Godhood.
10
This world is the movie of what everything is, it is one movie, made of the same stuff throughout, belonging to nobody, which is what everything is.
11
If we were not all the golden eternity we wouldnt be here. Because we are here we cant help being pure. To tell man to be pure on account of the punishing angel that punishes the bad and the rewarding angel that rewards the good would be like telling the water 'Be Wet'-Never the less, all things depend on supreme reality, which is already established as the record of Karma earned-fate.
12
God is not outside us but is just us, the living and the dead, the never-lived and never-died. That we should learn it only now, is supreme reality, it was written a long time ago in the archives of universal mind, it is already done, there's no more to do.
13
This is the knowledge that sees the golden eternity in all things, which is us, you, me, and which is no longer us, you, me.
14
What name shall we give it which hath no name, the common eternal matter of the mind? If we were to call it essence, some might think it meant perfume, or gold, or honey. It is not even mind. It is not even discussible, groupable into words; it is not even endless, in fact it is not even mysterious or inscrutably inexplicable; it is what is; it is that; it is this. We could easily call the golden eternity 'This.' But 'what's in a name?' asked Shakespeare. The golden eternity by another name would be as sweet. A Tathagata, a God, a Buddha by another name, an Allah, a Sri Krishna, a Coyote, a Brahma, a Mazda, a Messiah, an Amida, an Aremedeia, a Maitreya, a Palalakonuh, 1 2 3 4 5 6 7 8 would be as sweet. The golden eternity is X, the golden eternity is A, the golden eternity is /\, the golden eternity is O, the golden eternity is [ ], the golden eternity is t-h-e-g-o-l-d-e-n-e-t-e-r- n-i-t-y. In the beginning was the word; before the beginning, in the beginningless infinite neverendingness, was the essence. Both the word 'god' and the essence of the word, are emptiness. The form of emptiness which is emptiness having taken the form of form, is what you see and hear and feel right now, and what you taste and smell and think as you read this. Wait awhile, close your eyes, let your breathing stop three seconds or so, listen to the inside silence in the womb of the world, let your hands and nerve-ends drop, re-recognize the bliss you forgot, the emptiness and essence and ecstasy of ever having been and ever to be the golden eternity. This is the lesson you forgot.
15
The lesson was taught long ago in the other world systems that have naturally changed into the empty and awake, and are here now smiling in our smile and scowling in our scowl. It is only like the golden eternity pretending to be smiling and scowling to itself; like a ripple on the smooth ocean of knowing. The fate of humanity is to vanish into the golden eternity, return pouring into its hands which are not hands. The navel shall receive, invert, and take back what'd issued forth; the ring of flesh shall close; the personalities of long dead heroes are blank dirt.
16
The point is we're waiting, not how comfortable we are while waiting. Paleolithic man waited by caves for the realization of why he was there, and hunted; modern men wait in beautified homes and try to forget death and birth. We're waiting for the realization that this is the golden eternity.
17
It came on time.
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poem by Jack Kerouac
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I. The Ring and the Book
Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.
Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
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poem by Robert Browning from The Ring and the Book
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She Ain't Your Ordinary Girl
(Robert Jason)
She ain't your ordinary
She ain't your ordinary girl
She don't love carelessly that's what I've always heard
'Can't use the usual lines she measures every word
No empty promises proof is what it takes to win her heart
The truth and nothing less, simple things that set her far apart
Save your diamonds and your furs she's not your ordinary girl
She ain't your ordinary, no she's not
She ain't your ordinary girl
She ain't your ordinary, oh no
She ain't your ordinary girl
No midnight alibis, no foolish games for her
And if you cross the line you'll get what you deserve
But when you see her smile nothing seems to matter anymore
And in a little while you'll feel like you've never felt before
Like no other in the world, she's not your ordinary girl
She ain't your ordinary, no she's not
She ain't your ordinary girl
She ain't your ordinary, oh no
She ain't your ordinary girl
She ain't your ordinary
She ain't your ordinary girl
She ain't your ordinary
She ain't your ordinary girl
Save your diamonds and your furs, she ain't your ordinary girl
She ain't your ordinary
She ain't your ordinary girl
She ain't your ordinary
She ain't your ordinary girl
She ain't your ordinary
She ain't your ordinary girl
She ain't your ordinary
She ain't your ordinary girl
She ain't your ordinary
She ain't your ordinary girl
song performed by Alabama
Added by Lucian Velea
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Cradle Of Love
Well rock the cradle of love
Rock the cradle of love
Yes the cradle of love dont rock easily its true
Well rock the cradle of love
I rocked the cradle of love
Yes the cradle of love dont rock easily its true
Well now
It burned like a ball of fire
When the rebel took a little child bride
To tease yeah so go easy yeah
Cause love cutts a million ways
Shakes the devil when he missbehaves
I aint nobodys fool
Come on shake it up
Whatever I do
Rock the cradle of love
Rock the cradle of love
Yes the cradle of love dont rock easily its true
Sent from heaven above thats right
To rob the cradle of love
Yes the pages of dont talk decently its true
Yeah flesh for your romeo
Ah yeah baby
I hear you moan
Its easy yknow how to please me yeah
This love starts my rollin train
You cant stop it
It aint in vain
I aint nobodys fool
Come on shake it up
Whatever you do
These are the wages of love
Rock the cradle of love
These are the wages of love
Ooh yeah
Rock the cradle
Yeah yeah yeah yeah yeah yeah
Well it burned like a ball of fire
When the rebel took a little child bride
To tease yeah I know how to pleas you yeah
Well my love starts a rollin train
You cant stop it
It aint in vain
I aint nobodys fool
Come on shake it up
Wathever I do
Rock the cradle of love
Rock the cradle of love
Sent from heaven above
Thats right
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song performed by Billy Idol
Added by Lucian Velea
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Canto the Second
I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.
II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.
III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.
IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.
V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:
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poem by Byron from Don Juan (1824)
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Salad is Incompatible with Life
Yes, my waist is fifty inches -
Big for me because I'm short.
And yes, I like my cheddar cheese
When partnered with a vintage port.
Okay, okay, that double cream
Is always served with pud,
And cake and biscuits with my tea
Are just no bloody good
For my poor hardened arteries,
But see my point of view,
Please dear wifey if you please,
A Salad makes me spew!
I'd rather eat a bowl of air
Than crunch away on greens;
Drink water from the toilet bowl
Or nibble on my jeans!
But salad! Are you there?
You know it makes me snappy -
So let me fill my face with grub,
Stay fat, and die young happy!
Copyright Mark R Slaughter 2009
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poem by Mark R Slaughter
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Paradise Regained
THE FIRST BOOK
I, WHO erewhile the happy Garden sung
By one man's disobedience lost, now sing
Recovered Paradise to all mankind,
By one man's firm obedience fully tried
Through all temptation, and the Tempter foiled
In all his wiles, defeated and repulsed,
And Eden raised in the waste Wilderness.
Thou Spirit, who led'st this glorious Eremite
Into the desert, his victorious field
Against the spiritual foe, and brought'st him thence 10
By proof the undoubted Son of God, inspire,
As thou art wont, my prompted song, else mute,
And bear through highth or depth of Nature's bounds,
With prosperous wing full summed, to tell of deeds
Above heroic, though in secret done,
And unrecorded left through many an age:
Worthy to have not remained so long unsung.
Now had the great Proclaimer, with a voice
More awful than the sound of trumpet, cried
Repentance, and Heaven's kingdom nigh at hand 20
To all baptized. To his great baptism flocked
With awe the regions round, and with them came
From Nazareth the son of Joseph deemed
To the flood Jordan--came as then obscure,
Unmarked, unknown. But him the Baptist soon
Descried, divinely warned, and witness bore
As to his worthier, and would have resigned
To him his heavenly office. Nor was long
His witness unconfirmed: on him baptized
Heaven opened, and in likeness of a Dove 30
The Spirit descended, while the Father's voice
From Heaven pronounced him his beloved Son.
That heard the Adversary, who, roving still
About the world, at that assembly famed
Would not be last, and, with the voice divine
Nigh thunder-struck, the exalted man to whom
Such high attest was given a while surveyed
With wonder; then, with envy fraught and rage,
Flies to his place, nor rests, but in mid air
To council summons all his mighty Peers, 40
Within thick clouds and dark tenfold involved,
A gloomy consistory; and them amidst,
With looks aghast and sad, he thus bespake:--
"O ancient Powers of Air and this wide World
(For much more willingly I mention Air,
This our old conquest, than remember Hell,
Our hated habitation), well ye know
How many ages, as the years of men,
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poem by John Milton
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