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Diane Arbus

A photograph is a secret about a secret. The more it tells you the less you know.

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Michael Caine

Well get ya ya ya
Well get ya ya ya
(I am michael caine)
La la la la la la la la
Hes walking where Im afraid I dont know
I see the firemen jumping from the windows
Theres panic and I hear somebody scream
He picks up useless paper and puts it in my pocket
Im trying very hard to keep my fingers clean
I cant remember tell me whats his name
(my name is michael caine)
And all I wanted was a word or photograph to keep at home
And all I wanted was a word or photograph to keep
The sun is laughing its another broken morning
I see a shadow and call out to try and warn him
He didnt seem to hear just turned away
The quiet fellow follows
And points his finger straight at you
He had to sacrifice his pride, yes
And throw it all away
(I am micheal caine)
And all I wanted was a word or photograph to keep at home
And all I wanted was a word or photograph to keep
His days are numbered he walks round and round in circles
There is no place he can ever call his own
He seems to jump at the sound of the phone
Staring out the window theres nothing he can now do
All he wanted was to remain sane
He cant remer hisemb own name
(my name is michael caine)
And all I wanted was a word or photograph to keep at home
And all I wanted was a word or photograph to keep
All I wanted was a word or photograph
All I wanted was a word or photograph to keep

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The Secret Life Of Arabia

The secret life of arabia
Secret secrets never seen
Secret secrets ever green
I was running at the speed of life
Through mornings thoughts and fantasies
Then I saw your eyes at the cross fades
Secret secrets never seen
Secret secrets ever green
The secret life of arabia
Never here never seen
Secret life ever green
The secret life of arabia
You must see the movie the sand in my eyes
I walk through a desert song when the heroine dies
Arabia (secret secret)
Arabia (secret)
Arabia (secret secret)
Arabia
Arabia (secret secret)
Arabia
Arabia (secret secret)
Arabia
Arabia (secret secret)
Arabia
Arabia (secret secret)
The secret life of arabia
Never here never seen
Secret life ever green

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Every Face Tells A Story

Look at the man in the corner, hes sitting all alone
His blankets are made out of cardboard,
His pillows are made out of stone
Every face tells a story it never tells a lie
Every face tells a story it never tells a lie
See the man walking on the water, see the light in his eyes
He came into the world with a message to tell,
He came into the world to die
Every face tells a story it never tells a lie
Every face tells a story it never tells a lie
Youre always telling stories, youre always telling me lies
Youre always telling stories, why?
So think of yourself in the water, seeing your days flashing by
Its too late to see what you wanted to be,
Youve spent all your time, you must die
Every face tells a story it never tells a lie
Every face tells a story it never tells a lie
Step down
And make it work out right
Im trying to get to you with my warning
Been there
For nearly half the night
Look its nearly four in the morning

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American Skin

41 shots
41 shots
41 shots
41 shots
41 shots
41 shots
41 shots
41 shots
41 shots, and we'll take that ride
Across this bloody river to the other side
41 shots, they cut through the night
You're kneeling over his body in the vestibule
Praying for his life
Is it a gun?
Is it a knife?
Is it a wallet?
This is your life
It ain't no secret (it ain't no secret)
It ain't no secret (it ain't no secret)
Ain't no secret my friend
You can get killed just for living in your american skin
41 shots
41 shots
41 shots
41 shots
41 shots, lena gets her son ready for school
She says now on these streets charles
You got to understand the rules
Promise me if an officer stops you'll always be polite
Never ever run away and promise mama you'll keep your hands in sight
Cause is it a gun?
Is it a knife?
Is it a wallet?
This is your life
It ain't no secret (it ain't no secret)
It ain't no secret (it ain't no secret)
No secret my friend
You can get killed just for living in your american skin
41 shots
41 shots
41 shots
41 shots
Is it a gun?
Is it a knife?
Is it a wallet?
This is your life
It ain't no secret (it ain't no secret)
It ain't no secret (it ain't no secret)
It ain't no secret (it ain't no secret)
41 shots and we'll take that ride

[...] Read more

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The Photograph

She sat on the platform bench
waiting for a train to arrive.
Waiting to see her brother
who left to start a new life
twenty-five years ago.
She brought a photograph of herself
for him to have when he went back home.

Stillness engulfed the station
as she waited alone there.
The hiss of an old steam train
filled the quiet air
as along the track it came
like a dinosaur from the past
and stopped at the station.

A group of young soldiers
disembarked to stretch their legs
and grab some fresh air.
One young soldier approached her.
He was sixteen if he was a day.
He smiled as he sat beside her.
You’re a pretty lady.” He said.

“Thank you.” She replied. “Off to fight some battles? ”
“Yes, but I am not really sure where.
They say a lot of us might not be coming back”
“That is sad.” She replied.
“Especially when you have no one
to think of you.”


You see I am an orphan
and have no family or a girlfriend come to that.
No one to think of me
when the great battles come.”
“Now that is sad, ” She said looking at him.
Then she realized the photograph
for her brother was in her handbag.

She reached in and removed it.
“Take this and think of me
when your great battles come.”
“I will keep it with me always.
Now I must get back on the train.”
As the train whistle blew.
He waved goodbye as the steam engulfed him.

Then the train was gone
as quickly as it had come.

[...] Read more

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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I Know Their Name

I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name

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The Idols

An Ode
Luce intellettual, piena d' amore


Prelude
Lo, the spirit of a pulsing star within a stone
Born of earth, sprung from night!
Prisoned with the profound fires of the light
That lives like all the tongues of eloquence
Locked in a speech unknown!
The crystal, cold and hard as innocence,
Immures the flame; and yet as if it knew
Raptures or pangs it could not but betray,
As if the light could feel changes of blood and breath
And all--but--human quiverings of the sense,
Throbs of a sudden rose, a frosty blue,
Shoot thrilling in its ray,
Like the far longings of the intellect
Restless in clouding clay.

Who has confined the Light? Who has held it a slave,
Sold and bought, bought and sold?
Who has made of it a mystery to be doled,
Or trophy, to awe with legendary fire,
Where regal banners wave?
And still into the dark it sends Desire.
In the heart's darkness it sows cruelties.
The bright jewel becomes a beacon to the vile,
A lodestar to corruption, envy's own:
Soiled with blood, fought for, clutched at; this world's prize,
Captive Authority. Oh, the star is stone
To all that outward sight,
Yet still, like truth that none has ever used,
Lives lost in its own light.

Troubled I fly. O let me wander again at will
(Far from cries, far from these
Hard blindnesses and frozen certainties!)
Where life proceeds in vastness unaware
And stirs profound and still:
Where leafing thoughts at shy touch of the air
Tremble, and gleams come seeking to be mine,
Or dart, like suddenly remembered youth,
Like the ache of love, a light, lost, found, and lost again.
Surely in the dusk some messenger was there!
But, haunted in the heart, I thirst, I pine.--
Oh, how can truth be truth
Except I taste it close and sweet and sharp
As an apple to the tooth?

[...] Read more

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6 Minutes Of Pleasure

Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me

[...] Read more

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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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The Memories of the Greater Good

Get out of the way.
Just let me take the bullet for you.
One mistake
That is all it takes.
Then it all over.
Waking up sober.
The reality.
Get ready.
Hold on to my cape.
Let me give you my escape.
Go before it's to late.
Don't look back.
Their is not time to second guess.
Just react.

The rain washes all these thoughts away.
I was just looking into another photograph in a my album.
The memories have each their own little sound.
As a bird chips in a melody.
So do these great harmony.

They're you were.
Sitting by the pool all alone.
So I just went right up and started talking to you.
Breaking the ice with a smile.
I had no since of style.
The shyness I fought through.
The fog moved.
So focused on getting to the bottom of what was wrong.
What was this pretty attractive young girl moping around for.
Then I met him.
And It all became so clear.
The face of many beings.
Each a different narcissist.
A falling out, the had already been spread.
It started to grow.
It started to sprout.
Peeking it ugly head out of the ground.

The rain washes all these thoughts away.
I was just looking into another photograph in a my album.
The memories have each their own little sound.
As a bird chips in a melody.
So do these great harmony.

It was too late things were put into motion.
With love as my devotion.
I made a sacrifice, the first of many.
I took a dive and let him beat the hell out of me.
For I was smart enough to know what would happen next.

[...] Read more

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Every Face Tells A Story

(m. allison/p. sills/d. black)
Theres no need for you to tell me
I can see the way you feel
I just know without you saying
What is a lie and whats real
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Somethings going on, and I know it
You cant keep it from me
Your smile cannot hide what you feel inside
And I dont like what I see
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Youre always telling stories
Youre always telling me lies
Youre always telling stories
If you want to leave me, leave me
No good living a lie
You can pretend that were not gonna end
But your eyes are saying goodbye
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Youre always telling stories
Youre always telling me lies
Youre always telling stories
Tell me, I got a right to know
Pour your little heart out to me, baby
You know, you know I dont want to let go
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye

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You Know Where You Went Wrong

(tennant/lowe)
---------------
Two men on the street
Drinking something cheap
No home, no family
Its cold, nowhere to sleep
Passers-by never catch their eye
Anywhere, one man drinks, the other swears
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
The old man cant understand
No one will shake his hand
I gave security, bombs and colour tv
It cost a few lives
Someones son always dies
No one shakes his hand
He dont understand
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
This is the history of the world
Of every boy and every girl
Who dont understand whats going on anymore
The history of the world
Of every boy and every girl
Who dont understand whats going on anymore
(whats going on? )
Two girls have a photograph
One looks, the other laughs
He could have been mine
Why did I change my mind?
Then hands on hips
The other girl says: admit! admit!
You know where you went wrong
You know where you went wrong
(aaaah) you know
You know where you went wrong
You know where you went wrong
(aaaah) you know
This is the history of the world (of the world)
Of every boy and every girl
Who dont (who dont) understand (understand)
Whats going on anymore (whats going on? )

[...] Read more

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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

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Nature tells me

Nature tells me not to be proud
of my riches for I am not
much richer than her.

Nature tells me not to be proud
of my beauty for I am not
much beautiful than her.

Nature tells me not to be proud
of my kindness for I am not
much kinder than her.

Nature tells me not to be proud
of my generosity for I am not
much generous than her.

Nature tells me not to be proud
of my logicality for I am not
much logical than her.

Nature tells me not to be proud
of my judiciousness for I am not
much judicious than her.

Nature tells me not to be proud
of my poetic mind for I am not
much poetic than her.

Nature tells me not to be proud
of my prides for I am not
much prouder than her.

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Illahi Nama (Book of God)

In the Book of God (Ilahi-nama) 'Attar framed his mystical teachings in various stories that a caliph tells his six sons, who are kings themselves and seek worldly pleasures and power.
The first son is captivated by a virgin princess, and his father tells him the adventures of a beautiful and virtuous woman who attracts several men but miraculously survives their abuse and then forgives them. They acknowledge that carnal desire is necessary to propagate the race but also recognize that passionate love can lead to spiritual love, which can annihilate the soul in the beloved.
Other stories indicate the importance of respecting the lives of other creatures such as ants or dogs. One only thinks oneself better than a dog because of one's dog-like nature.

The second son tells his father that his heart craves magic; but his father warns him against the work of the Devil. A monk tells a shaikh that he has chosen the job of locking up a savage dog inside himself, and he advises the shaikh to lock up anger lest he be changed into a dog. The father suggests that this son ask for something more worthy and tells an anecdote in which Jesus teaches a man the greatest name of God. The man uses it to make bones come alive into a lion, which devours him, leaving his bones. Jesus then says that when a person asks for something unworthy, God does not grant it. Birds and beasts flee from people, because people eat them. God tells Moses to watch his heart when he is alone, to be kind and watch his tongue when he is with people, the road in front when he is walking, and his gullet when he is dining. A saint tells a shaikh that love is never denied to humans, for only the lover knows the true value of the beloved. Another saint warns that unless you pray for protection from negativity (the Devil), you shall not enter the court of God.

The third son of the caliph asks for a cup that could display the whole world. 'Attar concluded a story by saying that Sufism is to rest in patience and forsake all desire for the world, and trust in God means bridling one's tongue and wishing for better things for others than for oneself. This son asks why his father seems to disparage the love of honor and the love of wealth which all seem to possess. The caliph replies that in the crazy prison of the world one can achieve greatness only by devotion. Since one speaks to God through the heart and soul, it is difficult to speak with God of worldly things. The third son asks if he can be allowed to seek power in moderation; but the father still warns that this will place screens between him and God. Each screen created by seeking power will create more screens. One must see both the good and the bad inside and outside oneself to understand how they are connected together. Saints who reach their goal see nothingness in all things, making sugar seem like poison and a rose like thorns. Ayaz advises the conquering sultan Mahmud to leave his self behind since he is better being entirely We. In the last story for his third son, the father says that thousands of arts, mysteries, definitions, commands, prohibitions, orders, and injunctions are founded on the intellect. What cup could be more revealing than this?

The fourth son seeks the water of life, and his father warns him against desire. A wise man considers Alexander the Great the slave of his slave, because the Greek conqueror has submitted to greed and desire, which this wise man controls. If the son cannot have the water of life, he asks for the knowledge that will illuminate his heart. In one story 'Attar concluded that if you are not faithful in love, you are in love only with yourself. The fifth son asks for the ring of Solomon that enables one to communicate with birds and other animals. The Way is summarized as seeing the true road, traveling light, and doing no harm. The father tells this son that he has chosen an earthly kingdom, because he has not heard of the kingdom of the next world. He advises this king that since his sovereignty will not endure not to load the whole world on his shoulders. Why take on the burden of all creation? The caliph suggests that his son practice contentment, which is an eternal kingdom that overshadows even the Sun. When Joseph was thrown into a pit, the angel Gabriel counseled him that it is better to notice a single blemish in yourself than to see a hundred lights of the Unseen.

The sixth son desires to practice alchemy, but his father perceives that he is caught in the snare of greed. Gold is held more tightly by a miser than the rock grips the ore. The son observes that excessive poverty often leads to losing faith, and so he asks God for both the philosopher's stone and for gold; but his father replies that one cannot promote both faith and the world at the same time. In the epilog the poet commented that since he receives his daily bread from the Unseen, he does not have to be the slave of wretched men, and 'Attar concluded this work with the satisfaction that he has perfumed the name of God with his poetry.

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Dirty Little Secret

Let me know that I've done wrong
When I've known this all along
I go around a time or two
Just to waste my time with you
Tell me all that you've thrown away
Find out games you don't wanna play
You are the only one that needs to know
I'll keep you my dirty little secret
(Dirty little secret)
Don't tell anyone or you'll be just another regret
(Just another regret, hope that you can keep it)
My dirty little secret
Who has to know
When we live such fragile lives
It's the best way we survive
I go around a time or two
Just to waste my time with you
Tell me all that you've thrown away
Find out games you don't wanna play
You are the only one that needs to know
I'll keep you my dirty little secret
(Dirty little secret)
Don't tell anyone or you'll be just another regret
(Just another regret, hope that you can keep it)
My dirty little secret
Who has to know
The way she feels inside (inside)
Those thoughts I can't deny (deny)
These sleeping dogs won't lie (won't lie)
And now I try to lie
It's eating me apart
Trace this life out
I'll keep you my dirty little secret
(Dirty little secret)
Don't tell anyone or you'll be just another regret
(Just another regret)
I'll keep you my dirty little secret
(Dirty little secret)
Don't tell anyone or you'll be just another regret
(Just another regret, hope that you can keep it)
My dirty little secret
Dirty little secret
Dirty little secret
Who has to know
Who has to know

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John Dryden

Sigismond And Guiscardo. From Boccace

While Norman Tancred in Salerno reigned,
The title of a gracious Prince he gained;
Till turned a tyrant in his latter days,
He lost the lustre of his former praise,
And from the bright meridian where he stood
Descending dipped his hands in lovers' blood.

This Prince, of Fortune's favour long possessed,
Yet was with one fair daughter only blessed;
And blessed he might have been with her alone,
But oh! how much more happy had he none!
She was his care, his hope, and his delight,
Most in his thought, and ever in his sight:
Next, nay beyond his life, he held her dear;
She lived by him, and now he lived in her.
For this, when ripe for marriage, he delayed
Her nuptial bands, and kept her long a maid,
As envying any else should share a part
Of what was his, and claiming all her heart.
At length, as public decency required,
And all his vassals eagerly desired,
With mind averse, he rather underwent
His people's will than gave his own consent.
So was she torn, as from a lover's side,
And made, almost in his despite, a bride.

Short were her marriage joys; for in the prime
Of youth, her lord expired before his time;
And to her father's court in little space
Restored anew, she held a higher place;
More loved, and more exalted into grace.
This Princess, fresh and young, and fair and wise,
The worshipped idol of her father's eyes,
Did all her sex in every grace exceed,
And had more wit beside than women need.

Youth, health, and ease, and most an amorous mind,
To second nuptials had her thoughts inclined;
And former joys had left a secret string behind.
But, prodigal in every other grant,
Her sire left unsupplied her only want,
And she, betwixt her modesty and pride,
Her wishes, which she could not help, would hide.

Resolved at last to lose no longer time,
And yet to please her self without a crime,
She cast her eyes around the court, to find
A worthy subject suiting to her mind,
To him in holy nuptials to be tied,
A seeming widow, and a secret bride.

[...] Read more

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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Getting Bodacious and Less Discreet

The guys lay in secret with misters.
Laying discreeted doing dirty deeds.
Some downlow on hands and knees,
And all bugged out with plugged up mouths.

The guys lay in secret with misters.
None denying they've come out of the closet.
Few denying they now cruise on the streets.

The guys lay in secret with misters.
Some are married and some are not.
Some just started and they like it a lot.

The guys lay in secret with misters.
It may be caused by the economy.
With some feeling weakened,
With effeminate needs.
And some feeling weakened,
With a need to please.

The guys lay in secret with misters.
None denying they've come out of the closet.
Few denying they now cruise on the streets.

The guys lay in secret with misters.
Some are married and some are not.
Some just started and they like it a lot.

The guys lay in secret with misters.
Laying discreeted doing dirty deeds.
Some downlow on hands and knees,
And all bugged out with plugged up mouths.

You know the guys lay in secret with misters.
And getting bodacious and less discreet.
Getting bodacious and less discreet.

You know the guys lay in secret with misters.
And getting bodacious and less discreet.
Getting bodacious and less discreet.

You know the guys lay in secret with misters.
And getting bodacious and less discreet.
Getting bodacious and less discreet.

You know the guys lay in secret with misters.
And getting bodacious and less discreet.
Getting bodacious and less discreet.

You know the guys lay in secret with misters.

[...] Read more

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