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Salmon Fishing in the Yemen

Cast: Ewan McGregor, Emily Blunt, Amr Waked, Catherine Steadman, Rachael Stirling, Kristin Scott Thomas, Tom Beard

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Parents Teach Attained Materialism

Rachael wants Rachael wants
Rachael wants because she wants
Rachael wants a piece of cake

Rachael is turning five
Rachael wants a birthday cake
Rachael does not like cake

Rachael wants party expectations
Rachael wants observed promised dreams
Rachael wants her attended party

Rachael sought star centre of attention wants
Rachael her friends wrapped gifts songs wants
Rachael is time suddenly seated shy tongue tied

imagination expectation seed our character dreams
realization awaited seldom matches desired schemes
reality ill matches misconceptions time split seams

to want peer mainstream desires experience teaches
does not fit all personality individual developing tastes
time sows unique thoughts realizations in vision eyes

Rachael to control her micro environment desires
Rachael to around her influence her world desires
Rachael what materialism sales pitch sells desires

turn on the TV hear multiplied sales pitch philosophy
watch TV see value defined as sparkling attained property
learn school seated order clone test graded conformity

why do most parents eventually teach dog eat dog compete?
why do most parents teach attained materialism satisfies?
why not teach love compassion empathy walk in God's light?


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The Twa Sisters

There liv'd twa sisters in a bower,
Hey Edinbruch, how Edinbruch.
There liv'd twa sisters in a bower,
Stirling for aye:
The youngest o' them, O, she was a flower!
Bonny Sanct Johnstonne that stands upon Tay.

There came a squire frae the west,
Hey Edinbruch, how Edinbruch.
There cam a squire frae the west,
Stirling for aye:
He lo'ed them baith, but the youngest best,
Bonny Sanct Johnstonne that stands upon Tay.

He gied the eldest a gay gold ring,
Hey Edinbruch, how Edinbruch.
He gied the eldest a gay gold ring,
Stirling for aye:
But he lo'ed the youngest aboon a' thing,
Bonny Sanct Johnstonne that stands upon Tay.

'Oh sister, sister, will ye go to the sea?
Hey Edinbruch, how Edinbruch.
Oh sister, sister, will ye go to the sea?
Stirling for aye:
Our father's ships sail bonnilie,
Bonny Sanct Johnstonne that stands upon Tay.'

The youngest sat down upon a stane,
Hey Edinbruch, how Edinbruch.
The youngest sat down upon a stane,
Stirling for aye:
The eldest shot the youngest in,
Bonny Sanct Johnstonne that stands upon Tay.

'Oh sister, sister, lend me your hand,
Hey Edinbruch, how Edinbruch.
Oh, sister, sister, lend me your hand,
Stirling for aye:
And you shall hae my gouden fan,
Bonny Sanct Johnstonne that stands upon Tay.

'Oh, sister, sister, save my life,
Hey Edinbruch, how Edinbruch.
Oh sister, sister, save my life,
Stirling for aye:
And ye shall be the squire's wife,
Bonny Sweet Johnstonne that stands upon Tay.'

First she sank, and then she swam,

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William Makepeace Thackeray

The King Of Brentford’s Testament

The noble King of Brentford
Was old and very sick,
He summon'd his physicians
To wait upon him quick;
They stepp'd into their coaches
And brought their best physick.

They cramm'd their gracious master
With potion and with pill;
They drench'd him and they bled him;
They could not cure his ill.
'Go fetch,' says he, 'my lawyer,
I'd better make my will.'

The monarch's royal mandate
The lawyer did obey;
The thought of six-and-eightpence
Did make his heart full gay.
'What is't,' says he, 'your Majesty
Would wish of me to-day?'

'The doctors have belabor'd me
With potion and with pill:
My hours of life are counted,
O man of tape and quill!
Sit down and mend a pen or two,
I want to make my will.

'O'er all the land of Brentford
I'm lord, and eke of Kew:
I've three-per-cents and five-per-cents;
My debts are but a few;
And to inherit after me
I have but children two.

Prince Thomas is my eldest son,
A sober Prince is he,
And from the day we breech'd him
Till now, he's twenty-three,
He never caused disquiet
To his poor Mamma or me.

'At school they never flogg'd him,
At college, though not fast,
Yet his little-go and great-go
He creditably pass'd,
And made his year's allowance
For eighteen months to last.

'He never owed a shilling.

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A Piece Of Cake

Rachael wants Rachael wants
Rachael wants because she wants
Rachael wants a piece of cake

Rachael is turning five
Rachael wants a birthday cake
Rachael does not like cake

Rachael wants party expectations
Rachael wants observed promised dreams
Rachael wants her attended party

Rachael sought star centre of attention wants
Rachael her friends wrapped gifts songs wants
Rachael is time suddenly seated shy tongue tied


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John Dryden

Palamon And Arcite; Or, The Knight's Tale. From Chaucer. In Three Books. Book III.

The day approached when Fortune should decide
The important enterprise, and give the bride;
For now the rivals round the world had sought,
And each his number, well appointed, brought.
The nations far and near contend in choice,
And send the flower of war by public voice;
That after or before were never known
Such chiefs, as each an army seemed alone:
Beside the champions, all of high degree,
Who knighthood loved, and deeds of chivalry,
Thronged to the lists, and envied to behold
The names of others, not their own, enrolled.
Nor seems it strange; for every noble knight
Who loves the fair, and is endued with might,
In such a quarrel would be proud to fight.
There breathes not scarce a man on British ground
(An isle for love and arms of old renowned)
But would have sold his life to purchase fame,
To Palamon or Arcite sent his name;
And had the land selected of the best,
Half had come hence, and let the world provide the rest.
A hundred knights with Palamon there came,
Approved in fight, and men of mighty name;
Their arms were several, as their nations were,
But furnished all alike with sword and spear.

Some wore coat armour, imitating scale,
And next their skins were stubborn shirts of mail;
Some wore a breastplate and a light juppon,
Their horses clothed with rich caparison;
Some for defence would leathern bucklers use
Of folded hides, and others shields of Pruce.
One hung a pole-axe at his saddle-bow,
And one a heavy mace to stun the foe;
One for his legs and knees provided well,
With jambeux armed, and double plates of steel;
This on his helmet wore a lady's glove,
And that a sleeve embroidered by his love.

With Palamon above the rest in place,
Lycurgus came, the surly king of Thrace;
Black was his beard, and manly was his face
The balls of his broad eyes rolled in his head,
And glared betwixt a yellow and a red;
He looked a lion with a gloomy stare,
And o'er his eyebrows hung his matted hair;
Big-boned and large of limbs, with sinews strong,
Broad-shouldered, and his arms were round and long.
Four milk-white bulls (the Thracian use of old)
Were yoked to draw his car of burnished gold.

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The Sale of Saint Thomas

A quay with vessels moored


Thomas
To India! Yea, here I may take ship;
From here the courses go over the seas,
Along which the intent prows wonderfully
Nose like lean hounds, and tack their journeys out,
Making for harbours as some sleuth was laid
For them to follow on their shifting road.
Again I front my appointed ministry. --
But why the Indian lot to me? Why mine
Such fearful gospelling? For the Lord knew
What a frail soul He gave me, and a heart
Lame and unlikely for the large events. --
And this is worse than Baghdad! though that was
A fearful brink of travel. But if the lots,
That gave to me the Indian duty, were
Shuffled by the unseen skill of Heaven, surely
That fear of mine in Baghdad was the same
Marvellous Hand working again, to guard
The landward gate of India from me. There
I stood, waiting in the weak early dawn
To start my journey; the great caravan's
Strange cattle with their snoring breaths made steam
Upon the air, and (as I thought) sadly
The beasts at market-booths and awnings gay
Of shops, the city's comfortable trade,
Lookt, and then into months of plodding lookt.
And swiftly on my brain there came a wind
Of vision; and I saw the road mapt out
Along the desert with a chalk of bones;
I saw a famine and the Afghan greed
Waiting for us, spears at our throats, all we
Made women by our hunger; and I saw
Gigantic thirst grieving our mouths with dust,
Scattering up against our breathing salt
Of blown dried dung, till the taste eat like fires
Of a wild vinegar into our sheathèd marrows;
And a sudden decay thicken'd all our bloods
As rotten leaves in fall will baulk a stream;
Then my kill'd life the muncht food of jackals. --
The wind of vision died in my brain; and lo,
The jangling of the caravan's long gait
Was small as the luting of a breeze in grass
Upon my ears. Into the waiting thirst
Camels and merchants all were gone, while I
Had been in my amazement. Was this not
A sign? God with a vision tript me, lest
Those tall fiends that ken for my approach

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The Lawyer’s First Tale: Primitiæ or Third Cousins

I

‘Dearest of boys, please come to-day,
Papa and mama have bid me say,
They hope you’ll dine with us at three;
They will be out till then, you see,
But you will start at once, you know,
And come as fast as you can go.
Next week they hope you’ll come and stay
Some time before you go away.
Dear boy, how pleasant it will be,
Ever your dearest Emily!’
Twelve years of age was I, and she
Fourteen, when thus she wrote to me,
A schoolboy, with an uncle spending
My holidays, then nearly ending.
My uncle lived the mountain o’er,
A rector, and a bachelor;
The vicarage was by the sea,
That was the home of Emily:
The windows to the front looked down
Across a single-streeted town,
Far as to where Worms-head was seen,
Dim with ten watery miles between;
The Carnedd mountains on the right
With stony masses filled the sight;
To left the open sea; the bay
In a blue plain before you lay.
A garden, full of fruit, extends,
Stone-walled, above the house, and ends
With a locked door, that by a porch
Admits to churchyard and to church;
Farm-buildings nearer on one side,
And glebe, and then the countrywide.
I and my cousin Emily
Were cousins in the third degree;
My mother near of kin was reckoned
To hers, who was my mother’s second:
My cousinship I held from her.
Such an amount of girls there were,
At first one really was perplexed:
’Twas Patty first, and Lydia next,
And Emily the third, and then,
Philippa, Phoebe, Mary Gwen.
Six were they, you perceive, in all;
And portraits fading on the wall,
Grandmothers, heroines of old,
And aunts of aunts, with scrolls that told
Their names and dates, were there to show
Why these had all been christened so.

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George Meredith

Grandfather Bridgeman

I

'Heigh, boys!' cried Grandfather Bridgeman, 'it's time before dinner to-day.'
He lifted the crumpled letter, and thumped a surprising 'Hurrah!'
Up jumped all the echoing young ones, but John, with the starch in his throat,
Said, 'Father, before we make noises, let's see the contents of the note.'
The old man glared at him harshly, and twinkling made answer: 'Too bad!
John Bridgeman, I'm always the whisky, and you are the water, my lad!'

II

But soon it was known thro' the house, and the house ran over for joy,
That news, good news, great marvels, had come from the soldier boy;
Young Tom, the luckless scapegrace, offshoot of Methodist John;
His grandfather's evening tale, whom the old man hailed as his son.
And the old man's shout of pride was a shout of his victory, too;
For he called his affection a method: the neighbours' opinions he knew.

III

Meantime, from the morning table removing the stout breakfast cheer,
The drink of the three generations, the milk, the tea, and the beer
(Alone in its generous reading of pints stood the Grandfather's jug),
The women for sight of the missive came pressing to coax and to hug.
He scattered them quick, with a buss and a smack; thereupon he began
Diversions with John's little Sarah: on Sunday, the naughty old man!

IV

Then messengers sped to the maltster, the auctioneer, miller, and all
The seven sons of the farmer who housed in the range of his call.
Likewise the married daughters, three plentiful ladies, prime cooks,
Who bowed to him while they condemned, in meek hope to stand high in his books.
'John's wife is a fool at a pudding,' they said, and the light carts up hill
Went merrily, flouting the Sabbath: for puddings well made mend a will.

V

The day was a van-bird of summer: the robin still piped, but the blue,
As a warm and dreamy palace with voices of larks ringing thro',
Looked down as if wistfully eyeing the blossoms that fell from its lap:
A day to sweeten the juices: a day to quicken the sap.
All round the shadowy orchard sloped meadows in gold, and the dear
Shy violets breathed their hearts out: the maiden breath of the year!

VI

Full time there was before dinner to bring fifteen of his blood,
To sit at the old man's table: they found that the dinner was good.
But who was she by the lilacs and pouring laburnums concealed,

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The Life And Death Of Tom Thumb

In Arthur's court Tom Thumb did live,
A man of mickle might ;
The best of all the table round,
And eke a doughty knight.
His stature but an inch in height,
Or quarter of a span :
Then think you not this little knight
Was proved a valiant man ?

His father was a ploughman plain,
His mother milk'd the cow,
Yet how that they might have a son
They knew not what to do :
Until such time this good old man
To learned Merlin goes,
And there to him his deep desires
In secret manner shows.

How in his heart he wish'd to have
A child, in time to come,
To be his heir, though it might be
No bigger than his thumb.

Of which old Merlin thus foretold,
That he his wish should have,
And so this son of statue small
The charmer to him gave.

No blood nor bones in him should be,
In shape, and being such
That men should hear him speak, but not
His wandering shadow touch.

But so unseen to go or come,—
Whereas it pleas'd him still ;
Begot and born in half and hour,
To fit his father's will.

And in four minutes grew so fast
That he became so tall
As was the ploughman's thumb in height,
And so they did him call—
TOM THUMB, the which the fairy queen
There gave him to his name,
Who, with her train of goblins grim,
Unto his christening came.

Whereas she cloth'd him richly brave,
In garments fine and fair,
Which lasted him for many years

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D. S.

Written and composed by michael jackson.
Produced by michael jackson.
They wanna get my ass
Dead or alive
You know he really tried to take me
Down by surprise
I bet he missioned with the cia
He don't do half what he say
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
He out shock in every single way
He'll stop at nothing just to get his political say
He think he hot cause he's bsta
I bet he never had a social life anyway
You think he brother with the kkk?
I bet his mother never taught him
Right anyway
He want your vote just to remain ta.
He don't do half what he say
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Does he send letters to the fbi?
Did he say to either do it or die?
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
(ad lib fade)

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Thomas the Rhymer

Part First

Ancient

True Thomas lay on Huntlie bank;
A ferlie he spied wi' his ee;
And there he saw a lady bright,
Come riding down by the Eildon Tree.

Her skirt was o the grass-green silk,
Her mantle o the velvet fyne,
At ilka tett of her horse's mane
Hang fifty siller bells and nine.

True Thomas he pulld aff his cap,
And louted low down to his knee:
'All hail, thou mighty Queen of Heaven!
For thy peer on earth I never did see.'

'O no, O no, Thomas,' she said,
'That name does not belang to me;
I am but the queen of fair Elfland,
That am hither come to visit thee.

'Harp and carp, Thomas,' she said,
'Harp and carp, along wi' me,
And if ye dare to kiss my lips,
Sure of your bodie I will be!'

'Betide me weal, betide me woe,
That weird sall never daunton me;
Syne he has kissed her rosy lips,
All underneath the Eildon Tree.

'Now, ye maun go wi me,' she said,
'True Thomas, ye maun go wi me,
And ye maun serve me seven years,
Thro weal or woe as may chance to be.'

She mounted on her milk-white steed,
She's taen True Thomas up behind,
And aye wheneer her bride rung,
The steed flew swifter than the wind.

O they rade on, and farther on -
The steed gaed swifter than the wind -
Until they reached a desart wide,
And living land was left behind.

'Light down, light down, now, True Thomas,

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Robert Burns

My Last Farewell To Stirling

Nae lark in transport mounts the sky
Or leaves wi' early plaintive cry,
But I will bid a last good-bye,
My last farewell to Stirling O.

Chorus:

Tho' far awa, ma hert's wi' you.
Our youthful 'oors, upon wings they flew
But I will bid a last adieu
A last farewell to Stirling O.

Nae mair I'll meet ye in the dark
Or gang wi' you to the King's Park
Or raise the hare from oot their flap
When I gae far fae Stirling O.

Nae mair I'll wander through the glen,
Disturb the roost o' the pheasant hen.
Or chase the rabbits tae their den
When I gae far fae Stirling O.

Their one request before I go
And this is to my comrades all:
My dog and gun I'll leave to you
When I gae far fae Stirling O.

So fare thee well my Jeannie dear
For you I'll shed a bitter tear.
I hope you'll find another, dear,
When I gae far fae Stirling O.

So fare thee well, for I am bound
For twenty years to Van Diemen's Land.
But think of me, and what I've done
When I gae far fae Stirling O.

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Rudyard Kipling

The Last Rhyme Of True Thomas

The King has called for priest and cup,
The King has taken spur and blade
To dub True Thomas a belted knight,
And all for the sake o' the songs he made.

They have sought him high, they have sought him low,
They have sought him over down and lea;
They have found him by the milk-white thorn
That guards the gates o' Faerie.

'Twas bent beneath and blue above,
Their eyes were held that they might not see
The kine that grazed beneath the knowes,
Oh, they were the Queens o' Faerie!

"Now cease your song," the King he said,
"Oh, cease your song and get you dight
To vow your vow and watch your arms,
For I will dub you a belted knight.

"For I will give you a horse o' pride,
Wi' blazon and spur and page and squire;
Wi' keep and tail and seizin and law,
And land to hold at your desire."

True Thomas smiled above his harp,
And turned his face to the naked sky,
Where, blown before the wastrel wind,
The thistle-down she floated by.

"I ha' vowed my vow in another place,
And bitter oath it was on me,
I ha' watched my arms the lee-long night,
Where five-score fighting men would flee.

"My lance is tipped o' the hammered flame,
My shield is beat o' the moonlight cold;
And I won my spurs in the Middle World,
A thousand fathom beneath the mould.

"And what should I make wi' a horse o' pride,
And what should I make wi' a sword so brown,
But spill the rings o' the Gentle Folk
And flyte my kin in the Fairy Town?

"And what should I make wi' blazon and belt,
Wi' keep and tail and seizin and fee,
And what should I do wi' page and squire
That am a king in my own countrie?

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Samuel Butler

Hudibras: Part 2 - Canto I

THE ARGUMENT

The Knight by damnable Magician,
Being cast illegally in prison,
Love brings his Action on the Case.
And lays it upon Hudibras.
How he receives the Lady's Visit,
And cunningly solicits his Suite,
Which she defers; yet on Parole
Redeems him from th' inchanted Hole.

But now, t'observe a romantic method,
Let bloody steel a while be sheathed,
And all those harsh and rugged sounds
Of bastinadoes, cuts, and wounds,
Exchang'd to Love's more gentle stile,
To let our reader breathe a while;
In which, that we may be as brief as
Is possible, by way of preface,
Is't not enough to make one strange,
That some men's fancies should ne'er change,
But make all people do and say
The same things still the self-same way
Some writers make all ladies purloin'd,
And knights pursuing like a whirlwind
Others make all their knights, in fits
Of jealousy, to lose their wits;
Till drawing blood o'th' dames, like witches,
Th' are forthwith cur'd of their capriches.
Some always thrive in their amours
By pulling plaisters off their sores;
As cripples do to get an alms,
Just so do they, and win their dames.
Some force whole regions, in despight
O' geography, to change their site;
Make former times shake hands with latter,
And that which was before, come after.
But those that write in rhime, still make
The one verse for the other's sake;
For, one for sense, and one for rhime,
I think's sufficient at one time.

But we forget in what sad plight
We whilom left the captiv'd Knight
And pensive Squire, both bruis'd in body,
And conjur'd into safe custody.
Tir'd with dispute and speaking Latin,
As well as basting and bear-baiting,
And desperate of any course,
To free himself by wit or force,

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Byron

Canto the Ninth

I
Oh, Wellington! (or "Villainton" -- for Fame
Sounds the heroic syllables both ways;
France could not even conquer your great name,
But punn'd it down to this facetious phrase --
Beating or beaten she will laugh the same),
You have obtain'd great pensions and much praise:
Glory like yours should any dare gainsay,
Humanity would rise, and thunder "Nay!"

II
I don't think that you used Kinnaird quite well
In Marinet's affair -- in fact, 't was shabby,
And like some other things won't do to tell
Upon your tomb in Westminster's old abbey.
Upon the rest 't is not worth while to dwell,
Such tales being for the tea-hours of some tabby;
But though your years as man tend fast to zero,
In fact your grace is still but a young hero.

III
Though Britain owes (and pays you too) so much,
Yet Europe doubtless owes you greatly more:
You have repair'd Legitimacy's crutch,
A prop not quite so certain as before:
The Spanish, and the French, as well as Dutch,
Have seen, and felt, how strongly you restore;
And Waterloo has made the world your debtor
(I wish your bards would sing it rather better).

IV
You are "the best of cut-throats:" -- do not start;
The phrase is Shakspeare's, and not misapplied:
War's a brain-spattering, windpipe-slitting art,
Unless her cause by right be sanctified.
If you have acted once a generous part,
The world, not the world's masters, will decide,
And I shall be delighted to learn who,
Save you and yours, have gain'd by Waterloo?

V
I am no flatterer -- you've supp'd full of flattery:
They say you like it too -- 't is no great wonder.
He whose whole life has been assault and battery,
At last may get a little tired of thunder;
And swallowing eulogy much more than satire, he
May like being praised for every lucky blunder,
Call'd "Saviour of the Nations" -- not yet saved,
And "Europe's Liberator" -- still enslaved.

[...] Read more

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Byron

Don Juan: Canto The Ninth

Oh, Wellington! (or 'Villainton'--for Fame
Sounds the heroic syllables both ways;
France could not even conquer your great name,
But punn'd it down to this facetious phrase-
Beating or beaten she will laugh the same),
You have obtain'd great pensions and much praise:
Glory like yours should any dare gainsay,
Humanity would rise, and thunder 'Nay!'

I don't think that you used Kinnaird quite well
In Marinet's affair--in fact, 'twas shabby,
And like some other things won't do to tell
Upon your tomb in Westminster's old abbey.
Upon the rest 'tis not worth while to dwell,
Such tales being for the tea-hours of some tabby;
But though your years as man tend fast to zero,
In fact your grace is still but a young hero.

Though Britain owes (and pays you too) so much,
Yet Europe doubtless owes you greatly more:
You have repair'd Legitimacy's crutch,
A prop not quite so certain as before:
The Spanish, and the French, as well as Dutch,
Have seen, and felt, how strongly you restore;
And Waterloo has made the world your debtor
(I wish your bards would sing it rather better).

You are 'the best of cut-throats:'--do not start;
The phrase is Shakspeare's, and not misapplied:
War's a brain-spattering, windpipe-slitting art,
Unless her cause by right be sanctified.
If you have acted once a generous part,
The world, not the world's masters, will decide,
And I shall be delighted to learn who,
Save you and yours, have gain'd by Waterloo?

I am no flatterer- you 've supp'd full of flattery:
They say you like it too- 't is no great wonder.
He whose whole life has been assault and battery,
At last may get a little tired of thunder;
And swallowing eulogy much more than satire, he
May like being praised for every lucky blunder,
Call'd 'Saviour of the Nations'--not yet saved,
And 'Europe's Liberator'--still enslaved.

I've done. Now go and dine from off the plate
Presented by the Prince of the Brazils,
And send the sentinel before your gate
A slice or two from your luxurious meals:
He fought, but has not fed so well of late.

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Lord Thomas And Fair Ellinor

Lord Thomas he was a bold forrester,
And a chaser of the kings deere;
Faire Ellinor was a fine woman,
And Lord Thomas he loved her deare.

'Come riddle my riddle, dear mother,' he sayd,
'And riddle us both as one;
Whether I shall marrye with faire Ellinor,
And let the browne girl alone?'

'The browne girl she has got houses and lands,
Faire Ellinor she has got none;
And therefore I charge thee on my blessing,
To bring me the browne girl home.'

And as it befelle on a high holidaye,
As many there are beside,
Lord Thomas he went to faire Ellinor,
That should have been his bride.

And when he came to faire Ellinor's bower,
He knocked there at the ring;
And who was so readye as faire Ellinor,
To lett Lord Thomas withinn?

'What newes, what newes, Lord Thomas,' she sayd,
'What newes dost thou bring to mee?'
'I am come to bid thee to my wedding,
And that is bad newes for thee.'

'O God forbid, Lord Thomas,' she sayd,
'That such a thing should be done;
I thought to have been the bride my selfe
And thou to have been the bride-grome.'

'Come riddle my riddle, dear mother,' she sayd,
'And riddle it all in one;
Whether I shall goe toLord Thomas his wedding,
Or whether shall tarry at home?'

'There are manye that are your friendes, daughter,
And manye a one your foe;
Therefore I charge you on my blessing,
To Lord Thomas his wedding don't goe.'

She cloathed herself in gallant attire,
And her merrye men all in greene;
And as they rid through every towne,
They took her to be some queene.

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Rachael Asks Good Questions

Rachael is four...
Rachael asks good questions...
What is God?
Why do we have to pray to God?

Is there any human being on earth
who does not ask these questions
eventually at some time during their life?


Some individuals
reflecting upon world events
reflecting upon world history
will be forced to ask

these questions
multiple times
throughout their lives...


And the answers are...
there are as many answers
as there are differing cultures
ethnicities religions biases...

Rachael is going to
a birthday party today
but Rachael is afraid of clowns...


Rachael asked her mother
did you ring your friend
to ask what the clown
will be wearing at the party?

Rachael said I am not afraid of the clown
any more I prayed to God...
an example of remarkable faith in a child...


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Al Cobdogla's Hearse

The mood in the town of Warramine
Was grim, and getting worse,
For stuck on the town's old hump-back bridge
Was Al Cobdogla's hearse,
The brakes had failed and the motor quit
And the footplates wedged each side,
The springs had sprung, and the body hung
On Emily's final ride!

The coffin lodged in the back was black,
As black as Emily's sin,
There wasn't a man in the great outback
That hadn't been out and in,
For Emily Gray was more than gay
In the old sense of the word,
She only charged a dollar a spin
Out there in the cattle yard.

For Emily was an outdoor girl
She couldn't abide inside,
She liked the sun on her naked legs
And a good bit more beside,
She'd run stark naked under the trees
When the wattle began to bloom,
And wives would lock their men in the bar
On a Saturday afternoon.

‘The blatant hussy, ' - ‘The brazen bitch! '
The women would often say,
The men would mutter and dropp their heads,
‘It's only Emily Gray! '
They found her lying without a stitch,
Or that's what somebody said,
And beat her bloody with candlesticks,
So now, poor Emily's dead!

She lay in the coffin, wedged in tight,
As tight as the hearse on the bridge,
The men got worried and pulled her out
And stuck her in somebody's fridge!
‘She won't last long in the heat out here,
It's over a hundred today, '
It seemed that the women of Warramine
Were stuck with Emily Gray!

They pushed and heaved, pummelled and thrust
But nothing could budge that hearse,
The only bridge into Warramine
Was blocked, for better or worse,
The farmers couldn't get into the pub,

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Emily Ann

Government muddles, departments dazed,
Fear and confusion wherever he gazed;
Order insulted, authority spurned,
Dread and distraction wherever he turned
Oh, the great King Splosh was a sad, sore king,
With never a statesman to straighten the thing.


Glus all importunate urging their claims,
With selfish intent and ulterior aims,
Glugs with petitions for this and for that,
Standing ten-deep on the royal door-mat,
Raging when nobody answered their ring -
Oh, the great King Splosh was a careworn king.


And he looked to the right, and he glanced to the left,
And he glared at the roof like a monarch bereft
Of his wisdom and wits and his wealth all in one;
And, at least once a minute, asked, 'What's to be done?'
But the Swanks stood around him and answered, with groans,
'Your majesty, Gosh is half buried in stones!'


'How now?' cried the King. 'Is there not in my land
One Glug who can cope with this dreadful demand:
A rich man, a poor man, a beggar man, thief
I reck not his rank so he lessen my grief
A soldier, a sailor, a - ' Raising his head,
With relief in his eye, 'Now, I mind me!' he said.


'I mind me a Tinker, and what once befel,
When I think, on the whole, he was treated not well.
But he shall be honoured, and he shall be famed
If he read me this riddle. But how is he named?
Some commonplace title, like-Simon?-No-Sym!
Go, send out my riders, and scour Gosh for him.'


They rode for a day to the sea in the South,
Calling the name of him, hand to the mouth.
They rode for a day to the hills in the East,
But signs of a tinker saw never the least.
Then they rode to the North thro' a whole day long,
And paused in the even to hark to a song.

'Kettles and pans! Kettles and pans!
Oh, who can show tresses like Emily Ann's?
Brown in the shadow and gold at the tips,

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