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Lovelorn

Cast: Phillip James, Orlando Seale, Olivia Chappell, Sophie Lovell Anderson, Tim Robinson, Rebecca Santos, Edmund Dehn, Sarah Winter, Shane Rimmer, Helen Hobson

trailer for Lovelorn, directed by Becky Preston, screenplay by Becky Preston (2010)
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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poem by Dante Gabriel Rossetti
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Orlando Furioso Canto 12

ARGUMENT
Orlando, full of rage, pursues a knight
Who bears by force his lady-love away,
And comes where old Atlantes, by his sleight
Had raised a dome, Rogero there to stay.
Here too Rogero comes; where getting sight
Of his lost love, the County strives in fray
With fierce Ferrau, and, after slaughter fell
Amid the paynim host, finds Isabel.

I
Ceres, when from the Idaean dame in haste
Returning to the lonely valley, where
Enceladus the Aetnaean mountain placed
On his bolt-smitten flanks, is doomed to bear,
Her girl she found not, on that pathless waste,
By her late quitted, having rent her hair,
And marked cheeks, eyes, and breast, with livid signs,
At the end of her lament tore up two pines,

II
And lit at Vulcan's fire the double brand,
And gave them virtue never to be spent;
And, afterwards, with one in either hand,
Drawn by two dragons, in her chariot went,
Searching the forest, hill, and level land,
Field, valley, running stream, or water pent,
The land and sea; and having searched the shell
Of earth above, descended into hell.

III
Had Roland of Eleusis' deity
The sovereign power possessed no less than will,
He for Angelica had land and sea
Ransacked, and wood and field, and pool and rill,
Heaven, and Oblivion's bottom: but since he
Had not, his pressing purpose to fulfil,
Her dragon and her car, the unwearied knight
Pursued the missing maid as best he might.

IV
Through France he sought her, and will seek her through
The realms of Italy and of Almayn,
And thence through the Castiles, both old and new,
So passing into Libya out of Spain.
While bold Orlando has this plan in view,
He hears, or thinks he hears, a voice complain:
He forward spurs, and sees on mighty steed
A warrior trot before him on the mead;

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poem by Ludovico Ariosto
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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

[...] Read more

poem by Gert Strydom
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Rebecca

In my mind , talk about rebecca , suddenly so fine
In my mind , visions of rebecca , suddenly shes mine
All night , seems she put a spell on me , oh yeah
All night , gonna be the death of me
Ill go out and get her
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds
Youre savin yourself for someone , rebecca
Hangin on tight , waiting for rebecca , dancin in the dark
Satin and lace , shes so fine and mellow
Creature from the stars
So wrong , runnin with rebecca now , oh yeah
So wrong , gonna be the death of me
Ill go out and get her
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Youre savin yourself for someone , rebecca
Rebecca , youre runnin away
Rebecca , you cant face the day , alright
Cos you only live for the night
Rebecca , youre always runnin around
(break)
Ooh , talk about rebeccas eyes
Evrything you fantasize
Well, she drag you down to earth
Shes the devil in disguise
Break you down to size
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Savin yourself for someone
Rebecca , ooh , youre runnin away
Rebecca , you cant face the day , alright
You only live for the night , rebecca
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Savin yourself for someone , rebecca (fade)

song performed by Bee Gees
Added by Lucian Velea
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Orlando Furioso Canto 11

ARGUMENT
Assisted by the magic ring she wears,
Angelica evanishes from view.
Next in a damsel, whom a giant bears
Beneath his arm, his bride Rogero true
Beholds. Orlando to the shore repairs,
Where the fell orc so many damsels slew;
Olympia frees, and spoils the beast of life:
Her afterwards Oberto takes to wife.

I
Although a feeble rein, in mid career,
Will oft suffice to stop courageous horse;
'Tis seldom Reason's bit will serve to steer
Desire, or turn him from his furious course,
When pleasure is in reach: like headstrong bear,
Whom from the honeyed meal 'tis ill to force,
If once he scent the tempting mess, or sup
A drop, which hangs upon the luscious cup.

II
What reason then Rogero shall withhold
From taking with Angelica delight, -
That gentle maid, there naked in his hold,
In the lone forest, and secure from sight?
Of Bradamant he thinks not, who controlled
His bosom erst: and foolish were the knight,
If thinking of that damsel as before,
By this he had not set an equal store;

III
Warmed by whose youthful beauties, the severe
Xenocrates would not have been more chaste.
The impatient Child had dropt both shield and spear,
And hurrying now his other arms uncased;
When, casting down her eyes in shame and fear,
The virtuous ring upon her finger placed,
Angelica descried, and which of yore
From her Brunello in Albracca bore.

IV
This is the ring she carried into France,
When thither first the damsel took her way;
With her the brother, bearer of the lance,
After, the paladin, Astolpho's prey.
With this she Malagigi's spells and trance
Made vain by Merlin's stair; and on a day
Orlando freed, with many knights and good,
From Dragontina's cruel servitude:

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poem by Ludovico Ariosto
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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Orlando Furioso Canto 9

ARGUMENT
So far Orlando wends, he comes to where
He of old Proteus' hears the cruel use
But feels such pity for Olympia fair,
Wronged by Cymosco, who in prison mews
Her plighted spouse, that ere he makes repair
Further, he gives her hope to venge the abuse:
He does so, and departs; and with his spouse
Departs Bireno, to repeat his vows.

I
What cannot, when he has a heart possess'd
This false and cruel traitor Love? since he
Can banish from Orlando's faithful breast
Such tried allegiance and due loyalty?
Wise, full of all regards, and of the blest
And glorious church the champion wont to be,
Now, little for himself or uncle, driven
By a vain love, he cares, and less for heaven.

II
But I excuse him well, rejoiced to know
I have like partner in my vice: for still
To seek my good I too am faint and slow,
But sound and nimble in pursuit of ill.
The count departs, disguised in sable show,
Nor for so many friends, with froward will,
Deserted cares; and comes where on the plain
Are camped the hosts of Afric and of Spain;

III
Rather uncamped: for, in less troops or more,
Rains under shed and tree had driven the band.
Here ten, there twenty, seven or eight, or four,
Near or further off, Orlando scanned.
Each sleeps, oppressed with toil and wearied sore;
This stretched on earth, that propped upon his hand:
They sleep, and many might the count have slain,
Yet never bared his puissant Durindane.

IV
So generous is Orlando's heart, he base
Esteems it were to smite a sleeping foe.
Now this he seeks, and now that other place;
Yet cannot track his lady, high or low.
If he finds any one in waking case,
Sighing, to him he paints her form and show;
Then prays him that for courtesy, he where
The damsel is, will reach him to repair.

[...] Read more

poem by Ludovico Ariosto
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Shane

Written by ricky & marty wilde
I dreamed I lived the whole thing just last night
Somehow this film just seemed to get it right
I watched a gunfire under dirty western skies
The one mans vision seems to pick me up and fill my eyes
Its shane, cant you hear me calling you
Shane, if I thought that you would still be riding through
I said shane, please take me back there with you
(take me to you)
Im watching marian, as she let go
I felt I was her for a time or so
Its hard for anyone to understand her pain
You gotta see the man to understand she wouldnt change
Shane, cant you hear me calling you
Shane, if I thought that you would still be riding through
I said shane, please take me back there with you
(take me to you)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane, cant you hear me calling you
Shane, if I thought that you would still be riding through
I said shane, please take me back there with you
(take me to you)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane (I hear it, I hear it, I hear it, joes calling)

song performed by Kim Wilde
Added by Lucian Velea
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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

[...] Read more

poem by Percy Bysshe Shelley
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Tale X

THE LOVER'S JOURNEY.

It is the Soul that sees: the outward eyes
Present the object, but the Mind descries;
And thence delight, disgust, or cool indiff'rence

rise:
When minds are joyful, then we look around,
And what is seen is all on fairy ground;
Again they sicken, and on every view
Cast their own dull and melancholy hue;
Or, if absorb'd by their peculiar cares,
The vacant eye on viewless matter glares,
Our feelings still upon our views attend,
And their own natures to the objects lend:
Sorrow and joy are in their influence sure,
Long as the passion reigns th' effects endure;
But Love in minds his various changes makes,
And clothes each object with the change he takes;
His light and shade on every view he throws,
And on each object what he feels bestows.
Fair was the morning, and the month was June,
When rose a Lover;--love awakens soon:
Brief his repose, yet much he dreamt the while
Of that day's meeting, and his Laura's smile:
Fancy and love that name assign'd to her,
Call'd Susan in the parish-register;
And he no more was John--his Laura gave
The name Orlando to her faithful slave.
Bright shone the glory of the rising day,
When the fond traveller took his favourite way;
He mounted gaily, felt his bosom light,
And all he saw was pleasing in his sight.
'Ye hours of expectation, quickly fly,
And bring on hours of bless'd reality;
When I shall Laura see, beside her stand,
Hear her sweet voice, and press her yielded hand.'
First o'er a barren heath beside the coast
Orlando rode, and joy began to boast.
'This neat low gorse,' said he, 'with golden

bloom,
Delights each sense, is beauty, is perfume;
And this gay ling, with all its purple flowers,
A man at leisure might admire for hours;
This green-fringed cup-moss has a scarlet tip,
That yields to nothing but my Laura's lip;
And then how fine this herbage! men may say
A heath is barren; nothing is so gay:
Barren or bare to call such charming scene

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poem by George Crabbe
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Sarah’s Special Birthday

There once was a girl named Sarah who had a special toy,

Her toy was a doll named Melodie who brought her lots of joy.

One night when Sarah fell asleep with Melodie in her hand,

Sarah started dreaming she was in a faraway land.

This land was filled with beautiful flowers, birds and butterflies,

This was the land of Krendoll where magical dolls come alive!

Then Sarah saw a shadow along side a tree,

She notices it’s Melodie as happy as can be!

Melodie is sitting on a magical unicorn, the unicorn is fair, soft and
white

The unicorn’s name is UniCandle with his horn shining bright!

Melodie jumps off of UniCandle who lets her to the ground,

And Sarah notices many, many, many presents all around.

The presents are all wrapped with big shiny bows,

They all fit in a glittering cart that has a glittering glow.

“It’s a Special Birthday for…guess who? You guessed it shouts

Melodie, Sarah all the presents are for you! ”

“The magic of your Special Dream brought you to this land,

The land of Special Birthdays is right where you now stand! ”

Then all of a sudden, UniCandle’s horn lit up a deep orange blue,

The flickering of his golden flame would make Sarah’s birthday wish

come true!

Then Melodie moved the cart with the help of the big golden handles,

So UniCandle could reach Sarah’s birthday cake and light Sarah’s

birthday candle.

[...] Read more

poem by Suzae Chevalier
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Rokeby: Canto VI.

I.
The summer sun, whose early power
Was wont to gild Matilda's bower,
And rouse her with his matin ray
Her duteous orisons to pay,
That morning sun has three times seen
The flowers unfold on Rokeby green,
But sees no more the slumbers fly
From fair Matilda's hazel eye;
That morning sun has three times broke
On Rokeby's glades of elm and oak,
But, rising from their sylvan screen,
Marks no grey turrets' glance between.
A shapeless mass lie keep and tower,
That, hissing to the morning shower,
Can but with smouldering vapour pay
The early smile of summer day.
The peasant, to his labour bound,
Pauses to view the blacken'd mound,
Striving, amid the ruin'd space,
Each well-remember'd spot to trace.
That length of frail and fire-scorch'd wall
Once screen'd the hospitable hall;
When yonder broken arch was whole,
‘Twas there was dealt the weekly dole;
And where yon tottering columns nod,
The chapel sent the hymn to God.
So flits the world's uncertain span
Nor zeal for God, nor love for man,
Gives mortal monuments a date
Beyond the power of Time and Fate.
The towers must share the builder's doom;
Ruin is theirs, and his a tomb:
But better boon benignant Heaven
To Faith and Charity has given,
And bids the Christian hope sublime
Transcend the bounds of Fate and Time.

II.
Now the third night of summer came,
Since that which witness'd Rokeby's flame.
On Brignall cliffs and Scargill brake
The owlet's homilies awake,
The bittern scream'd from rush and flag,
The raven slumber'd on his crag,
Forth from his den the otter drew,
Grayling and trout their tyrant knew,
As between reed and sedge he peers,
With fierce round snout and sharpen'd ears
Or, prowling by the moonbeam cool,

[...] Read more

poem by Sir Walter Scott
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Aspects Of Robinson

Robinson at cards at the Algonquin; a thin
Blue light comes down once more outside the blinds.
Gray men in overcoats are ghosts blown past the door.
The taxis streak the avenues with yellow, orange, and red.
This is Grand Central, Mr. Robinson.

Robinson on a roof above the Heights; the boats
Mourn like the lost. Water is slate, far down.
Through sounds of ice cubes dropped in glass, an osteopath,
Dressed for the links, describes an old Intourist tour.
—Here’s where old Gibbons jumped from, Robinson.

Robinson walking in the Park, admiring the elephant.
Robinson buying the Tribune, Robinson buying the Times. Robinson
Saying, “Hello. Yes, this is Robinson. Sunday
At five? I’d love to. Pretty well. And you?”
Robinson alone at Longchamps, staring at the wall.

Robinson afraid, drunk, sobbing Robinson
In bed with a Mrs. Morse. Robinson at home;
Decisions: Toynbee or luminol? Where the sun
Shines, Robinson in flowered trunks, eyes toward
The breakers. Where the night ends, Robinson in East Side bars.

Robinson in Glen plaid jacket, Scotch-grain shoes,
Black four-in-hand and oxford button-down,
The jeweled and silent watch that winds itself, the brief-
Case, covert topcoat, clothes for spring, all covering
His sad and usual heart, dry as a winter leaf.

poem by Weldon Kees
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Skinny Boy

Ow
Yeah, yeah
When I was a young skinny boy
My mama said to me
The world out there is hard and dirty
Mean as it wants to be
I know theres gonna be times when youre down and out
So listen now kid
Listen now son
Ill tell you what its all about
You gotta try to keep your head above the water
Thats what my mama told me
You gotta try to keep a step ahead of time
And even though you do some things you shouldnt ought to
Shouldnt ought to
If you love your brothers love will come back to you
Lovell come back to you
Lovell come back to you
Lovell come back to you
Lived my life in so many ways
To find out who I am
Times approaching
I really can say
Truly I understand
Got more livin to do for myself
To run along now
Play along later
Stay up by the shelf
Sing it girls
Gotta try to keep your head above the water
Yes you do yes you do
You gotta try to keep a step ahead of time
Even though you do some things you shouldnt ought to
If you love your sisters, love will come back to you
Lovell come back to you
Lovell come back to you
All the world is turnin slow
Slowly it will die
But that is something I never will see
I dont know why
Tryin to take the world the best I can
Write a bit now
Love a bit later
Stand up like a man
Hey, hey
Gotta try to keep your head above the water
Yes you do yes you do yes you do
Gotta try to keep a step ahead of time
Even though you do some things you shouldnt ought to
Love your brothers and sisters, lovell come back to you

[...] Read more

song performed by Chicago
Added by Lucian Velea
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The Oil from Bill Shane

I got the oil: too right. A cove called Shane.
Yes; ole Bill Shane. You've 'eard of 'im, of course.
Big racin' 'ead. There's no need to explain
The things he don't know about a 'orse.
Good ole Bill Shane. They say he's made a pile
At puntin'. Shrewd! I wis I 'ad 'is brain.
An' does 'e know the game? Well, I should smile.
They can't put nothin' over ole Bill Shane.

Yes; Shane, Bill Shane ... Aw, listen, lad. Wake up!
Why everybody's 'eard of ole Bill Shane.
They say he made ten thousan' on the Cup
Last year, an' now he's got the oil again.
Wot? Owner? Trainer? Nah! Who 'eeds their guff?
Bill's a big racin' man - a punter. See?
Top dog. I alwiz sez wot's good enough
For ole Bill Shane is good enough for me.

Yes; he gave me the oil. I got it straight
Well, nearly straight. Of course, I've never spoke
To Bill 'imself direck. I got a mate
Wot knows a bloke wot knows another bloke
Wot's frien's with Shane, an' so - you un'erstand.
Wot? me give you the tip? Aw, take a walk!
Yeh think I'd do a thing so under'and?
Bill Shane would kill me if I was to talk.

Well, listen ... Now, for gosh sake, keep it dark.
An' don't let no one know it came from Shane.
Keep it strick secret. I would be a nark
To let you chuck yer money down the drain ...
Wazzat you said? He's scratched? 'Ere! Lemme look!
Scratched! Ain't that noos to knock a man clean out?
I alwiz said this puntin' game was crook ...
Who? Shane? Aw, I dunno. Some racin' tout.

poem by Clarence Michael James Stanislaus Dennis
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The Iliad: Book 3

When the companies were thus arrayed, each under its own captain,
the Trojans advanced as a flight of wild fowl or cranes that scream
overhead when rain and winter drive them over the flowing waters of
Oceanus to bring death and destruction on the Pygmies, and they
wrangle in the air as they fly; but the Achaeans marched silently,
in high heart, and minded to stand by one another.
As when the south wind spreads a curtain of mist upon the mountain
tops, bad for shepherds but better than night for thieves, and a man
can see no further than he can throw a stone, even so rose the dust
from under their feet as they made all speed over the plain.
When they were close up with one another, Alexandrus came forward as
champion on the Trojan side. On his shoulders he bore the skin of a
panther, his bow, and his sword, and he brandished two spears shod
with bronze as a challenge to the bravest of the Achaeans to meet
him in single fight. Menelaus saw him thus stride out before the
ranks, and was glad as a hungry lion that lights on the carcase of
some goat or horned stag, and devours it there and then, though dogs
and youths set upon him. Even thus was Menelaus glad when his eyes
caught sight of Alexandrus, for he deemed that now he should be
revenged. He sprang, therefore, from his chariot, clad in his suit
of armour.
Alexandrus quailed as he saw Menelaus come forward, and shrank in
fear of his life under cover of his men. As one who starts back
affrighted, trembling and pale, when he comes suddenly upon a
serpent in some mountain glade, even so did Alexandrus plunge into the
throng of Trojan warriors, terror-stricken at the sight of the son
Atreus.
Then Hector upbraided him. "Paris," said he, "evil-hearted Paris,
fair to see, but woman-mad, and false of tongue, would that you had
never been born, or that you had died unwed. Better so, than live to
be disgraced and looked askance at. Will not the Achaeans mock at us
and say that we have sent one to champion us who is fair to see but
who has neither wit nor courage? Did you not, such as you are, get
your following together and sail beyond the seas? Did you not from
your a far country carry off a lovely woman wedded among a people of
warriors- to bring sorrow upon your father, your city, and your
whole country, but joy to your enemies, and hang-dog shamefacedness to
yourself? And now can you not dare face Menelaus and learn what manner
of man he is whose wife you have stolen? Where indeed would be your
lyre and your love-tricks, your comely locks and your fair favour,
when you were lying in the dust before him? The Trojans are a
weak-kneed people, or ere this you would have had a shirt of stones
for the wrongs you have done them."
And Alexandrus answered, "Hector, your rebuke is just. You are
hard as the axe which a shipwright wields at his work, and cleaves the
timber to his liking. As the axe in his hand, so keen is the edge of
your scorn. Still, taunt me not with the gifts that golden Venus has
given me; they are precious; let not a man disdain them, for the
gods give them where they are minded, and none can have them for the
asking. If you would have me do battle with Menelaus, bid the

[...] Read more

poem by Homer, translated by Samuel Butler
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Hey Hey Helen

So at last youre free
Its the way you wanted it to be
And the price you pay
To become a woman of today
Is it worth the pain to see the children cry
Does it hurt when they ask for daddy
Hey hey helen
Now you live on your own
Hey hey helen
Can you make it alone
(yes you can)
So youre free at last
And beginning to forget the past
Does it make you sad
When you think about the life you ha-ha-had
But youre right, you had to take a second chance
So you fight to find your freedom
Hey hey helen
Now you live on your own
Hey hey helen
Can you make it alone
Hey hey helen (hey hey helen)
Whats the matter with you
Hey hey helen (hey hey helen)
Dont you know what to do
(yes you do)
(ahah, yes you do yes you do)
(ahah, yes you do yes you do)
Hey hey helen
Now you live on your own
Hey hey helen
Can you make it alone
Hey hey helen (hey hey helen)
Whats the matter with you
Hey hey helen (hey hey helen)
Dont you know what to do
Hey hey helen (hey hey helen)
Now you live on your own
Hey hey helen (hey hey helen)
(fade)

song performed by ABBA
Added by Lucian Velea
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Lord William

No eye beheld when William plunged
Young Edmund in the stream,
No human ear but William's heard
Young Edmund's drowning scream.

Submissive all the vassals own'd
The murderer for their Lord,
And he, the rightful heir, possessed
The house of Erlingford.

The ancient house of Erlingford
Stood midst a fair domain,
And Severn's ample waters near
Roll'd through the fertile plain.

And often the way-faring man
Would love to linger there,
Forgetful of his onward road
To gaze on scenes so fair.

But never could Lord William dare
To gaze on Severn's stream;
In every wind that swept its waves
He heard young Edmund scream.

In vain at midnight's silent hour
Sleep closed the murderer's eyes,
In every dream the murderer saw
Young Edmund's form arise.

In vain by restless conscience driven
Lord William left his home,
Far from the scenes that saw his guilt,
In pilgrimage to roam.

To other climes the pilgrim fled,
But could not fly despair,
He sought his home again, but peace
Was still a stranger there.

Each hour was tedious long, yet swift
The months appear'd to roll;
And now the day return'd that shook
With terror William's soul.

A day that William never felt
Return without dismay,
For well had conscience kalendered
Young Edmund's dying day.

[...] Read more

poem by Robert Southey
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Helen of Troy

A mythological beauty, she had been;
A legendary beauty, she had grown.
Who is it other than Helen of Troy,
The epitome of seductive beauty?

A symbol of man’s erotic desires,
From the other women, Helen differs
In that she never employed her charms
To gain power of self-aggrandizement.

Her era dates back to fifth century B.C.
The fairest of women had been the one
Whom all women should hate and yet envy,
And all men should fear and yet desire.

No wonder, men were captive of her charm,
But not was she captive of any man..
She had admirers; none did she admire.
Her fairness deserved more than what she got.

A puppet she was in the heavenly battle,
Where Greek Gods and Goddesses had sported.
As such, she must be absolved of the taints
She was attached with, sadistically.

Helen was the daughter of Zeus and Leda,
The Greek God and Goddess. Born of an egg,
And brought up by a shepherd, she became
The prince of Sparta, a kingdom’f the Greek.

At her age ten, Helen was kidnapped
By an Athenian Hero for her charm
And was, however, brought back unscathed
By her brother; so famous she became.

At Helen’s wedding, numerous suitors
From far and wide came to claim her fair hand.
They were made to swear an oath to defend
The chosen husband in the event of

A rival attempting to abduct Helen,
The beauty who bred danger where she trod.
The oath assumed a greater importance
In the development of the Trojan War.

Helen was married to Menelaus,
A warrior, on his highest offerings.
On king’s death, he became the king of Sparta.
Helen bore a daughter; nine years rolled.

[...] Read more

poem by Rm. Shanmugam Chettiar
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