Blackthorn
Cast: Sam Shepard, Eduardo Noriega, Stephen Rea, Magaly Solier, Dominique McElligott, Nikolaj Coster-Waldau, Padraic Delaney
trailer for Blackthorn, directed by Mateo Gil, screenplay by Miguel Barros (2011)
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Every Christian Lion Hearted Man Will Show You
Oh solo Dominique
Oh solo Dominique
Oh solo Dominique
Oh solo Dominique
Take this in hand
Said he who stands
Behind the chair
A broken table there
Every Christian lion hearted man will show you
Every Christian lion hearted man will show you
Oh solo Dominique
Oh solo Dominique
Oh solo Dominique
Oh solo Dominique
Don't walk so tall
Before you crawl
For every child
Is thinking of something wild
Every Christian lion hearted man will show you
Every Christian lion hearted man will show you
Oh solo Dominique
Oh solo Dominique
Oh solo Dominique
Every Christian lion hearted man will show you
Every Christian lion hearted man will show you (will show you)
Oh solo Dominique
Oh solo Dominique
Oh solo Dominique
song performed by Bee Gees from Bee Gees 1st
Added by Lucian Velea
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De Stove Pipe Hole
Dat's very cole an' stormy night on Village St. Mathieu,
W'en ev'ry wan he's go couché, an' dog was quiet, too--
Young Dominique is start heem out see Emmeline Gourdon,
Was leevin' on her fader's place, Maxime de Forgeron.
Poor Dominique he's lak dat girl, an' love her mos' de tam,
An' she was mak' de promise--sure--some day she be his famme,
But she have worse ole fader dat's never on de worl',
Was swear onless he's riche lak diable, no feller's get hees girl.
He's mak' it plaintee fuss about hees daughter Emmeline,
Dat's mebbe nice girl, too, but den, Mon Dieu, she's not de queen!
An' w'en de young man's come aroun' for spark it on de door,
An' hear de ole man swear 'Bapteme!' he's never come no more.
Young Dominique he's sam' de res',--was scare for ole Maxime,
He don't lak risk hese'f too moche for chances seein' heem,
Dat's only stormy night he come, so dark you cannot see,
An dat's de reason w'y also, he's climb de gallerie.
De girl she's waitin' dere for heem--don't care about de rain,
So glad for see young Dominique he's comin' back again,
Dey bote forget de ole Maxime, an' mak de embrasser
An affer dey was finish dat, poor Dominique is say--
'Good-bye, dear Emmeline, good-bye; I'm goin' very soon,
For you I got no better chance, dan feller on de moon--
It's all de fault your fader, too, dat I be go away,
He's got no use for me at all--I see dat ev'ry day.
'He's never meet me on de road but he is say 'Sapré!'
An' if he ketch me on de house I'm scare he's killin' me,
So I mus' lef' ole St. Mathieu, for work on 'noder place,
An' till I mak de beeg for-tune, you never see ma face.'
Den Emmeline say 'Dominique, ma love you'll alway be
An' if you kiss me two, t'ree tam I'll not tole noboddy--
But prenez garde ma fader, please, I know he's gettin ole--
All sam' he offen walk de house upon de stockin' sole.
'Good-bye, good-bye, cher Dominique! I know you will be true,
I don't want no riche feller me, ma heart she go wit' you.'
Dat's very quick he's kiss her den, before de fader come,
But don't get too moche pleasurement--so 'fraid de ole Bonhomme.
Wall! jus' about dey're half way t'roo wit all dat love beez-nesse
Emmeline say, 'Dominique, w'at for you're scare lak all de res?
Don't see mese'f moche danger now de ole man come aroun','
W'en minute affer dat, dere's noise, lak' house she's fallin' down.
[...] Read more
poem by William Henry Drummond
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Ready Teddy
(words & music by blackwell - marascaleo)
Ready set go man go
I got a gal that I love so
Im rea-dy rea-dy rea-dy teddy
Im rea-dy rea-dy rea-dy teddy
Im rea-dy rea-dy rea-dy teddy
Rea-dy rea-dy rea-dy to
Rocknroll
Going down to the corner
Pick up my sweetie pie
Shes my rocknroll baby
Shes the apple of my eye, cause
Flat top cats and the dungaree dolls
Are headed for the gym to the sock hop ball
The joint is really jumping
The cats are going wild
The music really sends me
I dig that crazy style cause
Gonna kick off my shoes
Roll up my faded jeans
Grab my rocknroll baby
Pour on the steam
I shuffle to the left
I shuffle to the right
Im gonna rocknroll
Till the early early night cause
song performed by Elvis Presley
Added by Lucian Velea
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Tale XXI
The Learned Boy
An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and
hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'
[...] Read more
poem by George Crabbe
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King Stephen
A FRAGMENT OF A TRAGEDY
ACT I.
SCENE I. Field of Battle.
Alarum. Enter King STEPHEN, Knights, and Soldiers.
Stephen. If shame can on a soldier's vein-swoll’n front
Spread deeper crimson than the battle's toil,
Blush in your casing helmets! for see, see!
Yonder my chivalry, my pride of war,
Wrench'd with an iron hand from firm array,
Are routed loose about the plashy meads,
Of honour forfeit. O that my known voice
Could reach your dastard ears, and fright you more!
Fly, cowards, fly! Glocester is at your backs!
Throw your slack bridles o'er the flurried manes,
Ply well the rowel with faint trembling heels,
Scampering to death at last!
First Knight. The enemy
Bears his flaunt standard close upon their rear.
Second Knight. Sure of a bloody prey, seeing the fens
Will swamp them girth-deep.
Stephen. Over head and ears,
No matter! 'Tis a gallant enemy;
How like a comet he goes streaming on.
But we must plague him in the flank, hey, friends?
We are well breathed, follow!
Enter Earl BALDWIN and Soldiers, as defeated.
Stephen. De Redvers!
What is the monstrous bugbear that can fright
Baldwin?
Baldwin. No scare-crow, but the fortunate star
Of boisterous Chester, whose fell truncheon now
Points level to the goal of victory.
This way he comes, and if you would maintain
Your person unaffronted by vile odds,
Take horse, my Lord.
Stephen. And which way spur for life?
Now I thank Heaven I am in the toils,
That soldiers may bear witness how my arm
Can burst the meshes. Not the eagle more
Loves to beat up against a tyrannous blast,
Than I to meet the torrent of my foes.
This is a brag, be 't so, but if I fall,
Carve it upon my 'scutcheon'd sepulchre.
On, fellow soldiers! Earl of Redvers, back!
Not twenty Earls of Chester shall brow-beat
The diadem. [Exeunt. Alarum.
SCENE II. Another part of the Field.
Trumpets sounding a Victory. Enter GLOCESTER. Knights, and Forces.
[...] Read more
poem by John Keats
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Es Ist Nie Vorbei
Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:
We've come a long way
It's been a rough ride
Tell me why all the good things has to come to an end
We've left no stone unturned
Tell me what
How will i miss you already waiting for your return
Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:
[...] Read more
song performed by E-type
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Sam
(john farrar/hank marvin/don black)
I heard that youre on your own now
So am i
Im living alone now
I was wrong
So were you
What will you do?
Are you glad to be free?
Are you feeling lost just like me?
Longing for company
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
I find the days hard to face now
Empty rooms
Theres much too much space now
And the nights go so slow
Im sure you know
Wish I knew what to do
It would be so nice seeing you
And it might help you too
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
Oh sam, you know where I am
Oh sam, ooh sam
You know, you know
You know where I am
song performed by Olivia Newton-John
Added by Lucian Velea
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The Rivals
Look heah! Is I evah tole you 'bout de curious way I won
Anna Liza? Say, I nevah? Well heah's how de thing wuz done.
Lize, you know, wuz mighty purty —dat's been forty yeahs ago —
'N 'cos to look at her dis minit, you might'n spose dat it wuz so.
She wuz jes de greates' 'traction in de county, 'n bless de lam'!
Eveh darkey wuz a-co'tin, but it lay 'twix me an' Sam.
You know Sam. We both wuz wukin' on de ole John Tompkin's place.
'N evehbody wuz a-watchin' t' see who's gwine to win de race.
Hee! hee! hee! Now you mus' raley 'scuse me fu' dis snickering,
But I jes can't he'p f'om laffin' eveh time I tells dis thing.
Ez I wuz a-sayin', me an' Sam wuked daily side by side,
He a-studyin', me a-studyin', how to win Lize fu' a bride.
Well, de race was kinder equal. Lize wuz sorter on de fence;
Sam he had de mostes dollars, an' I had de mostes sense.
Things dey run along 'bout eben tel der come Big Meetin' day;
Sam den thought, to win Miss Liza, he had foun' de shoest way.
An' you talk about big meetin's! None been like it 'fore nor sence;
Der wuz sich a crowd o' people dat we had to put up tents.
Der wuz preachers f'om de Eas', an' 'der wuz preachers f'om de Wes';
Folks had kilt mos' eveh chicken, an' wuz fattenin' up de res'.
Gals had all got new w'ite dresses, an' bought ribbens fu' der hair,
Fixin' fu' de openin' Sunday, prayin' dat de day'd be fair.
Dat de Reveren' Jasper Jones of Mount Moriah, it wuz 'low'd,
Wuz to preach de openin' sermon; so you know der wuz a crowd.
Fu' dat man wuz sho a preacher; had a voice jes like a bull;
So der ain't no use in sayin' dat de meetin' house wuz full.
Folks wuz der f'om Big Pine Hollow, some come 'way f'om Muddy Creek,
Some come jes to stay fu' Sunday, but de crowd stay'd thoo de week.
Some come ridin' in top-buggies wid de w'eels all painted red,
Pulled by mules dat run like rabbits, each one tryin' to git ahead.
Othah po'rer folks come drivin' mules dat leaned up 'ginst de shaf',
Hitched to broke-down, creaky wagons dat looked like dey'd drap in half.
But de bigges' crowd come walkin', wid der new shoes on der backs;
'Scuse wuz dat dey couldn't weah em 'cause de heels wuz full o' tacks.
[...] Read more
poem by James Weldon Johnson
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Uncle Sam
Here they come again hop scotching up to my door
One by one again knockety knock knocking upon my floor
Swinging on my gate they gain entry by the yard
Pulling at my hair they scream paint your thoughts upon my card
But not tonight Ive got studies to examine
Tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time he gives me things to do
cause hes a wonderful man
But Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
To be with my uncle sam
Silly little sniggers from the women liberators
But Ill stand and hold my post
Polished buttons and erect Ill raise the flag
Ill show those women whos the most
But not tonight Ive got studies to examine
Tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time, gives me things to do
Hes a wonderful man
But Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
But not tonight Ive got studies to examine
Tomorrow ah ah ah
And tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time he gives me things to do
cause hes a wonderful man
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
song performed by Madness
Added by Lucian Velea
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Three Ha'Pence a Foot
I'll tell you an old-fashioned story
That Grandfather used to relate,
Of a joiner and building contractor;
'Is name, it were Sam Oglethwaite.
In a shop on the banks of the Irwell,
Old Sam used to follow 'is trade,
In a place you'll have 'eard of, called Bury;
You know, where black puddings is made.
One day, Sam were filling a knot 'ole
Wi' putty, when in thro' the door
Came an old feller fair wreathed wi' whiskers;
T'ould chap said 'Good morning, I'm Noah.'
Sam asked Noah what was 'is business,
And t'ould chap went on to remark,
That not liking the look of the weather,
'E were thinking of building an Ark.
'E'd gotten the wood for the bulwarks,
And all t'other shipbuilding junk,
And wanted some nice Bird's Eye Maple
To panel the side of 'is bunk.
Now Maple were Sam's Monopoly;
That means it were all 'is to cut,
And nobody else 'adn't got none;
So 'e asked Noah three ha'pence a foot.
'A ha'penny too much,' replied Noah
'A Penny a foot's more the mark;
A penny a foot, and when t'rain comes,
I'll give you a ride in me Ark.'
But neither would budge in the bargain;
The whole daft thing were kind of a jam,
So Sam put 'is tongue out at Noah,
And Noah made 'Long Bacon ' at Sam
In wrath and ill-feeling they parted,
Not knowing when they'd meet again,
And Sam had forgot all about it,
'Til one day it started to rain.
It rained and it rained for a fortni't,
And flooded the 'ole countryside.
It rained and it kept' on raining,
'Til the Irwell were fifty mile wide.
The 'ouses were soon under water,
[...] Read more
poem by Marriott Edgar
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Hello, my name is Sarah
My name is Sarah
I am the one who is not
Who never is
These are the hands for my embraces
Mutilated in emptiness
Husked in the rings at twilight I take off
And throw into the dark.
They are writing a history of a plastic toy
Buried in the tombs of childhood
That never grew towards a cradle.
My name is Sarah
I am the one who is trying to be
These are the feet for my steps.
Frozen in the paths
Tied by tinkling jewelerry
At twilight I take off
And throw into the dark.
They walk the streets that there are no more
The streets trodden by mere silhouettes of paths
They go down the wells
To strangle in them
A swimming hope for the end.
My name is Sarah.
I am the one who wants.
This is the neck for your hands.
Slightly touch.
It's tied in thousands of necklaces
At twilight I take off
And throw into the dark.
The darkness greedily eats
The circles I push the dreams into
I let it touch.
It's all right.
My name is Sarah.
I am the one who does not consent.
This is the hair for my plaits.
The silver ribbons
And shiny pearls at twilight I take off
And throw it into the dark.
It's all right.
I have broken all the rules
I have broken cliches
Magic circles
I tore the pages
[...] Read more
poem by Miroslava Odalovic
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Zdravo, Moje Ime Je Sara
Moje ime je Sara.
Ja sam ona koja nisam,
koja nikada nisam.
Ovo su ruke za moje zagrljaje.
Osakacene prazninom.
Okrunjene u prstenju koje sumrakom skidam
i u tmine bacam.
One pisu istoriju plasticne igracke
sahranjene u grobovima djetinjstva
koje nije doraslo do kolijevke.
Zovem se Sara.
Ja sam ona koja pokusava da bude.
Ovo su stopala za moje korake.
Ukocene putevima.
Vezana zveketavim nakitom
koji sumrakom skidam i u tmine bacam.
Ona hodaju nepostojecim ulicama
kojima gaze jos samo prividi staza.
Silaze u bunare
da u njima udave
proplivalu nadu za kraj.
Moje ime je Sara.
Ja sam ona koja bi htjela.
Ovo je vrat za vase ruke.
Dotaknite lagano.
Vezan je hiljadama lancica
koje sumrakom skidam
i u tmine bacam.
Ona jedu halapljivo,
krugove u koje sazimam snove
dozvoljavam da dira.
Neka je.
Zovem se Sara.
Ja sam ona koja ne pristaje.
Ovo je kosa za moje pletenice.
U njima trake od srebra
i bisere sjajne sumrakom skidam
i u tmine bacam. Neka ih.
[...] Read more
poem by Miroslava Odalovic
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Diplomatist
I live on Canada en Bas —
De fines' lan' you see —
An' Oncle Sam, a fr'en of mine,
He live nex' door to me.
Now, long tam' Sam an' me mak' trade,
W'enever that we meet,
An' Sam, he drive de bargain hard,
Sometime bigarre! he sheat.
I not say mooch about it, me,
I never t'ink no harm
Before I fin' mon Oncle Sam
He wan' my little farm.
An' w'en I not to heem will give
De lan' my fader hown,
Den Sam get mad an' say to me,
'I'll play my hand alone.
You kip away; I not will trade,
Don' come my place about!'
Ah! den I see hees leetle game
Was w'at you call 'freeze-hout.'
Mais, I can stan' de fros', for hice
To me is not'ing new;
Sir John mak' freeze agains' de Yanks —
See if dey lak' it, too.
But w'en Sir John t'row up his han'
An' die, 'twas change indeed;
No par'ner lef' could follow up
De fin' ole chieftain's lead.
An' de Canadian peup' was tire,
For dey was not mooch please
For pay big price for jus' to nurse
Les enfants industries.
Dey say, 'We wan' to buy our t'ing
On some mooch sheaper shop,
Dose enfants industries are sure
Long tam' for growing hup.'
For eighteen year dey pull l'argent
From bottom of de purse,
We t'ink it ees long tam' enough
For dem to be on nurse.
[...] Read more
poem by Alexander MacGregor Rose
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Sir Wilfrid Laurier -- Diplomatist
I live on Canada en Bas --
De fines' lan' you see --
An' Oncle Sam, a fr'en of mine,
He live nex' door to me.
Now, long tam' Sam an' me mak' trade,
W'enever that we meet,
An' Sam, he drive de bargain hard,
Sometime bigarre! he sheat.
I not say mooch about it, me,
I never t'ink no harm
Before I fin' mon Oncle Sam
He wan' my little farm.
An' w'en I not to heem will give
De lan' my fader hown,
Den Sam get mad an' say to me,
"I'll play my hand alone.
You kip away; I not will trade,
Don' come my place about!"
Ah! den I see hees leetle game
Was w'at you call "freeze-hout."
Mais, I can stan' de fros', for hice
To me is not'ing new;
Sir John mak' freeze agains' de Yanks --
See if dey lak' it, too.
But w'en Sir John t'row up his han'
An' die, 'twas change indeed;
No par'ner lef' could follow up
De fin' ole chieftain's lead.
An' de Canadian peup' was tire,
For dey was not mooch please
For pay big price for jus' to nurse
Les enfants industries.
Dey say, "We wan' to buy our t'ing
On some mooch sheaper shop,
Dose enfants industries are sure
Long tam' for growing hup."
For eighteen year dey pull l'argent
From bottom of de purse,
We t'ink it ees long tam' enough
For dem to be on nurse.
[...] Read more
poem by Alexander MacGregor Rose
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Marksman Sam
When Sam Small joined the regiment,
'E were no' but a raw recruit,
And they marched 'im away one wint'ry day,
'Is musket course to shoot.
They woke 'im up at the crack o' dawn,
Wi' many a nudge and shake,
'E were dreaming that t' Sergeant 'ad broke 'is neck,
And 'e didn't want to wake.
Lieutenant Bird came on parade,
And chided the lads for mooning,
'E talked in a voice like a pound o' plums,
'Is tonsils needed pruning.
"Move to the right by fours," he said,
Crisp like but most severe,
But Sam didn't know 'is right from 'is left,
So pretended 'e didn't 'ear.
Said Lieutenant, "Sergeant, take this man's name."
The Sergeant took out 'is pencil,
'E were getting ashamed o' taking Sam's name,
And were thinking o' cutting a stencil.
Sam carried a musket, a knapsack and coat,
Spare boots that 'e'd managed to wangle,
A 'atchet, a spade... in fact, as Sam said,
'E'd got everything bar t'kitchen mangle.
"March easy men," Lieutenant cried,
As the musket range grew near,
"March easy me blushing Aunt Fanny," said Sam,
"What a chance with all this 'ere."
When they told 'im to fire at five 'undred yards,
Sam nearly 'ad a fit,
For a six foot wall, or the Albert 'All,
Were all 'e were likely to 'it.
'E'd fitted a cork in 'is musket end,
To keep 'is powder dry,
And 'e didn't remember to take it out,
The first time 'e let fly.
'Is gun went off with a kind o' pop,
Where 'is bullet went no-one knew,
But next day they spoke of a tinker's moke,
Being killed by a cork... in Crewe.
[...] Read more
poem by Marriott Edgar
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Sam's Christmas Pudding
It was Christmas Day in the trenches
In Spain in Penninsular War,
And Sam Small were cleaning his musket
A thing as he'd ne're done before.
They'd had 'em inspected that morning
And Sam had got into disgrace,
For when sergeant had looked down the barrel
A sparrow flew out in his face.
The sergeant reported the matter
To Lieutenant Bird then and there.
Said Lieutenant 'How very disgusting'
The Duke must be told of this 'ere.'
The Duke were upset when he heard
He said, 'I'm astonished, I am.
I must make a most drastic example
There'll be no Christmas pudding for Sam.'
When Sam were informed of his sentence
Surprise, rooted him to the spot.
'Twas much worse than he had expected,
He though as he'd only be shot.
And so he sat cleaning his musket
And polishing barrel and butt.
While the pudding his mother had sent him,
Lay there in the mud at his foot.
Now the centre that Sam's lot were holding
Ran around a place called Badajoz.
Where the Spaniards had put up a bastion
And ooh...! what a bastion it was.
They pounded away all the morning
With canister, grape shot and ball.
But the face of the bastion defied them,
They made no impression at all.
They started again after dinner
Bombarding as hard as they could.
And the Duke brought his own private cannon
But that weren't a ha'pence o' good.
The Duke said, 'Sam, put down thy musket
And help me lay this gun true.'
Sam answered, 'You'd best ask your favours
From them as you give pudding to.'
[...] Read more
poem by Marriott Edgar
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Tough cat Sam is back
Tough cat Sam is making a comeback
he's out running and getting fit
but Jess reckons he's gone crazy
because he's getting on a bit.
A tough young moggy called Spike
has proclaimed that he's the best ever
he's also been bad mouthing Sam
saying that he's thick and not very clever.
So an angry Sam has said yes to a fight
but Spike has said he's going to lose
but Sam has got back into shape
due to his training and cutting out the booze.
The feline boxing world got really excited
and all the tickets quickly sold out
but Spike continued to taunt tough Sam
calling him an old cat and a washed up lout.
Spike was a stocky built Persian
and caught Sam with a fast uppercut
Sam replied with a flurry of jabs
and gave Spike a crafty headbutt.
The fight went on for ten bloody rounds
both cats were out on their feet
Spike tried hard to win the battle
but tough Sam just wouldn't get beat.
Then Sam threw over a mighty right hook
and Spike went out like a light
Sam was the champion once more
which meant he had never lost a fight.
Young Spike was no longer brash and cocky
and accepted that Sam was simply the best
so Sam put his winners cheque in the bank
and went home to Jess for a nice long rest!
poem by Kevin Halls
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The Great Conch Train Robbery
'Twas sunset down in old Key West
The locals all were high.
The tourists snapped their photographs
And munched their Key Lime pie.
And meanwhile down at Sloppy Joe's
The drinks were standin' tall
With Buffett on the jukebox
And Hemingway on the wall.
Then up spoke Sam the Shrimper:
He said, 'I've been a shrimper all my life.
My daddy was a shrimper
And my mom's a shrimper's wife.
And I'm tired of bein' a shrimper
Cuz a shrimper's life's too tame
So I'm gonna ride the Conch Train, boys,
And be like Jesse James.
Gonna be like Jesse James, boy...
Gonna be like Jesse James.
Case you didn't hear me the first three times...
Gonna be like Jesse James.'
Now the Conch Train is a tourist toy
That rolls through Key West Town
Like some weird ride from Disneyland
It drives the tourists round and round
While the engineer on her P.A.
Points out all the sites
'Well, Tennessee did you-know-what
To you-know-who that night.'
'The tourists all have money', said Sam
'Their wives all have rings of gold.
Their mopeds all are pawnable.
Their cameras can be sold.
And think of all the glory, boys,
The money and the fame
To be the first and only man
To rob the Key West Train.'
Now the engineer of the Conch Train
Her name was Betsy Wright.
She drove the Conch Train all day long
And loved Shrimper Sam all night.
And with some sweet persuasion,
She agreed to join the game:
She'd slow it down and flag the lad
And let him ride the train.
The conch train made its turn
[...] Read more
poem by Sheldon Allan Silverstein
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Shadow Hawk episode 3
[Angela’s House] Tuesday Nov 25 9: 23 am
[Angela and her mom are conversating in living room with Sam lying on couch unconscience]
Angela: He’s been out for about four days now
Mom: Who is he?
Angela: I think his name is Sam
Mom: (Places hands on hips) You think! ?
Angela: Mom I found him in the street, he was hurt.
Mom: (outraged) In the street! Angela you don’t know this boy.
Angela: I had to bring him here he was badly wounded. Plus I’m a CN.
Mom: Angela you know your father would be upset. He’s been gone to a business trip in Tokyo for two weeks and He’ll want to sit on his new leather couch.
Angela: I returned the favor.
Mom: What favor? Did you have se……..
Angela: No, he saved my life!
Mom: What?
Angela: (begins to cry) Three men chased me down the street into an alley they were going to mug me or worse. He came to my aide, and even gave me dinner.
Mom: (Embraces Angela and starts crying) I’m glad your alright.
Angela: He saved me mom.
Mom: Well I couldn’t have chosen a better boy to stay in my house. (smiles warmly)
Angela: Thanks for understanding.
Mom: He looks so cute when he’s sleeping.
Angela: I know mom, he looks like a little teddy bear. (they both giggle)
(door bell rings)
Mom: That’s your dad, let me do the talking.
(Opens door)
Dad: Hey honey I’m home.
Mom: I’ve missed you so much. (they kiss)
Dad: So how’s my little angel doing?
Angela: Fine dad. (smiles)
Dad: Well I guess I’ll go watch tv on my new leather couch.
Mom: You know it’s been two weeks Roger mabey we should go up stairs and “talk”.
Dad: Not right now Sarah, I’m tired. (advances towards living room)
Mom: Roger let me give you a back message up stairs.
Dad: No, Sarah.
Angela: You look tired dad why don’t you take a nap.
Dad: I will once I watch a little……. Who the heck is that on my $2,000 couch! ! !
Mom: Calm down Roger.
Dad: There’s blood on my new couch! ! ! !
Angela: Let me explain.
Dad: Yes Angela explain to me why there is some random boy in my house lying on my couch which is blood stained at that!
Mom: The boy was hurt Roger she had to bring him her.
Dad: And you knew about it Sarah?
Mom: Yes.
Dad: I thought we discussed this already!
Angela: He’s hurt dad.
Dad: Hurt! You want hurt I’ll give you hurt! (grabs baseball bat)
Mom: Don’t Roger put it d…….
Dad: Stay out of this Sarah! (goes to hit Sam)
Angela: (Throws herself on Sam) If you hit him you have to hit me too!
Dad: Move Angela.
Angela: No.
[...] Read more
poem by Jesse Overton
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Anti-heroine
I'd planned to be Heathcliff's Cathy,
Lady Brett, Nicole or Dominique or Scarlett O'Hara.
I hadn't planned to be folding up the laundry
In uncombed hair and last night's smudged mascara,
An expert on buying Fritos, cleaning the cat box,
Finding lost sneakers, playing hide and seek.
And other things unknown to Heathcliff's
Cathy, Scarlett, Lady Brett, and Dominique.
Why am I never running through the heather?
Why am I never used by Howard Roark?
Why am I never going to Pamplona
Instead of Philadelphia and Newark?
How did I ever wind up with an Irving
When what I'd always had in mind was Rhett,
Or someone more appropriate to
Cathy, Dominique, Nicole, or Lady Brett?
I saw myself as heedless, heartless, headstrong,
An untamed woman searching for her mate.
And there he is -- with charcoal, fork, and apron,
Prepared to broil some hot dogs on the grate.
I haven't wrecked his life or his digestion
With unrequited love or jealous wrath.
He Doesn't know that secretly
I'm Scarlett, Dominique, Nicole, or Brett, or Cathy.
Why am I never cracking up in Zurich?
Why am I never languishing on moors?
Why am I never spoiled by faithful servants
Instead of spraying ant spray on the floors?
The tricycles are cluttering my foyer,
The Pop Tart crumbs are sprinkled on my soul.
And every year it's harder to be
Cathy, Dominique, Brett, Scarlett, and Nicole.
poem by Judith Viorst
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