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Paranormal Activity 3

Cast: Katie Featherston, Sprague Grayden, Mark Fredrichs, Lauren Bittner

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Malcolm's Katie: A Love Story - Part III.

The great farm house of Malcolm Graem stood
Square shoulder'd and peak roof'd upon a hill,
With many windows looking everywhere;
So that no distant meadow might lie hid,
Nor corn-field hide its gold--nor lowing herd
Browse in far pastures, out of Malcolm's ken.
He lov'd to sit, grim, grey, and somewhat stern,
And thro' the smoke-clouds from his short clay pipe
Look out upon his riches; while his thoughts
Swung back and forth between the bleak, stern past,
And the near future, for his life had come
To that close balance, when, a pendulum,
The memory swings between me 'Then' and 'Now';
His seldom speech ran thus two diff'rent ways:
'When I was but a laddie, this I did';
Or, 'Katie, in the Fall I'll see to build
'Such fences or such sheds about the place;
'And next year, please the Lord, another barn.'
Katie's gay garden foam'd about the walls,
'Leagur'd the prim-cut modern sills, and rush'd
Up the stone walls--and broke on the peak'd roof.
And Katie's lawn was like a Poet's sward,
Velvet and sheer and di'monded with dew;
For such as win their wealth most aptly take
Smooth, urban ways and blend them with their own;
And Katie's dainty raiment was as fine
As the smooth, silken petals of the rose;
And her light feet, her nimble mind and voice,
In city schools had learn'd the city's ways,
And grafts upon the healthy, lonely vine
They shone, eternal blossoms 'mid the fruit.
For Katie had her sceptre in her hand
And wielded it right queenly there and here,
In dairy, store-room, kitchen--ev'ry spot
Where women's ways were needed on the place.
And Malcolm took her through his mighty fields,
And taught her lore about the change of crops;
And how to see a handsome furrow plough'd;
And how to choose the cattle for the mart;
And how to know a fair day's work when done;
And where to plant young orchards; for he said,
'God sent a lassie, but I need a son--
'Bethankit for His mercies all the same.'
And Katie, when he said it, thought of Max--
Who had been gone two winters and two springs,
And sigh'd, and thought, 'Would he not be your son?'
But all in silence, for she had too much
Of the firm will of Malcolm in her soul
To think of shaking that deep-rooted rock;
But hop'd the crystal current of his love

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Malcolm's Katie: A Love Story - Part VI.

'Who curseth Sorrow knows her not at all.
Dark matrix she, from which the human soul
Has its last birth; whence, with its misty thews,
Close-knitted in her blackness, issues out;
Strong for immortal toil up such great heights,
As crown o'er crown rise through Eternity,
Without the loud, deep clamour of her wail,
The iron of her hands; the biting brine
Of her black tears; the Soul but lightly built
of indeterminate spirit, like a mist
Would lapse to Chaos in soft, gilded dreams,
As mists fade in the gazing of the sun.
Sorrow, dark mother of the soul, arise!
Be crown'd with spheres where thy bless'd children dwell,
Who, but for thee, were not. No lesser seat
Be thine, thou Helper of the Universe,
Than planet on planet pil'd!--thou instrument,
Close-clasp'd within the great Creative Hand!'

* * * * *

The Land had put his ruddy gauntlet on,
Of Harvest gold, to dash in Famine's face.
And like a vintage wain, deep dy'd with juice,
The great moon falter'd up the ripe, blue sky,
Drawn by silver stars--like oxen white
And horn'd with rays of light--Down the rich land
Malcolm's small valleys, fill'd with grain, lip-high,
Lay round a lonely hill that fac'd the moon,
And caught the wine-kiss of its ruddy light.
A cusp'd, dark wood caught in its black embrace
The valleys and the hill, and from its wilds,
Spic'd with dark cedars, cried the Whip-poor-will.
A crane, belated, sail'd across the moon;
On the bright, small, close link'd lakes green islets lay,
Dusk knots of tangl'd vines, or maple boughs,
Or tuft'd cedars, boss'd upon the waves.
The gay, enamell'd children of the swamp
Roll'd a low bass to treble, tinkling notes
Of little streamlets leaping from the woods.
Close to old Malcolm's mills, two wooden jaws
Bit up the water on a sloping floor;
And here, in season, rush'd the great logs down,
To seek the river winding on its way.
In a green sheen, smooth as a Naiad's locks,
The water roll'd between the shudd'ring jaws--
Then on the river level roar'd and reel'd--
In ivory-arm'd conflict with itself.
'Look down,' said Alfred, 'Katie, look and see
'How that but pictures my mad heart to you.

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Malcolm's Katie: A Love Story - Part I.

Max plac'd a ring on little Katie's hand,
A silver ring that he had beaten out
From that same sacred coin--first well-priz'd wage
For boyish labour, kept thro' many years.
'See, Kate,' he said, 'I had no skill to shape
Two hearts fast bound together, so I grav'd
Just K. and M., for Katie and for Max.'
'But, look; you've run the lines in such a way,
That M. is part of K., and K. of M.,'
Said Katie, smiling. 'Did you mean it thus?
I like it better than the double hearts.'
'Well, well,' he said, 'but womankind is wise!
Yet tell me, dear, will such a prophecy
Not hurt you sometimes, when I am away?
Will you not seek, keen ey'd, for some small break
In those deep lines, to part the K. and M.
For you? Nay, Kate, look down amid the globes
Of those large lilies that our light canoe
Divides, and see within the polish'd pool
That small, rose face of yours,--so dear, so fair,--
A seed of love to cleave into a rock,
And bourgeon thence until the granite splits
Before its subtle strength. I being gone--
Poor soldier of the axe--to bloodless fields,
(Inglorious battles, whether lost or won).
That sixteen summer'd heart of yours may say:
''I but was budding, and I did not know
My core was crimson and my perfume sweet;
I did not know how choice a thing I am;
I had not seen the sun, and blind I sway'd
To a strong wind, and thought because I sway'd,
'Twas to the wooer of the perfect rose--
That strong, wild wind has swept beyond my ken--
The breeze I love sighs thro' my ruddy leaves.'
'O, words!' said Katie, blushing, 'only words!
You build them up that I may push them down;
If hearts are flow'rs, I know that flow'rs can root--
'Bud, blossom, die--all in the same lov'd soil;
They do so in my garden. I have made
Your heart my garden. If I am a bud
And only feel unfoldment--feebly stir
Within my leaves: wait patiently; some June,
I'll blush a full-blown rose, and queen it, dear,
In your lov'd garden. Tho' I be a bud,
My roots strike deep, and torn from that dear soil
Would shriek like mandrakes--those witch things I read
Of in your quaint old books. Are you content?'
'Yes--crescent-wise--but not to round, full moon.
Look at yon hill that rounds so gently up
From the wide lake; a lover king it looks,

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Paranormal Activity 3 [trailer 2]

Cast: Katie Featherston, Sprague Grayden, Mark Fredrichs, Lauren Bittner

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Katie

It may be through some foreign grace,
And unfamiliar charm of face;
It may be that across the foam
Which bore her from her childhood's home,
By some strange spell, my Katie brought,
Along with English creeds and thought --
Entangled in her golden hair --
Some English sunshine, warmth, and air!
I cannot tell -- but here to-day,
A thousand billowy leagues away
From that green isle whose twilight skies
No darker are than Katie's eyes,
She seems to me, go where she will,
An English girl in England still!

I meet her on the dusty street,
And daisies spring about her feet;
Or, touched to life beneath her tread,
An English cowslip lifts its head;
And, as to do her grace, rise up
The primrose and the buttercup!
I roam with her through fields of cane,
And seem to stroll an English lane,
Which, white with blossoms of the May,
Spreads its green carpet in her way!
As fancy wills, the path beneath
Is golden gorse, or purple heath:
And now we hear in woodlands dim
Their unarticulated hymn,
Now walk through rippling waves of wheat,
Now sink in mats of clover sweet,
Or see before us from the lawn
The lark go up to greet the dawn!
All birds that love the English sky
Throng round my path when she is by:
The blackbird from a neighboring thorn
With music brims the cup of morn,
And in a thick, melodious rain
The mavis pours her mellow strain!
But only when my Katie's voice
Makes all the listening woods rejoice
I hear -- with cheeks that flush and pale --
The passion of the nightingale!

Anon the pictures round her change,
And through an ancient town we range,
Whereto the shadowy memory clings
Of one of England's Saxon kings,
And which to shrine his fading fame
Still keeps his ashes and his name.

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Katies Been Gone

(by j. r. robertson and r. manuel)
Katies been gone since the spring time;
She wrote one timen sent her love.
Katies been gone for such a long time now.
I wonder what kind of love shes thinkin of.
Dear katie,
If you can hear me,
I cant wait to have ya near me.
Oh, katie, since ya caught that bus,
Well, I just dont know how things are with us.
Im still here and youre out there.
Katie laughed when I said I was lonely.
She said, theres no need tfeel that way.
Katie said that I was her only one,
But then I wonder why she didnt wanna stay.
Dear katie, if Im the only one,
How much longer will you be gone?
Oh, katie, wont ya tell me straight:
How much longer do I have to wait?
Ill believe you,
But please come through.
I know its wrong to be apart this long;
You should be here, near me.
Katies been gone and now her face is slowly fading from my mind.
Shes gone to find some newer places,
Left the old life far behind.
Dear katie, dont ya miss your home?
I dont see why you had to roam.
Dear katie, since youve been away
I lose a little something every day
I need you here, but youre still out there.
Dear katie, please drop me a line,
Just write, love, to tell me youre fine.
Oh, katie, if you can hear me,
I just cant wait to have you near me.
I can only think
Where are you,
What ya do, may be theres someone new.

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Malcolm's Katie: A Love Story - Part V.

Said the high hill, in the morning: 'Look on me--
'Behold, sweet earth, sweet sister sky, behold
'The red flames on my peaks, and how my pines
'Are cressets of pure gold; my quarried scars
'Of black crevase and shadow-fill'd canon,
'Are trac'd in silver mist. How on my breast
'Hang the soft purple fringes of the night;
'Close to my shoulder droops the weary moon,
'Dove-pale, into the crimson surf the sun
'Drives up before his prow; and blackly stands
'On my slim, loftiest peak, an eagle, with
'His angry eyes set sunward, while his cry
'Falls fiercely back from all my ruddy heights;
'And his bald eaglets, in their bare, broad nest,
'Shrill pipe their angry echoes: ''Sun, arise,
''And show me that pale dove, beside her nest,
''Which I shall strike with piercing beak and tear
''With iron talons for my hungry young.''
And that mild dove, secure for yet a space,
Half waken'd, turns her ring'd and glossy neck
To watch dawn's ruby pulsing on her breast,
And see the first bright golden motes slip down
The gnarl'd trunks about her leaf-deep nest,
Nor sees nor fears the eagle on the peak.

* * * * *

'Aye, lassie, sing--I'll smoke my pipe the while,
'And let it be a simple, bonnie song,
'Such as an old, plain man can gather in
'His dulling ear, and feel it slipping thro'
'The cold, dark, stony places of his heart.'
'Yes, sing, sweet Kate,' said Alfred in her ear;
'I often heard you singing in my dreams
'When I was far away the winter past.'
So Katie on the moonlit window lean'd,
And in the airy silver of her voice
Sang of the tender, blue 'Forget-me-not.'

Could every blossom find a voice,
And sing a strain to me;
I know where I would place my choice,
Which my delight should be.
I would not choose the lily tall,
The rose from musky grot;
But I would still my minstrel call
The blue 'Forget-me-not!'

And I on mossy bank would lie
Of brooklet, ripp'ling clear;

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Idylls of the King: The Last Tournament (excerpt)

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a wither'd leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, "Why skip ye so, Sir Fool?"

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead.
From roots like some black coil of carven snakes,
Clutch'd at the crag, and started thro' mid air
Bearing an eagle's nest: and thro' the tree
Rush'd ever a rainy wind, and thro' the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarr'd from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
"Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize."

To whom the King, "Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear."

"Would rather you had let them fall," she cried,
"Plunge and be lost--ill-fated as they were,
A bitterness to me!--ye look amazed,
Not knowing they were lost as soon as given--
Slid from my hands, when I was leaning out
Above the river--that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

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The Last Tournament

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?'

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead,
From roots like some black coil of carven snakes,
Clutched at the crag, and started through mid air
Bearing an eagle's nest: and through the tree
Rushed ever a rainy wind, and through the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarred from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
`Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize.'

To whom the King, `Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear.'

`Would rather you had let them fall,' she cried,
`Plunge and be lost-ill-fated as they were,
A bitterness to me!-ye look amazed,
Not knowing they were lost as soon as given-
Slid from my hands, when I was leaning out
Above the river-that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

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Las Vegas Dealer

Goodbye lauren lee, my precious lauren lee has gone
Gone so far away now, wont be back today or tomorrow
Goodbye lauren lee, my precious lauren lee has gone out
But is he away with the fairies, is he away with me?
Take him away, its free, I play anywhere I choose
Did he get into the sequel, how is leno these days?
Take it away, cause I dont care whether we win or lose
Yeah, whether we win or lose
All my chips are down, my precious chips are almost gone
Find a better caller, dealer man without a son
Put it all on one, I feel like number one is on now
But is he away with the fairies, is he away with me?
Take him away, its free, I play anywhere I choose
Did he get into the sequel, how is leno these days?
Take it away, cause I dont care whether we win or lose
Yeah, whether we win or lose
Goodbye lauren lee, my precious lauren lee has gone out
Yeah, whether we win or lose, whether we win or lose
Yeah, whether we win or lose
But is he away with the fairies, is he away with me?
Take him away, its free, I play anywhere I choose
Did he get into the sequel, how is leno these days?
Take it away, cause I dont care whether we win or lose
Yeah, whether we win or lose

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Robert Burns

Canst Thou Leave Me Thus, My Katie

Chorus
Canst thou leave me thus, my Katie?
Canst thou leave me thus, my Katie?
Well thou know'st my aching heart,
And canst thou leave me thus, for pity?

Is this thy plighted, fond regard,
Thus cruelly to part, my Katie?
Is this thy faithful swain's reward-
An aching, broken heart, my Katie!
Chorus

Farewell! and ne'er such sorrows tear
That finkle heart of thine, my Katie!
Thou maysn find those will love thee dear,
But not a love like mine, my Katie,
Chorus

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Villanelle

Katie could put her feet behind her head
Or do a grand plié, position two,
Her suppleness magnificent in bed.

I strained my lower back, and Katie bled,
Only a little, doing what we could do
When Katie tucked her feet behind her head.

Her torso was a C-cup'd figurehead,
Wearing below its navel a tattoo
That writhed in suppleness upon the bed.

As love led on to love, love's goddess said,
"No lovers ever fucked as fucked these two!
Katie could put her feet behind her head!"

When Katie came she never stopped. Instead,
She came, cried "God!," and came, this dancer who
Brought ballerina suppleness to bed.

She curled her legs around my neck, which led
To depths unplumbed by lovers hitherto.
Katie could tuck her feet behind her head
And by her suppleness unmake the bed.


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Paranormal Activity

Cast: Katie Featherston, Micah Sloat, Mark Fredrichs, Amber Armstrong, Randy McDowell

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Black Kate

KATE, they say, is seventeen—
Do not count her sweet, you know.
Arms of her are rather lean—
Ditto, calves and feet, you know.
Features of Hellenic type
Are not patent here, you see.
Katie loves a black clay pipe—
Doesn’t hate her beer, you see.
Spartan Helen used to wear
Tresses in a plait, perhaps:
Kate has ochre in her hair—
Nose is rather flat, perhaps.
Rose Lorraine’s surpassing dress
Glitters at the ball, you see:
Daughter of the wilderness
Has no dress at all, you see.

Laura’s lovers every day
In sweet verse embody her:
Katie’s have a different way,
Being frank, they “waddy” her.
Amy by her suitor kissed,
Every nightfall looks for him:
Kitty’s sweetheart isn’t missed—
Kitty “humps” and cooks for him.

Smith, and Brown, and Jenkins, bring
Roses to the fair, you know.
Darkies at their Katie fling
Hunks of native bear, you know.
English girls examine well
All the food they take, you twig:
Kate is hardly keen of smell—
Kate will eat a snake, you twig.

Yonder lady’s sitting room—
Clean and cool and dark it is:
Kitty’s chamber needs no broom—
Just a sheet of bark it is.
You may find a pipe or two
If you poke and grope about:
Not a bit of starch or blue—
Not a sign of soap about.

Girl I know reads Lalla Rookh—
Poem of the “heady” sort:
Kate is better as a cook
Of the rough and ready sort.
Byron’s verse on Waterloo,
Makes my darling glad, you see:

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The Old Leaven

Mark:
So, Maurice, you sail to-morrow, you say?
And you may or may not return?
Be sociable, man! for once in a way,
Unless you're too old to learn.
The shadows are cool by the water side
Where the willows grow by the pond,
And the yellow laburnum's drooping pride
Sheds a golden gleam beyond.
For the blended tints of the summer flowers,
For the scents of the summer air,
For all nature's charms in this world of ours,
'Tis little or naught you care.
Yet I know for certain you haven't stirred
Since noon from your chosen spot;
And you've hardly spoken a single word-
Are you tired, or cross, or what?
You're fretting about those shares you bought,
They were to have gone up fast;
But I heard how they fell to nothing-in short,
They were given away at last.

Maurice:
No, Mark, I'm not so easily cross'd;
'Tis true that I've had a run
Of bad luck lately; indeed, I've lost;
Well! somebody else has won.

Mark:
The glass has fallen, perhaps you fear
A return of your ancient stitch-
That souvenir of the Lady's Mere,
Park palings and double ditch.

Maurice:
You're wrong. I'm not in the least afraid
Of that. If the truth be told,
When the stiffness visits my shoulder-blade,
I think on the days of old;
It recalls the rush of the freshening wind,
The strain of the chestnut springing,
And the rolling thunder of hoofs behind,
Like the Rataplan chorus ringing.

Mark:
Are you bound to borrow, or loth to lend?
Have you purchased another screw?
Or backed a bill for another friend?
Or had a bad night at loo?

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John Gay

The Shepherd's Week : Thursday; or, The Spell

Hobnelia.
Hobnelia, seated in a dreary vale,
In pensive mood rehears'd her piteous tale,
Her piteous tale the wind in sighs bemoan,
And pining echo answers groan for groan.
I rue the day, a rueful day I trow,
The woful day, a day indeed of wo!
When Lubberkin to town his cattle drove,
A maiden fine bedight he hap'd to love;
The maiden fine bedight his love retains,
And for the village he forsakes the plains.
Return, my Lubberkin, these ditties hear;
Spells will I try, and spells shall ease my care.
'With my sharp heel I three times mark the ground,
And turn me thrice around, around, around.'
When first the year, I heard the cuckoo sing,
And call with welcome note the budding spring,
I straightway set a running with such haste,
Deborah that won the smock scarce ran so fast.
'Till spent for lack of breath quite weary grown,
Upon a rising bank I sat adown,
Then doff'd my shoe, and by my troth I swear,
Therein I spy'd this yellow frizzled hair,
As like to Lubberkin's in curl and hue,
As if upon his comely pate it grew.
'With my sharp heel I three times mark the ground,
And turn me thrice around, around, around.'
At eve last midsummer no sleep I sought,
But to the field a bag of hemp-seed brought,
I scatter'd round the seed on every side,
And three times in a trembling accent cried,
'This hemp-seed with my virgin hand I sow,
Who shall my true-love be, the crop shall mow.'
I straight look'd back, and if my eyes speak truth,
With his keen scythe behind me came the youth.
'With my sharp heel I three times mark the ground,
And turn me thrice around, around, around.'
Last Valentine, the day when birds of kind
Their paramours with mutual chirpings find;
I rearly rose, just at the break of day,
Before the sun had chas'd the stars away,
A-field I went, amid the morning dew,
To milk my kine (for so should huswifes do)
Thee first I spy'd, and the first swain we see,
In spite of fortune shall our true-love be;
See, Lubberkin, each bird his partner take,
And canst thou then thy sweet-hear dear forsake?
'With my sharp heel I three times mark the ground,
And turn me thrice around, around, around.'
Last May-day fair I search'd to find a snail

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A Dream of Venice

NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—

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Emily Dickinson

When Katie walks, this simple pair accompany her side

222

When Katie walks, this simple pair accompany her side,
When Katie runs unwearied they follow on the road,
When Katie kneels, their loving hands still clasp her pious knee—
Ah! Katie! Smile at Fortune, with two so knit to thee!

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Sitting Still

This name I got we all agreed
See could stop stop it will rid
We could bind it in the cist
We could gather, throw a fit
Up to buy, katie buys a kitchen-size, but not mae ann
Setting trap for love, making a waste of time, sitting still
Im the sign and you can read.
Im the sign and youre not deaf.
We could bind it in the cist.
We could gather, throw a fit.
Up to buy, katie buys a kitchen-size, but not mae ann
Setting trap for love, making a waste of time, sitting still
I can hear you. I can hear you. I can hear you.
This name I got we all agree
See could stop stop it will rid
We could bind it in the cist
We could gather, throw a fit.
Up to buy, katie buys a kitchen-size, but not mae ann
Setting trap for love, making a waste of time, sitting still
I can hear you. I can hear you. I can hear you.
You can gather when I talk, talk until youre blue
You could get away from me. get away from me.
Up to buy, katie buys a kitchen-size, but not me
Setting trap for love, making a waste of time, sitting still
I can hear you. I can hear you. I can hear you.
I can hear you. I can hear you. I can hear you.
Can you hear me?

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