Pariah
Cast: Kim Wayans, Aasha Davis, Stephanie Andujar, Natalie Carter, Nina Daniels, Charles Parnell, Adepero Oduye, Zabryna Guevara, Afton Williamson
trailer for Pariah, directed by Dee Rees, screenplay by Dee Rees (2011)
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Related quotes
Since I Fell For You
(buddy johnson)
Reba:
When you just give love
Natalie:
And never get love
Reba:
You better let love be part
Natalie:
I know that its so
And yeah I know
Reba:
I cant get you out of my heart
Natalie:
You, you, you, you, you, you
You make me leave my happy home
You took my love and now youre gone, gone, gone, gone, gone
Since I fell for you
Oh yeah
Reba:
Oh love
Natalie:
(sing reba)
Reba:
Brings such misery and pain
I guess Ill never
Oh I guess Ill never be the same
Since I fell for you
Natalie:
(I gotta say this right here)
Well, well its too bad
Reba:
Oh its too bad
Natalie:
Oh and its too sad
Reba:
Oh its too sad
Natalie:
But Im in love, Im in love with you
Natalie:
Oh oh, you love me
Reba:
Oh you loved me
Natalie:
And then you snubbed me
Reba:
You bad boy
Natalie:
Oh but what can I do
Im still in love with you
Reba:
[...] Read more
song performed by Reba Mcentire
Added by Lucian Velea
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Bristowe Tragedie: Or The Dethe Of Syr Charles Badwin
THE featherd songster chaunticleer
Han wounde hys bugle horne,
And tolde the earlie villager
The commynge of the morne.
Kynge EDWARDE sawe the ruddie streakes
Of lyghte eclypse the greie;
And herde the raven's crokynge throte
Proclayme the fated daie.
'Thou'rt ryght,' quod hee, 'for, by the Godde
That syttes enthron'd on hyghe!
CHARLES BAWDIN, and hys fellowes twain,
To-daie shall surelie die.
Thenne wythe a jugge of nappy ale
Hys Knyghtes dydd onne hymm waite;
'Goe tell the traytour, thatt to-daie
'Hee leaves thys mortall state.'
Syr CANTERLONE thenne bendedd low;
Wythe harte brymm-fulle of woe;
Hee journey'd to the castle-gate,
And to Syr CHARLES dydd goe.
Butt whenne hee came, hys children twaine,
And eke hys lovynge wyfe,
Wythe brinie tears dydd wett the floore,
For goode Syr CHARLESES lyfe.
'O goode Syr CHARLES!' sayd CANTERLONE,
'Badde tydyngs I doe brynge.'
'Speke boldlie, manne,' sayd brave Syr CHARLES,
'Whatte says thie traytor kynge?'
'I greeve to telle, before yonne sonne
Does fromme the welkinn flye,
Hee hath uponne hys honour sworne,
Thatt thou thalt surelie die.'
'Wee all must die, quod brave Syr CHARLES;
'Of thatte I'm not affearde;
'Whatte bootes to lyve a little space?
'Thanke JESU, I'm prepar'd.
'Butt telle thye kynge, for myne hee's not,
'I'de sooner die to-daie
'Thanne lyve hys slave, as manie are,
'Tho' I shoulde lyve for aie.'
Thenne CANTERLONE hee dydd goe out,
To telle the maior straite
To gett all thynges ynne reddyness
For goode Syr CHARLESES fate.
Thenne Maisterr CANYNGE saughte the kynge,
And felle down onne hys knee;
'I'm come,' quod hee, 'unto your grace
'To move your clemencye.'
Thenne quod the kynge, 'Youre tale speke out,
'You have been much oure friende;
[...] Read more
poem by Thomas Chatterton
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Said Sadly
James iha: you should know that I love you
And I cant help but fall for you
Oh honey Im just a fool
Now you know
Nina gordon: darling, Ill never be true
You see, for so long I was blue
James iha: Im not the lonely one
Nina gordon: and if I hurt, then you will, too
Oh honey I always lose
Now you know
James iha & nina gordon: lover, when will you?
James iha: Im so afraid that noone cares
James iha & nina gordon: lover, cant find you
James iha: I swear to God dont leave me here
James iha & nina gordon: now you know
James iha & nina gordon: only you know that it cant be
When noone else here really means
James iha: anything to me
James iha & nina gordon: if you hurt inside
If you confide in me again
Nina gordon: since you ran away
James iha: hold me now, tell me how
Nothings lost
James iha & nina gordon: lover, when will you?
Im so afraid that noone cares
Lover, cant find you
And noone knows what brings us here
Lover
James iha: hold me now
Nina gordon: hold me now
James iha: tell me how
James iha & nina gordon: nothings lost
song performed by Veruca Salt
Added by Lucian Velea
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Sweet Afton
Flow gently, sweet Afton, among thy green braes,
Flow gently, I'll sing thee a song in thy praise;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.
Thou stock-dove whose echo resounds thro' the glen,
Ye wild whistling blackbirds in yon thorny den,
Thou green-crested lapwing, thy screaming forebear,
I charge you disturb not my slumbering fair.
How lofty, sweet Afton, thy neighboring hills,
Far mark'd with the courses of clear winding rills,
There daily I wander as noon rises high
My flocks and my Mary's sweet cot in my eye.
How pleasant thy banks and green valleys below,
Where wild in the woodlands the primroses blow;
There oft as mild Ev'ning weeps over the lea
The sweet scented birk shades my Mary and me.
Thy crystal stream, Afton, how lovely it glides,
And winds by the cot where my Mary resides,
How wanton thy waters her snowy feet lave,
As gathering sweet flow'rets she stems thy clear wave.
Flow gently, sweet Afton, among thy green braes,
Flow gently, sweet river, the theme of my lays,
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.
song performed by Nickel Creek
Added by Lucian Velea
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Sweet Afton
'Flow gently, sweet Afton! amang thy green braes,
Flow gently, I'll sing thee a song in thy praise;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.
Thou stockdove whose echo resounds thro' the glen,
Ye wild whistling blackbirds in yon thorny den,
Thou green-crested lapwing thy screaming forbear,
I charge you, disturb not my slumbering Fair.
How lofty, sweet Afton, thy neighbouring hills,
Far mark'd with the courses of clear, winding rills;
There daily I wander as noon rises high,
My flocks and my Mary's sweet cot in my eye.
How pleasant thy banks and green valleys below,
Where, wild in the woodlands, the primroses blow;
There oft, as mild Ev'ning weeps over the lea,
The sweet-scented birk shades my Mary and me.
Thy crystal stream, Afton, how lovely it glides,
And winds by the cot where my Mary resides;
How wanton thy waters her snowy feet lave,
As, gathering sweet flowerets, she stems thy clear wave.
Flow gently, sweet Afton, amang thy green braes,
Flow gently, sweet river, the theme of my lays;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.
poem by Robert Burns (1791)
Added by Veronica Serbanoiu
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Afton Water
1 Flow gently, sweet Afton, among thy green braes,
2 Flow gently, I'll sing thee a song in thy praise;
3 My Mary's asleep by thy murmuring stream,
4 Flow gently, sweet Afton, disturb not her dream.
5 Thou stock-dove, whose echo resounds thro' the glen,
6 Ye wild whistling blackbirds in yon thorny den,
7 Thou green-crested lapwing, thy screaming forbear,
8 I charge you disturb not my slumbering fair.
9 How lofty, sweet Afton, thy neighbouring hills,
10 Far mark'd with the courses of clear winding rills;
11 There daily I wander as noon rises high,
12 My flocks and my Mary's sweet cot in my eye.
13 How pleasant thy banks and green valleys below,
14 Where wild in the woodlands the primroses blow;
15 There oft, as mild Ev'ning sweeps over the lea,
16 The sweet-scented birk shades my Mary and me.
17 Thy crystal stream, Afton, how lovely it glides,
18 And winds by the cot where my Mary resides,
19 How wanton thy waters her snowy feet lave,
20 As gathering sweet flowrets she stems thy clear wave.
21 Flow gently, sweet Afton, among thy green braes,
22 Flow gently, sweet river, the theme of my lays;
23 My Mary's asleep by thy murmuring stream,
24 Flow gently, sweet Afton, disturb not her dream
poem by Robert Burns
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An Invitation To Tea (A Dark Comedy) Part 3
(It is advisable you read parts 1 and 2 first)
Grace watched him for a few minutes, and then moved to the back of the shop. “He is going to come around at six tonight. I do hop Mr Potter like him.”
“I’m sure he will. Grace.”
“I can’t help feeling bit concerned after Mr Armad.”
“It was the curry Mr Armad insisted on making. Revolting stuff. I felt queasy as Mr Potter afterwards. Anyway Mr Potter always prefers Englishmen, even when Aunty had him staying with her.”
Charles checked his watch, and then knocked the door. The lights appeared in the shop and the silhouette of one of the sisters grew large in the glass panel of the door. Charlotte smiled.
“Do come in Mr Latimer.”
Charles entered and followed Charlotte through to the back of the shop. As they entered the room, Grace turned from the oven with a tray of freshly baked scones. She smiled.
“Please have a seat, Mr Latimer. Tea is ready.”
“Call me Charles, Mr Latimer seems so formal.” he replied as he sat where Charlotte directed. “I hope you don’t mind me asking but where is Mr Potter going to sit? ”
“Unfortunately, Mr Potter prefers to eat alone. You will meet him later. I have told him you are coming and h I looking forward to meeting you.” Grace replied and brought forward the tray if scones. “Please help yourself Charles.”
Charles waited until the sisters were seated before starting.
“I think these are your best scones, Grace.”
“Thank you Charlotte.”
“I will second that. These are best scones I’ve ever tasted. I hope that Mr Potter will appreciate them.”
“I’m sure he will.” Grace replied and watched with satisfaction as the scones disappeared from the plate.
“Another cup of tea Charles? ” Charlotte asked holding the teapot poised.
“Thank you.”
As Charlotte poured out the tea, Grace collected the dishes from the table. “While Charlotte and I do the washing up you sit and enjoy your tea.”
“What about Mr Potter? ”
“We’ll collect his dishes later.”
“Charles drank his tea slowly. He wondered how he could thank the two women. He would have to think of a way later.
Grace and Charlotte smiled and nodded to one another. Mr Potter would enjoy Charles. They dried their hands and placed the dishes into the cupboard.
“I see you have almost drunk your tea. I presume you would like to see Mr Potter now? ”
“Yes please.”
“If you will follow us.”
Charles followed the sisters out of the room and into the garden.
“Unfortunately we have only one pair of stairs leading to the basement.”
“Basement? ”
“Yes, Mr Potter is not one for coming into the house. He is a bit eccentric.”
“Oh.”
2Grace dear, would you put the light on? You will have to watch the bottom step Charles. It can be a bit slippery at times.”
“Aren’t you ladies coming down? ”
[...] Read more
poem by David Harris
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Come Gather Round Me, Parnellites
COME gather round me, Parnellites,
And praise our chosen man;
Stand upright on your legs awhile,
Stand upright while you can,
For soon we lie where he is laid,
And he is underground;
Come fill up all those glasses
And pass the bottle round.
And here's a cogent reason,
And I have many more,
He fought the might of England
And saved the Irish poor,
Whatever good a farmer's got
He brought it all to pass;
And here's another reason,
That parnell loved a lass.
And here's a final reason,
He was of such a kind
Every man that sings a song
Keeps Parnell in his mind.
For Parnell was a proud man,
No prouder trod the ground,
And a proud man's a lovely man,
So pass the bottle round.
The Bishops and the party
That tragic story made,
A husband that had sold hiS wife
And after that betrayed;
But stories that live longest
Are sung above the glass,
And Parnell loved his countrey
And parnell loved his lass.
poem by William Butler Yeats
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Richard Pigott, the Forger
Richard Pigott, the forger, was a very bad man,
And to gainsay it there's nobody can,
Because for fifty years he pursued a career of deceit,
And as a forger few men with him could compete.
For by forged letters he tried to accuse Parnell
For the Phoenix Park murders, but mark what befell.
When his conscience smote him he confessed to the fraud,
And the thought thereof no doubt drove him mad.
Then he fled from London without delay,
Knowing he wouldn't be safe there night nor day,
And embarked on board a ship bound for Spain,
Thinking he would escape detection there, but 'twas all in vain.
Because while staying at a hotel in Spain
He appeared to the landlord to be a little insane.
And he noticed he was always seemingly in dread,
Like a person that had committed a murder and afterwards fled.
And when arrested in the hotel he seemed very cool,
Just like an innocent schoolboy going to school.
And he said to the detectives, "Wait until my portmanteau I've got."
And while going for his portmanteau, himself he shot.
So perished Richard Pigott, a forger bold,
Who tried to swear Parnell's life away for the sake of gold,
But the vengeance of God overtook him,
And Parnell's life has been saved, which I consider no sin.
Because he was a man that was very fond of gold,
Not altogether of the miser's craving, I've been told,
But a craving desire after good meat and drink,
And to obtain good things by foul means he never did shrink.
He could eat and drink more than two ordinary men,
And to keep up his high living by foul means we must him condemn,
Because his heart's desire in life was to fare well,
And to keep up his good living he tried to betray Parnell.
Yes, the villain tried hard to swear his life away,
But God protected him by night and by day,
And during his long trial in London, without dismay,
The noble patriot never flinched nor tried to run away.
Richard Pigott was a man that was blinded by his own conceit.
And would have robbed his dearest friend all for good meat,
To satisfy his gluttony and his own sensual indulgence,
Which the inhuman monster considered no great offence.
[...] Read more
poem by William Topaz McGonagall
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Cavalier Tunes
. MARCHING ALONG.
I.
Kentish Sir Byng stood for his King,
Bidding the crop-headed Parliament swing:
And, pressing a troop unable to stoop
And see the rogues flourish and honest folk droop,
Marched them along, fifty-score strong,
Great-hearted gentlemen, singing this song.
II.
God for King Charles! Pym and such carles
To the Devil that prompts 'em their treasonous parles!
Cavaliers, up! Lips from the cup,
Hands from the pasty, nor bite take nor sup
Till you're---
CHORUS.---Marching along, fifty-score strong,
Great-hearted gentlemen, singing this song.
III.
Hampden to hell, and his obsequies' knell
Serve Hazelrig, Fiennes, and young Harry as well!
England, good cheer! Rupert is near!
Kentish and loyalists, keep we not here
CHORUS.---Marching along, fifty-score strong,
Great-hearted gentlemen, singing this song?
IV.
Then, God for King Charles! Pym and his snarls
To the Devil that pricks on such pestilent carles!
Hold by the right, you double your might;
So, onward to Nottingham, fresh for the fight,
CHORUS.---March we along, fifty-score strong,
Great-hearted gentlemen, singing this song!
II. GIVE A ROUSE.
I.
King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
[...] Read more
poem by Robert Browning
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Nina Pretty Ballerina
Every day in the morning on her way to the office
You can see as she catches a train
Just a face among a million faces
Just another woman with no name
Not the girl youd remember but shes still something special
If you knew her I am sure youd agree
cause I know shes got a little secret
Friday evening she turns out to be...
Nina, pretty ballerina, now she is the queen of the dancing floor
This is the moment shes waited for
Just like cinderella, just like cinderella
Nina, pretty ballerina, who would ever think she could be this way
This is the part that she likes to play
But she knows the fun would go away
If she would play it every day
So shes back every morning to her work at the office
And another week to live in a dream
And another row of early mornings
In an almost never-ending stream
Doesnt talk very often, kind of shy and uncertain
Everybody seems to think shes a bore
But they wouldnt know her little secret
What her friday night would have in store...
Nina, pretty ballerina, now she is the queen of the dancing floor
This is the moment shes waited for
Just like cinderella, just like cinderella
Nina, pretty ballerina, who would ever think she could be this way
This is the part that she likes to play
She would like to play it every day
Nina, pretty ballerina, now she is the queen of the dancing floor
This is the moment shes waited for
Just like cinderella, just like cinderella
Nina, pretty ballerina, who would ever think she could be this way
This is the part that she likes to play
(fade)
song performed by ABBA
Added by Lucian Velea
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I Need That (I Want That) (feat. Lil' Kim)
ft. Lil' Kim
[Intro: Kiely]
Haha, 3LDub baby, A Girl Can Mack
[Verse 1: Kiely]
Yo, if you don't like expensive things
Then you can bounce if you don't wanna get it together
You could be out, 'cause I'm all about gettin' them things
From the truck to the house, to the gear and them rings
No doubt, coulda done it but ain't no hoe for you
Now I try to tell you but all you do is sit around
It takes more than hope and a dream
I got a mean team puttin' in work to get the cream, what
[Chorus: Lil' Kim (3LW)]
Money and hot rides (I need that)
The platinum and shine (I need that)
The house and the gear (I need that)
I'm sayin' baby (I... want... that...)
[Verse 2: Adrienne (Kiely)]
Life can turn you in so many different directions
Then I got a mind to win
(Can't remember why I got with you)
I want everything, but I need to stay realistic
I'm gonna live this dream
(From hear on out, that's what I'm about)
[Chorus 2x]
[Verse 3: Adrienne (Kiely)]
Boy I feel for you, you think you have it real easy
You don't even have a clue
(Can't remember why I got with you)
I'm gonna do my thang, sorry if you feel rejected
You need to do the same
(From here on out, that's what I'm about)
[Bridge: 3LW (Lil' Kim)]
I need these things, you can't supply me
It's too easy, for you to stop tryin' (Uh-huh)
Get off your feet, do it for yourself (Let's do it)
I can't stick around with shady feelings
(Lil' Kim, Queen Bee, 3LW)
[Verse 4: Lil' Kim]
Jackpot, goodness gracious the papers
Where the cash at, where the stash at
Nigga pass that, up the bonds and stocks
And the canary yellow D flawless rocks
Introducing the Lil' Kim Shepard Watch
I'm on fire, 'bout to turn it up a notch
Keep ya yacht, I want ships inside my estate
With FullForce written on the license plate
Heliports and helicopters with gold propellers
Tryna have more cheese then mozzarella
I need stables, there's only one way to live (What's that?)
[...] Read more
song performed by 3LW
Added by Lucian Velea
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Megamix
Featuring you keep me hangin on, another step (closer to you) and say you really want me.
(we keep in touch)
(keep me hangin on)
Set me free why dont cha babe
Get out of my life why dont cha babe
cause you dont really love me
You just keep me hanginon
Set me free why dont cha babe
Get out of my life why dont cha babe
You dont really need me
But you keep me hanginon
Why do you keep a comin around
Playing with my heart
Why dont cha get out of my life
And let me make a brand new start
Let me get over you
The way youve gotten over me yeah
Set me free why dont cha babe
Get out of my life why dont cha babe
cause you dont really love me
You just keep me hanginon
No you dont really need me
You just keep me (keep me) hangin on
You say although we broke up
You still just wanna be friends
But how can we still be friends
When seeing you only breaks my heart again
(and there aint nothing I can do about it)
(keep me hangin on)
(yeah)
Get out, get out of my life
And let me sleep at night
cos you dont really love me
You just keep me (keep me) hanginon
(keep me hangin on)
(keep me hangin on)
(keep me hangin on)
Another step nearer your heart
Another step closer to knowing you
Another step nearer your heart
Im on my way
Junior: I never thought it could happen
Being close to someone like you
Kim: but you know this isnt just a minute affair
If we make time and take a lot of care
I love everything about it
Junior: (everything)
Kim: theres such a good feel about it
Junior:and I know where Im gonna be
If you take a step closer to me
[...] Read more
song performed by Kim Wilde
Added by Lucian Velea
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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Give a Rouse
I
King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in hell's despite now,
King Charles!
II
Who gave me the goods that went since?
Who raised me the house that sank once?
Who helped me to gold I spent since?
Who found me in wine you drank once?
Chorus. King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in hell's despite now,
King Charles!
III
To whom used my boy George quaff else,
By the old fool's side that begot him?
For whom did he cheer and laugh else,
While Noll's damned troopers shot him?
Chorus. King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in hell's despite now,
King Charles!
poem by Robert Browning from Cavalier Tunes (1842)
Added by Veronica Serbanoiu
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Cavalier Tunes: Give a Rouse
King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in Hell's despite now,
King Charles!
Who gave me the goods that went since?
Who raised me the house that sank once?
Who helped me to gold I spent since?
Who found me in wine you drank once?
(Chorus)
King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in Hell's despite now,
King Charles!
To whom used my boy George quaff else,
By the old fool's side that begot him?
For whom did he cheer and laugh else,
While Noll's damned troopers shot him?
(Chorus)
King Charles, and who'll do him right now?
King Charles, and who's ripe for fight now?
Give a rouse: here's, in Hell's despite now,
King Charles!
poem by Robert Browning
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Spiritual Lessons From Natalie
'I'm so glad you are on the planet' was the message left,
It was on my birthday, it was a nice gift.
It was from Natalie who helped me with life,
she had developed energy skills to deal with strife.
I worked with her on my programs to remove,
remove from my aura and give me a better groove.
She answered questions about God which was great,
I confirmed in 'Conversations With God' as of late.
Now I know I have learned and grown,
life makes sense from conversations on the phone.
Natalie was always there for me on a dime
she called right back-she made the time.
I always felt better once knew why
Natalie knew a lot about karma and life.
Natalie is committed to bring in the Golden Age
it read about it on Natalie's new web page.
Thank you Natalie for being there for me
you helped me grow and bring me more peace.
poem by Suzae Chevalier
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Stephanie Says
Stephanie says
(reed)
Stephanie says that she wants to know
Why shes given half her life, to people she hates now
Stephanie says when answering the phone
What country shall I say is calling from across the world
But shes not afraid to die, the people all call her alaska
Between worlds so the people ask her cause its all in her mind
Its all in her mind
Stephanie says that she wants to know
Why it is though shes the door she cant be the room
Stephanie says but doesnt hang up the phone
What sea shell she is calling from across the world
But shes not afraid to die, the people all cal her alaska
Between worlds so the people ask her cause its all in her mind
Its all in her mind
She asks you is it good or bad
Its such an icy feeling its so cold in alaska,
Its so cold in alaska, its so cold in alaska
song performed by Velvet Underground
Added by Lucian Velea
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Berrathah
ARGUMENT.
Fingal, in his voyage to Lochlin, whither he had been invited by Starno, the father of Agandecca, touched at Berrathon an island of Scandinavia, where he was kindly entertained by Larthmor, the petty king of the place, who was a vassal of the supreme kings of Lochlin. The hospitality of Larthmor gained him Fingal's friendship, which that hero manifested, after the imprisonment of Larthmor by his own son, by sending Ossian and Toscar, the father of Malvina, so often mentioned, to rescue Larthmor, and to punish the unnatural behavior of Uthal. Uthal was handsome, and, by the ladies, much admired. Nina-thoma, the beautiful daughter of Tor-thoma, a neighboring prince, fell in love and fled with him. He proved inconstant; for another lady, whose name is not mentioned, gaining his affections, he confined Nina-thoma to a desert island, near the coast of Berrathon. She was relieved by Ossian, who, in company with Toscar, landing on Berrathon, defeated the forces of Uthal, and killed him in single combat. Nina-thoma, whose love not all the bad behavior of Uthal could erase, hearing of his death, died of grief. In the mean time Larthmor is restored, and Ossian and Toscar return in triumph to Fingal.
The poem opens with an elegy on the death of Malvina, the daughter of Toscar, and closes with the presages of Ossian's death.
BEND thy blue course, O stream! round the narrow plain of Lutha. Let the green woods hang over it, from their hills; the sun look on it at noon. The thistle is there on its rock, and shakes its beard to the wind. The flower hangs its heavy head, waving, at times, to the gale. "Why dost thou awake me, O gale?" it seems to say: "I am covered with the drops of heaven. The time of my fading is near, the blast that shall scatter my leaves. To-morrow shall the traveller come; he that saw me in my beauty shall come. His eyes will search the field, but they will not find me." So shall they search in vain for the voice of Cona, after it has failed in the field. The hunter shall come forth in the morning, and thee vote a of my harp shall not be heard. "Where is the son of car-borne Fingal?" The tear will be on his cheek! Then come thou, O Malvina! with all thy music, come! Lay Ossian in the plain of Lutha: let his tomb rise in the lovely field.
Malvina! where art thou, with thy songs; with the soft sound of thy steps? Son of Alpin, art thou near? where is the daughter of Toscar? "I passed, O son of Fingal, by Torlutha's mossy walls. The smoke of the hall was ceased. Silence was among the trees of the hill. The voice of the chase was over. I saw the daughters of the bow. I asked about Malvina, but they answered not. They turned their faces away: thin darkness covered their beauty. They were like stars, on a rainy hill, by night, each looking faintly through the mist!"
Pleasant be thy rest, O lovely beam! soon hast thou set on our hills! The steps of thy departure were stately, like the moon, on the blue-trembling wave. But thou hast left us in darkness, first of the maids of Lutha! We sit, at the rock, and there is no voice; no light but the meteor of fire! Soon hast thou set, O Malvina, daughter of generous Toscar! But thou risest, like the beam of the east, among the spirits of thy friends, where they sit, in their stormy halls, the chambers of the thunder! A cloud hovers over Cona. Its blue curling sides are high. The winds are beneath it, with their wings. Within it is the dwelling of Fingal. There the hero sits in darkness. His airy spear is in his hand. His shield, half covered with clouds, is like the darkened moon; when one half still remains in the wave, and the other looks sickly on the field!
His friends sit round the king, on mist! They hear the songs of Ullin; he strikes the half-viewless harp. He raises the feeble voice. The lesser heroes, with a thousand meteors, light the airy hall. Malvina rises in the midst: a blush is on her cheek. She beholds the unknown faces of her fathers. She turns aside her humid eyes. "An thou come so soon," said Fingal, "daughter of generous Toscar! Sadness dwells in the halls of Lutha. My aged son is sad! I hear the breeze of Cona, that was wont to lift thy heavy locks. It comes to the hall, but thou art not there. Its voice is mournful among the arms of thy fathers! Go, with thy rustling wing, O breeze! sigh on Malvina's tomb. It rises yonder beneath the rock, at the blue stream of Lutha. The maids are departed to their place. Thou alone, O breeze, mournest there!"
But who comes from the dusky west, supported on a cloud? A smile is on his gray, watery face. His locks of mist fly on wind. He bends forward on his airy spear. It is thy father, Malvina! "Why shinest thou, so soon, on our clouds," he says, "O lovely light of Lutha? But thou wert sad, my daughter. Thy friends had passed away. The sons of little men were in the hail. None remained of the heroes, but Ossian, king of spears!"
And dost thou remember Ossian, car-borne Toscar, son of Conloch? The battles of our youth were many. Our swords went together to the field. They saw us coming like two falling rocks. The sons of the stranger fled. "There come the warriors of Cona!" they said. "Their steps are in the paths of the flying!" Draw near, son of Alpin, to the song of the aged. The deeds of other times are in my soul. My memory beams on the days that are past: on the days of mighty Toscar, when our path was in the deep. Draw near, son of Alpin, to the last sound of the voice of Cona!
The king of Morven commanded. I raised my sails to the wind. Toscar, chief of Lutha, stood at my side: I rose on the dark-blue wave. Our course was to sea-surrounded Berrathon, the isle of many storms. There dwelt, with his locks of age, the stately strength of Larthmor. Larthmor, who spread the feast of shells to Fingal, when he went to Starno's halls, in the days of Agandecca. But when the chief was old, the pride of his son arose; the pride of fair-haired Uthal, the love of a thousand maids. He bound the aged Larthmor, and dwelt in his sounding halls!
Long pined the king in his cave, beside his rolling sea. Day did not come to his dwelling: nor the burning oak by night. But the wind of ocean was there, and the parting beam of the moon. The red star looked on the king, when it trembled on the western wave. Snitho came to Selma's hall; Snitho, the friend of Larthmor's youth. He told of the king of Berrathon: the wrath of Fingal arose. Thrice he assumed the spear, resolved to stretch his hand to Uthal. But the memory of his deeds rose before the king. He sent his son and Toscar. Our joy was great on the rolling sea. We often half unsheathed our swords. For never before had we fought alone, in battles of the spear.
Night came down on the ocean. The winds departed on their wings. Cold and pale is the moon. The red stars lift their heads on high. Our course is slow along the coast of Berrathon. The white waves tumble on the rocks. "What voice is that," said Toscar, "which comes between the sounds of the waves? It is soft hut mournful, like the voice of departed bards. But I behold a maid. She sits on the rock alone. Her head bends on her arms of snow. Her dark hair is in the wind. Hear, son of Fingal, her song; it is smooth as the gliding stream. We came to the silent bay, and heard the maid of night.
"How long will ye roll round me, blue-tumbling waters of ocean? My dwelling was not always in caves, nor beneath the whistling tree. The feast was spread in Tor-thoma's hall. My father delighted in my voice. The youths beheld me in the steps of my loveliness. They blessed the dark-haired Nina-thoma. It was then thou didst come, O Uthal! like the sun €4 heaven! The souls of the virgins are thine, son of generous Larthmor! But why dost thou leave me alone, in the midst of roaring waters? Was my soul dark with thy death? Did my while hand lift the sword? Why then hast thou left me alone, king of high Fin-thormo?"
The tear started from my eye, when I heard the voice of the maid. I stood before her in my arms. I spoke the words of peace! "Lovely dweller of the cave! what sigh is in thy breast? Shall Ossian lift his sword in thy presence, the destruction of thy foes? Daughter of Tor-thoma, rise! I have heard the words of thy grief. The race of Morven are around thee, who never injured the weak. Come to our dark bosomed ship, thou brighter than the setting moon! Our course is to the rocky Berrathon, to the echoing walls of Fin-thormo." She came in her beauty; she came with all her lovely steps. Silent joy brightened in her face; as when the shadows fly from the field of spring; the blue stream is rolling in brightness, and the green bush bends over its course!
The morning rose with its beams. We came to Rothma's bay. A boar rushed from the wood: my spear pierced his side, and he fell. I rejoiced over the blood. I foresaw my growing fame. But now the sound of Uthal's train came, from the high Fin-thormo. They spread over the heath to the chase of the boar. Himself comes slowly on, in the pride of his strength. He lifts two pointed spears. On his side is the hero's sword. Three youths carry his polished bows. The bounding of five dogs is before him. His heroes move on, at a distance, admiring the steps of the king. Stately was the son of Larthmor! but his soul was dark! Dark as the troubled face of the moon, when it foretells the storms.
We rose on the heath before the king. He stopped in the midst of his course. His heroes gathered around. A. gray-haired bard advanced. "Whence are the sons of the strangers?" began the bard of song. "The children of the unhappy come to Berrathon: to the sword of car-borne Uthal. He spreads no feast in his hall. The blood of strangers is on his streams. If from Selma's walls ye come, from the mossy walls of Fingal, choose three youths to go to your king to tell of the fall of his people. Perhaps the hero may come and pour his blood on Uthal's sword. So shall the fame of Fin-thormo arise; like the growing tree of the vale!"
"Never, will it rise, O bard!" I said, in the pride of my wrath. "He would shrink from the presence of Fingal, whose eyes are the flames of death. The son of Comhal comes, and kings vanish before him. They are rolled together, like mist, by the breath of his rage. Shall three tell to Fingal, that his people fell? Yes! they may tell it, bard! but his people shall fall with fame!"
I stood in the darkness of my strength. Toscar drew his sword at my side. The foe came on like a stream. The mingled sound of death arose. Man took man; shield met shield; steel mixed its beams with steel. Darts hiss through air. Spears ring on mails. Swords on broken bucklers bound. All the noise of an aged grove beneath the roaring wind, when a thousand ghosts break the trees by night, such was the din of arms! But Uthal fell beneath my sword. The sons of Berrathon fled. It was then I saw him in his beauty, and the tear hung in my eye! "Thou art fallen, young tree, I said, with all thy beauty round thee. Thou art fallen on thy plains, and the field is bare. The winds come from the desert! there is no sound in thy leaves! Lovely art thou in death, son of car-borne Larthmor"
Nina-thoma sat on the shore. She heard the sound of battle. She turned her red eyes on Lethmal, the gray-haired bard of Selma. He alone had remained on the coast with the daughter of Tor-thoma. "Son of the times of old!" she said, "I hear the noise of death. Thy friends have met with Uthal, and the chief is low! O that I had remained on the rock, enclosed with the tumbling waves? Then would my soul be sad, but his death would not reach my ear. Art thou fallen on the heath, O son of high Fin-thormo? Thou didst leave me on a rock, but my soul was full of thee. Son of high Fin-thormo! art thou fallen on thy heath?"
She rose pale in her tears. She saw the bloody shield of Uthal. She saw it in Ossian's hand. Her steps were distracted on the heath. She flew. She found him. She fell. Her soul came forth in a sigh. Her hair is spread on her face. My bursting tears descend. A tomb arose on the unhappy. My song of wo was heard. "Rest, hapless children of youth! Rest at the noise of that mossy stream! The virgins will see your tomb, at the chase, and turn away their weeping eyes. Your fame will be in song. The voice of the harp will be heard in your praise. The daughters of Selma shall hear it: your renown shall be in other lands. Rest, children of youth, at the noise of the mossy stream!"
Two days we remained on the coast. The heroes of Berrathon convened. We brought Larthmor to his halls. The feast of shells is spread. The joy of the aged was great. He looked to the arms of his fathers; the arms which he left in his hall, when the pride of Uthal rose. We were renowned before Larthmor. He blessed the chiefs of Morven. He knew not that his son was low, the stately strength of Uthal! They had told, that he had retired to the woods, with the tears of grief. They had told it, but he was silent in the tomb of Rothma's heath.
On the fourth day we raised our sails, to the roar of the northern wind. Larthmor came to the coast. His bards exalted the song. The joy of the king was great; he looked to Rothma's gloomy heath. He saw the tomb of his son. The memory of Uthal rose. "Who of my heroes," he said, "lies there? he seems to have been of the kings of men. Was he renowned in my halls before the pride of Uthal rose? Ye are silent, sons of Berrathon! is the king of heroes low? My heart melts for thee, O Uthal! though thy hand was against thy father. O that I had remained in the cave! that my son had dwelt in Fin-thormo! I might have heard the tread of his feet, when he went to the chase of the boar. I might have heard his voice on the blast of my cave. Then would my soul be glad; but now darkness dwells in my halls."
Such were my deeds, son of Alpin, when the arm of my youth was strong. Such the actions of Toscar, the car-borne son of Conloch. But Toscar is on his flying cloud. I am alone at Lutha. My voice is like the last sound of the wind, when it forsakes the woods. But Ossian shall not be long alone. He sees the mist that shall receive his ghost. He beholds the mist that shall form his robe, when he appears on his hills. The Sons of feeble men shall behold me, and admire the stature of the chiefs of old. They shall creep to their caves. They shall look to the sky with fear: for my steps shall be in the clouds. Darkness shall roll on my side.
Lead, son of Alpin, lead the aged to his woods. The winds begin to rise. The dark wave of the lake resounds. Bends there not a tree from Mora with its branches bare? It bends, son of Alpin, in the rustling blast. My harp hangs on a blasted branch. The sound of its strings is mournful. Does the wind touch thee, O harp, or is it some passing ghost? It is the hand of Malvina! Bring me the harp, son of Alpin. Another song shall rise. My soul shall depart in the sound. My fathers shall hear it in their airy hail. Their dim faces shall hang, with joy, from their clouds; and their hands receive their son. The aged oak bends over the stream. It sighs with all its moss. The withered fern whistles near, and mixes, as it waves, with Ossian's hair.
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poem by James Macpherson
Added by Poetry Lover
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A Legend of Madrid
Francesca
Crush'd and throng'd are all the places
In our amphitheatre,
'Midst a sea of swarming faces
I can yet distinguish her ;
Dost thou triumph, dark-brow'd Nina ?
Is my secret known to thee ?
On the sands of yon arena
I shall yet my vengeance see.
Now through portals fast careering
Picadors are disappearing ;
Now the barriers nimbly clearing
Has the hindmost chulo flown.
Clots of dusky crimson streaking,
Brindled flanks and haunches reeking,
Wheels the wild bull, vengeance seeking,
On the matador alone.
Features by sombrero shaded,
Pale and passionless and cold ;
Doublet richly laced and braided,
Trunks of velvet slash'd with gold,
Blood-red scarf, and bare Toledo,—
Mask more subtle, and disguise
Far less shallow, thou dost need, oh
Traitor, to deceive my eyes.
Shouts of noisy acclamation,
Breathing savage expectation,
Greet him while he takes his station
Leisurely, disdaining haste;
Now he doffs his tall sombrero,
Fools ! applaud your butcher hero,
Ye would idolize a Nero,
Pandering to public taste.
From the restless Guadalquivir
To my sire's estates he came,
Woo'd and won me, how I shiver !
Though my temples burn with shame.
I, a proud and high-born lady,
Daughter of an ancient race,
'Neath the vine and olive shade I
Yielded to a churl's embrace.
To a churl my vows were plighted,
Well my madness he requited,
Since, by priestly ties, united
To the muleteer's child,
And my prayers are wafted o'er him,
That the bull may crush and gore him,
Since the love that once I bore him
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poem by Adam Lindsay Gordon
Added by Poetry Lover
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