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Billy Joel

I am no longer afraid of becoming lost, because the journey back always reveals something new, and that is ultimately good for the artist.

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The mother and the artist

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of wonderfully emollient freshness; every
unfurling instant of impregnably magnificent existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of spellbindingly undefeated innocence; every
unfurling instant of symbiotically pristine existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of timelessly unconquerable truth; every unfurling
instant of bounteously magnanimous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unfathomably unfettered creativity; every
unfurling instant of timelessly burgeoning existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of royally triumphant resplendence; every
unfurling instant of unconquerably majestic existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of eternally exhilarating vivaciousness; every
unfurling instant of redolently insuperable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unbelievably ameliorating optimism; every
unfurling instant of marvelously benign existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of brilliantly liberated camaraderie; every
unfurling instant of iridescently inscrutable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unshakably virgin righteousness; every
unfurling instant of beautifully untainted existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of uninhibitedly heavenly frolic; every unfurling
instant of tantalizingly sensuous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of compassionately humanitarian friendship; every
unfurling instant of magically mitigating existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of miraculously everlasting freshness; every
unfurling instant of invincibly coalescing existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of pricelessly ubiquitous oneness; every unfurling

[...] Read more

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Im Afraid

Afraid of the dark
Afraid of the light
Dont walk in the park
Afraid of the night
Afraid to get stabbed
Or hit by a car
Afraid of the streets
Afraid to go far
Afraid of the sky
Dont like to be high
I dont want to fall
Afraid I might die
Afraid of my friends
Dont like to be seen
Afraid to be nice
Afraid to be mean
Afraid that the wind
Will knock over trees
Afraid of my dog
Afraid of his fleas
[chorus]
Peace of mind
Hard to keep
Hard to find
Look ahead
Look behind
Looking for
Peace of mind
Cant relax
Cant unwind
Deep inside
Secret mind
Oh no!
Afraid to be caught
Afraid to be free
Afraid to make love
Afraid of vd
Afraid of the rain
Dont like to get wet
Afraid to take drugs
They make me forget
Afraid that the air
Will make me get sick
Afraid that a girl
Will cut off my....oh!
Someone tell me how it happened
Why my head is so confused
Can it be my circuits finally blew a fuse
Can a human being really change into a humanoid
Or is my imagination paranoid

[...] Read more

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Fundamental of Liar Chapter XCVI: Fear

I don’t afraid of being old, I’m only afraid of being weak
I don’t afraid of being ugly, I’m only afraid of being useless
I don’t afraid of being nameless, I’m only afraid of being not loved
I don’t afraid of being lost, I’m only afraid of being blind
I don’t afraid of being dumb, I’m only afraid of being hopeless
I don’t afraid of being poor, I’m only afraid of being ungrateful
I don’t afraid of being loser, I’m only afraid of being coward
I don’t afraid of being bound, I’m only afraid of being fake
I don’t afraid of being wrong, I’m only afraid of being oblivious
I don’t afraid of being suffered, I’m only afraid of being surrender
I don’t afraid of being alone, I’m only afraid of being bored
I don't afraid of being loss, I'm only afraid of being lied

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Sympathetic Character

I was afraid you'd hit me if i'd spoken up I was
afraid of your physical strength I was afraid
you'd hit below the belt I was afraid of your
sucker punch I was afraid of you reducing me
I was afraid of your alocohol breath I was afraid
of your complete disregard for me I was afraid
of your temper I was afraid of handles being
flown off of I was afraid of holes being punched
into walls I was afraid of your testosterone

I have as much rage as you have
I have as much pain as you do
I've lived as much hell as you have
and i've kept mine bubbling under for you

you were my best friend
you were my lover
you were my mentor
you were my brother
you were my partner
you were my teacher
you were my very own sympathetic character

I was afraid of verbal daggers I was afraid of the
calm before the storm I was afraid for my own
bones I was afraid of your seduction I was afraid
of your coersion I was afraid of your rejection
I was afraid of your intimidation I was afraid of
your punishment I was afraid of your icy silences
I was afraid of your volume I was afraid of your
manipulation I was afraid of your explosions

I have as much rage as you have
I have as much pain as you do
I've lived as much hell as you have
and i've kept mine bubbling under for you

[chorus]
you were my keeper
you were my anchor
you were my family
you were my saviour
and therein lay the issue
and therein lay the problem

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Fear Of Dying

I'm not afraid of standing still
I'm just afraid of being bored
I'm not afraid of speaking my mind
I'm just afraid of being ignored

I'm not afraid of feeling
and I'm not afraid of trying
I'm just afraid of losing
And I am afraid of dying

Without you yes I do and I hope that you do too
Without you yes I do
Without you yes I do and I hope that you do too
Without you yes I...

I'm not afraid of being sick
I'm more afraid of being well
I'm not afraid
Put the gun in my hand
I'm just afraid it will hurt like (hurt like) hell

I'm not afraid of screaming
and I'm not afraid of crying
I'm just afraid of forgetting
And I am afraid of dying

Without you yes I do and I hope that you do too
Without you yes I do
Without you yes I do and I hope that you do too
Without you yes I...

Fear of
Fear of
Fear of
Fear of

I'm not afraid of looking ugly
I couldn't care what they say
I'm not afraid of happy endings
I'm just afraid my life won't work that way

I'm not afraid of forgiveness
I absolve you everything
I'm not afraid of lying...
But I am afraid of dying

Without you yes I do and I hope that you do too
Without you yes I do
Without you all I do is sit and think about you
Without you yes I...

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But For Being Lost

As black imbued black, so was rendered the pitch of darkness
That befogged this godforsaken yard of graves -
And too the dank, ‘til now forgotten chapel that
Did little to grace these forlorn grounds.

Yet here stood I, seemingly first to tread this weed-ridden soil
Since times of yore when life had erstwhile blessed this land.
But for being lost in solitude - as does a country wanderer -
Would I not have happened across this morbid landscape.

And though detail rendered barely visible to my naked eye –
For desperately had the moon tried to break through this jet fog –
A sense of something suffused the place.
Was it those tormented spirits desperate for absolution,
Or perhaps the gargoyles teasing me on whether they be of stone or living flesh?

I was drawn to the oak door as it enticingly opened in passage for me.
The organ called from down the nave and through the pale orange of unsteady light
- that which could only be mustered from the few discoloured, moribund candles.
Could I also hear a distant choir of stern voices, as if in effort to scold me?

As I approached, those tarnished pipes came into view.
Standing erect with gothic pride, they bore down on me with patronising air -
Exaggerated by the disjointed sneering of minor chords,
As if to state that insignificant I had henceforth no grant of solace.

In answer, I steadied my rocking legs and racing mind to wonder of this scenario.
And in doing so, I found myself waking from a cramped dream –
Whence the message dawned: mine had been such a claustrophobic life.

Copyright © Mark R Slaughter 2009


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Elizabeth Barrett Browning

Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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Im Afraid Of Americans

Johnnys in america, low-techs at the
Wheel
No-one needs anyone, they dont even
Just pretend
Johnnys in america
Im afraid of americans
Im afraid of the world
Im afraid I cant help it
Im afraid I cant
Johnnys in america
Johnny wants a brain, johnny wants to
Suck on a coke
Johnny wants a woman, johnny wants
To think of a joke
Johnnys in america
Im afraid of americans
Im afraid of the world
Im afraid I cant help it
Im afraid I cant
Johnnys in america
Johnnys in america, johnny looks up at
The stars
Johnny combs his hair and johnny
Wants pussy and cars
Johnnys in america
Im afraid of americans
Im afraid of the world
Im afraid I cant help it
Im afraid I cant
Johnnys in america
God is an american
Im afraid of americans
Im afraid of the world
Im afraid I cant help it
Im afraid I cant
Im afraid of americans
Im afraid of the words
Im afraid I cant help it
Im afraid I cant
Johnnys in america
Johnnys in america

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The Journey (feat. Lateef)

That journey-a call me quick,
That journey-a call my name,
That journey-a call have it's way,
an' have me wonderin' all my days
That journey-a call me quick,
That journey-a call my name,
That journey-a call have it's way,
an' have me wonderin' all my days.
I can't stay home, I gotta keep movin,
I gotta keep doin', I gotta get out,
I gotta roam, it's somethin' that moves me,
It's somethin' that uses me without a doubt,
'cause somewhere abstract coincidence happens,
see someone in passin' while out and about,
next thing I know I'm happily travelin',
puttin' in action ideas that I mouth,
cause I speak it and do it, talk it and walk it,
I'm so bad about it, I shout it out loud,
but try to stay open, the forces in motion,
They keep me on course, it's just clear that i've found (?),
Imprissoned in flesh and reality's blesses,
that made manifest every woman and child,
I'll keep on expressin' reality's lessons,
explorin' my prison until I'm let out.
That journey-a call me quick,
That journey-a call my name,
That journey-a call have it's way,
an' have me wonderin' all my days
That journey-a call me quick,
That journey-a call my name,
That journey-a call have it's way,
have me wonderin' all my days.
Travelin' East and West, on every known highway,
South to North carryin' that torch until I'm old and grey.
Well in the mean time inbetween I'm pushin' through this,
I said in the main time inbetween I'm on my duty.
Sometimes I get beat up, sometimes I'm the beater,
Sometimes man my feet hurt from walkin' so long,
Sometimes I'm defeated, sometimes I get cheated,
Sometimes I just need it, 'cause sometimes I'm wrong,
So the question's repeated, why even try?
When there's rocks in the road, pot-holes in the lawn,
The victory's sweeter when obstacles either,
Are side-stepped or crushed on the way to the door,
So I go on my own, have faith in the road,
I can share that control cause I'm never alone.
I hear the creator speak to me through wispers,
On winds the voices of friends and of foes,
I listen to omens, the things that he shows me,
Shows that he knows me and helps me along,

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Lazarus

No, Mary, there was nothing—not a word.
Nothing, and always nothing. Go again
Yourself, and he may listen—or at least
Look up at you, and let you see his eyes.
I might as well have been the sound of rain,
A wind among the cedars, or a bird;
Or nothing. Mary, make him look at you;
And even if he should say that we are nothing,
To know that you have heard him will be something.
And yet he loved us, and it was for love
The Master gave him back. Why did he wait
So long before he came? Why did he weep?
I thought he would be glad—and Lazarus—
To see us all again as he had left us—
All as it was, all as it was before.”

Mary, who felt her sister’s frightened arms
Like those of someone drowning who had seized her,
Fearing at last they were to fail and sink
Together in this fog-stricken sea of strangeness,
Fought sadly, with bereaved indignant eyes,
To find again the fading shores of home
That she had seen but now could see no longer
Now she could only gaze into the twilight,
And in the dimness know that he was there,
Like someone that was not. He who had been
Their brother, and was dead, now seemed alive
Only in death again—or worse than death;
For tombs at least, always until today,
Though sad were certain. There was nothing certain
For man or God in such a day as this;
For there they were alone, and there was he—
Alone; and somewhere out of Bethany,
The Master—who had come to them so late,
Only for love of them and then so slowly,
And was for their sake hunted now by men
Who feared Him as they feared no other prey—
For the world’s sake was hidden. “Better the tomb
For Lazarus than life, if this be life,”
She thought; and then to Martha, “No, my dear,”
She said aloud; “not as it was before.
Nothing is ever as it was before,
Where Time has been. Here there is more than Time;
And we that are so lonely and so far
From home, since he is with us here again,
Are farther now from him and from ourselves
Than we are from the stars. He will not speak
Until the spirit that is in him speaks;
And we must wait for all we are to know,
Or even to learn that we are not to know.

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Out Is Through

Every time you raise your voice
I see the greener grass
Every time you run for cover
I see this pasture
Every time we're in a funk
I picture a different choice
Every time we're in a rut
This distant grandeur
My tendency to want to do away feels natural
My urgency to dream of softer places feels understandable and I know
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll feel better
The only way out is through ultimately
Every time I'm confused
I think there must be easier ways
Every time our horns are locked on toweling throwing
Every time we're at a loss, we've bolted from difficulty
Anytime we're still made of final bowing
My tendency to want to hide away feels easier and
The tendency is picturing another place comforting to go and I know
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll feel better
The only way out is through ultimately
We could just walk away and hide our hands in the sand
We could just call it quits, only to start over again
With somebody else
Every time we're stuck in struggle, I'm down for the count that down
Every time I dream of quick fix I'm assuaged
Now I know it's hard when it's through
And I'm damned if I don't know quick fix way
What formerly was treatment silent's now outdated
My tendency to want to run feels unnatural now
The urgency to want to give to you what I want most feels good and I know
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll feel better
The only way out is through ultimately
The only way out is through
The faster we're in the better
The only way out is through ultimately
The only way out is through
The only way we'll feel better

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Be Good Johnny

Skip de skip, up the road
Off to school we go
Dont you be a bad boy johnny
Dont you slip up
Or play the fool
Oh no ma, oh no da,
Ill be your golden boy
I will obey evry golden rule
Get told by the teacher
Not to day-dream
Told by my mother:
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good (johnny)
Be good be good.
Are you going to play football this year, john?
No!
Oh, well you must be going to play cricket this year then,
Are you johnny?
No! no! no!
Boy, you sure are a funny kid, johnny, but I like you! so tell me,
What kind of a boy are you, john?
I only like dreaming
All the day long
Where no one is screaming
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Johnny!

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Lisbeth and the Artist

Lisbeth stands watching
The artist as he prepares
To sketch. Her elder sisters
Stand in shadows whispering.
Her younger sister plays
With her doll on the floor.
Their father said to do as
The artist instructed and
Don't misbehave or be rude.
The artist stares hard his
Dark eyes searching their
Every move and expression
And body gesture. The elder
Girls mutter in shadows
Their hands over their mouths
Their blue eyes like shallow
Pools. Ready? The artist
Asks putting charcoal to
Paper his fingers blackening.
Lisbeth says just as we are?
The artist nods. His grim
Features express do not disturb.
The youngest sister plays
Ignoring the artist her eyes set
On the game at hand. The girls
In shadow turn their profiles
Set to mystery their hands on
Their abdomens like guardians
Of virtue. Lisbeth wonders as
She watches the artist's stiff
Moustache and beard the slow
Movement of his mouth as he
Mouths words and stares hard.
The last artist employed some
Year before younger and less
Brutal in expression and manner
Had drawn them each in private
Rooms and set them down on couch
Or bed and kept their images inside
His head. He was dismissed and the
Drawings destroyed and nothing said.
Lisbeth had thought it just a game
Something done as lover might in
Private corners or lonely spots on
Quiet nights. The artist sketches.
His blackened fingers move and
Made their mark. Their images
Captured. The scene set. One sister
In the shadows yawns the other
Stares in still contempt. Lisbeth

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Journey to Be

I think I'll journey out some day to wondrous lands afar,
Or even chart a journey to a distant blazing star.
But rest assured that when my journey begs to take its cue,
Always know that when I go, this journey takes you too.

We'll start our journey out from here by horse and cart of old,
The seaside docks - and journey pauses - where we shall behold
A noble schooner for the journey primed to launch as planned:
To sail with dolphins cross the seas then journey back on land.

And so our journey goes by foot to conquer mountains tall:
A chapter hence the journey reached, with scenes that should enthral.
But when we tire, let's rest our journey, stretched in fields of flowers,
And bathe atop the mountain from the journey - autumn showers!

Refreshed, our journey takes a turn - we'll venture back for home,
But first we'll let the journey take a tangent just to roam.
And in the winding route, this journey's bound to bide content,
But most of all take heed - let's make our journey life's event.

Copyright © Mark R Slaughter 2009

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Elizabeth Barrett Browning

Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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How Much Longer

I'm stuck
Inside
Can't get this done wish I could hide
This scene is really such a pain
I just
Can't see
How this is any use to me
This work is drivin' me insane
All I really want is to get away (can anybody tell me)
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait
How much longer until I can play that game
It's on
My mind
I think I'm runnin out of time
This weight is more than I can take
That clock
Is slow
It's never gonna let me go
This time I need more than just a break
All I really want is to get away (can anybody tell me)
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait
How much longer until I can play that game
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait
How much longer until I can play that game
And here I go again (and here I go again)
Wondering when (when)
I can have my time to play
(Can anybody tell me)
(Can anybody, can anybody tell me)
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait

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