Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.
quote by Russell Crowe
Added by Veronica Serbanoiu
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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Edge Of Reality
(words & music by giant - baum - kaye)
I walk along a thin line darling
Dark shadows follow me
Heres where lifes dream lies disillusioned
The edge of reality
Oh I can hear strange voices echo
Laughing with mockery
The border line of doom Im facing
The edge of reality
On the edge of reality she sits there tormenting me
The girl with the nameless face
On the edge of reality where she overpowers me
With fears that I cant explain
She drove me to the point of madness
The brink of misery
If shes not real then Im condemned to
The edge of reality
On the edge of reality she sits there tormenting me
The girl with the nameless face
On the edge of reality where she overpowers me
With fears that I cant explain
She drove me to the point of madness
The brink of misery
If shes not real then Im condemned to
The edge of reality
Reality, reality, reality, reality,
Reality, reality, reality, reality
song performed by Elvis Presley
Added by Lucian Velea
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The Oldest Profession
Dress in sequence, wearing shoes of pretense
The Oldest Profession glides into view
With devoted help from the media
It invades our minds with all kinds of lies under the guise of protection
It is my personal election
The Oldest Profession does not care how things are done
As long as it is number one
It’s not prejudice against anyone
Many times it’s disguised as fun
It travels from coast to coast
And has the audacity to boast about it’s conquest
Dressed in sequence wearing shoes of pretense
The Oldest Profession glides into view
Now it’s horrendous acts aren’t always behind closed doors
Our children are taught about them in folklores
We glorify the horrors as we sit n our parlors and sip tea
From our childhood and up
We’ve accepted this cup of deceit and we repeat it to our
Love ones
Now the name has been changed to protect the game
But we the people are hip what’s going on
We know this profession does not belong in existence
This profession has destroyed life
Promoted chaos and strife
One thing it has never had and never will have, silence
The Oldest Profession in the world is not prostitution
It is Violence
poem by Josephine DixonBanks
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Actor Of Love
Hold on
I have found something I longing for
To fill the hollowness of my heart
But why I'm feeling more of sorrow
Before
I am the one who said: 'Oh, I'll control'
But now I realize you are my world
And it's waiting to break apart
I'm an actor of love
I'm trying to perfect
But I'm just fooling around
I'm an actor of love
I want to be your hero
But I've made myself a clown
I'm an actor of love
I need you by my side
But now you leave me alone
I'm an actor of love
I beg your forgiveness
But you refuse me so cold
Sometimes
We wonder why we should be together
Do we really dream of love forever?
Or we afraid to be alone
I'm an actor of love
I want to protect you
But I always hurt you bad
I'm an actor of love
I want to be your shield
But may turn someone you hate
I'm an actor of love
We kiss in the morning
But in night we have a war
I'm an actor of love
We care for each other
But we only circle round
If this love only makes me crazy
Take the story and just let it be
Tragedy or comedy
[...] Read more
poem by Maria Sudibyo
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Thespis: Act I
DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT I - Ruined Temple on the Summit of Mount Olympus
[Scene--The ruins of the The Temple of the Gods, on summit of
Mount Olympus. Picturesque shattered columns, overgrown with
ivy, etc. R. and L. with entrances to temple (ruined) R. Fallen
columns on the stage. Three broken pillars 2 R.E. At the back of
stage is the approach from the summit of the mountain. This
should be "practicable" to enable large numbers of people to
ascend and descend. In the distance are the summits of adjacent
mountains. At first all this is concealed by a thick fog, which
clears presently. Enter (through fog) Chorus of Stars coming off
duty as fatigued with their night's work]
CHO. Through the night, the constellations,
Have given light from various stations.
When midnight gloom falls on all nations,
We will resume our occupations.
SOLO. Our light, it's true, is not worth mention;
What can we do to gain attention.
When night and noon with vulgar glaring
A great big moon is always flaring.
[During chorus, enter Diana, an elderly goddess. She is carefully
wrapped up in cloaks, shawls, etc. A hood is over her head, a
respirator in her mouth, and galoshes on her feet. During the
[...] Read more
poem by William Schwenck Gilbert
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Reality's Dream
I staggered back from the blow;
Reality struck me again
this time harder
mocking me as I fell.
'You have always been so clear about
your plans and goals haven't you;
clear about what you wanted to achieve or know
how you would overcome all obstacles
but Pilgrim you had no plan B;
I always grant people like you
first place in my line
because you all are Prisoners Of Your Own Dreams and Schemes
hurtling through life 'Dreamers of the Impossible Dream'
Perfection's Confection blinds you by its own light-
wouldn't you agree? '
I gradually regained my feet and
stared into those unforgiving, taunting eyes
thinking strangely
that Reality is much like a bully.
'And hear you are now, ' Reality was saying
'alone
without family or friends
clutching to those dreams
which will never come true
being instead
here now
my prisoner
for all eternity
forced now to worship
at my altar.
He cackled a horrible cackle.
I looked at him in a haze
realizing he had a point
but too
that moment
exposed Reality's
own weaknesses:
he was counting upon my apathy-
my sense of defeat-
to make me surrender to him
believe in him and his power.
I rose
stared at him
[...] Read more
poem by Lonnie Hicks
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Reality (1st of Seven Secondary Virtues)
Poem Title: (Reality) 1st of Seven Secondary Virtues of a Happy Marriage
Poem 174 b …. Title : (Reality) 1st of Seven Secondary Virtues of a Happy Marriage.
Subject Reality...As a Human being.A creature that cuts down trees, then to pulp in a machine.
As an attempt to manufacture a cost effective way of transmitting News to all the World.
Most of which is of Climate Change and full of subjective slogans on how we must save the trees!
Real Reality..... How about this Poet? Who lives within a Fantasy of Trust whereby he allows
His Loving Partner to hold the sacred knowledge of the password to his private website.
And always knowing this, knew that anything that he did write could then be read in true Reality.
Hypo statical Reality ….As a Happy Marriage holds three levels of Hypo stasis in a given day.
Blood pressure rising or falling in anticipation as to the level of eggs that he be treading upon.
Metaphysically thinking and speaking in riddles or codes too, for all time to confuse an enemy.
Beyond the wit of Reality........ Any Happy Marriage is beholding three levels of wit.
The wit of knowing when to sleep with the wisest of wise tongues keeping the wisest of heads.
The wit of the pretence of reality and being wide wide wide awake too a Lovers every need.
The Fantasy of the Reality.....Of any Happy Marriage is the joint ability to understand difference.
Difference in attitude, Man to Woman, Woman to Man.Lie to Exaggeration, Exaggerative Lie.
Fantasy of the moment, of the drudgery of daily grinds or the reality of a magic carpet ride.
The Reality of a Happy Marriage is striving to achieve to score the winning Goal in allotted time.
Loosing score, playing two halves plus extra time and neither gaining upper hand through penalties
Real Subjective Reality, Hypo static God Head to prevail by use of Wit and Prose and Pure Fantasy!
(Written 13th July 2010) A Triversen at first attempt. Success or Failure (Time will tell)
poem by Philip Winchester
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Reality Sucks
O.k. maybe you know it better
Oh oh reality sucks
Nobody helps you to make it feel better
Oh oh reality sucks
And youre a dropout that stays away
Might be that evil took over
Oh oh reality sucks
Youre getting to old now
To cause a stampede
Oh oh reality sucks
So youre boozing your life away
Youre blown your brain away
Reality sucks
Oho reality sucks
Now you see your life has passed you by
Oh oh reality sucks
You took a shortcut
Through the junkyard of life
Maybe thats why reality sucks
Now youre boozing your life away
Blowing your head away
But dreams didnt make your day
cause reality sucks
Oh oh reality sucks
Reality sucks
song performed by Fury In The Slaughterhouse
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Behind the Scenes
The actor struts his little hour,
Between the limelight and the band;
The public feel the actor's power,
Yet nothing do they understand
Of all the touches here and there
That make or mar the actor's part,
They never see, beneath the glare,
The artist striving after art.
To them it seems a labour slight
Where nought of study intervenes;
You see it in another light
When once you've been behind the scenes.
For though the actor at his best
Is, like a poet, born not made,
He still must study with a zest
And practise hard to learn his trade.
So, whether on the actor's form
The stately robes of Hamlet sit,
Or as Macbeth he rave and storm,
Or plays burlesque to please the pit,
'Tis each and all a work of art,
That constant care and practice means --
The actor who creates a part
Has done his work behind the scenes.
poem by Andrew Barton Paterson
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Because I Don't Confront You
Because I don't confront you
doesn't mean this tree
doesn't know how to stand up to the wind.
If I bend like a river reed in a current
I'll still be here
long after the current has passed.
To the unenlightened it's inconceivable
there's nothing to win
because both opposites are empty.
Take empty from empty it's still empty.
No reason to put a gun to your head to check it out.
Just because you've got a trigger
like the first crescent of the moon
doesn't mean you have to pull it.
Three for three.
Blood and cartridges.
Strange lipstick.
But you're still banking on the one that's empty.
Those that have the power to hurt
but will do none.
Shakespeare.
Sonnet 94.
Lonely advice to those who never take it.
And it's not hard to imagine
better things to do in the world
than trade barbs and stingers
with third world killer bees.
And there's nothing unholier than a holy war.
Or a faith that festers
because it doesn't know
how to clean a wound properly.
Even maggots make better nurses than that.
And besides
as unlikely as it seems at times
I'd rather be loved than right.
I don't want to lie down with a woman at night
like a body count.
You say I'm not in touch with reality
as if reality were some kind of guillotine
you expected me to stick my neck out for
swanning on the block.
No.
I don't stay in touch much
with French executioners.
But I can see the world as you see it.
A snakepit with the occasional apple-tree.
You think of reality as a hard medicine
you have to wince like a lemon to take
but if you ask me
the way you put it
[...] Read more
poem by Patrick White
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I Know Their Name
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name
song performed by Men Without Hats
Added by Lucian Velea
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6 Minutes Of Pleasure
Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
[...] Read more
song performed by LL Cool J
Added by Lucian Velea
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Gotta Have You
Never been too much for watching
Cause theres too many things to view
And when eyes begin to wander
They more than likely never get through
But beyond my own temptation
Im enticed by what I see
And I wont feel satisfaction
Until shes where I want her to be
I gotta have you, I gotta have you
I gotta have you for me
You are a sight for sore eyes to see
I gotta make you my reality
I gotta have you, I gotta have you
I gotta have you for me
You are a sight for sore eyes to see
Come on girl, make you my reality
Never been too much for talking
Cause theres too many things to say
And by the time that I start speaking
The right moment has slipped away
But I must break this old tradition
And try to muster up the words
And though someone else may have said them
Ill say them in way youve never heard
I gotta have you, I gotta have you
I gotta have you for me
You are a sight for sore eyes to see
Ive gotta make you my reality
I gotta have you, I gotta have you
I gotta have you for me
You are a sight for sore eyes to see
Come on girl, make you my reality
Gotta be, gotta be, gotta be reality, baby
Gotta be, gotta be, gotta be reality, baby
(repeat)
Never been too much for touching
Cause theres too many things to feel
Plus theres too much disappointment
When you find out those feelings aint real
But heres a time when inner senses
Are gonna have to shine the light
Cause I have overly committed
Myself in thinking that youre alright
I gotta have you, I gotta have you
I gotta have you for me
You are a sight for sore eyes to see
I gotta make you my reality
I gotta have you, I gotta have you
I gotta have you for me
You are a sight for sore eyes to see
[...] Read more
song performed by Stevie Wonder
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Stream Line Consciousness
Big brother voyeur blimps unidentified spies
uncle sam peeping toms patrolling skies
bird brain police intelligence
remote viewing homeland pest control
pentagon private eye monitoring the public's every move
mass produced micro chips intercepting prayers patrolling citizens from heaven
Bentham's Panopticon NSA
super computer surveillance cameras
world police spying Manhattan streets
'Athens plummets Euro death spiral
suicide rates soar deepening into despair'
haaretz..the post.. the times
blogs tribunes dailies all in a mad gab
headlong headline attention grabbing scramble
'Yugoslavia - Iraq - Egypt - Yemen - Iran - Syria - United States'
bilderberg building blocks New American Century post apocalyptic prophecy
'foreign mercenaries …national guard...DOD
homeland security to amass covert munitions stockpile
Americans on guard anxieties mounting surrounding
the stripping of amendments 1st if you swing to your left
2nd if you stand on the right
whispers of martial law circulate Anarchical reverberations
emanate from internet Alt culture epicenters
bottle necking global tensions'
'common feeling of deepening disappointment...
heightened expectations...
people expecting an explosive situation over the
next few weeks'
...riot police respond 'to preserve public order'
public roads barricaded to 'protect security of citizens'
'blatant act of censorship
western mainstream media staying away
from Myanmar massacres of Mohammedan Angels
further showing strong anti Muslim bias'
'Media blackout Burmese army
seeking coverage under propaganda blankets'
from the middle east throughout the western world
planet consciousness blurring lines between conspiracy/reality
conflicting global network narratives multiply violent scenarios daily
Victims in a world wide scramble
Government Banking Military
[...] Read more
poem by Gregory Allen Uhan
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Blooming 18
Reality reality reality is always
You tattooed yourself what a piece of art
Youve already broken your mothers heart
When I was your age working my ass off
Your generations soft
Reality is always such a drag
For barely blooming eighteens
The barely blooming eighteen
Wants to know
Whats keeping her from searching
You cannot pierce that and
Youre dressed too tight
Got a lot to learn about wrong and right
So dye you hair, dads gonna wash it out
Come on wash out your mouth
Reality is always such a drag
For barely blooming eighteens
The barely blooming eighteen
Wants to know
Whats hiding in the shadow
Reality reality reality is always
Reality is always...
song performed by Ace Of Base
Added by Lucian Velea
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Intro
intro (featuring cedric the entertainer)
*car engine starts*
*phone rings*
Cedric:
Man, this fool ain't pickin' up.
Nelly on answering machine:
You know who it is. do what you do.
Cedric:
Ey, yo nelly. what's up dog, this ced the entertainer. get at me man. i been
Hollerin' at you. man i been tryin' to call you 'bout three days.
Done called your cell phone, your pager, your voice mail over your mama's
House. your uncle darell and i paged kyjuan like three times. ya'll
Get at me man. i just want to holla at you playa. you know i'm out here in cali
Just doin' it up, hangin' out here. you know. chillin'. trying to
Do a little tv. you know how i do it. rollin' round here in a big body benz wit
Two dollars worth of gas. ha. who said it won't no future in your
Front? getting ready to put it down like that with that country grammer right.
I heard about it, using them words like st. louis. herre. therre.
Put them two capitol r's and evr' thang. ha. i feel you on that right. i feel
You so just get at me so i can do a lil somethin' for you, flip a few
Thangs. just call me back. whatever. you can't get me, call over my mama's
House, they know how to page me. they a page me to yo number
Then i call you back or you could just page my cousin keith and he'll call my
Cousin lil darrell who got my real pager number and then i'll you back
On his cell phone. he he. whatever you do playa, do it st. louis style. put it
Down for the stl ight. now get at me.
song performed by Nelly
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The Apology
ADDRESSED TO THE CRITICAL REVIEWERS.
Tristitiam et Metus.--HORACE.
Laughs not the heart when giants, big with pride,
Assume the pompous port, the martial stride;
O'er arm Herculean heave the enormous shield,
Vast as a weaver's beam the javelin wield;
With the loud voice of thundering Jove defy,
And dare to single combat--what?--A fly!
And laugh we less when giant names, which shine
Establish'd, as it were, by right divine;
Critics, whom every captive art adores,
To whom glad Science pours forth all her stores;
Who high in letter'd reputation sit,
And hold, Astraea-like, the scales of wit,
With partial rage rush forth--oh! shame to tell!--
To crush a bard just bursting from the shell?
Great are his perils in this stormy time
Who rashly ventures on a sea of rhyme:
Around vast surges roll, winds envious blow,
And jealous rocks and quicksands lurk below:
Greatly his foes he dreads, but more his friends;
He hurts me most who lavishly commends.
Look through the world--in every other trade
The same employment's cause of kindness made,
At least appearance of good will creates,
And every fool puffs off the fool he hates:
Cobblers with cobblers smoke away the night,
And in the common cause e'en players unite;
Authors alone, with more than savage rage,
Unnatural war with brother authors wage.
The pride of Nature would as soon admit
Competitors in empire as in wit;
Onward they rush, at Fame's imperious call,
And, less than greatest, would not be at all.
Smit with the love of honour,--or the pence,--
O'errun with wit, and destitute of sense,
Should any novice in the rhyming trade
With lawless pen the realms of verse invade,
Forth from the court, where sceptred sages sit,
Abused with praise, and flatter'd into wit,
Where in lethargic majesty they reign,
And what they won by dulness, still maintain,
Legions of factious authors throng at once,
Fool beckons fool, and dunce awakens dunce.
To 'Hamilton's the ready lies repair--
Ne'er was lie made which was not welcome there--
Thence, on maturer judgment's anvil wrought,
The polish'd falsehood's into public brought.
[...] Read more
poem by Charles Churchill
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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This So-called Miracle
Chorus/intro:
Its gonna take a miracle
To give up my hope and get on with my life
Oh that mystic moment
A split-second stop
Of my heart
And with this miracle
Comes unwanted reality
cause this so-called miracle
Has turned into a tragedy
Verse 1:
Baby, what ever did I do (I do, I do, I do...)
To make you not only turn away
But turn, oh so far away
Never considering turning back
Verse 2:
I need you to know Ill never smile
Until we reconcile (until we reconcile)
I know now that that wont happen
Somehow Ill try and cope
But I just cant get out of my head
That glimmer of hope
Everybody tells me I need time away from you
But your the only thing in my world
And thats the last thing I wanna do
Chorus
Verse 3:
Baby, whatever did I do
To make you not only go away
But twist every word I say
To make the tables turn.....
Verse 4:
Youre sayin Im the one whos at the core
Yes, Im the one who glanced at the door
(oh, slammed the door)
But youre the one who turned the handle
Tried to burn the candle at both ends
At both ends you lead me
On and on and on
You really, really took me
Now youve left, my mind is gone (when you left)
Chorus:
And its gonna take a miracle (its gonna take a miracle)
To give up my hope and get on with my life
Mystic moment
A split-second stop
Of my heart
And in this miracle
Comes unwanted reality (I dont want a reality)
cause this so-called miracle
[...] Read more
song performed by Debbie Gibson
Added by Lucian Velea
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Interlude (feat. Cedric The Entertainer)
[Cedric the Entertainer]:
Goin good, hold up. Get off me real quick I'm
tryin to holla at my dog real fast.
Hey, hey Nelly what's up dog, this Ced the
Entertainer boy. I'm at a wild little party,
dog. Ay get back at me I'm tryin to holla at
you about the album now I'm a talk to all of
ya'll. Big Leaugue, Kyuan, Little T, City Spud,
my homies. What's up ya'll, you need to get at
me I need to be on this album playa. I'm tryin
to blow up with ya. S.T.L. Ya'll get back at
me aight? Just call me.
song performed by Nelly
Added by Lucian Velea
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