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The Adjustment Bureau [Elise Kills David's Phone]

Cast: Emily Blunt, Matt Damon

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A Sicilian Idyll

(First Scene) Damon
I thank thee, no;
Already have I drunk a bowl of wine . . .
Nay, nay, why wouldst thou rise?
There rolls thy ball of worsted! Sit thee down;
Come, sit thee down, Cydilla,
And let me fetch thy ball, rewind the wool,
And tell thee all that happened yesterday.

Cydilla
Thanks, Damon; now, by Zeus, thou art so brisk,
It shames me that to stoop should try my bones.

Damon
We both are old,
And if we may have peaceful days are blessed;
Few hours of bouyancy will come to break
The sure withdrawal from us of life's flood.

Cydilla
True, true, youth looks a great way off! To think
It wonce was age did lie quite out of sight!

Damon
Not many days have been so beautiful
As yesterday, Cydilla; yet one was;
And I with thee broke tranced on its fine spell;
Thou dost remember? Yes? but not with tears,
Ah, not with tears, Cydilla, pray, oh, pray!

Cydilla
Pardon me, Damon,
'Tis many years since thou hast touched thereon;
And something stirs about thee -
Such air of eagerness as was thine when
I was more foolish than in my life, I hope
To ever have been at another time.

Damon
Pooh! foolish? - thou wast then so very wise
That, often having seen thee foolish since,
Wonder has made me faint that thou shouldst err.

Cydilla
Nay, then I erred, dear Damon; and remorse
Was not so slow to find me as thou deemst.

Damon
There, mop those dear wet eyes, or thou'lt ne'er hear
What it was filled my heart yesterday.

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The Progress of Taste, or the Fate of Delicacy

Part first.

Perhaps some cloud eclipsed the day,
When thus I tuned my pensive lay:
The ship is launch'd-we catch the gale-
On life's extended ocean sail:
For happiness our course we bend,
Our ardent cry, our general end!
Yet, ah! the scenes which tempt our care
Are, like the forms dispersed in air,
Still dancing near disorder'd eyes,
And weakest his who best descries!'
Yet let me not my birthright barter,
(For wishing is the poet's charter;
All bards have leave to wish what's wanted,
Though few e'er found their wishes granted;
Extensive field! where poets pride them
In singing all that is denied them).
For humble ease, ye Powers! I pray;
That plain warm suit for every day,
And pleasure and brocade, bestow,
To flaunt it-once a month, or so.
The first for constant wear we want;
The first, ye Powers! for ever grant;
But constant wear the last bespatters,
And turns the tissue into tatters.
Where'er my vagrant course I bend,
Let me secure one faithful friend.
Let me, in public scenes, request
A friend of wit and taste, well drest;
And, if I must not hope such favour,
A friend of wit and taste, however.
Alas! that Wisdom ever shuns
To congregate her scatter'd Sons,
Whose nervous forces, well combined,
Would win the field, and sway mankind.
The fool will squeeze, from morn to night,
To fix his follies full in sight;
The note he strikes, the plume he shows,
Attract whole flights of fops and beaus,
And kindred fools, who ne'er had known him,
Flock at the sight, caress and own him;
But ill-starr'd Sense, not gay nor loud,
Steals soft on tiptoe through the crowd;
Conveys his meagre form between,
And slides, like pervious air, unseen;
Contracts his known tenuity,
As though 'twere even a crime to be;
Nor even permits his eyes to stray,
And win acquaintance in their way.

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La Fontaine

The Magic Cup

THE worst of ills, with jealousy compared,
Are trifling torments ev'ry where declared.

IMAGINE, to yourself a silly fool,
To dark suspicion grown an easy tool;
No soft repose he finds, by night or day;
But rings his ear, he's wretched ev'ry way!
Continually he dreams his forehead sprouts;
The truth of reveries he never doubts.
But this I would not fully guaranty,
For he who dreams, 'tis said, asleep should be;
And those who've caught, from time to time, a peep,
Pretend to say--the jealous never sleep.

A MAN who has suspicions soon will rouse;
But buz a fly around his precious spouse,
At once he fancies cuckoldom is brought,
And nothing can eradicate the thought;
In spite of reason he must have a place,
And numbered be, among the horned race;
A cuckold to himself he freely owns,
Though otherwise perhaps in flesh and bones.

GOOD folks, of cuckoldom, pray what's the harm,
To give, from time to time, such dire alarm?
What injury 's received, and what 's the wrong,
At which so many sneer and loll their tongue?
While unacquainted with the fact, 'tis naught;
If known:--e'en then 'tis scarcely worth a thought.
You think, however, 'tis a serious grief;
Then try to doubt it, which may bring relief,
And don't resemble him who took a sup,
From out the celebrated magic cup.
Be warned by others' ills; the tale I'll tell;
Perhaps your irksomeness it may dispel.

BUT first, by reason let me prove, I pray,
That evil such as this, and which you say,
Oft weighs you down with soul-corroding care;
Is only in the mind:--mere spright of air:
Your hat upon your head for instance place,
Less gently rather than's your usual case;
Pray, don't it presently at ease remain?
And from it do you aught amiss retain?
Not e'en a spot; there's nothing half so clear;
The features, too, they as before appear?
No difference assuredly you see?
Then how can cuckoldom an evil be?
Such my conclusion, spite of fools or brutes,
With whose ideas reason never suits.

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The Lawyer’s First Tale: Primitiæ or Third Cousins

I

‘Dearest of boys, please come to-day,
Papa and mama have bid me say,
They hope you’ll dine with us at three;
They will be out till then, you see,
But you will start at once, you know,
And come as fast as you can go.
Next week they hope you’ll come and stay
Some time before you go away.
Dear boy, how pleasant it will be,
Ever your dearest Emily!’
Twelve years of age was I, and she
Fourteen, when thus she wrote to me,
A schoolboy, with an uncle spending
My holidays, then nearly ending.
My uncle lived the mountain o’er,
A rector, and a bachelor;
The vicarage was by the sea,
That was the home of Emily:
The windows to the front looked down
Across a single-streeted town,
Far as to where Worms-head was seen,
Dim with ten watery miles between;
The Carnedd mountains on the right
With stony masses filled the sight;
To left the open sea; the bay
In a blue plain before you lay.
A garden, full of fruit, extends,
Stone-walled, above the house, and ends
With a locked door, that by a porch
Admits to churchyard and to church;
Farm-buildings nearer on one side,
And glebe, and then the countrywide.
I and my cousin Emily
Were cousins in the third degree;
My mother near of kin was reckoned
To hers, who was my mother’s second:
My cousinship I held from her.
Such an amount of girls there were,
At first one really was perplexed:
’Twas Patty first, and Lydia next,
And Emily the third, and then,
Philippa, Phoebe, Mary Gwen.
Six were they, you perceive, in all;
And portraits fading on the wall,
Grandmothers, heroines of old,
And aunts of aunts, with scrolls that told
Their names and dates, were there to show
Why these had all been christened so.

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John Dryden

Palamon And Arcite; Or, The Knight's Tale. From Chaucer. In Three Books. Book III.

The day approached when Fortune should decide
The important enterprise, and give the bride;
For now the rivals round the world had sought,
And each his number, well appointed, brought.
The nations far and near contend in choice,
And send the flower of war by public voice;
That after or before were never known
Such chiefs, as each an army seemed alone:
Beside the champions, all of high degree,
Who knighthood loved, and deeds of chivalry,
Thronged to the lists, and envied to behold
The names of others, not their own, enrolled.
Nor seems it strange; for every noble knight
Who loves the fair, and is endued with might,
In such a quarrel would be proud to fight.
There breathes not scarce a man on British ground
(An isle for love and arms of old renowned)
But would have sold his life to purchase fame,
To Palamon or Arcite sent his name;
And had the land selected of the best,
Half had come hence, and let the world provide the rest.
A hundred knights with Palamon there came,
Approved in fight, and men of mighty name;
Their arms were several, as their nations were,
But furnished all alike with sword and spear.

Some wore coat armour, imitating scale,
And next their skins were stubborn shirts of mail;
Some wore a breastplate and a light juppon,
Their horses clothed with rich caparison;
Some for defence would leathern bucklers use
Of folded hides, and others shields of Pruce.
One hung a pole-axe at his saddle-bow,
And one a heavy mace to stun the foe;
One for his legs and knees provided well,
With jambeux armed, and double plates of steel;
This on his helmet wore a lady's glove,
And that a sleeve embroidered by his love.

With Palamon above the rest in place,
Lycurgus came, the surly king of Thrace;
Black was his beard, and manly was his face
The balls of his broad eyes rolled in his head,
And glared betwixt a yellow and a red;
He looked a lion with a gloomy stare,
And o'er his eyebrows hung his matted hair;
Big-boned and large of limbs, with sinews strong,
Broad-shouldered, and his arms were round and long.
Four milk-white bulls (the Thracian use of old)
Were yoked to draw his car of burnished gold.

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William Cowper

On The Death Of Damon. (Translated From Milton)

Ye Nymphs of Himera (for ye have shed
Erewhile for Daphnis and for Hylas dead,
And over Bion's long-lamented bier,
The fruitless meed of many a sacred tear)
Now, through the villas laved by Thames rehearse
The woes of Thyrsis in Sicilian verse,
What sighs he heav'd, and how with groans profound
He made the woods and hollow rocks resound
Young Damon dead; nor even ceased to pour
His lonely sorrows at the midnight hour.
The green wheat twice had nodded in the ear,
And golden harvest twice enrich'd the year,
Since Damon's lips had gasp'd for vital air
The last, last time, nor Thyrsis yet was there;
For he, enamour'd of the Muse, remain'd
In Tuscan Fiorenza long detain'd,
But, stored at length with all he wish'd to learn,
For his flock's sake now hasted to return,
And when the shepherd had resumed his seat
At the elm's root within his old retreat,
Then 'twas his lot, then, all his loss to know,
And, from his burthen'd heart, he vented thus his woe.
Go, seek your home, my lambs; my thoughts are due
To other cares than those of feeding you.
Alas! what Deities shall I suppose
In heav'n or earth concern'd for human woes,
Since, Oh my Damon! their severe decree
So soon condemns me to regret of Thee!
Depart'st thou thus, thy virtues unrepaid
With fame and honour, like a vulgar shade?
Let him forbid it, whose bright rod controls,
And sep'rates sordid from illustrious souls,
Drive far the rabble, and to Thee assign
A happier lot with spirits worthy thine!
Go, seek your home, my lambs; my thoughts are due
To other cares than those of feeding you.
Whate'er befall, unless by cruel chance
The wolf first give me a forbidding glance,
Thou shalt not moulder undeplor'd, but long
Thy praise shall dwell on ev'ry shepherd's tongue;
To Daphnis first they shall delight to pay,
And, after Him, to thee the votive lay,
While Pales shall the flocks and pastures love,
Or Faunus to frequent the field or grove,
At least if antient piety and truth
With all the learned labours of thy youth
May serve thee aught, or to have left behind
A sorrowing friend, and of the tuneful kind.
Go, seek your home, my lambs, my thoughts are due
To other cares than those of feeding you.

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The Conversation. A Tale

It always has been a thought discreet
To know the company you meet;
And sure there may be secret danger
In talking much before a stranger.
Agreed: what then? Then drink your ale;
I'll pledge you, and repeat my tale.

No matter where the scene is fix'd,
The persons were but oddly mix'd;
When sober Damon thus began,
(And Damon is a clever man!)
I now grow old, but still from youth
Have held for modesty and truth;
The men who by these sea-marks steer
In life's great voyage never err:

Upon this point I dare defy
The world; I pause for a reply.

Sir, either is a good assistant,
Said one, who sat a little distant;
Truth decks our speeches and our books,
And modesty adorns our looks:
But farther progress we must take;
Not only born to look and speak,
The man must act. The Stagirite
Says thus, and says extremely right.
Strict justice is the sovereign guide
That o'er our actions should preside;
This queen of virtues is confess'd
To regulate and bind the rest.
Thrice happy if you can but find
Her equal balance poise your mind;
All different graces soon will enter,
Like lines concurrent to their centre.

'Twas thus, in short, these two went on,
With yea and nay, and
pro
and
con
.
Through many points divinely dark,
And Waterland assaulting Clarke,
Till, in theology half lost,
Damon took up the Evening Post,
Confounded Spain, composed the north,
And deep in politics held forth.
Methinks we're in the like condition
As at the Treaty of Partition:

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Al Cobdogla's Hearse

The mood in the town of Warramine
Was grim, and getting worse,
For stuck on the town's old hump-back bridge
Was Al Cobdogla's hearse,
The brakes had failed and the motor quit
And the footplates wedged each side,
The springs had sprung, and the body hung
On Emily's final ride!

The coffin lodged in the back was black,
As black as Emily's sin,
There wasn't a man in the great outback
That hadn't been out and in,
For Emily Gray was more than gay
In the old sense of the word,
She only charged a dollar a spin
Out there in the cattle yard.

For Emily was an outdoor girl
She couldn't abide inside,
She liked the sun on her naked legs
And a good bit more beside,
She'd run stark naked under the trees
When the wattle began to bloom,
And wives would lock their men in the bar
On a Saturday afternoon.

‘The blatant hussy, ' - ‘The brazen bitch! '
The women would often say,
The men would mutter and dropp their heads,
‘It's only Emily Gray! '
They found her lying without a stitch,
Or that's what somebody said,
And beat her bloody with candlesticks,
So now, poor Emily's dead!

She lay in the coffin, wedged in tight,
As tight as the hearse on the bridge,
The men got worried and pulled her out
And stuck her in somebody's fridge!
‘She won't last long in the heat out here,
It's over a hundred today, '
It seemed that the women of Warramine
Were stuck with Emily Gray!

They pushed and heaved, pummelled and thrust
But nothing could budge that hearse,
The only bridge into Warramine
Was blocked, for better or worse,
The farmers couldn't get into the pub,

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Emily Ann

Government muddles, departments dazed,
Fear and confusion wherever he gazed;
Order insulted, authority spurned,
Dread and distraction wherever he turned
Oh, the great King Splosh was a sad, sore king,
With never a statesman to straighten the thing.


Glus all importunate urging their claims,
With selfish intent and ulterior aims,
Glugs with petitions for this and for that,
Standing ten-deep on the royal door-mat,
Raging when nobody answered their ring -
Oh, the great King Splosh was a careworn king.


And he looked to the right, and he glanced to the left,
And he glared at the roof like a monarch bereft
Of his wisdom and wits and his wealth all in one;
And, at least once a minute, asked, 'What's to be done?'
But the Swanks stood around him and answered, with groans,
'Your majesty, Gosh is half buried in stones!'


'How now?' cried the King. 'Is there not in my land
One Glug who can cope with this dreadful demand:
A rich man, a poor man, a beggar man, thief
I reck not his rank so he lessen my grief
A soldier, a sailor, a - ' Raising his head,
With relief in his eye, 'Now, I mind me!' he said.


'I mind me a Tinker, and what once befel,
When I think, on the whole, he was treated not well.
But he shall be honoured, and he shall be famed
If he read me this riddle. But how is he named?
Some commonplace title, like-Simon?-No-Sym!
Go, send out my riders, and scour Gosh for him.'


They rode for a day to the sea in the South,
Calling the name of him, hand to the mouth.
They rode for a day to the hills in the East,
But signs of a tinker saw never the least.
Then they rode to the North thro' a whole day long,
And paused in the even to hark to a song.

'Kettles and pans! Kettles and pans!
Oh, who can show tresses like Emily Ann's?
Brown in the shadow and gold at the tips,

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The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Seventh

'Powers there are
That touch each other to the quick--in modes
Which the gross world no sense hath to perceive,
No soul to dream of.'

THOU Spirit, whose angelic hand
Was to the harp a strong command,
Called the submissive strings to wake
In glory for this Maiden's sake,
Say, Spirit! whither hath she fled
To hide her poor afflicted head?
What mighty forest in its gloom
Enfolds her?--is a rifted tomb
Within the wilderness her seat?
Some island which the wild waves beat--
Is that the Sufferer's last retreat?
Or some aspiring rock, that shrouds
Its perilous front in mists and clouds?
High-climbing rock, low sunless dale,
Sea, desert, what do these avail?
Oh take her anguish and her fears
Into a deep recess of years!
'Tis done;--despoil and desolation
O'er Rylstone's fair domain have blown;
Pools, terraces, and walks are sown
With weeds; the bowers are overthrown,
Or have given way to slow mutation,
While, in their ancient habitation
The Norton name hath been unknown.
The lordly Mansion of its pride
Is stripped; the ravage hath spread wide
Through park and field, a perishing
That mocks the gladness of the Spring!
And, with this silent gloom agreeing,
Appears a joyless human Being,
Of aspect such as if the waste
Were under her dominion placed.
Upon a primrose bank, her throne
Of quietness, she sits alone;
Among the ruins of a wood,
Erewhile a covert bright and green,
And where full many a brave tree stood,
That used to spread its boughs, and ring
With the sweet bird's carolling.
Behold her, like a virgin Queen,
Neglecting in imperial state
These outward images of fate,
And carrying inward a serene
And perfect sway, through many a thought
Of chance and change, that hath been brought

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Writer Damon Runyon

Shirley Temple launched her career,
with Littlest Miss Marker,
making her Best Star of the Year.
Damon Runyon wrote this story,
It was a drama, not very gory.
Damon wrote “Guys and Dolls”
which is a Broadway musical,
Manhattan’s Hell’s Kitchen named after him
named Runyon’s Way to this day.
He named his mobster friend Otto, Regret,
A horse player who used to bet.
now Regret is in Shirley Temple’s hit.
Later, Otto ended up getting killed,
Damon did damage control,
Damon wrote “Otto would have been effective as
a bodyguard as a child aged two year old.
Damon died at 66, he had throat
cancer the year was 1946.
History’s first telethon of the nation,
washosted Milton Berle for
Damon Runyon Cancer Research Foundation.
Damon sounds like an interesting and a sensational writer,
I will read more of his writings to become brighter.

Written By Suzae Chevalier on September 24,2011
www.christinasunrise.com www.puppetpoems.com

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Writer Damon Runyon

Shirley Temple launched her career,
with Littlest Miss Marker,
making her Best Star of the Year.
Damon Runyon wrote this story,
It was a drama, not very gory.
Damon wrote 'Guys and Dolls'
which is a Broadway musical,
Manhattan's Hell's Kitchen named after him
named Runyon's Way to this day.
He named his mobster friend Otto, Regret,
A horse player who used to bet.
now Regret is in Shirley Temple's hit.
Later, Otto ended up getting killed,
Damon did damage control,
Damon wrote 'Otto would have been effective as
a bodyguard as a child aged two year old.
Damon died at 66, he had throat
cancer the year was 1946.
History's first telethon of the nation,
washosted Milton Berle for
Damon Runyon Cancer Research Foundation.
Damon sounds like an interesting and a sensational writer,
I will read more of his writings to become brighter.

Written By Suzae Chevalier on September 24,2011
www.suzae.com www.puppetpoems.com
www.suzaria.com

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Emily

[verse 1]
It wasnt supposed to be like this
Another dose of unhappiness
I gave it all and managed to get shot down yet again
So I got drunk
Had sex with all your friends
You told me to never call your house again
[chorus]
Emily, you saved the day
Emily, when you threw me away
She was always such a pretty girl
Nobody like her in the world
A little piece of heavenly
That no one else could stand
I see her in my dreams at night
I see you when I close my eyes
I just cant seem to shake you, emily
[verse 2]
You got your money and I got cast
Outside thrown out on my ass
In the city with no one else, no where else to go
So I hooked up with this model from singapore
Emily, I sure am glad you didnt want me anymore
[chorus]
She was always such a pretty girl
Nobody like her in the world
A little piece of heavenly
That no one else could stand
I see her in my dreams at night
I see you when I close my eyes
I just cant seem to shake you, emily
Yeah
Emily, you saved the day
Emily, you saved the day
Emily, you saved my ass

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John Dryden

Palamon And Arcite; Or, The Knight's Tale. From Chaucer. In Three Books. Book I.

In days of old there lived, of mighty fame,
A valiant Prince, and Theseus was his name;
A chief, who more in feats of arms excelled,
The rising nor the setting sun beheld.
Of Athens he was lord; much land he won,
And added foreign countries to his crown.
In Scythia with the warrior Queen he strove,
Whom first by force he conquered, then by love;
He brought in triumph back the beauteous dame,
With whom her sister, fair Emilia, came.
With honour to his home let Theseus ride,
With Love to friend, and Fortune for his guide,
And his victorious army at his side.
I pass their warlike pomp, their proud array,
Their shouts, their songs, their welcome on the way;
But, were it not too long, I would recite
The feats of Amazons, the fatal fight
Betwixt the hardy Queen and hero Knight;
The town besieged, and how much blood it cost
The female army, and the Athenian host;
The spousals of Hippolyta the Queen;
What tilts and turneys at the feast were seen;
The storm at their return, the ladies' fear:
But these and other things I must forbear.

The field is spacious I design to sow
With oxen far unfit to draw the plough:
The remnant of my tale is of a length
To tire your patience, and to waste my strength;
And trivial accidents shall be forborn,
That others may have time to take their turn,
As was at first enjoined us by mine host,
That he, whose tale is best and pleases most,
Should win his supper at our common cost.
And therefore where I left, I will pursue
This ancient story, whether false or true,
In hope it may be mended with a new.
The Prince I mentioned, full of high renown,
In this array drew near the Athenian town;
When, in his pomp and utmost of his pride
Marching, he chanced to cast his eye aside,
And saw a quire of mourning dames, who lay
By two and two across the common way:
At his approach they raised a rueful cry,
And beat their breasts, and held their hands on high,
Creeping and crying, till they seized at last
His courser's bridle and his feet embraced.
“Tell me,” said Theseus, “what and whence you are,
“And why this funeral pageant you prepare?
Is this the welcome of my worthy deeds,

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Old Town Types No.2 - Red Matt

He gleaned all the gossip and he gathered all the news,
Mad Matt, the carrier, delivering the grub;
He knew the trooper's tattle and he knew the parson's views,
The gossip at the station-yard, the gossip at the pub.
That high-pitched voice of his, the loudest voice in town,
That shrewd blue eye of his, with humor all a-gleam -
Old Red Matt, with his cabbage-tree hat,
His trolley, and his two-horse team.

Driving down the main street a-clatter with his load,
The great red beard of him blowing out behind:
'Hear about that accident's mornin' up the road?
Hear about the gold rush at Joe Scott's find?
Warmish sort o' day we got; thirsty weather this.
Got a bag o' spuds for you - Dang! Fergot the cream!'
Says old Red Matt with his cabbage-tree hat,
And his trolley, and his two-horse team.

Mad Matt, the carrier, standing at the bar:
'Well here's a go, boys. Got to get along
Seven pints I've had today and still to travel far.
Drink fast and drive fast, yeh can't go wrong.
Fill 'em up again, boss, ans hove it on the slate.
Half-a-ton aboard today - just tipped the beam,'
Says old red Matt with the cabbage-tree hat,
And his trolley, and his two-horse team.

Sudden were his wild ways, sudden, too, his end.
Jumped to grab a bolting team with kiddie sin the trap;
And they picked up Mad Matt, everybody's friend,
Silent now and broken; and they said, 'Brave chap.
Wild an' all,' they said of him, 'always was a white man.'
And they laid him, with a blessing, where his old mates dream,
Saying, 'So long, Matt, with your cabbage-tree hat,
And your trolley, and your two-horse team.'

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Maybe I Was Damon In A Past Life

Maybe I was Damon Runyon in a past time
he died at age 66 which was the year I began my life.
I also write about someone I call the "Guy"
who maybe is kind of shy.
Damon wrote a play with Dolls & Guys
which was acted out in NYC—very true-not a lie.
I write about a Doll
who is cute and kind of small.
Damon also named his pet _____
almost like mine.
I write about a character with letter
beginning with N—
he was only a sponsor to me—
he wanted to be more than friends—
Just like Damon-
who writes about characters where
he actually supported them
in his writing he actually defends.
Damon also writes about baseball
I don't know baseball at all.
I am more of a poet who story-tells-
I write of the doll character nicknamed Mel.
See baseball is not my cup of tea—
but to Damon he was famous for
being a reporter known around the country.

Written by Suzae Chevalier on March 17,2012

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Damon Runyon In A Past Life?

Maybe I was Damon Runyon in a past time
he died at age 66 which was the year I began my life.
I also write about someone I call the 'Guy'
who maybe is kind of shy.
Damon wrote a play with Dolls & Guys
which was acted out in NYC—very true-not a lie.
I write about a Doll
who is cute and kind of small.
Damon also named his pet _____
almost like mine.
I write about a character with letter
beginning with N—
he was only a sponsor to me—
he wanted to be more than friends—
Just like Damon-
who writes about characters where
he actually supported them
in his writing he actually defends.
Damon also writes about baseball
I don't know baseball at all.
I am more of a poet who story-tells-
I write of the doll character nicknamed Mel.
See baseball is not my cup of tea—
but to Damon he was famous for
being a reporter known around the country.
He even wrote a character named Sarah Brown
I have a character Sarah who lives by a clown.
Little Miss Marker was a play he wrote-
I wrote a poem Little Miss Melodie who sings a note.
His grandfather was from New Jersey just like me
I see a lot of similarities-

Written by Suzae Chevalier on March 17,2012
www.suzae.com

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Maybe I Was Damon In A Past Life

Maybe I was Damon Runyon in a past time
he died at age 66 which was the year I began my life.
I also write about someone I call the 'Guy'
who maybe is kind of shy.
Damon wrote a play with Dolls & Guys
which was acted out in NYC—very true-not a lie.
I write about a Doll
who is cute and kind of small.
Damon also named his pet _____
almost like mine.
I write about a character with letter
beginning with N—
he was only a sponsor to me—
he wanted to be more than friends—
Just like Damon-
who writes about characters where
he actually supported them
in his writing he actually defends.
Damon also writes about baseball
I don't know baseball at all.
I am more of a poet who story-tells-
I write of the doll character nicknamed Mel.
See baseball is not my cup of tea—
but to Damon he was famous for
being a reporter known around the country.
He even wrote a character named Sarah Brown
I have a character Sarah who lives by a clown.
Little Miss Marker was a play he wrote-
I wrote a poem Little Miss Melodie who sings a note.
His grandfather was from New Jersey just like me
I see a lot of similarities-

Written by Suzae Chevalier on March 17,2012

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The Price of An Equipage

Servum si potes, Ole, non habere,
Et regem potes, Ole, non habere. Mart.

('If thou from Fortune dost no servant crave,
Believe me thou no master need'st to have.')

I ask'd a friend, amidst the throng,
Whose coach it was that trail'd along?
'The gilded coach there - don't ye mind?
That with the footmen stuck behind.'
'O Sir!' says he, 'what! han't you seen it?
'Tis Damon's Coach, and Damon in it.
'Tis odd, methinks, you have forgot
Your friend, your neighbour, and - what not!
Your old acquaintance Damon!' - 'True;
But faith his Equipage is new.'
'Bless me,' said I, 'where can it end?
That madness has possess'd my friend?
Four powder'd slaves, and those the tallest,
Their stomachs, doubtless, not the smallest!
Can Damon's revenue maintain,
In lace and food, so large a train?
I know his land - each inch of ground -
'Tis not a mile to walk it round -
If Damon's whole estate can bear
To keep his lad and one-horse chair,
I own 'tis past my comprehension.'
'Yes, Sir; but Damon has a pension.'
Thus does a false ambition rule us,
Thus pomp delude, and folly fool us;
To keep a race of flickering knaves,
He grows himself the worst of slaves.

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Eclogue VIII

TO POLLIO, DAMON, ALPHESIBOEUS

Of Damon and Alphesiboeus now,
Those shepherd-singers at whose rival strains
The heifer wondering forgot to graze,
The lynx stood awe-struck, and the flowing streams,
Unwonted loiterers, stayed their course to hear-
How Damon and Alphesiboeus sang
Their pastoral ditties, will I tell the tale.
Thou, whether broad Timavus' rocky banks
Thou now art passing, or dost skirt the shore
Of the Illyrian main,- will ever dawn
That day when I thy deeds may celebrate,
Ever that day when through the whole wide world
I may renown thy verse- that verse alone
Of Sophoclean buskin worthy found?
With thee began, to thee shall end, the strain.
Take thou these songs that owe their birth to thee,
And deign around thy temples to let creep
This ivy-chaplet 'twixt the conquering bays.
Scarce had night's chilly shade forsook the sky
What time to nibbling sheep the dewy grass
Tastes sweetest, when, on his smooth shepherd-staff
Of olive leaning, Damon thus began.

Damon.
'Rise, Lucifer, and, heralding the light,
Bring in the genial day, while I make moan
Fooled by vain passion for a faithless bride,
For Nysa, and with this my dying breath
Call on the gods, though little it bestead-
The gods who heard her vows and heeded not.
'Begin, my flute, with me Maenalian lays.
Ever hath Maenalus his murmuring groves
And whispering pines, and ever hears the songs
Of love-lorn shepherds, and of Pan, who first
Brooked not the tuneful reed should idle lie.
'Begin, my flute, with me Maenalian lays.
Nysa to Mopsus given! what may not then
We lovers look for? soon shall we see mate
Griffins with mares, and in the coming age
Shy deer and hounds together come to drink.
'Begin, my flute, with me Maenalian lays.
Now, Mopsus, cut new torches, for they bring
Your bride along; now, bridegroom, scatter nuts:
Forsaking Oeta mounts the evening star!
'Begin, my flute, with me Maenalian lays.
O worthy of thy mate, while all men else
Thou scornest, and with loathing dost behold
My shepherd's pipe, my goats, my shaggy brow,

[...] Read more

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