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Timbaland

I make artists and get the profit.

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Washed Away Under Work Loads

artists feel frustrated
when achieving not
when producing art not
not realizing images
in shifting vision mind

artists should
be producing art
no time for cooking
no time for cleaning
no time for hair cut

artists should not
not be able to keep up
with fermenting ideas
rain weather changes
haunting wake up calls

not creating art
is wasting artistic souls
is wasting artistic lives
in dry season droughts
withering artistic minds

work income human activities
life necessity farming for wages
dependent on salary climates
fifty sixty wage slave hours
is change devastating for artists

this drought no time for artistic activities
is crop failure starvation of artistic minds
leading to artistic suffering on massive scales
droughts are caused by lack of fertility rains
extended over long periods of wage slave times

slight brief rains slight artistic showers
is normality artistic not enough spring rains
to ground absorb artistic evaporated minds
artist is dehydrated lacking soul rejuvenations
plants animals need sustaining life waters

artists need self generated creativity waters
least art dies death of artistic dehydrations
art is main ingredient in artistic food chains
plants die from lack of water therefore animals
eating these plants will also die in drought cycles

artists true artists deprived of art wither drought dies
in mind soul lacking artistic flowering rejuvenations

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Blessed Are The Peacemakers Terminated!

If war is a million dollars
a minute industry?
Or a billion dollars!

Then vested productive
effort those producing
weapons of profit war

weapons of mass destruction
finance target budget a policy
maintaining profit established...

Bloody Status Quo!


This tradition conservative
policy
kill the enemy peacemaker

let the peacemaker
inherit the earth
all six foot of earth.

Is merely good business sense!

But would you really
want to kill
Osama Bin Laden?


Ah there is the rub
rub out peacemaker
profit threatening peacemaker!

But kill Osama Bin Laden?
No! Put a huge advert bounty
on his head but do not kill him dead!

My God! No! That would be bad for business!

Osama Bin Laden! The man’s inspirational!
He’s so good so good for sales killing business!
Man is a killing weapons selling phenomena!


The most wanted man on the planet?
This is a powerful catchy him not slogan!
This is sensational weapons salesmanship hype!

Is he really wanted?

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Peace Peace Is Needed!

“Pray for all nations,
think of what is needed.”

Peace Peace is needed!

A war on terror
is a mandate to war.
So much profit
in war industry
but to make this profit
you need a war.

What politician wants to kill
a million dollar a minute industry?

Peace Peace is needed!

To profit from this greed
this suffering is to serve
Babylon The Great
that Satanic harlot and whore

for nations drunk
on the wine of the anger
of her fornication
must surely include a love of war!

Vast money you spent
in destruction you rent
could not a little more
have been spent on our poor?

To drill a few more wells
to provide clean water?

So African child
died not of thirst
swollen belly starvation...

have a little pity
you master engineers
engineering your profit wars...

have pity upon
nations you exploit
earth’s global poor...

vast fortunes amassed
fortunes you cannot spent
in four hundred lifetimes...

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Transocean Ltd Strategy Time Money-Saving Decisions

Transocean Ltd our world’s largest off-shore oil rig company
continues to astonish continues to share market make a mark
after stain marking Gulf of Mexico inking in over 200 million
gallons of oil by rush exploding their rig Deep Water Horizon

now rubbing salt callously cruelly into pristine polluted raw wounds
vile nature destroying company awarded managers healthy bonuses
bonuses for major component safety to honour their environmental
strategy a series of time money-saving decisions deliberately aimed

at creating what President Barack Obama’s investigation commission
termed “an unacceptable amount of risk.” Secret Transocean policy
is revealed executive compensation bonuses motivating executives
“to keep up the good work” of cutting more dangerous safety corners

to correct what went wrong in management of Deep Water Horizon
rig takes profit profit profit time wasting big money money money
bonuses give all the wrong incentives to do the wrong thing when
principled leadership is lacking and environmental damage fines are

small change ignored. ‘The Wall Street Journal’ reports company’s “management reckons 2010 as its “best year in safety performance”
in spite of the accident” because cutting safety corners made extra
money money money. Transocean identified their magic bean profit

formula with celebratory words “we achieved an exemplary
statistical safety record.' Based on the total rate of incidents
and their severity' we recorded the best year in [our] safety
performance in our company's history.' in dollar profit terms

trashing Gulf of Mexico was a good profit write off investment


Copyright © Terence George Craddock
Source of data ‘The Worden Report’ article ‘Transocean Executive Compensation Bonuses for 'Best Safety Year in 2010' in spite of the Deep Water Horizon Explosion’ posted by Dr. Worden.

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Bestowers Of Transformative Vision

pathos suffering passion
ripe within bodily experience
pathos of culture artistic expression

artists the 'I give birth to'
shape shifters people creators
bestowers of transformative vision

sentence seen is life vibration alteration
passionate in artistic creation expression
enrichers of web strand seekers beholders

artists hung upon vision quests
artists hung upon life beat heart beats
artists hung upon eyes burning in soul flame

artists historical now you see them now you don’t


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Capitalism Battles Freedom

when capitalism battles freedom,
you get what we've become...
profit begats slavery,
the many become enslaved.

founded on freedom?
we took this land from
the Native Americans,
took their way of life,
their rights, their dreams...
in the name of God?
of progress?

we brought over the slaves
from the African shores...
to work, to use, to abuse...
we took their lives, their way of life,
their hopes and dreams...
in the name of free enterprise?
of profit?

we treated our women like possessions,
second class citizens at best.
they were expected to be silent,
to obey, to bear our children,
to cook and wash...
they had to fight for years
to get the right to vote...
even longer for equal wages...
in the name of righteous judgement?
of divine directive?

and now, we the poor,
of all colors and creeds,
are corporate owned.
held under the thumb
of the elite, put down
and trampled on...
our way of life taken,
our hopes for the future dashed...
faceless numbers that stink of poverty!
in the name of wealth and power?
in the name of apathetic profit?
profit at all costs!

capitalism... or something else,
fair, equal, with hope and chance
and dreams...
the way of freedom,
when dignity overcomes profit!

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Tale XIV

THE STRUGGLES OF CONSCIENCE.

A serious Toyman in the city dwelt,
Who much concern for his religion felt;
Reading, he changed his tenets, read again,
And various questions could with skill maintain;
Papist and Quaker if we set aside,
He had the road of every traveller tried;
There walk'd a while, and on a sudden turn'd
Into some by-way he had just discern'd:
He had a nephew, Fulham: --Fulham went
His Uncle's way, with every turn content;
He saw his pious kinsman's watchful care,
And thought such anxious pains his own might spare,
And he the truth obtain'd, without the toil, might

share.
In fact, young Fulham, though he little read,
Perceived his uncle was by fancy led;
And smiled to see the constant care he took,
Collating creed with creed, and book with book.
At length the senior fix'd; I pass the sect
He call'd a Church, 'twas precious and elect;
Yet the seed fell not in the richest soil,
For few disciples paid the preacher's toil;
All in an attic room were wont to meet,
These few disciples, at their pastor's feet;
With these went Fulham, who, discreet and grave,
Follow'd the light his worthy uncle gave;
Till a warm Preacher found the way t'impart
Awakening feelings to his torpid heart:
Some weighty truths, and of unpleasant kind,
Sank, though resisted, in his struggling mind:
He wish'd to fly them, but, compell'd to stay,
Truth to the waking Conscience found her way;
For though the Youth was call'd a prudent lad,
And prudent was, yet serious faults he had -
Who now reflected--'Much am I surprised;
I find these notions cannot be despised:
No! there is something I perceive at last,
Although my uncle cannot hold it fast;
Though I the strictness of these men reject,
Yet I determine to be circumspect:
This man alarms me, and I must begin
To look more closely to the things within:
These sons of zeal have I derided long,
But now begin to think the laugher's wrong!
Nay, my good uncle, by all teachers moved,
Will be preferr'd to him who none approved; -
Better to love amiss than nothing to have loved.'

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Byron

Canto the Sixteenth

I
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings --
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

II
The cause of this effect, or this defect, --
"For this effect defective comes by cause," --
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

III
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'T is true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
"De rebus cunctis et quibusdam aliis."

IV
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost --
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'T is time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

V
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 't is so. Who nibble, scribble, quibble, he
Quiets at once with "quia impossibile."

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Byron

Don Juan: Canto The Sixteenth

The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings--
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

The cause of this effect, or this defect,--
'For this effect defective comes by cause,'--
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'Tis true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
'De rebus cunctis et quibusdam aliis.'

But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost--
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'Tis time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 'tis so. Who nibble, scribble, quibble, he
Quiets at once with 'quia impossibile.'

And therefore, mortals, cavil not at all;
Believe:--if 'tis improbable you must,
And if it is impossible, you shall:
'Tis always best to take things upon trust.
I do not speak profanely, to recall

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Cui Bono

Oh! wind that whistles o'er thorns and thistles,
Of this fruitful earth like a goblin elf;
Why should he labour to help his neighbour
Who feels too reckless to help himself?
The wail of the breeze in the bending trees
Is something between a laugh and a groan;
And the hollow roar of the surf on the shore
Is a dull, discordant monotone;
I wish I could guess what sense they express,
There's a meaning, doubtless, in every sound,
Yet no one can tell, and it may be as well —
Whom would it profit? — The world goes round!

On this earth so rough we know quite enough,
And, I sometimes fancy, a little too much;
The sage may be wiser than clown or than kaiser,
Is he more to be envied for being such?
Neither more nor less, in his idleness
The sage is doom'd to vexation sure;
The kaiser may rule, but the slippery stool,
That he calls his throne, is no sinecure;
And as for the clown, you may give him a crown,
Maybe he'll thank you, and maybe not,
And before you can wink he may spend it in drink —
To whom does it profit? — We ripe and rot!

Yet under the sun much work is done
By clown and kaiser, by serf and sage;
All sow and some reap, and few gather the heap
Of the garner'd grain of a by-gone age.
By sea or by soil man is bound to toil,
And the dreamer, waiting for time and tide,
For awhile may shirk his share of the work,
But he grows with his dream dissatisfied;
He may climb to the edge of the beetling ledge,
Where the loose crag topples and well-nigh reels
'Neath the lashing gale, but the tonic will fail —
What does it profit? — Wheels within wheels!

Aye! work we must, or with idlers rust,
And eat we must our bodies to nurse;
Some folk grow fatter — what does it matter?
I'm blest if I do — quite the reverse;
'Tis a weary round to which we are bound,
The same thing over and over again;

Much toil and trouble, and a glittering bubble,
That rises and bursts, is the best we gain;
And we murmur, and yet 'tis certain we get
What good we deserve — can we hope for more? —

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Creative Perceptions

Artist appropriate palette prepares
as poet intuitive channels and shares -
perceptions highlighted in paint or in rhyme,
on screen, paper, canvas, [b]rushed, touched outside Time.
Each reaches out writing, foresighting, prepares
stalls [f]rigid for music of spirit sublime.
But few can interpret the talent they praise
in the style of an artist in true paraphrase.

(24 September 2005 robi03_1306)

Bridgework
Artists palette, paints, prepare,
poets channel insight rare.
One canvas fills, one paper inks,
imagination interlinks.

Each respective stream compares
perceptions, self-respecting, thinks
perspectives sensitively, shares
intuitive fruition, links
symphonic patterns, well aware
individuals everywhere
sense beauty way beyond time's brink -
horizons widen, never shrink.

Images accompany
free originality.

(7 May 2008 variant of As Artist, Poet robi03_1396_robi03_0986 16 February 2002 robi03_0986 and also variant of Creative Perceptions
24 September 2005 robi03_1306_robi03_0986)

As Artist, Poet
As artists palette, paints, prepare
so poets channel insight rare.
One canvas fills, one paper inks,
the foremost and the least of links.

Both tune respective streams, compare
perspective, sensitively share
where, true to self there neither sinks
as each through intuitions thinks
the way to harmony, aware
that perfect strangers anywhere
may beauty sense beyond time's brink -
horizons widen, never shrink.

Both pictures form, accompany
creative thrust with spirit free.

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Artists of Descriptive Depictions

Picking words with syllables heard,
To sound a beat or create a mental feast.
Artists of descriptive depictions...
Choosing from within and behind,
In minds with canvassed eyes they select.
And do their best when under some kind of duress,
It seems.
To perfect,
What is envisioned with more meaning!
Like a daydream scene internally screened,
To project upon our vision.

Is a snowflake etched,
And falling to a catching ground
As fetching?
Or as profound...
As the galloping hoofs of horses,
Pulling sleighs of joyful smiles around?
When holidays are welcomed...
Dripping with seasoned sights and sounds!
Orange with yellow brightening with hints of brown,
Introducing colors of Fall on trees standing tall.

Winter mint green,
And red adorning silver streams
Of Christmas dreams...
Soon in hearts will be found!
Decorating our imaginations.
Gifted wrapped to avoid the slightest frown.

Picking words with syllables heard,
To sound a beat or create a mental feast.
Artists of descriptive depictions...
Release an increased merriment to treat.
And our minds receive them,
To dance upon memories reminisced!
In anticipation...
Impatiently waiting,
For descriptive depictions...
To come alive before our eyes
Beholding the reality of their visits!
Capturing wonder and surprise.


Dedicated:
Writers. Poets especially.
There are quite a few 'Artists of Descriptive Depictions'
that come to mind. A few like Duncan Wyllie, Ms Theo Onken
Ms Marci Made, Herbert Nehrlich...these are just a few! So
please forgive me 'IF' I did not mention you by name.

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Solomon on the Vanity of the World, A Poem. In Three Books. - Pleasure. Book II.

The Argument


Solomon, again seeking happiness, inquires if wealth and greatness can produce it: begins with the magnificence of gardens and buildings; the luxury of music and feasting; and proceeds to the hopes and desires of love. In two episodes are shown the follies and troubles of that passion. Solomon, still disappointed, falls under the temptations of libertinism and idolatry; recovers his thought; reasons aright; and concludes that, as to the pursuit of pleasure and sensual delight, All Is Vanity and Vexation of Spirit.


Try then, O man, the moments to deceive
That from the womb attend thee to the grave:
For wearied Nature find some apter scheme;
Health be thy hope, and pleasure be thy theme;
From the perplexing and unequal ways
Where Study brings thee from the endless maze
Which Doubt persuades o run, forewarn'd, recede
To the gay field, and flowery path, that lead
To jocund mirth, soft joy, and careless ease:
Forsake what my instruct for what may please:
Essay amusing art and proud expense,
And make thy reason subject to thy sense.

I communed thus: the power of wealth I tried,
And all the various luxe of costly pride;
Artists and plans relieved my solemn hours:
I founded palaces and planted bowers,
Birds, fishes, beasts, of exotic kind
I to the limits of my court confined,
To trees transferr'd I gave a second birth,
And bade a foreign shade grace Judah's earth.
Fish-ponds were made where former forests grew
And hills were levell'd to extend the view.
Rivers, diverted from their native course,
And bound with chains of artificial force,
From large cascades in pleasing tumult roll'd,
Or rose through figured stone or breathing gold.
From furthest Africa's tormented womb
The marble brought, erects the spacious dome,
Or forms the pillars' long-extended rows,
On which the planted grove and pensile garden grows.

The workmen here obey the master's call,
To gild the turret and to paint the wall;
To mark the pavement there with various stone,
And on the jasper steps to rear the throne:
The spreading cedar, that an age had stood,
Supreme of trees, and mistress of the wood,
Cut down and carved, my shining roof adorns,
And Lebanon his ruin'd honour mourns.

A thousand artists show their cunning powers
To raise the wonders of the ivory towers:
A thousand maidens ply the purple loom

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Patrick White

Flowers Are The Clocks Of The Light

Flowers are the clocks of the light.
Spring grey. Clouds. Half smoke, half crocus.
The rivulets are carrying last November's leaves away
like long lines of ants bearing the gnostic gospels
of the snow thawing into a spiritual life of water
back to the shrine of their colony
to be chewed over by the divines
masticating the mystery into something
like an edible orthodoxy of mystic impiety.

My heart is a bruised apple with purple blood today.
Neither passionate, nor aloof, clinging
nor unwilling to let go if that's what I must do.
One foot on shore. One in a lifeboat.
O what funny bridges we make as if
we were trying to balance the axis
of heaven and earth upon our nose
like the calves of giraffes learning to walk on stilts.
But there you go. What are you going to do?
That's the way it seems.
You've got to look up and stick your neck out
if you want to graze on the stars.
Same way with dreams. You've got to
risk waking up if you don't want to lose them.

I've wandered off from the carnage
of my doomed holy war of one with my heart
into a peaceful valley where I can sit
on a glacial skull of prophetic rock
and sheathe my sword in the wound I drew it from
like fire from the ore of a crippled dragon
that walked with a limp out of the war
weary of winning these honourable surrenders
like Jacob wrestling with the angel in the way.

Soft here. Easy on the eyes. A gentle touch.
The air on the verge of tears and the trees
about to see who's a skeleton and who's a survivor.
Who made it through the winter, and who
dreamed they died in their sleep and did,
and who, the ghost amputee of the limbs they lost.
I have a mindful heart and a warrior's compassion
for lost lovers, friends, suicides, martyrs, heretics,
neglected gods, defrocked saints, those
who fell half crazy on the broken panes
of their own clarity, committing hara kiri
on the splintered plinths of their own love-crossed stars.
One-eyed artists riding a pair of red bicycle glasses
in a high-wire act without safety nets
like a dropp of dew on a spider's thread

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Voyage around the Square Root of Minus One

I often heard
that while the sciences concern themselves
with objective truths
the arts deal with subjective phenomena.

Many years ago I held the same view,
but later came to the conclusion
that this is just a well-combed popular myth.

It is an untenable credo
because the sharp separation
of the arts and sciences is a rigid
and arbitrary mandate, full of holes.

Although all subjects have their specificities,
at the same time they also share
many common traits with each other.

There is art in science and science in art.

Artists, for example,
apply geometry to represent
a three dimensional scene in a painting,
which is a two dimensional surface.

By using ‘objective' geometrical perspective,
Renaissance artists, among them Alberti,
Brunelleschi, Uccello, Leonardo and Dürer,
developed in Europe the ‘subjective' illusion
of perceptual realism.

Later, in the Dutch Republic of the 17th century,
Johannes Vermeer applied expensive pigments
to the canvas and conducted
pioneering research in optics that enhanced
the supreme quality of his work,
imbuing his paintings with sublime,
otherworldly light.

In the 19th century
the Romantic painter John Constable
prepared detailed studies
of the landscape and weather conditions
of England, before transcribing them
into images of stunning accuracy and grace.

Following the closing of the Weimar Bauhaus
by the Nazis in 1933, the artist Josef Albers
moved to the USA, where he worked at
Black Mountain College and at Yale University.

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Music Is Breath Of Life For Life Artists

those in music for the long haul
are chime web symphony enchanted
because music is an inseparable

part of their intrinsic soul giving being
music is a timeless passion when you feel
reference kiwi artists Tim Finn, Dave Dobbyn

music is breath of life for life artists
music is timeless music which addresses
scale entrapment felt human conditions...

who we are where we are our societies
perceptions of our societies our realities
thinking mind does not outgrow curiosities

interactive sing gifted perceptions
music transforms through generations
insight life quickened mind survives

gift love artistically giving survives
survives immortal ravage time tests
music is breath of life for life artists...

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The Death of Fred Marsden, the American Playwright

A pathetic tragedy I will relate,
Concerning poor Fred. Marsden's fate,
Who suffocated himself by the fumes of gas,
On the 18th of May, and in the year of 1888, alas!

Fred. Marsden was a playwright, the theatrical world knows,
And was highly esteemed by the people, and had very few foes;
And in New York, in his bedroom, he took his life away,
And was found by his servant William in his bedroom where he lay.

The manner in which he took his life : first he locked the door,
Then closed down the window, and a sheet to shreds he tore
And then stopped the keyholes and chinks through which air might come,
Then turned on the single gas-burner, and soon the deed was done.

About seven o'clock in the evening he bade his wife good-night,
And she left him, smoking, in his room, thinking all was right,
But when morning came his daughter said she smelled gas,
Then William, his servant, called loudly on him, but no answer, alas!

Then suspicion flashed across William's brain, and he broke open the door,
Then soon the family were in a state of uproar,
For the room was full of gas, and Mr Marsden quite dead,
And a more kind-hearted father never ate of the world's bread.

And by his kindness he spoiled his only child,
His pretty daughter Blanche, which made him wild;
For some time he thought her an angel, she was so very civil,
But she dishonoured herself, and proved herself a devil.

Her father idolised her, and on her spared no expense,
And the kind-hearted father gave her too much indulgence,
Because evening parties and receptions were got up for her sake,
Besides, he bought her a steam yacht to sail on Schroon Lake.

His means he lavished upon his home and his wife,
And he loved his wife and daughter as dear as his life;
But Miss Blanche turned to folly, and wrecked their home through strife,
And through Miss Marsden's folly her father took his life.

She wanted to ride, and her father bought her a horse,
And by giving her such indulgences, in morals she grew worse;
And by her immoral actions she broke her father's heart;
And, in my opinion, she has acted a very ungrateful part.

At last she fled from her father's house, which made him mourn,
Then the crazy father went after her and begged her to return,
But she tore her father's beard, and about the face beat him,
Then fled to her companions in evil, and thought it no sin.

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Cyder: Book I

-- -- Honos erit huic quoq; Pomo? Virg.


What Soil the Apple loves, what Care is due
To Orchats, timeliest when to press the Fruits,
Thy Gift, Pomona, in Miltonian Verse
Adventrous I presume to sing; of Verse
Nor skill'd, nor studious: But my Native Soil
Invites me, and the Theme as yet unsung.

Ye Ariconian Knights, and fairest Dames,
To whom propitious Heav'n these Blessings grants,
Attend my Layes; nor hence disdain to learn,
How Nature's Gifts may be improv'd by Art.

And thou, O Mostyn, whose Benevolence,
And Candor, oft experienc'd, Me vouchsaf'd
To knit in Friendship, growing still with Years,
Accept this Pledge of Gratitude and Love.
May it a lasting Monument remain
Of dear Respect; that, when this Body frail
Is moulder'd into Dust, and I become
As I had never been, late Times may know
I once was blest in such a matchless Friend.

Who-e'er expects his lab'ring Trees shou'd bend
With Fruitage, and a kindly Harvest yield,
Be this his first Concern; to find a Tract
Impervious to the Winds, begirt with Hills,
That intercept the Hyperborean Blasts
Tempestuous, and cold Eurus nipping Force,
Noxious to feeble Buds: But to the West
Let him free Entrance grant, let Zephyrs bland
Administer their tepid genial Airs;
Naught fear he from the West, whose gentle Warmth
Discloses well the Earth's all-teeming Womb,
Invigorating tender Seeds; whose Breath
Nurtures the Orange, and the Citron Groves,
Hesperian Fruits, and wafts their Odours sweet
Wide thro' the Air, and distant Shores perfumes.
Nor only do the Hills exclude the Winds:
But, when the blackning Clouds in sprinkling Show'rs
Distill, from the high Summits down the Rain
Runs trickling; with the fertile Moisture chear'd,
The Orchats smile; joyous the Farmers see
Their thriving Plants, and bless the heav'nly Dew.

Next, let the Planter, with Discretion meet,
The Force and Genius of each Soil explore;
To what adapted, what it shuns averse:

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I must swindle.

Hospitals are run for a profit.
Colleges are run for a profit.
Temples are run for a profit.
I must swindle to pay them.
11.10.2010

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