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As soon as I gave birth, it was as if you understand them. They become people, not kids. You start to identify with them. You see yourself in them.

quote by Julie Walters
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

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poem by Talile Ali
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
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The Kids

Written by jay kay and toby smith
Now were getting nasty
Everybody is talking about the kids
The kids have funky soul and groove emotion
But if you dont give the kids the chance to use it
Theyre always more than likely to abuse it
Kids get down, stormy weather, fifteen years of royal pleasure.
Everybodys talking about the kids
And its taking time for you to realise
Now hunger turns to anger in your eyes
I say the revolution will be televised, yes it will gil...
Everybodys talking about the kids
Kids get down, stormy weather, fifteen years of royal pleasure.
Kids get down underground, evrybody dance to the funky sound.
Everybodys talking about the kids
The kids need space to get their heads in place
And every day this world we have to face
Well I just cant seem to find my proper place
Kids get down, celebrate, now were gonna kick the thing we hate
Everybodys talking about the kids
It wont be long before we get our own
And every kid can truly feel at home
I told ya you should give the dog a bone.
Kids get down, pressurized, to live the life that you devised
Kids get down, celebrate, life is to short to complicate
Everybodys talking about school
But I get more pleasure breaking all the rules
Cos lesson one begins with life is cruel
Well I guess Im just an educated fool
Everybodys talking about the kids
Mom and dad make efforts to excuse it
Government officials will confuse it
Members of the bench will try to prove it
Youre going down sucker!
Everybodys talking about the kids now
Everybodys talking about the kids now
The kids got funky soul
Everybodys talking about high
But kids get high to satisfy
For reaching out to touch the sky
Is all I can identify, and you know why...
Kids get down, stormy weather, fifteen years of royal pleasure
Kids get down celebrate, now were gonna kick the thing we hate.

song performed by Jamiroquai
Added by Lucian Velea
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Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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poem by Walt Whitman
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In the next birth

IF I ACQUIRED the menacing form of an
alligator in the next birth,
I would want you to cling tightly to my persona as my serrated green
skin.

If I was born in the ominous form of the jungle tiger in the
next birth,
I would you to be incorporated in my body as my domineeringly
authoritative growl.

If I was born as a densely foliated tree in the next birth,
I would want you to be the perennial leaves that emanated from
my silhouette.

If I was born as an opalescent fish in the next birth,
I would want you to be saline water in which I could sustain life
and swim.

If I was born as the twin horned sacrosanct cow in the next birth,
I would inevitably desire you as the milk I would diffuse from
my flaccid teats.

If I was born as a slithering reptile in the next birth,
I would want you to be the lethal venom I possessed in my triangular
fangs.

If I was born as an obnoxious donkey in the next birth,
I would want you to be my hooves which swished indiscriminately
at innocuous trespassers.

If I was born as perpetually blind in the next birth,
I would indispensably want you to be my eyes to guide me
towards dazzling light.

If I was born as being disdainfully maim; bereft of feet in the next
birth,
I would incorrigibly want you to be my legs to ecstatically leap
in times of jubilation.

If I was born as a rustic spider with a battalion of arms in the
next birth,

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poem by Nikhil Parekh
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
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Soccer–Passion Song

Soccer–Passion Song

Soccer in the evening;
Soccer in the morning;
Soccer in spring and fall.

Soccer in the raining;
Soccer in the snowing;
Soccer in winter and summer.

Soccer in between my feet,
where I walk;
Soccer in my heart and mind,
how I live;
Soccer my love and life.

Soccer I wake up and play;
Soccer I hold it to sleep;
Soccer my work and rest.

Soccer I sing a new song;
Soccer I dance the magic steps;
Soccer my tears and joy.

Soccer my Mom buys it for me to play;
Soccer my Dad brings me to the game;
Soccer my dear Love watches me to score.

Soccer I dribble and shoot;
Soccer I pass and fall;
Soccer my glory and downfall.

Soccer I strike to attack;
Soccer I tackle to defend;
Soccer my struggle and survival.

Soccer I receive the flags and the whistles;
Soccer I get the yellow and red card;
Soccer my moves and stop.

Soccer I meet my friends;
Soccer I make my enemies;
Soccer my conflict and peace.

Soccer I play and watch;
Soccer I watch but cannot play;
Soccer my dream and reality.

Soccer I learn the rights;
Soccer I confess the fouls;

[...] Read more

poem by Laijon Liu
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Just listening to my beats

She hadn’t given me birth from her womb; but could
still irrefutably gauge the profound sadness
enshrouding my countenance; by just ethereally
glimpsing at my shielding eyelashes,

She hadn’t given me birth from her womb; but could
still irrefutably prognosticate the hunger in my
stomach; by just sighting me restlessly gnawing at my
bohemian nails,

She hadn’t given me birth from her womb; but could
still irrefutably sense the maniacal desperation in my
trembling visage; by just the infinitesimally changed
tone; in the nimble cadence of my voice,

She hadn’t given me birth from her womb; but could
still irrefutably comprehend the wave of bizarre
mortification enveloping my soul; by just the
capricious tinge of poignant scarlet; on my
impoverished cheeks,

She hadn’t given me birth from her womb; but could
still irrefutably narrate the experiences of my day;
by just feeling the transiently cringed lines; on my
diminutively frazzled forehead,

She hadn’t given me birth from her womb; but could
still irrefutably guess the thunderbolts of tumultuous
anger encapsulating my blood; by just witnessing that
inconspicuous iota of frantic vacillation in my
dwindling stride,
She hadn’t given me birth from her womb; but could
still irrefutably feel the insatiably nostalgic child
in me; by just gently caressing my innocuously
vivacious lips,

She hadn’t given me birth from her womb; but could
still irrefutably soliloquize the first day of my
birth; by just kissing my rampantly fluttering and
daintily gorgeous eyelashes,

She hadn’t given me birth from her womb; but could
still irrefutably understand the diabolically
obsessive agony in my life; by just sighting the
augmented redness in the interiors of my palm; and
withering body skin,

She hadn’t give me birth from her womb; but could
still irrefutably analyze the state of intriguingly
inexplicable mind; by just staring for mock seconds;

[...] Read more

poem by Nikhil Parekh
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If I Gave You My Heart

If I gave you my heart
Where would you be
Would it mean nothing
If not for me
If I gave you my eyes
What would they see
Would they see nothing
If not for me
But I gave you my hand and my sign and my soul on the earth
And I gave up on truth when I heard about the words
I lived out of love when I gave it away
And I sold off my soul when theres no one to pay
If I gave you my hand
What would it write
Would it say nothing
Or say its alright
If I gave you my arms
Would they hold you tight
First blood (? ) in morning
Or bid you goodnight
And I gave you my strength and my worth and I gave you my gift
And I moved on the first and I left us to drift
And I reap from the soil and I build hopes from wood
Its a new better life and we have to ensure
And I gave you my dream of the world and you stole the key
You sang to the wind in the whole ? ? ? sea
And I feel my weight and I guard my soul
And I found my beliefs when I found my control
I gave you my hand and my soul on the earth
And I gave up on the truth when I heard about the words
So I lived out of love when I gave it away
And I sold off my soul when theres no one to pay
Another version
---------------------------------------------------------
If I gave you my heart where would you be,
Would it mean nothing if not for me?
If I gave you my eyes what would they see,
Would they see nothing if not for me?
But I gave you my hand and my sign,
And my soul on the earth,
And I gave up on truth,
When I heard about the worst
So I lived out of love
When I gave it away
And I sold off my soul
When there was no-one to pay
If I gave you my hand what would it write
Would it say nothing or say its alright
If I gave you my arms would they hold you tight
First light of morning or bid you goodnight

[...] Read more

song performed by Ocean Colour Scene
Added by Lucian Velea
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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poem by Gert Strydom
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Life gives birth to happiness

Clouds give birth to tantalizing droplets of rain;
pacifying the murderous agony of scorching desert
sands,
Rose gives birth to stupendously ravishing fragrance;
casting a spell of unconquerable happiness in those
lives; deluged with horrendous despair,
Sun gives birth to magnificently flamboyant rays;
filtering a path of profuse optimism in every space;
tottering towards helpless extinction,
Soil gives birth to rhapsodic fountains of fruit and
water; ensuring that none remained disastrously
famished; for centuries immemorial,
Ocean gives birth to tantalizingly tangy globules of
salt; inundating drab existence with cloudbursts of
spice and insurmountable poignancy,
Stars give birth to an incredulously serene calm;
miraculously metamorphosing the complexion of the
ghastly night; into one shimmering with milky pearls,
Leaves give birth to exuberantly fluttering breeze;
enveloping dreary souls in its ebulliently vociferous
swirl; as it merrily whipped by,
Benevolence gives birth to invincible humanity;
incessantly reigning as the supreme leader; even as
the planet entangled in webs of lechery and salacious
malice,
Freedom gives birth to the innermost expression; the
mesmerizing fulmination of a persons senses; which
propels him to blissfully lead an infinite more lives,
Mother gives birth to the perpetually divine; the
immaculately wailing offspring for which; God’s
specially descended down from fathomless cosmos to
bless,
Truth gives birth to harmonious unity; organisms from
all across the unfathomable planet; embracing each
other irrespective of prejudice; caste or creed,
Honesty gives birth to intransigent conviction; an
astronomical within the most feeble of entities; to
catapult to the pinnacle of ultimate success,
Fantasy gives birth to turbulently seductive desire;
relentlessly exploring and absorbing the unsurpassable
beauty lingering on this planet,
Perseverance gives birth to glorious rays of newness;
evolving and achieving even the most inconspicuous of
your philanthropic dream; as golden perspiration
trickled under the sweltering Sun,
Faith gives birth to the incomprehensibly
unbelievable; with man successfully shooting to the
summit of the impossible; uttering the name of the
entity he adored,
Conscience gives birth to irrefutable righteousness;

[...] Read more

poem by Nikhil Parekh
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Lets See Action

Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom, lets see who cares,
Lets see freedom, lets see who cares,
Take me with you when you leave me
Take me with you when you leave me
And my shell behind us there.
And my shell behind us there.
I have learned it, known who burned me,
I have learned it, known who burned me,
Avatar has warmed my feet,
Avatar has warmed my feet,
Take me with you, let me see you,
Take me with you, let me see you,
Time and life can meet.
Time and life can meet.
Nothing is everything, everything is, nothing is,
Nothing is everything, everything is, nothing is,
Please the people, audiences,
Please the people, audiences,
Break the fences,
Break the fences,
Nothing is.
Nothing is.
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom up in the air,
Lets see freedom up in the air,
Lets see action, lets see people,
Lets see action, lets see people,
Lets be free, lets see who cares.
Lets be free, lets see who cares.
Lets see action, lets see people,
Lets see action, lets see people,
Lets see freedom up in the air,
Lets see freedom up in the air,
Lets see action, lets see people,
Lets see action, lets see people,
Lets be free, lets see who cares.
Lets be free, lets see who cares.
Give me a drink boy, wash my feet,
Give me a drink boy, wash my feet,
Im so tired of running from my own heat,
Im so tired of running from my own heat,
Take this package and heres what you do,
Take this package and heres what you do,
Gonna get this information through.
Gonna get this information through.
I dont know where Im going,
I dont know where Im going,

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song performed by Who
Added by Lucian Velea
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New Beginning

The whole worlds broke and it aint worth fixing
Its time to start all over, make a new beginning
Theres too much pain, too much suffering
Lets resolve to start all over make a new beginning
Now dont get me wrong - I love life and living
But when you wake up and look around at everything thats going down -
All wrong
You see we need to change it now, this world with too few happy endings
We can resolve to start all over make a new beginning
Start all over
Start all over
Start all over
Start all over
The world is broken into fragments and pieces
That once were joined together in a unified whole
But now too many stand alone - theres too much separation
We can resolve to come together in the new beginning
Start all over
Start all over
Start all over
Start all over
We can break the cycle - we can break the chain
We can start all over - in the new beginning
We can learn, we can teach
We can share the myths the dream the prayer
The notion that we can do better
Change our lives and paths
Create a new world and
Start all over
Start all over
Start all over
Start all over
The whole worlds broke and it aint worth fixing
Its time to start all over, make a new beginning
Theres too much fighting, too little understanding
Its time to stop and start all over
Make a new beginning
Start all over
Start all over
Start all over
Start all over
We need to make new symbols
Make new signs
Make a new language
With these well define the world
And start all over
Start all over
Start all over
Start all over ...

song performed by Tracy Chapman
Added by Lucian Velea
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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.

For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.

And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.

For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.

Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.

Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

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poem by Anonymous Olde English
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The Odyssey: Book 17

When the child of morning, rosy-fingered Dawn, appeared,
Telemachus bound on his sandals and took a strong spear that suited
his hands, for he wanted to go into the city. "Old friend," said he to
the swineherd, "I will now go to the town and show myself to my
mother, for she will never leave off grieving till she has seen me. As
for this unfortunate stranger, take him to the town and let him beg
there of any one who will give him a drink and a piece of bread. I
have trouble enough of my own, and cannot be burdened with other
people. If this makes him angry so much the worse for him, but I
like to say what I mean."
Then Ulysses said, "Sir, I do not want to stay here; a beggar can
always do better in town than country, for any one who likes can
give him something. I am too old to care about remaining here at the
beck and call of a master. Therefore let this man do as you have
just told him, and take me to the town as soon as I have had a warm by
the fire, and the day has got a little heat in it. My clothes are
wretchedly thin, and this frosty morning I shall be perished with
cold, for you say the city is some way off."
On this Telemachus strode off through the yards, brooding his
revenge upon the When he reached home he stood his spear against a
bearing-post of the cloister, crossed the stone floor of the
cloister itself, and went inside.
Nurse Euryclea saw him long before any one else did. She was putting
the fleeces on to the seats, and she burst out crying as she ran up to
him; all the other maids came up too, and covered his head and
shoulders with their kisses. Penelope came out of her room looking
like Diana or Venus, and wept as she flung her arms about her son. She
kissed his forehead and both his beautiful eyes, "Light of my eyes,"
she cried as she spoke fondly to him, "so you are come home again; I
made sure I was never going to see you any more. To think of your
having gone off to Pylos without saying anything about it or obtaining
my consent. But come, tell me what you saw."
"Do not scold me, mother,' answered Telemachus, "nor vex me,
seeing what a narrow escape I have had, but wash your face, change
your dress, go upstairs with your maids, and promise full and
sufficient hecatombs to all the gods if Jove will only grant us our
revenge upon the suitors. I must now go to the place of assembly to
invite a stranger who has come back with me from Pylos. I sent him
on with my crew, and told Piraeus to take him home and look after
him till I could come for him myself."
She heeded her son's words, washed her face, changed her dress,
and vowed full and sufficient hecatombs to all the gods if they
would only vouchsafe her revenge upon the suitors.
Telemachus went through, and out of, the cloisters spear in hand-
not alone, for his two fleet dogs went with him. Minerva endowed him
with a presence of such divine comeliness that all marvelled at him as
he went by, and the suitors gathered round him with fair words in
their mouths and malice in their hearts; but he avoided them, and went
to sit with Mentor, Antiphus, and Halitherses, old friends of his
father's house, and they made him tell them all that had happened to

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poem by Homer, translated by Samuel Butler
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The Kids Are Alright

I dont mind other guys dancing with my girl
I dont mind other guys dancing with my girl
Thats fine, I know them all pretty well
Thats fine, I know them all pretty well
But I know sometimes I must get out in the light
But I know sometimes I must get out in the light
Better leave her behind with the kids, theyre alright
Better leave her behind with the kids, theyre alright
The kids are alright
The kids are alright
Sometimes, I feel I gotta get away
Sometimes, I feel I gotta get away
Bells chime, I know I gotta get away
Bells chime, I know I gotta get away
And I know if I dont, Ill go out of my mind
And I know if I dont, Ill go out of my mind
Better leave her behind with the kids, theyre alright
Better leave her behind with the kids, theyre alright
The kids are alright
The kids are alright
I know if I go things would be a lot better for her
I know if I go things would be a lot better for her
I had things planned, but her folks wouldnt let her
I had things planned, but her folks wouldnt let her
I dont mind other guys dancing with my girl
I dont mind other guys dancing with my girl
Thats fine, I know them all pretty well
Thats fine, I know them all pretty well
But I know sometimes I must get out in the light
But I know sometimes I must get out in the light
Better leave her behind with the kids, theyre alright
Better leave her behind with the kids, theyre alright
The kids are alright
The kids are alright
Sometimes, I feel I gotta get away
Sometimes, I feel I gotta get away
Bells chime, I know I gotta get away
Bells chime, I know I gotta get away
And I know if I dont, Ill go out of my mind
And I know if I dont, Ill go out of my mind
Better leave her behind with the kids, theyre alright
Better leave her behind with the kids, theyre alright
The kids are alright
The kids are alright

song performed by Who
Added by Lucian Velea
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Death and Birth

Death leads to birth rather than birth, to death.
Birth is close to death and not vice versa.
Every birth is at the result of a death.
Death to birth, not birth to death, is the path.

The death of clay is the birth of a pot;
The death of the pot is the birth of clay.
Ice melts to water and water forms ice.
In each conversion, occur death and birth.

The death of a night is the birth of a day;
The death of a day is the birth of a night.
New Year means the death of the old year too.
In each transition, takes place death and birth.

The death of a seed is the birth of a plant;
The death of gametes is the birth of an embryo.
Salts die to form cells; cells die to form salts.
In each growth, form death and birth of matter.

The so called death and birth is nothing but
Deaths and births of forms made of matter.
The matter itself does not die to be born
But is converted to different forms.

Elements disappear to form plants.
Plants as food add to the animals’ flesh.
Plants and animals on death liberate
As elements, serving through worms and germs.

When a child is born, there’s no birth of life.
The embryo transforms into a child.
When a man dies, there is no death of life.
The body disintegrates to salts.

Matter, energy and life have no death
They have got one birth since when they’ve been.
They interact and come different stages
In which the pattern is death and birth.

poem by Rm. Shanmugam Chettiar
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