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Before every performance, I think I am about to keel over.

quote by Brenda Blethyn
Added by Veronica Serbanoiu
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Mon Frere Camille

Mon frere Camille he was first class blood
W'en he come off de State las' fall,
Wearin' hees boot a la mode box toe
An' diamon' pin on hees shirt also
Sam' as dem feller on Chi-caw-go;
But now he 's no blood at all,
Camille, mon frere.

W'at 's makin' dat change on mon frere
Camille?
Wall! lissen for minute or two,
An' I 'll try feex it up on de leetle song
Dat 's geevin' some chance kin' o' help it
along
So wedder I'm right or wedder I'm wrong
You 'll know all about heem w'en I get
t'roo,
Mon frere Camille.

He never sen' leter for t' orteen year
So of course he mus' be all right
Till telegraph 's comin' from Kan-Ka-Kee
'I 'm leffin' dis place on de half pas't'ree
W'at you want to bring is de beg' buggee
An' double team sure for me t' orsday night
Ton frere Camille.'

I wish you be dere w'en Camille arrive
I bet you will say 'W'at 's dat?'
For he 's got leetle cap very lak tuque bleu
Ole habitant 's wearin' in bed, dat's true,
An' w'at do you t'ink he carry too?
Geev it up? Wall! small valise wit' de fine
plug hat.
Mon frere Camille.

'Very strange.' I know you will say right off,
For dere 's not'ing wrong wit' hees clothes,
An' he put on style all de bes' he can
Wit' diamon' shinin' across hees han'
An' de way he's talkin' lak Yankee man
Mus' be purty hard on hees nose,
Mon frere Camille.

But he 's splain all dat about funny cap,
An' tole us de reason w'y,
It seem no feller can travel far,
An' specially too on de Pullman car,
'Less dey wear leetle cap only 'cos dollarre,
Dat 's true if he never die,

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poem by William Henry Drummond
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Cushie Butterfield

I'm a broken-hearted keelman
and I'm o'er head in love
With a young lass from Gyetsid
And I call 'er my dove
Her name's Cushie Butterfield
And she sells yellow clay
And 'er cousins a muckman
And they call him Tom Gray
CHORUS
She's a big lass
She's a bonny lass
And she likes her beer
And I call her Cushie Butterfield
And I wish she was here
Her eyes is like two holes
In a blanket burnt through
And her breath in the mornin'
Would scare a young coo
She wears big galoshes
And her stockings once was white
And her bed gown it's lilac
And her hat's never straight
CHORUS
Cushie Butterfield
Aa's a broken hairted keel man and Aa's ower heed in luv
Wiv a young lass in Gyetsid an Aa caal hor me duv
Hor nyem's Cushie Butterfield and she sells Yalla clay
And her cousin is a muckman and they caall im Tom Gray.
Chorus- She's a big lass an' a bonnie lass an' she likes hor beer
An they caall hor Cushie Butterfield an' aa wish she war heor
Her eyes are like two holes in a blanket bornt throo,
An' her brows in a mornin wad spyen a young coo;
An' when aw heer her shootin "will ye buy ony clay,"
Like a candy man's trumpet, it steels ma young hart away.
Ye'll oft see hor doon at Sangit when the fresh harrin cims in,
She's like a bagfull o'saadust tied roond wiv a string;
She weers big galoshes tee, an' hor stockins once was white,
An' hor bedgoon it's laelock, but hor hat's nivver strite.
Chorus
Whan Aa axed hor te marry us, she started te laff;
"Noo, nyen o'yor munkey tricks, for Aa like nee such chaff"
Then she started a' blubblin' an' roared like a bull,
An' the cheps on the Keel ses As's nowt but a fyeul.
Chorus
She sez "The chep that gets me'll heh to work ivry day,
An when he cums hyem at neets hell heh te gan an' seek clay;
An' when he's away seekin't aal myek balls an' sing'
Weel may the keel row that my laddies in !"
Chorus
Noo, aw heer she hes anuther chep, an' he hews at Shipcote'

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song performed by Sting
Added by Lucian Velea
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Last Instructions to a Painter

After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth--
Of his hound's mouth to feign the raging froth--
His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.

Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.

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poem by Andrew Marvell
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The Undying One - Canto IV

'TIS done--the night has pass'd away;
And, basking in the sunny day,
The laughing fountain's waters bear
No record of each burning tear;--
The silent echoes give no sound
Of shriek or moan; and nothing round
Can tell what breaking hearts have been
So lately in that quiet scene.
But ere the evening falls again,
Many a step o'er mount and glen
Shall hurry far and wide, to seek
Her of the pallid brow and cheek.
Proud is the eye of the bridegroom lord!
He hath girt him round with a trusty sword,

And the horse that hath borne him to battle for years,
Gladly his angry summons hears.
His red nostrils snuffing the morning air,
Nothing he heeds their heavy care,
But waits till his high curving neck shall be freed,
To bound o'er the hills with an arrow's speed.
He is gone--full swiftly he dashes by--
And many a bright and beautiful eye
Follows the rider's form;--and dreams
Of pleasant walks by the dancing streams,
Of moonlight whisperings in the grove,
Of looks of ardour, and vows of love,
Fill those young hearts: and they wonder why
Visions so happy should make them sigh:
And more they wonder, that any one
Of the numberless forms their eyes have known,
Should have stolen a heart which Carlos woo'd
By the fount, and the lone wood's solitude.

Oh! love--real love! intoxicating dream
Of beauty and of happiness! how vain
Are our aspirings after thee, which seem
To bring thee near us!--doubt and causeless pain,
And jealousies, and most unconstant sighs
For something fairer than this world supplies;
And fondness which doth end in faint disgust;
And airy hopes that crumble down to dust ;--
These are not love,--though these too oft impart
A false excitement to the swelling heart.

To look upon the fairy one, who stands
Before you, with her young hair's shining bands,
And rosy lips half parted;--and to muse,
Not on the features which you now peruse,
Not on the blushing bride,--but look beyond

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poem by Caroline Elizabeth Sarah Norton
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The Monster & Captain Kreel

We were out in the North Atlantic
When the storm began to blow,
We reefed in the tops and gallants so
We wouldn't end down below,
The ship was tossed in a fury,
The mate was strapped to the wheel,
There wasn't a dry man left aboard,
Not even Captain Kreel.

The Captain, he was a bully,
He would flog 'til his arm was sore,
He drove the men at their stations 'til
They couldn't have taken more,
He kept a rope at the yardarm,
A warning to every man,
His word was not to be questioned if
A tar didn't want to hang!

Each wave was a liquid mountain
That crashed on the after deck,
The wind was a screaming banshee that
Would threaten, despair and wreck,
When out from below there came a scream,
A woman, so fair of face,
But the Captain swore an ugly oath
That the ship was in disgrace!

The wife of an able seaman,
He'd smuggled the girl aboard,
He'd thought he could keep her hidden there
Until they went ashore,
But the men with their superstitions
Then blamed her for the storm,
They seized her, dragged to the gunnels
And would hurry her overboard!

The Captain barked out an order,
The jack tars staggered back,
They wouldn't defy their Captain if
The ship was under attack!
The mate then seized the woman
And bared her at the breast,
Turned her to face the heaving sea
As she stood there, half undressed.

Bare breasted, like the figurehead
They carried on the prow,
A woman was known to calm the seas
If she shamed its gods somehow,
The wind died down in the stays and yards

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poem by David Lewis Paget
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By The Seaside : The Building Of The Ship

'Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!'
The merchant's word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, 'Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!'

And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o'er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, 'Our ship, I wis,
Shall be of another form than this!'
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,

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poem by Henry Wadsworth Longfellow
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The Building of the Ship

"Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!"
The merchant's word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, "Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!"
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o'er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, "Our ship, I wis,
Shall be of another form than this!"
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

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poem by Henry Wadsworth Longfellow
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The Odyssey: Book 12

"After we were clear of the river Oceanus, and had got out into
the open sea, we went on till we reached the Aeaean island where there
is dawn and sunrise as in other places. We then drew our ship on to
the sands and got out of her on to the shore, where we went to sleep
and waited till day should break.
"Then, when the child of morning, rosy-fingered Dawn, appeared, I
sent some men to Circe's house to fetch the body of Elpenor. We cut
firewood from a wood where the headland jutted out into the sea, and
after we had wept over him and lamented him we performed his funeral
rites. When his body and armour had been burned to ashes, we raised
a cairn, set a stone over it, and at the top of the cairn we fixed the
oar that he had been used to row with.
"While we were doing all this, Circe, who knew that we had got
back from the house of Hades, dressed herself and came to us as fast
as she could; and her maid servants came with her bringing us bread,
meat, and wine. Then she stood in the midst of us and said, 'You
have done a bold thing in going down alive to the house of Hades,
and you will have died twice, to other people's once; now, then,
stay here for the rest of the day, feast your fill, and go on with
your voyage at daybreak tomorrow morning. In the meantime I will
tell Ulysses about your course, and will explain everything to him
so as to prevent your suffering from misadventure either by land or
sea.'
"We agreed to do as she had said, and feasted through the livelong
day to the going down of the sun, but when the sun had set and it came
on dark, the men laid themselves down to sleep by the stern cables
of the ship. Then Circe took me by the hand and bade me be seated away
from the others, while she reclined by my side and asked me all
about our adventures.
"'So far so good,' said she, when I had ended my story, 'and now pay
attention to what I am about to tell you- heaven itself, indeed,
will recall it to your recollection. First you will come to the Sirens
who enchant all who come near them. If any one unwarily draws in too
close and hears the singing of the Sirens, his wife and children
will never welcome him home again, for they sit in a green field and
warble him to death with the sweetness of their song. There is a great
heap of dead men's bones lying all around, with the flesh still
rotting off them. Therefore pass these Sirens by, and stop your
men's ears with wax that none of them may hear; but if you like you
can listen yourself, for you may get the men to bind you as you
stand upright on a cross-piece half way up the mast, and they must
lash the rope's ends to the mast itself, that you may have the
pleasure of listening. If you beg and pray the men to unloose you,
then they must bind you faster.
"'When your crew have taken you past these Sirens, I cannot give you
coherent directions as to which of two courses you are to take; I will
lay the two alternatives before you, and you must consider them for
yourself. On the one hand there are some overhanging rocks against
which the deep blue waves of Amphitrite beat with terrific fury; the
blessed gods call these rocks the Wanderers. Here not even a bird

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poem by Homer, translated by Samuel Butler
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Pharsalia - Book V: The Oracle. The Mutiny. The Storm

Thus had the smiles of Fortune and her frowns
Brought either chief to Macedonian shores
Still equal to his foe. From cooler skies
Sank Atlas' daughters down, and Haemus' slopes
Were white with winter, and the day drew nigh
Devoted to the god who leads the months,
And marking with new names the book of Rome,
When came the Fathers from their distant posts
By both the Consuls to Epirus called
Ere yet the year was dead: a foreign land
Obscure received the magistrates of Rome,
And heard their high debate. No warlike camp
This; for the Consul's and the Praetor's axe
Proclaimed the Senate-house; and Magnus sat
One among many, and the state was all.

When all were silent, from his lofty seat
Thus Lentulus began, while stern and sad
The Fathers listened: 'If your hearts still beat
With Latian blood, and if within your breasts
Still lives your fathers' vigour, look not now
On this strange land that holds us, nor enquire
Your distance from the captured city: yours
This proud assembly, yours the high command
In all that comes. Be this your first decree,
Whose truth all peoples and all kings confess;
Be this the Senate. Let the frozen wain
Demand your presence, or the torrid zone
Wherein the day and night with equal tread
For ever march; still follows in your steps
The central power of Imperial Rome.
When flamed the Capitol with fires of Gaul
When Veii held Camillus, there with him
Was Rome, nor ever though it changed its clime
Your order lost its rights. In Caesar's hands
Are sorrowing houses and deserted homes,
Laws silent for a space, and forums closed
In public fast. His Senate-house beholds
Those Fathers only whom from Rome it drove,
While Rome was full. Of that high order all
Not here, are exiles. Ignorant of war,
Its crimes and bloodshed, through long years of peace,
Ye fled its outburst: now in session all
Are here assembled. See ye how the gods
Weigh down Italia's loss by all the world
Thrown in the other scale? Illyria's wave
Rolls deep upon our foes: in Libyan wastes
Is fallen their Curio, the weightier part
Of Caesar's senate! Lift your standards, then,
Spur on your fates and prove your hopes to heaven.

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poem by Marcus Annaeus Lucanus
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M'Sieu Smit

THE ADVENTURES OF AN ENGLISHMAN IN THE CANADIAN WOODS.

Wan morning de walkim boss say 'Damase,
I t'ink you're good man on canoe d'ecorce,
So I'll ax you go wit' your frien' Philéas
An' meet M'sieu' Smit' on Chenail W'ite Horse.

'He'll have I am sure de grosse baggage--
Mebbe some valise--mebbe six or t'ree--
But if she's too moche for de longue portage
'Poleon he will tak' 'em wit' mail buggee.'

W'en we reach Chenail, plaintee peep be dere,
An' wan frien' of me, call Placide Chretien,
'Splain all dat w'en he say man from Angleterre
Was spik heem de crowd on de 'Parisien.'

Fonny way dat Englishman he'll be dress,
Leetle pant my dear frien' jus' come on knee,
Wit' coat dat's no coat at all--only ves'
An' hat--de more stranger I never see!

Wall! dere he sit on de en' some log
An' swear heem in English purty loud
Den talk Français, w'ile hees chien boule dog
Go smellim an' smellim aroun' de crowd.

I spik im 'Bonjour, M'sieu' Smit', Bonjour,
I hope dat yourse'f and famille she's well?'
M'sieu Smit' he is also say 'Bonjour,'
An' call off hees dog dat's commence for smell.

I tell heem my name dat's Damase Labrie
I am come wit' Philéas for mak' de trip,
An' he say I'm de firs' man he never see
Spik English encore since he lef' de ship.

He is also ax it to me 'Damase,
De peep she don't seem understan' Français,
W'at's matter wit' dat?' An' I say 'Becos
You mak' too much talk on de Parisien.'

De groun she is pile wit' baggage--Sapré!
An' I see purty quick we got plaintee troub--
Two tronk, t'ree valise, four-five fusil,
An' w'at M'sieu Smit' he is call 'bat' tubbe.'

M'sieu Smit' he's tole me w'at for's dat t'ing,
An' it seem Englishman he don't feel correc'

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poem by William Henry Drummond
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The Athenaid: Volume I: Book the Tenth

Now is the season, when Vertumnus leads
Pomona's glowing charms through ripen'd groves
Of ruddy fruitage; now the loaden vine
Invites the gath'ring hand, which treasures joy
For hoary winter in his turn to smile.
An eastern course before autumnal gales
To Ephesus the Carian gallies bend;
While Medon coasts by Locris, and deplores
Her state of thraldom. Thrice Aurora shews
Her placid face; devourer of mankind,
The sea, curls lightly in fallacious calms;
To Medon then the wary master thus:

My chief, the dang'rous equinox is near
Whose stormy breath each prudent sailor shuns,
Secure in harbour; turbulent these streights
Between Euboea and the Locrian shore;
Fate lurks in eddies, threatens from the rocks;
The continent is hostile; we must stretch
Across the passage to Euboea's isle,
There wait in safety till the season rude
Its wonted violence hath spent. The chief
Replies: An island, Atalanté nam'd,
Possess'd by Locrians, rises in thy view;
There first thy shelter seek; perhaps the foe
Hath left that fragment of my native state
Yet undestroy'd. Th' obedient rudder guides,
The oars impel the well directed keel
Safe through an inlet op'ning to a cove
Fenc'd round by rising land. At once the sight,
Caught by a lucid aperture of rock,
Strays up the island; whence a living stream,
Profuse and swift beneath a native arch,
Repels encumb'ring sands. A slender skiff,
Launch'd from the ship, pervades the sounding vault;
With his companions Medon bounds ashore,
Addressing Timon: Delphian guest, these steps,
Rude hewn, attain the summit of this rock;
Thence o'er the island may our wary ken,
By some sure sign, discover if we tread
A friendly soil, or hostile. They ascend.
The topmost peak was chisell'd to display
Marine Palæmon, colossean form,
In art not specious. Melicertes once,
Him Ino, flying from th' infuriate sword
Of Athamas her husband, down a cliff,
Distracted mother, with herself immers'd
In ocean's salt-abyss. Their mortal state
Neptunian pity to immortal chang'd;

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poem by Richard Glover
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Performance

We are all performers
on a daily stage,
each of us having a part
to play the best we can
from waking in the morning
to sleeping late at night.
Every performance
is watched from on high
and he sends us a message
when we get our performance wrong.
He tell us in his own way
how to mend the performance
that we gave,
then we go out and start
all over again,
only this time
to right the wrongs we made.

5 February 2008

poem by David Harris
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
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Recent instructions from Noel

Always make your future bigger than your past
Always make your contribution bigger than your reward
Always make your performance greater than the applause
Always make your gratitude greater than you success

On the premise:

That there is a future
That there is a contribution
That there is performance
That there is gratitude

There is no future, no contribution, no performance, no gratitude

The past shall be erased, the reward does not matter
The applause unnecessary and the success a surplusage

I do not need a reward, an applause,
And I do not need any success

Finding a soul in paper clip
Finding a frog croaking in my throat

There is simply no brain on this bond paper

Air in a vacuum

A grand future in today’s little happy faces

A red rose tattoo inside my ailing heart

The best talk in my silence as mute as
A dead ant that cannot climb
The coconut tree

Of the elephant in my palm
Or that little bird in my hand
And we were guessing
Whether it is alive or dead

The little child always laughs at everything
And we simply do not know
His logic
We forget once our childlikeness

We simply forget
The reason of the heart

[...] Read more

poem by Ric S. Bastasa
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Dead Relationship

what is this relationship with a dead father
what are these offerings to a dead father
what is this for?
whom is it for?
a duty or a right what for?

what the son had to offer a needy LIVING father.....
no one knew....there was no witness
what the son has offered to a dead father....
every one knew....there was quite a crowd to witness
the last right was a perfect performance

a perfect performance and that's what it was
to pacify the soul of the dead father
a perfect performance...out of fear
the SON would continue to perform this every year....
out of FEAR

poem by Samanyan Lakshminarayanan
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Playing Music Is Like Making Love

PLAYING MUSIC IS LIKE MAKING LOVE

Many people who insist that they enjoy
music known as classical merely say
they do, pretending. Far more serious is the ploy
planned by LSO, who'll just pretend to play.

There is surely nothing wrong with those who fake
enjoyment, like a woman faking an orgasm,
but pretense of playing music's a mistake,
since music needs not only sound, but ectoplasm.

Orchestras and lovemakers should never mimic:
they should always show their skin when they perform,
and should not be, although poetic, metonymic:
the use of any substitute is rotten form.

Denis Bartel reported the news about the London Symphony Orchestra's decision to mimic their playing while a performance is broadcast to visits at the Olympic Games. David Ng writes in the LA Times:
Musicians with the London Symphony Orchestra are reportedly going to have to pull a Milli Vanilli when they appear at the opening ceremony of the Summer Olympic Games in London. Reports from Britain state that the orchestra will mimic playing to prerecorded music due to concerns about the weather and the shape of the performing venue - a large, oval-shaped arena whose scale would apparently make a live-music performance tricky….
The London Symphony has reportedly recorded the music that is scheduled to be played during the July 27 ceremony. The Daily Mail reports that Boyle wanted the orchestra to perform live, but that he was overruled by the organizing committee for the Games. When viewers around the world tune in for the ceremony, they can expect to see the conductor and musicians from the renowned orchestra going through the motions while a soundtrack plays.
This wouldn't be the first time that the mimicking of live music was used at an Olympics ceremony. In 2008, a mini-controversy developed during the Beijing Games when it was revealed that a 9-year-old singer lip-synced to the voice of another young girl whom officials had deemed less telegenic. Similarly, at President Obama's inauguration, the musical performance by cellist Yo-Yo Ma, violinistItzhak Perlman, pianist Gabriella Montero and clarinetist Anthony McGill played, unamplified, to a recording. The decision to use a recording was made over fears that the cold weather that day could damage the instruments.

6/4/12 #10403

poem by Gershon Hepner
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Hervé Riel

On the sea and at the Hogue, sixteen hundred ninety-two,
Did the English fight the French--woe to France!
And, the thirty-first of May, helter-skelter through the blue,
Like a crowd of frightened porpoises a shoal of sharks pursue,
Came crowding ship on ship to St. Malo on the Rance,
With the English fleet in view.

'Twas the squadron that escaped, with the victor in full chase,
First and foremost of the drove, in his great ship, Damfreville;
Close on him fled, great and small,
Twenty-two good ships in all;
And they signalled to the place,
"Help the winners of a race!
Get us guidance, give us harbour, take us quick--or, quicker still,
Here's the English can and will!"

Then the pilots of the place put out brisk and leaped on board:
"Why, what hope or chance have ships like these to pass?"
laughed they;
"Rocks to starboard, rocks to port, all the passage scarred
and scored,
Shall the _Formidable_ here, with her twelve and eighty guns,
Think to make the river-mouth by the single narrow way,
Trust to enter where 'tis ticklish for a craft of twenty tons.
And with flow at full beside?
Now 'tis slackest ebb of tide.
Reach the mooring! Rather say,
While rock stands or water runs,
Not a ship will leave the bay!"

Then was called a council straight;
Brief and bitter the debate:
"Here's the English at our heels; would you have them take in tow
All that's left us of the fleet, linked together stern and bow,
For a prize to Plymouth Sound?--
Better run the ships aground!"
(Ended Damfreville his speech.)
"Not a minute more to wait!
Let the captains all and each
Shove ashore, then blow up, burn the vessels on the beach!
France must undergo her fate.

"Give the word!"--But no such word
Was ever spoke or heard;
For up stood, for out stepped, for in struck amid all these--
A captain? A lieutenant? A mate--first, second, third?
No such man of mark, and meet
With his betters to compete!
But a simple Breton sailor pressed by Tourville for the fleet--
A poor coasting pilot he, Hervé Riel, the Croisiekese.

[...] Read more

poem by Robert Browning from Pacchiarotto (1876)
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Look Seaward, Sentinel!

I
Look seaward, Sentinel, and tell the land
What you behold.

Sentinel
I see the deep-ploughed furrows of the main
Bristling with harvest; funnel, and keel, and shroud,
Heaving and hurrying hither through gale and cloud,
Winged by their burdens; argosies of grain,
Flocks of strange breed and herds of southern strain,
Fantastic stuffs and fruits of tropic bloom,
Antarctic fleece and equatorial spice,
Cargoes of cotton, and flax, and silk, and rice,
Food for the hearth and staples for the loom:
Huge vats of sugar, casks of wine and oil,
Summoned from every sea to one sole shore
By Empire's sceptre; the converging store
Of Trade's pacific universal spoil.
And heaving and hurrying hitherward to bring
Tribute from every zone, they lift their voices,
And, as a strong man revels and rejoices,
They loudly and lustily chant, and this the song they sing.

Chorus of Home-coming Ships
From the uttermost bound
Of the wind and the foam,
From creek and from sound,
We are hastening home.
We are laden with treasure
From ransacked seas,
To charm your leisure,
To grace your ease.
We have trodden the billows,
And tracked the ford,
To soften your pillows,
To heap your board.
The hills have been shattered,
The forests scattered,
Our white sails tattered,
To swell your hoard.
Is it blossom, or fruit, or
Seed, you crave?
The land is your suitor,
The sea your slave.
We have raced with the swallows,
And threaded the floes
Where the walrus wallows
Mid melting snows;
Sought regions torrid,
And realms of sleet,

[...] Read more

poem by Alfred Austin
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Off Mesolongi

The lights of Mesolongi gleam
Before me, now the day is gone;
And vague as leaf on drifting stream,
My keel glides on.

No mellow moon, no stars arise;
In other lands they shine and roam:
All I discern are darkening skies
And whitening foam.

So on those lights I gaze that seem
Ghosts of the beacons of my youth,
Ere, rescued from their treacherous gleam,
I steered towards truth.

And you, too, Byron, did awake,
And ransomed from the cheating breath
Of living adulation, stake
Greatness on death!

Alas! the choice was made too late.
You treated Fame as one that begs,
And, having drained the joys that sate,
Offered the dregs.

The lees of life you scornful brought,
Scornful she poured upon the ground:
The honoured doom in shame you sought,
You never found.

``The Spartan borne upon his shield''
Is not the meed of jaded lust;
And, ere your feet could reach the field,
Death claimed your dust.

Upon the pillow, not the rock,
Like meaner things you ebbed away,
Yearning in vain for instant shock
Of mortal fray.

The futile prayer, the feeble tear,
All that deforms the face of death,
You had to bear, whilst in your ear
Hummed battle's breath.

You begged the vulture, not the worm,
Might feed upon your empty corse.
In vain! Just Nemesis was firm
'Gainst late remorse.

[...] Read more

poem by Alfred Austin
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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

[...] Read more

poem by Alfred Lord Tennyson
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