Hey! Master you fish in a wrong location
And your bait fits for sharks.
I do not have such a big mouth to swallow your piece of cake.
Start your engine please and find another place.
*To my Iranian Boss who fish in troubled waters nowadays.
And just now who laid off me.
With Your Big Mouth
with your big mouth
I want to be eaten
And be peaceful
Inside your belly
My Big Mouth
Everybody knows...but no-one's saying nothing
And it was a sound so very loud...that no-one can hear
I got something in my shoes...It's keeping me from walking
Down the long and winding road... back home to you
And round this town you've ceased to be
That's what you get for sleeping with the enemy
Where angels fly you won't play
So guess who's gonna take the blame for...
My big mouth
Of Childhood I Have Such Good Memories
I recall when I was a young boy in my ninth year going on ten
I heard the shy cock pheasant cucking in early Summer in the rushy glen
He was one that I did hear often though him I rarely ever did see
A memory from the mid fifties that lives on in my memory,
I was growing to love Mother Nature even got to know some birds by their song
The chattering voice of the magpie was something one could not get wrong
The familiar song of the chaffinch he sings in my memory today
He sang on the birch tree in the meadow that scented of freshly mown hay,
Of childhood I have such good memories with Nature to me always near
the robin he sang in the woodlet he could be heard all through the year
I lived in an Earthly Utopia at least that's how to me it did seem
The bluebells bloomed close to the hedgerow the dipper he sang in the stream
And with me I carry those memories till death with me they will remain
And often in my flights of fancy I visit my childhood again
Ghost stories really scare me. I have such a big imagination that after I watch a horror movie like 'The Grudge', I look in the corners of my room for the next two days.
Our hope, and it's a sad hope, is that... well, I mean we need a tip. That's why we have such a big reward. We just hope that someone is holding her for her child and that we can, you know, get her back with a tip.
He primmed his loose red mouth and leaned his head
Against a sorrowing angel’s breast, and said:
‘You’d think so much bereavement would have made
‘Unusual big demands upon my trade.
‘The War comes cruel hard on some poor folk;
‘Unless the fighting stops I’ll soon be broke.’
He eyed the Cemetery across the road.
‘There’s scores of bodies out abroad, this while,
‘That should be here by rights. They little know’d
‘How they’d get buried in such wretched style.’
I told him with a sympathetic grin,
That Germans boil dead soldiers down for fat;
And he was horrified. ‘What shameful sin!
‘O sir, that Christian souls should come to that!’
Kiss or Kisses
The kiss, Alber knows,
is the sign of great love
or great betrayal. Juliette
presses her lips to his.
There is spittle there
Somewhere, but neither
cares nor senses any of that.
In between kisses she talks
of the pregnant black cat.
He remembers his first kiss,
that girl whose mother never
trusted him as a boy, gave
him his first joy. Where had
it been? he asked inwardly,
pressing his lips to Juliette's,
ah, yes, in the porch of her
parent's house, the moon
bright, stars out like sprinkled
sugar on an expanded black cloth.
And about their heads that
darn moth. Juliette saying,
funny how they have such
low bellies, pregnant cats,
and have so many. He moves
his tongue inside her mouth,
along her teeth, touching her
tongue, exchanging warm fluids.
He presses his hands onto her
buttocks, feeling the softness
through cloth. She silent now,
and there about their heads,
that big brown fluttering moth.
I Wish I Have A Mouth That Knows How To Speak My Love
i wish i have this kind of mouth that knows to speak
about my love
one that opens so easily and dashes with words like
you know i love you, tell me, do you love me too?
a candid mouth, like a shrew who gambles with words and
will not mind losing
a mouth who kisses your mouth without
shame and if shamed because you slap it
does not bother at all,
one who says, why hide love, why not pour love like a
strong wine to a chalice and let it warm
the glass and let the glass
be nothing but a glass
one that does not mind at all, one that loves and if not loved in
return takes the other possibilities
the mouth that i have is closed and will not open
i have kept the words
i love you only for you
like a worm inside my tongue,
turning into a little butterfly
that never had the chance to see what is outside
and feel the freedom of air,
it died and i keep it for the whole night
now, i spit it out
and my mouth closed again
eating only silence
while you just watch there
and i said there is nothing to worry
nothing at all
i just don't feel anything and there is nothing
worth saying, i look at you as you go, i hold only to your shadow
and you will never never never know,
Word Of Mouth
Ive been trying to get a message to you,
But the operator cant put me through,
Because the vandals went and wrecked all the telephones.
And all my enemies are spreading bad news,
You wont call me, thats why Im calling you,
To put you straight about the rumors theyre spreading about me back home.
I should have known, sooner or later,
Youd get the news, sooner or later,
The word of mouth will get right back to you.
Somehow we lost communication,
My only chance in my situation,
Is that the word of mouth gets my message through.
The word of mouth,
The word of mouth,
But who are they to say the things they do?
The word of mouth says that Ive gone insane,
That wine and women have affected my brain.
Well whos the big mouth spreading the news again?
The word of mouth says Im round the bend,
Its all over, this is the end.
Exaggeration sure gets the better of people who send[? ].
The word of mouth,
The word of mouth,
But who are they to say the things they do?
The word of mouth said I should be put in my place.
The word is out Im in disgrace -- a waste of space.
But if they say it, say it to my face.
People talking, trying to dig up the dirt,
There are so many lies around.
They spread their gossip and the rumors around this town.
Word of mouth, face to face,
My word of mouth has stated my case,
And Im saying Im coming back home to you.
You should have know sooner or later,
Youd get the news sooner or later,
The word of mouth will get right back to you.
The word of mouth,
Shut your mouth,
Shut your face!
On Your Wedding Day
it was time for the cake and the wine
the usual ceremony
like all weddings in our place
where everyone gets invited on a grand party
and there you are on your white suit
polished hair, shiny locks, the wedding ring now in your finger
the silver knife was handed
and you slice the chocolaty wedding cake with white icing laces
and some roses and tiny leaves
you sliced a big chunk and with a plate and fork
you handed it to her mouth
she was confused how to swallow such a big chunk
but she managed just the same
to take it
she did not ask you to divide it into smaller pieces
but how she wished
you were kind enough to do it for her
then the wine
the cork was too tight and then it was opened
your again poured much
more than half the glass and your arms entwined
you hand her
and she was obliged to drink that much
it was too sweet and she did not like it
she wanted the usual wine
sour and sweet and a little bit bitter
and then yes the doves
you were not gentle in taking them out from the cage
held them too tight
and without taking any cue from her
you released your dove ahead adn she was again confused
and even slighted
a big chunk, a very sweet wine, doves that did not fly together
it was not just me who noticed it, some people who saw
what happened did not talk about it
now, the town is making a guess
whether you marriage will last
whether the pattern in your broken family shall not be repeated
your brother, your dad, your sister
they now live separately from his wife, from your mother, from her husband
but who knows, you will be the last to stand up
the last of the mohicans, the movie that you have not watched yet
but soon you will
because from there you must take your important cue
Long long ago
In a faraway land
Lived a frog named
Mr. Stikitung Grand
Near a meander
In his little mud house
In rain you could hear him Croak,
Looking for a spouse
Rains came and went
But he never got a single mate
He tried every trick a frog could
Still no one fell for his bait
He would keep
Harnessing his vocals
Polishing his webbed digits and
Perfecting his focal
While his efforts were appreciated
And some found it cute
The girls still went out
With the true frogs, the slimy smooth
With Mr. Grand being so different
All warts and moles
Others wondered how
He would ever father tadpoles
Mr. Grand with his huge eyes
And big mouth could do very little
All these hurdles made Him
Too depressed and shittle
While there were uncertainties
Looming large on his life
Fellow amphibians were betting
On his chances of getting a wife
For termites said the caecilians
Calling others to join the hoot
For worms said salamander and
For cricket said the newt.
On the fateful day Mr. Grand got fed up
And was waiting to call it a night
When he heard a hiss
Loud enough to give him a fright
Hello said the snake why are you
In such a spiritual gloom
Come let us find out someone
Who can help you groom
Frog was surprised at snake’s kindness
And overwhelmed at his warmth
While his kinds were busy ridiculing him
Snakes words soothed him like a balm
At first he was cautious and
Kept a safe distance from the snake
But the snake kept saying he was hurt
That Mr. Grand still took his efforts as fake
I have nothing to lose thought Mr. Grand
And reached out for the help
Yum thought the snake and gulped Mr. Grand
Before he could think or yelp
Salamanders, newts, all of his fellow beings
Saw this but not a single tear was shed
Guess this comes with living a life
So cold blooded
There was a crocodile, who saw it all
Hidden behind a pier
Some say he was the only one who
Did shed some tears.
strange name for a pet yeah?
but that's what I call it
and it knows its name
so we get along OK
I keep it in its cage now
since it's a bit large and scary
for those who haven't met it
or know its owner
but I've given it all I can think of
to keep it amused in its cage
papers old books photos to keep its teeth sharp
we love each other to bits
but every now and again
I can 't resist opening up the cage
and letting it out to be itself
wild untamed sometimes vicious irresponsible
I used to say naughty Tongue
who's a naughty boy then
but I felt such a hypocrite
I love to see it free
it's like when you have a pet greyhound
that's never seen a track, or raced
with all the crowd shouting
to please itself and its master
oh we're both so proud of Tongue
I was given it when it and me we were very small
and people would smile and say
what a pretty Tongue then
it'll grow up to be a fine Tongue
you must be very fond of it and proud too
to my parents who smiled weakly
they encouraged me and Tongue little did they know then
little did they think
that small Tongues grow to be big Tongues
well isn't that the same with all pets
until you flush them down the john
to roam the sewers or sneak out at night
to leave them scratching the tiles
in some gas station restroom
and giving someone's bladder
one hell of a shock opening the door
they hoped we'd grow apart Tongue and I
and I'd go on to something quieter
tattoos piercings stuff
I wouldn't do that not ever to Tongue
though we had to leave home Tongue and I
so I go to open up the cage
and Tongue opens its big mouth
in a sorta snarly smile
gives me a quick glance like yes now
and then it's off
pleased as Punch, top speed,
sniffing where all the other tongues
have left their mark
sniffing friendly at children
scaring grown-ups all shouting at me
picking a fight with every other tongue it meets
so I can't help be proud of it
lifting its leg on the neighbours who tell the other neighbours
who don't speak to me now
oh we have a fine time Tongue and I
then after we've had a great workout
come back panting, flushed, victorious not a bit ashamed
people who've stopped talking to me
say to each other so I'm told never me
he'll be sorry one day
Michael has such a malicious Tongue
The Women I Have Loved
The women I have loved,
the taste of old fires in my mouth,
that summoned me
with their fragrance in the night
to mystery, ecstasy, danger and agony,
betrayal and loss,
intensities hotter than stars
that could thaw space like glass
in the coldest, deepest abyss of their beauty.
Seizures of flesh, potions of pain,
delirium of black poppies, eclipses, cloaks,
the sweet doom of paradise
in the effulgent bells of their hips
and their skin always
a starmap back to the earth, luminous braille
only the eyes in my fingertips could read.
Each was a way of breathing
in water, in fire, in stone, on the moon,
an atmosphere that clung to me
like the smell of an autumn night in their hair,
an era of seeing
that rooted like lightning
in the starmud of my poems.
Some were the windows of a palatial awareness
that astonished my heart like a peasant
and others, the rocks that crashed through it.
I tuned all my mirrors
to the high notes
of the most beautiful stars
in each of their constellations;
and the ones I loved best
were the windows
that could see both sides of God
and you could taste it in their eyes.
No doubt I was ruinous
in ways that it's taken years
of deep solitude and suffering
to clarify, the ore
wasn't always worth the metal within,
the volcanic rage of my baffled aspirations,
the urge to express, release, affirm, excel,
the way I parted women I loved like seas
in my quest for the promised land
and the way they closed up on me like pharoah,
like a flower that doesn't want to look at the night
and lowers its lonely eye,
like coffin lids
that were once the petals of a mystic rose.
Who knows who was buried
on those sexual slopes
that overlooked the motif of the river
through the vistas of the valley,
or how the story truly ended
that went on writing itself
as it does today
long after we were villages,
tiny necropoli, perfectly preserved,
and wholly usurped
like utensils by the afterlife
of the erupting mountain
that put an end
to the interminable funeral orations
that unrolled us like thunder in hell.
We slashed heaven
with the bloody razor of the moon
like the vicious legates of a papal threat
to spiritually salt the holy ground
we were rooted in
like lava, blood, and lightning.
I am still a confusion
of wounded dreams,
and when I look at the moon,
the bruises, the dead seas,
I am devastated again and again
by a ghostly sorrow
that returns to my heart
like a dove to a dark bell
that once knew the morning with another.
The truth is slurred by time,
and the confessions we made to the sky,
gusts of shame and contrition,
tiny burnt-out match-heads
that once flared into big fires,
slagging their depletion
like ore in the rain,
were abysmally true to the moment,
as we felt the ground beneath our feet
sinking like a continent.
We may have drowned like Atlantis
but how many decades since
have we lain here
like a thousand other toppled shipwrecks
offering the hilts of our masts
sheathed in coral
and the bunting of weeds
to the sea that slowly accepts our surrender?
All the beauty of that seeing,
the laughter in bed,
the aloof eternity in the form of the woman
at the end of the garden,
seen through the kitchen window forever
as if I had never made love to her,
pulling weeds from among the asters,
forever true, forever
the mystery that transfixes
and devours me yet.
I have not laid my dream down
like the head of a child
on the pillow of a stony heart.
I have not looked upon the stars
that shone over us those long walks into each other
as if we were two banks of the same river
and we were still a wonder
and a temptation to each other,
two wings of the same gate
I am still summoned against my will
to those dread nights we went out in each other
like down-turned torches,
and the bouquets of the daylilies,
those truces of fire and water
we burned beside,
turned into congested refugee camps
that plunged into civil war with their own reflections.
All along this road
where I carry my life
like the shoes in my hand
there is broken glass,
shattered goblets of the moon
we once drank from together,
shards of the suicidal chandeliers
we once danced under
like the tails of the unnamed comets
that followed us like paparazzi
as if we were the prophecy.
Vampires once cloaked like assassins
in the darkness of the light,
they still come for blood,
pleading in the shadows like beggars for alms,
and I am often aghast at my own compassion,
feeling the quick tendrils
of their tongues flickering in my heart
that my blood still feeds these candles in eclipse.
Perhaps there is more spontaneity
in the darkness
than there is in the light,
but I have not let my mouth
turn into an open wound,
or wielded the cold flame of my tongue
like a dagger of fire that could only be put out
in the blood of another.
Leeches and lilies
are born in the same pond
and I have not denounced one
at the expense of the other,
but have stood before both in silent awe,
trying to overhear any whisper
of what these things might mean
that they should still sweeten and startle
my deepening ignorance
like the shadows and stars
that leap out of their own darkness and light
to ambush and detain us with love and life
all along these lonely, vivid roads
that walk us like the wind
that moves me now to remember
the generosity of loss that is love,
and the flaring of the dust that we once were,
this frenzy of dust, this urgent dance of the dust
that will forever be
like the wind, like love,
like fire and life, like the nights
that bent down over me while I slept
and kissed me good-bye,
the journey whirling in the arms of its own destination.
- quotes about eclipse
- quotes about expose
- quotes about vampires
- quotes about comets
- quotes about thaw
- quotes about sex
- quotes about travel
- quotes about mountains
The Masque of Queen Bersabe: A Miracle-Play
Knights mine, all that be in hall,
I have a counsel to you all,
Because of this thing God lets fall
Among us for a sign.
For some days hence as I did eat
From kingly dishes my good meat,
There flew a bird between my feet
As red as any wine.
This bird had a long bill of red
And a gold ring above his head;
Long time he sat and nothing said,
Put softly down his neck and fed
From the gilt patens fine:
And as I marvelled, at the last
He shut his two keen eyën fast
And suddenly woxe big and brast
Ere one should tell to nine.
Sir, note this that I will say;
That Lord who maketh corn with hay
And morrows each of yesterday,
He hath you in his hand.
SECUNDUS MILES (Paganus quidam).
By Satan I hold no such thing;
For if wine swell within a king
Whose ears for drink are hot and ring,
The same shall dream of wine-bibbing
Whilst he can lie or stand.
Peace now, lords, for Godis head,
Ye chirk as starlings that be fed
And gape as fishes newly dead;
The devil put your bones to bed,
Lo, this is all to say.
By Mahound, lords, I have good will
This devil’s bird to wring and spill;
For now meseems our game goes ill,
Ye have scant hearts to play.
Lo, sirs, this word is there said,
That Urias the knight is dead
Through some ill craft; by Poulis head,
I doubt his blood hath made so red
This bird that flew from the queen’s bed
Whereof ye have such fear.
Yea, my good knave, and is it said
That I can raise men from the dead?
By God I think to have his head
Who saith words of my lady’s bed
For any thief to hear.
Et percutiat eum in capite.
I wis men shall spit at me,
And say, it were but right for thee
That one should hang thee on a tree;
Ho! it were a fair thing to see
The big stones bruise her false body;
Fie! who shall see her dead?
I rede you have no fear of this,
For, as ye wot, the first good kiss
I had must be the last of his;
Now are ye queen of mine, I wis,
And lady of a house that is
Full rich of meat and bread.
I bid you make good cheer to be
So fair a queen as all men see,
And hold us for your lieges free;
By Peter’s soul that hath the key,
Ye have good hap of it.
I would that he were hanged and dead
Who hath no joy to see your head
With gold about it, barred on red;
I hold him as a sow of lead
That is so scant of wit.
Tunc dicat NATHAN propheta
O king, I have a word to thee;
The child that is in Bersabe
Shall wither without light to see;
This word is come of God by me
For sin that ye have done.
Because herein ye did not right,
To take the fair one lamb to smite
That was of Urias the knight;
Ye wist he had but one.
Full many sheep I wot ye had,
And many women, when ye bade,
To do your will and keep you glad;
And a good crown about your head
With gold to show thereon.
This Urias had one poor house
With low-barred latoun shot-windows
And scant of corn to fill a mouse;
And rusty basnets for his brows,
To wear them to the bone.
Yea the roofs also, as men sain,
Were thin to hold against the rain;
Therefore what rushes were there lain
Grew wet withouten foot of men;
The stancheons were all gone in twain
As sick man’s flesh is gone.
Nathless he had great joy to see
The long hair of this Bersabe
Fall round her lap and round her knee
Even to her small soft feet, that be
Shod now with crimson royally
And covered with clean gold.
Likewise great joy he had to kiss
Her throat, where now the scarlet is
Against her little chin, I wis,
That then was but cold.
No scarlet then her kirtle had
And little gold about it sprad;
But her red mouth was alway glad
To kiss, albeit the eyes were sad
With love they had to hold.
How! old thief, thy wits are lame;
To clip such it is no shame;
I rede you in the devil’s name,
Ye come not here to make men game;
By Termagaunt that maketh grame,
I shall to-bete thine head.
Hic Diabolus capiat eum.
This knave hath sharp fingers, perfay;
Mahound you thank and keep alway,
And give you good knees to pray;
What man hath no lust to play,
The devil wring his ears, I say;
There is no more but wellaway,
For now am I dead.
Certes his mouth is wried and black,
Full little pence be in his sack;
This devil hath him by the back,
It is no boot to lie.
Sitteth now still and learn of me;
A little while and ye shall see
The face of God’s strength presently.
All queens made as this Bersabe,
All that were fair and foul ye be,
Come hither; it am I.
Et hìc omnes cantabunt.
I am the queen Herodias.
This headband of my temples was
King Herod’s gold band woven me.
This broken dry staff in my hand
Was the queen’s staff of a great land
Betwixen Perse and Samarie.
For that one dancing of my feet,
The fire is come in my green wheat,
From one sea to the other sea.
I am the queen Aholibah.
My lips kissed dumb the word of Ah
Sighed on strange lips grown sick thereby.
God wrought to me my royal bed;
The inner work thereof was red,
The outer work was ivory.
My mouth’s heat was the heat of flame
For lust towards the kings that came
With horsemen riding royally.
I am the queen of Ethiope.
Love bade my kissing eyelids ope
That men beholding might praise love.
My hair was wonderful and curled;
My lips held fast the mouth o’ the world
To spoil the strength and speech thereof.
The latter triumph in my breath
Bowed down the beaten brows of death,
Ashamed they had not wrath enough.
I am the queen of Tyrians.
My hair was glorious for twelve spans,
That dried to loose dust afterward.
My stature was a strong man’s length;
My neck was like a place of strength
Built with white walls, even and hard.
Like the first noise of rain leaves catch
One from another, snatch by snatch,
Is my praise, hissed against and marred.
I am the queen of Amorites.
My face was like a place of lights
With multitudes at festival.
The glory of my gracious brows
Was like God’s house made glorious
With colours upon either wall.
Between my brows and hair there was
A white space like a space of glass
With golden candles over all.
I am the queen of Amalek.
There was no tender touch or fleck
To spoil my body or bared feet.
My words were soft like dulcimers,
And the first sweet of grape-flowers
Made each side of my bosom sweet.
My raiment was as tender fruit
Whose rind smells sweet of spice-tree root,
Bruised balm-blossom and budded wheat.
I am the queen Ahinoam.
Like the throat of a soft slain lamb
Was my throat, softer veined than his:
My lips were as two grapes the sun
Lays his whole weight of heat upon
Like a mouth heavy with a kiss:
My hair’s pure purple a wrought fleece,
My temples therein as a piece
Of a pomegranate’s cleaving is.
I am the queen Sidonian.
My face made faint the face of man,
And strength was bound between my brows.
Spikenard was hidden in my ships,
Honey and wheat and myrrh in strips,
White wools that shine as colour does,
Soft linen dyed upon the fold,
Split spice and cores of scented gold,
Cedar and broken calamus.
I am the queen Semiramis.
The whole world and the sea that is
In fashion like a chrysopras,
The noise of all men labouring,
The priest’s mouth tired through thanksgiving,
The sound of love in the blood’s pause,
The strength of love in the blood’s beat,
All these were cast beneath my feet
And all found lesser than I was.
I am the queen Hesione.
The seasons that increased in me
Made my face fairer than all men’s.
I had the summer in my hair;
And all the pale gold autumn air
Was as the habit of my sense.
My body was as fire that shone;
God’s beauty that makes all things one
Was one among my handmaidens.
I am the queen of Samothrace.
God, making roses, made my face
As a rose filled up full with red.
My prows made sharp the straitened seas
From Pontus to that Chersonese
Whereon the ebbed Asian stream is shed.
My hair was as sweet scent that drips;
Love’s breath begun about my lips
Kindled the lips of people dead.
I am the queen of Scythians.
My strength was like no strength of man’s,
My face like day, my breast like spring.
My fame was felt in the extreme land
That hath sunshine on the one hand
And on the other star-shining.
Yea, and the wind there fails of breath;
Yea, and there life is waste like death;
Yea, and there death is a glad thing.
I am the queen of Anakim.
In the spent years whose speech is dim,
Whose raiment is the dust and death,
My stately body without stain
Shone as the shining race of rain
Whose hair a great wind scattereth.
Now hath God turned my lips to sighs,
Plucked off mine eyelids from mine eyes,
And sealed with seals my way of breath.
I am the queen Arabian.
The tears wherewith mine eyelids ran
Smelt like my perfumed eyelids’ smell.
A harsh thirst made my soft mouth hard,
That ached with kisses afterward;
My brain rang like a beaten bell.
As tears on eyes, as fire on wood,
Sin fed upon my breath and blood,
Sin made my breasts subside and swell.
I am the queen Pasiphae.
Not all the pure clean-coloured sea
Could cleanse or cool my yearning veins;
Nor any root nor herb that grew,
Flag-leaves that let green water through,
Nor washing of the dews and rains.
From shame’s pressed core I wrung the sweet
Fruit’s savour that was death to eat,
Whereof no seed but death remains.
I am the queen of Lesbians.
My love, that had no part in man’s,
Was sweeter than all shape of sweet.
The intolerable infinite desire
Made my face pale like faded fire
When the ashen pyre falls through with heat.
My blood was hot wan wine of love,
And my song’s sound the sound thereof,
The sound of the delight of it.
I am the queen of Italy.
These were the signs God set on me;
A barren beauty subtle and sleek,
Curled carven hair, and cheeks worn wan
With fierce false lips of many a man,
Large temples where the blood ran weak,
A mouth athirst and amorous
And hungering as the grave’s mouth does
That, being an-hungred, cannot speak.
I am the queen of Persians.
My breasts were lordlier than bright swans,
My body as amber fair and thin.
Strange flesh was given my lips for bread,
With poisonous hours my days were fed,
And my feet shod with adder-skin.
In Shushan toward Ecbatane
I wrought my joys with tears and pain,
My loves with blood and bitter sin.
I am the queen of Rephaim.
God, that some while refraineth him,
Made in the end a spoil of me.
My rumour was upon the world
As strong sound of swoln water hurled
Through porches of the straining sea.
My hair was like the flag-flower,
And my breasts carven goodlier
Than beryl with chalcedony.
I am the queen of Cypriotes.
Mine oarsmen, labouring with brown throats,
Sang of me many a tender thing.
My maidens, girdled loose and braced
With gold from bosom to white waist,
Praised me between their wool-combing.
All that praise Venus all night long
With lips like speech and lids like song
Praised me till song lost heart to sing.
I am the queen Alaciel.
My mouth was like that moist gold cell
Whereout the thickest honey drips.
Mine eyes were as a grey-green sea;
The amorous blood that smote on me
Smote to my feet and finger-tips.
My throat was whiter than the dove,
Mine eyelids as the seals of love,
And as the doors of love my lips.
I am the queen Erigone.
The wild wine shed as blood on me
Made my face brighter than a bride’s.
My large lips had the old thirst of earth,
Mine arms the might of the old sea’s girth
Bound round the whole world’s iron sides.
Within mine eyes and in mine ears
Were music and the wine of tears,
And light, and thunder of the tides.
Et hìc exeant, et dicat Bersabe regina;
Alas, God, for thy great pity
And for the might that is in thee,
Behold, I woful Bersabe
Cry out with stoopings of my knee
And thy wrath laid and bound on me
Till I may see thy love.
Behold, Lord, this child is grown
Within me between bone and bone
To make me mother of a son,
Made of my body with strong moan;
There shall not be another one
That shall be made hereof.
Lord God, alas, what shall I sain?
Lo, thou art as an hundred men
Both to break and build again:
The wild ways thou makest plain,
Thine hands hold the hail and rain,
And thy fingers both grape and grain;
Of their largess we be all well fain,
And of their great pity:
The sun thou madest of good gold,
Of clean silver the moon cold,
All the great stars thou hast told
As thy cattle in thy fold
Every one by his name of old;
Wind and water thou hast in hold,
Both the land and the long sea;
Both the green sea and the land,
Lord God, thou hast in hand,
Both white water and grey sand;
Upon thy right or thy left hand
There is no man that may stand;
Lord, thou rue on me.
O wise Lord, if thou be keen
To note things amiss that been,
I am not worth a shell of bean
More than an old mare meagre and lean;
For all my wrong-doing with my queen,
It grew not of our heartès clean,
But it began of her body.
For it fell in the hot May
I stood within a paven way
Built of fair bright stone, perfay,
That is as fire of night and day
And lighteth all my house.
Therein be neither stones nor sticks,
Neither red nor white bricks,
But for cubits five or six
There is most goodly sardonyx
And amber laid in rows.
It goes round about my roofs,
(If ye list ye shall have proofs)
There is good space for horse and hoofs,
Plain and nothing perilous.
For the fair green weather’s heat,
And for the smell of leavès sweet,
It is no marvel, well ye weet,
A man to waxen amorous.
This I say now by my case
That spied forth of that royal place;
There I saw in no great space
Mine own sweet, both body and face,
Under the fresh boughs.
In a water that was there
She wesshe her goodly body bare
And dried it with her owen hair:
Both her arms and her knees fair,
Both bosom and brows;
Both shoulders and eke thighs
Tho she wesshe upon this wise;
Ever she sighed with little sighs,
And ever she gave God thank.
Yea, God wot I can well see yet
Both her breast and her sides all wet
And her long hair withouten let
Spread sideways like a drawing net;
Full dear bought and full far fet
Was that sweet thing there y-set;
It were a hard thing to forget
How both lips and eyen met,
Breast and breath sank.
So goodly a sight as there she was,
Lying looking on her glass
By wan water in green grass,
Yet saw never man.
So soft and great she was and bright
With all her body waxen white,
I woxe nigh blind to see the light
Shed out of it to left and right;
This bitter sin from that sweet sight
Between us twain began.
Now, sir, be merry anon,
For ye shall have a full wise son,
Goodly and great of flesh and bone;
There shall no king be such an one,
I swear by Godis rood.
Therefore, lord, be merry here,
And go to meat withouten fear,
And hear a mass with goodly cheer;
For to all folk ye shall be dear,
And all folk of your blood.
Et tunc dicant Laudamus.
Book III - Part 03 - The Soul is Mortal
Now come: that thou mayst able be to know
That minds and the light souls of all that live
Have mortal birth and death, I will go on
Verses to build meet for thy rule of life,
Sought after long, discovered with sweet toil.
But under one name I'd have thee yoke them both;
And when, for instance, I shall speak of soul,
Teaching the same to be but mortal, think
Thereby I'm speaking also of the mind-
Since both are one, a substance interjoined.
First, then, since I have taught how soul exists
A subtle fabric, of particles minute,
Made up from atoms smaller much than those
Of water's liquid damp, or fog, or smoke,
So in mobility it far excels,
More prone to move, though strook by lighter cause
Even moved by images of smoke or fog-
As where we view, when in our sleeps we're lulled,
The altars exhaling steam and smoke aloft-
For, beyond doubt, these apparitions come
To us from outward. Now, then, since thou seest,
Their liquids depart, their waters flow away,
When jars are shivered, and since fog and smoke
Depart into the winds away, believe
The soul no less is shed abroad and dies
More quickly far, more quickly is dissolved
Back to its primal bodies, when withdrawn
From out man's members it has gone away.
For, sure, if body (container of the same
Like as a jar), when shivered from some cause,
And rarefied by loss of blood from veins,
Cannot for longer hold the soul, how then
Thinkst thou it can be held by any air-
A stuff much rarer than our bodies be?
Besides we feel that mind to being comes
Along with body, with body grows and ages.
For just as children totter round about
With frames infirm and tender, so there follows
A weakling wisdom in their minds; and then,
Where years have ripened into robust powers,
Counsel is also greater, more increased
The power of mind; thereafter, where already
The body's shattered by master-powers of eld,
And fallen the frame with its enfeebled powers,
Thought hobbles, tongue wanders, and the mind gives way;
All fails, all's lacking at the selfsame time.
Therefore it suits that even the soul's dissolved,
Like smoke, into the lofty winds of air;
Since we behold the same to being come
Along with body and grow, and, as I've taught,
Crumble and crack, therewith outworn by eld.
Then, too, we see, that, just as body takes
Monstrous diseases and the dreadful pain,
So mind its bitter cares, the grief, the fear;
Wherefore it tallies that the mind no less
Partaker is of death; for pain and disease
Are both artificers of death,- as well
We've learned by the passing of many a man ere now.
Nay, too, in diseases of body, often the mind
Wanders afield; for 'tis beside itself,
And crazed it speaks, or many a time it sinks,
With eyelids closing and a drooping nod,
In heavy drowse, on to eternal sleep;
From whence nor hears it any voices more,
Nor able is to know the faces here
Of those about him standing with wet cheeks
Who vainly call him back to light and life.
Wherefore mind too, confess we must, dissolves,
Seeing, indeed, contagions of disease
Enter into the same. Again, O why,
When the strong wine has entered into man,
And its diffused fire gone round the veins,
Why follows then a heaviness of limbs,
A tangle of the legs as round he reels,
A stuttering tongue, an intellect besoaked,
Eyes all aswim, and hiccups, shouts, and brawls
And whatso else is of that ilk?- Why this?-
If not that violent and impetuous wine
Is wont to confound the soul within the body?
But whatso can confounded be and balked,
Gives proof, that if a hardier cause got in,
'Twould hap that it would perish then, bereaved
Of any life thereafter. And, moreover,
Often will some one in a sudden fit,
As if by stroke of lightning, tumble down
Before our eyes, and sputter foam, and grunt,
Blither, and twist about with sinews taut,
Gasp up in starts, and weary out his limbs
With tossing round. No marvel, since distract
Through frame by violence of disease.
Confounds, he foams, as if to vomit soul,
As on the salt sea boil the billows round
Under the master might of winds. And now
A groan's forced out, because his limbs are griped
But, in the main, because the seeds of voice
Are driven forth and carried in a mass
Outwards by mouth, where they are wont to go,
And have a builded highway. He becomes
Mere fool, since energy of mind and soul
Confounded is, and, as I've shown, to-riven,
Asunder thrown, and torn to pieces all
By the same venom. But, again, where cause
Of that disease has faced about, and back
Retreats sharp poison of corrupted frame
Into its shadowy lairs, the man at first
Arises reeling, and gradually comes back
To all his senses and recovers soul.
Thus, since within the body itself of man
The mind and soul are by such great diseases
Shaken, so miserably in labour distraught,
Why, then, believe that in the open air,
Without a body, they can pass their life,
Immortal, battling with the master winds?
And, since we mark the mind itself is cured,
Like the sick body, and restored can be
By medicine, this is forewarning to
That mortal lives the mind. For proper it is
That whosoe'er begins and undertakes
To alter the mind, or meditates to change
Any another nature soever, should add
New parts, or readjust the order given,
Or from the sum remove at least a bit.
But what's immortal willeth for itself
Its parts be nor increased, nor rearranged,
Nor any bit soever flow away:
For change of anything from out its bounds
Means instant death of that which was before.
Ergo, the mind, whether in sickness fallen,
Or by the medicine restored, gives signs,
As I have taught, of its mortality.
So surely will a fact of truth make head
'Gainst errors' theories all, and so shut off
All refuge from the adversary, and rout
Error by two-edged confutation.
And since the mind is of a man one part,
Which in one fixed place remains, like ears,
And eyes, and every sense which pilots life;
And just as hand, or eye, or nose, apart,
Severed from us, can neither feel nor be,
But in the least of time is left to rot,
Thus mind alone can never be, without
The body and the man himself, which seems,
As 'twere the vessel of the same- or aught
Whate'er thou'lt feign as yet more closely joined:
Since body cleaves to mind by surest bonds.
Again, the body's and the mind's live powers
Only in union prosper and enjoy;
For neither can nature of mind, alone of itself
Sans body, give the vital motions forth;
Nor, then, can body, wanting soul, endure
And use the senses. Verily, as the eye,
Alone, up-rended from its roots, apart
From all the body, can peer about at naught,
So soul and mind it seems are nothing able,
When by themselves. No marvel, because, commixed
Through veins and inwards, and through bones and thews,
Their elements primordial are confined
By all the body, and own no power free
To bound around through interspaces big,
Thus, shut within these confines, they take on
Motions of sense, which, after death, thrown out
Beyond the body to the winds of air,
Take on they cannot- and on this account,
Because no more in such a way confined.
For air will be a body, be alive,
If in that air the soul can keep itself,
And in that air enclose those motions all
Which in the thews and in the body itself
A while ago 'twas making. So for this,
Again, again, I say confess we must,
That, when the body's wrappings are unwound,
And when the vital breath is forced without,
The soul, the senses of the mind dissolve,-
Since for the twain the cause and ground of life
Is in the fact of their conjoined estate.
Once more, since body's unable to sustain
Division from the soul, without decay
And obscene stench, how canst thou doubt but that
The soul, uprisen from the body's deeps,
Has filtered away, wide-drifted like a smoke,
Or that the changed body crumbling fell
With ruin so entire, because, indeed,
Its deep foundations have been moved from place,
The soul out-filtering even through the frame,
And through the body's every winding way
And orifice? And so by many means
Thou'rt free to learn that nature of the soul
Hath passed in fragments out along the frame,
And that 'twas shivered in the very body
Ere ever it slipped abroad and swam away
Into the winds of air. For never a man
Dying appears to feel the soul go forth
As one sure whole from all his body at once,
Nor first come up the throat and into mouth;
But feels it failing in a certain spot,
Even as he knows the senses too dissolve
Each in its own location in the frame.
But were this mind of ours immortal mind,
Dying 'twould scarce bewail a dissolution,
But rather the going, the leaving of its coat,
Like to a snake. Wherefore, when once the body
Hath passed away, admit we must that soul,
Shivered in all that body, perished too.
Nay, even when moving in the bounds of life,
Often the soul, now tottering from some cause,
Craves to go out, and from the frame entire
Loosened to be; the countenance becomes
Flaccid, as if the supreme hour were there;
And flabbily collapse the members all
Against the bloodless trunk- the kind of case
We see when we remark in common phrase,
"That man's quite gone," or "fainted dead away";
And where there's now a bustle of alarm,
And all are eager to get some hold upon
The man's last link of life. For then the mind
And all the power of soul are shook so sore,
And these so totter along with all the frame,
That any cause a little stronger might
Dissolve them altogether.- Why, then, doubt
That soul, when once without the body thrust,
There in the open, an enfeebled thing,
Its wrappings stripped away, cannot endure
Not only through no everlasting age,
But even, indeed, through not the least of time?
Then, too, why never is the intellect,
The counselling mind, begotten in the head,
The feet, the hands, instead of cleaving still
To one sole seat, to one fixed haunt, the breast,
If not that fixed places be assigned
For each thing's birth, where each, when 'tis create,
Is able to endure, and that our frames
Have such complex adjustments that no shift
In order of our members may appear?
To that degree effect succeeds to cause,
Nor is the flame once wont to be create
In flowing streams, nor cold begot in fire.
Besides, if nature of soul immortal be,
And able to feel, when from our frame disjoined,
The same, I fancy, must be thought to be
Endowed with senses five,- nor is there way
But this whereby to image to ourselves
How under-souls may roam in Acheron.
Thus painters and the elder race of bards
Have pictured souls with senses so endowed.
But neither eyes, nor nose, nor hand, alone
Apart from body can exist for soul,
Nor tongue nor ears apart. And hence indeed
Alone by self they can nor feel nor be.
And since we mark the vital sense to be
In the whole body, all one living thing,
If of a sudden a force with rapid stroke
Should slice it down the middle and cleave in twain,
Beyond a doubt likewise the soul itself,
Divided, dissevered, asunder will be flung
Along with body. But what severed is
And into sundry parts divides, indeed
Admits it owns no everlasting nature.
We hear how chariots of war, areek
With hurly slaughter, lop with flashing scythes
The limbs away so suddenly that there,
Fallen from the trunk, they quiver on the earth,
The while the mind and powers of the man
Can feel no pain, for swiftness of his hurt,
And sheer abandon in the zest of battle:
With the remainder of his frame he seeks
Anew the battle and the slaughter, nor marks
How the swift wheels and scythes of ravin have dragged
Off with the horses his left arm and shield;
Nor other how his right has dropped away,
Mounting again and on. A third attempts
With leg dismembered to arise and stand,
Whilst, on the ground hard by, the dying foot
Twitches its spreading toes. And even the head,
When from the warm and living trunk lopped off,
Keeps on the ground the vital countenance
And open eyes, until 't has rendered up
All remnants of the soul. Nay, once again:
If, when a serpent's darting forth its tongue,
And lashing its tail, thou gettest chance to hew
With axe its length of trunk to many parts,
Thou'lt see each severed fragment writhing round
With its fresh wound, and spattering up the sod,
And there the fore-part seeking with the jaws
After the hinder, with bite to stop the pain.
So shall we say that these be souls entire
In all those fractions?- but from that 'twould follow
One creature'd have in body many souls.
Therefore, the soul, which was indeed but one,
Has been divided with the body too:
Each is but mortal, since alike is each
Hewn into many parts. Again, how often
We view our fellow going by degrees,
And losing limb by limb the vital sense;
First nails and fingers of the feet turn blue,
Next die the feet and legs, then o'er the rest
Slow crawl the certain footsteps of cold death.
And since this nature of the soul is torn,
Nor mounts away, as at one time, entire,
We needs must hold it mortal. But perchance
If thou supposest that the soul itself
Can inward draw along the frame, and bring
Its parts together to one place, and so
From all the members draw the sense away,
Why, then, that place in which such stock of soul
Collected is, should greater seem in sense.
But since such place is nowhere, for a fact,
As said before, 'tis rent and scattered forth,
And so goes under. Or again, if now
I please to grant the false, and say that soul
Can thus be lumped within the frames of those
Who leave the sunshine, dying bit by bit,
Still must the soul as mortal be confessed;
Nor aught it matters whether to wrack it go,
Dispersed in the winds, or, gathered in a mass
From all its parts, sink down to brutish death,
Since more and more in every region sense
Fails the whole man, and less and less of life
In every region lingers.
If soul immortal is, and winds its way
Into the body at the birth of man,
Why can we not remember something, then,
Of life-time spent before? why keep we not
Some footprints of the things we did of, old?
But if so changed hath been the power of mind,
That every recollection of things done
Is fallen away, at no o'erlong remove
Is that, I trow, from what we mean by death.
Wherefore 'tis sure that what hath been before
Hath died, and what now is is now create.
Moreover, if after the body hath been built
Our mind's live powers are wont to be put in,
Just at the moment that we come to birth,
And cross the sills of life, 'twould scarcely fit
For them to live as if they seemed to grow
Along with limbs and frame, even in the blood,
But rather as in a cavern all alone.
(Yet all the body duly throngs with sense.)
But public fact declares against all this:
For soul is so entwined through the veins,
The flesh, the thews, the bones, that even the teeth
Share in sensation, as proven by dull ache,
By twinge from icy water, or grating crunch
Upon a stone that got in mouth with bread.
Wherefore, again, again, souls must be thought
Nor void of birth, nor free from law of death;
Nor, if, from outward, in they wound their way,
Could they be thought as able so to cleave
To these our frames, nor, since so interwove,
Appears it that they're able to go forth
Unhurt and whole and loose themselves unscathed
From all the thews, articulations, bones.
But, if perchance thou thinkest that the soul,
From outward winding in its way, is wont
To seep and soak along these members ours,
Then all the more 'twill perish, being thus
With body fused- for what will seep and soak
Will be dissolved and will therefore die.
For just as food, dispersed through all the pores
Of body, and passed through limbs and all the frame,
Perishes, supplying from itself the stuff
For other nature, thus the soul and mind,
Though whole and new into a body going,
Are yet, by seeping in, dissolved away,
Whilst, as through pores, to all the frame there pass
Those particles from which created is
This nature of mind, now ruler of our body,
Born from that soul which perished, when divided
Along the frame. Wherefore it seems that soul
Hath both a natal and funeral hour.
Besides are seeds of soul there left behind
In the breathless body, or not? If there they are,
It cannot justly be immortal deemed,
Since, shorn of some parts lost, 'thas gone away:
But if, borne off with members uncorrupt,
'Thas fled so absolutely all away
It leaves not one remainder of itself
Behind in body, whence do cadavers, then,
From out their putrid flesh exhale the worms,
And whence does such a mass of living things,
Boneless and bloodless, o'er the bloated frame
Bubble and swarm? But if perchance thou thinkest
That souls from outward into worms can wind,
And each into a separate body come,
And reckonest not why many thousand souls
Collect where only one has gone away,
Here is a point, in sooth, that seems to need
Inquiry and a putting to the test:
Whether the souls go on a hunt for seeds
Of worms wherewith to build their dwelling places,
Or enter bodies ready-made, as 'twere.
But why themselves they thus should do and toil
'Tis hard to say, since, being free of body,
They flit around, harassed by no disease,
Nor cold nor famine; for the body labours
By more of kinship to these flaws of life,
And mind by contact with that body suffers
So many ills. But grant it be for them
However useful to construct a body
To which to enter in, 'tis plain they can't.
Then, souls for self no frames nor bodies make,
Nor is there how they once might enter in
To bodies ready-made- for they cannot
Be nicely interwoven with the same,
And there'll be formed no interplay of sense
Common to each.
Again, why is't there goes
Impetuous rage with lion's breed morose,
And cunning with foxes, and to deer why given
The ancestral fear and tendency to flee,
And why in short do all the rest of traits
Engender from the very start of life
In the members and mentality, if not
Because one certain power of mind that came
From its own seed and breed waxes the same
Along with all the body? But were mind
Immortal, were it wont to change its bodies,
How topsy-turvy would earth's creatures act!
The Hyrcan hound would flee the onset oft
Of antlered stag, the scurrying hawk would quake
Along the winds of air at the coming dove,
And men would dote, and savage beasts be wise;
For false the reasoning of those that say
Immortal mind is changed by change of body-
For what is changed dissolves, and therefore dies.
For parts are re-disposed and leave their order;
Wherefore they must be also capable
Of dissolution through the frame at last,
That they along with body perish all.
But should some say that always souls of men
Go into human bodies, I will ask:
How can a wise become a dullard soul?
And why is never a child's a prudent soul?
And the mare's filly why not trained so well
As sturdy strength of steed? We may be sure
They'll take their refuge in the thought that mind
Becomes a weakling in a weakling frame.
Yet be this so, 'tis needful to confess
The soul but mortal, since, so altered now
Throughout the frame, it loses the life and sense
It had before. Or how can mind wax strong
Co-equally with body and attain
The craved flower of life, unless it be
The body's colleague in its origins?
Or what's the purport of its going forth
From aged limbs?- fears it, perhaps, to stay,
Pent in a crumbled body? Or lest its house,
Outworn by venerable length of days,
May topple down upon it? But indeed
For an immortal, perils are there none.
Again, at parturitions of the wild
And at the rites of Love, that souls should stand
Ready hard by seems ludicrous enough-
Immortals waiting for their mortal limbs
In numbers innumerable, contending madly
Which shall be first and chief to enter in!-
Unless perchance among the souls there be
Such treaties stablished that the first to come
Flying along, shall enter in the first,
And that they make no rivalries of strength!
Again, in ether can't exist a tree,
Nor clouds in ocean deeps, nor in the fields
Can fishes live, nor blood in timber be,
Nor sap in boulders: fixed and arranged
Where everything may grow and have its place.
Thus nature of mind cannot arise alone
Without the body, nor exist afar
From thews and blood. But if 'twere possible,
Much rather might this very power of mind
Be in the head, the shoulders or the heels,
And, born in any part soever, yet
In the same man, in the same vessel abide.
But since within this body even of ours
Stands fixed and appears arranged sure
Where soul and mind can each exist and grow,
Deny we must the more that they can have
Duration and birth, wholly outside the frame.
For, verily, the mortal to conjoin
With the eternal, and to feign they feel
Together, and can function each with each,
Is but to dote: for what can be conceived
Of more unlike, discrepant, ill-assorted,
Than something mortal in a union joined
With an immortal and a secular
To bear the outrageous tempests?
Whatever abides eternal must indeed
Either repel all strokes, because 'tis made
Of solid body, and permit no entrance
Of aught with power to sunder from within
The parts compact- as are those seeds of stuff
Whose nature we've exhibited before;
Or else be able to endure through time
For this: because they are from blows exempt,
As is the void, the which abides untouched,
Unsmit by any stroke; or else because
There is no room around, whereto things can,
As 'twere, depart in dissolution all,-
Even as the sum of sums eternal is,
Without or place beyond whereto things may
Asunder fly, or bodies which can smite,
And thus dissolve them by the blows of might.
But if perchance the soul's to be adjudged
Immortal, mainly on ground 'tis kept secure
In vital forces- either because there come
Never at all things hostile to its weal,
Or else because what come somehow retire,
Repelled or ere we feel the harm they work,
For, lo, besides that, when the frame's diseased,
Soul sickens too, there cometh, many a time,
That which torments it with the things to be,
Keeps it in dread, and wearies it with cares;
And even when evil acts are of the past,
Still gnaw the old transgressions bitterly.
Add, too, that frenzy, peculiar to the mind,
And that oblivion of the things that were;
Add its submergence in the murky waves
Of drowse and torpor.
Hudibras: Part 2 - Canto I
The Knight by damnable Magician,
Being cast illegally in prison,
Love brings his Action on the Case.
And lays it upon Hudibras.
How he receives the Lady's Visit,
And cunningly solicits his Suite,
Which she defers; yet on Parole
Redeems him from th' inchanted Hole.
But now, t'observe a romantic method,
Let bloody steel a while be sheathed,
And all those harsh and rugged sounds
Of bastinadoes, cuts, and wounds,
Exchang'd to Love's more gentle stile,
To let our reader breathe a while;
In which, that we may be as brief as
Is possible, by way of preface,
Is't not enough to make one strange,
That some men's fancies should ne'er change,
But make all people do and say
The same things still the self-same way
Some writers make all ladies purloin'd,
And knights pursuing like a whirlwind
Others make all their knights, in fits
Of jealousy, to lose their wits;
Till drawing blood o'th' dames, like witches,
Th' are forthwith cur'd of their capriches.
Some always thrive in their amours
By pulling plaisters off their sores;
As cripples do to get an alms,
Just so do they, and win their dames.
Some force whole regions, in despight
O' geography, to change their site;
Make former times shake hands with latter,
And that which was before, come after.
But those that write in rhime, still make
The one verse for the other's sake;
For, one for sense, and one for rhime,
I think's sufficient at one time.
But we forget in what sad plight
We whilom left the captiv'd Knight
And pensive Squire, both bruis'd in body,
And conjur'd into safe custody.
Tir'd with dispute and speaking Latin,
As well as basting and bear-baiting,
And desperate of any course,
To free himself by wit or force,
His only solace was, that now
His dog-bolt fortune was so low,
That either it must quickly end
Or turn about again, and mend;
In which he found th' event, no less
Than other times beside his guess.
There is a tall long sided dame
(But wond'rous light,) ycleped Fame
That, like a thin camelion, boards
Herself on air, and eats her words;
Upon her shoulders wings she wears
Like hanging-sleeves, lin'd through with ears,
And eyes, and tongues, as poets list,
Made good by deep mythologist,
With these she through the welkin flies,
And sometimes carries truth, oft lies
With letters hung like eastern pigeons,
And Mercuries of furthest regions;
Diurnals writ for regulation
Of lying, to inform the nation;
And by their public use to bring down
The rate of whetstones in the kingdom.
About her neck a pacquet-male,
Fraught with advice, some fresh, some stale,
Of men that walk'd when they were dead,
And cows of monsters brought to bed;
Of hail-stones big as pullets eggs,
And puppies whelp'd with twice two legs;
A blazing star seen in the west,
By six or seven men at least.
Two trumpets she does sound at once,
But both of clean contrary tones;
But whether both with the same wind,
Or one before, and one behind,
We know not; only this can tell,
The one sounds vilely, th' other well;
And therefore vulgar authors name
Th' one Good, the other Evil, Fame.
This tattling gossip knew too well
What mischief HUDIBRAS befell.
And straight the spiteful tidings bears
Of all to th' unkind widow's ears.
DEMOCRITUS ne'er laugh'd so loud
To see bawds carted through the crowd,
Or funerals with stately pomp
March slowly on in solemn dump,
As she laugh'd out, until her back,
As well as sides, was like to crack.
She vow'd she would go see the sight,
And visit the distressed Knight;
To do the office of a neighbour,
And be a gossip at his labour;
And from his wooden jail, the stocks,
To set at large his fetter-locks;
And, by exchange, parole, or ransom,
To free him from th' enchanted mansion.
This b'ing resolv'd, she call'd for hood
And usher, implements abroad
Which ladies wear, beside a slender
Young waiting damsel to attend her;
All which appearing, on she went,
To find the Knight in limbo pent.
And 'twas not long before she found
Him, and the stout Squire, in the pound;
Both coupled in enchanted tether,
By further leg behind together
For as he sat upon his rump,
His head like one in doleful dump,
Between his knees, his hands apply'd
Unto his ears on either side;
And by him, in another hole,
Afflicted RALPHO, cheek by jowl;
She came upon him in his wooden
Magician's circle on the sudden,
As spirits do t' a conjurer,
When in their dreadful shapes th' appear.
No sooner did the Knight perceive her,
But straight he fell into a fever,
Inflam'd all over with disgrace,
To be seen by her in such a place;
Which made him hang his head, and scoul,
And wink, and goggle like an owl.
He felt his brains begin to swim,
When thus the dame accosted him:
This place (quoth she) they say's enchanted,
And with delinquent spirits haunted,
That here are ty'd in chains, and scourg'd,
Until their guilty crimes be purg'd.
Look, there are two of them appear,
Like persons I have seen somewhere.
Some have mistaken blocks and posts
For spectres, apparitions, ghosts,
With saucer eyes, and horns; and some
Have heard the Devil beat a drum:
But if our eyes are not false glasses,
That give a wrong account of faces,
That beard and I should be acquainted,
Before 'twas conjur'd or enchanted;
For though it be disfigur'd somewhat,
As if 't had lately been in combat,
It did belong to a worthy Knight
Howe'er this goblin has come by't.
When HUDIBRAS the Lady heard
Discoursing thus upon his beard,
And speak with such respect and honour,
Both of the beard and the beard's owner,
He thought it best to set as good
A face upon it as he cou'd,
And thus he spoke: Lady, your bright
And radiant eyes are in the right:
The beard's th' identic beard you knew,
The same numerically true:
Nor is it worn by fiend or elf,
But its proprietor himself.
O, heavens! quoth she, can that be true?
I do begin to fear 'tis you:
Not by your individual whiskers,
But by your dialect and discourse,
That never spoke to man or beast
In notions vulgarly exprest.
But what malignant star, alas
Has brought you both to this sad pass?
Quoth he, The fortune of the war,
Which I am less afflicted for,
Than to be seen with beard and face,
By you in such a homely case.
Quoth she, Those need not he asham'd
For being honorably maim'd,
If he that is in battle conquer'd,
Have any title to his own beard;
Though yours be sorely lugg'd and torn,
It does your visage more adorn
Than if 'twere prun'd, and starch'd, and lander'd,
And cut square by the Russian standard.
A torn beard's like a tatter'd ensign,
That's bravest which there are most rents in.
That petticoat about your shoulders
Does not so well become a souldier's;
And I'm afraid they are worse handled
Although i' th' rear; your beard the van led;
And those uneasy bruises make
My heart for company to ake,
To see so worshipful a friend
I' th' pillory set, at the wrong end.
Quoth HUDIBRAS, This thing call'd pain
Is (as the learned Stoicks maintain)
Not bad simpliciter, nor good,
But merely as 'tis understood.
Sense is deceitful, and may feign,
As well in counterfeiting pain
As other gross phenomenas,
In which it oft mistakes the case.
But since the immortal intellect
(That's free from error and defect,
Whose objects still persist the same)
Is free from outward bruise and maim,
Which nought external can expose
To gross material bangs or blows,
It follows, we can ne'er be sure,
Whether we pain or not endure;
And just so far are sore and griev'd,
As by the fancy is believ'd.
Some have been wounded with conceit,
And dy'd of mere opinion straight;
Others, tho' wounded sore in reason,
Felt no contusion, nor discretion.
A Saxon Duke did grow so fat,
That mice (as histories relate)
Eat grots and labyrinths to dwell in
His postick parts without his feeling:
Then how is't possible a kick
Should e'er reach that way to the quick?
Quoth she, I grant it is in vain.
For one that's basted to feel pain,
Because the pangs his bones endure
Contribute nothing to the cure:
Yet honor hurt, is wont to rage
With pain no med'cine can asswage.
Quoth he, That honour's very squeamish
That takes a basting for a blemish;
For what's more hon'rable than scars,
Or skin to tatters rent in wars?
Some have been beaten till they know
What wood a cudgel's of by th' blow;
Some kick'd until they can feel whether
A shoe be Spanish or neat's leather;
And yet have met, after long running,
With some whom they have taught that cunning.
The furthest way about t' o'ercome,
In the end does prove the nearest home.
By laws of learned duellists,
They that are bruis'd with wood or fists,
And think one beating may for once
Suffice, are cowards and pultroons:
But if they dare engage t' a second,
They're stout and gallant fellows reckon'd.
Th' old Romans freedom did bestow,
Our princes worship, with a blow.
King PYRRHUS cur'd his splenetic
And testy courtiers with a kick.
The NEGUS, when some mighty lord
Or potentate's to be restor'd
And pardon'd for some great offence,
With which be's willing to dispense,
First has him laid upon his belly,
Then beaten back and side to a jelly;
That done, he rises, humbly bows,
And gives thanks for the princely blows;
Departs not meanly proud, and boasting
Of this magnificent rib-roasting.
The beaten soldier proves most manful,
That, like his sword, endures the anvil,
And justly's held more formidable,
The more his valour's malleable:
But he that fears a bastinado
Will run away from his own shadow:
And though I'm now in durance fast,
By our own party basely cast,
Ransom, exchange, parole refus'd,
And worse than by the enemy us'd;
In close catasta shut, past hope
Of wit or valour to elope;
As beards the nearer that they tend
To th' earth still grow more reverend;
And cannons shoot the higher pitches,
The lower we let down their breeches;
I'll make this low dejected fate
Advance me to a greater height.
Quoth she, Y' have almost made me in love
With that which did my pity move.
Great wits and valours, like great states,
Do sometimes sink with their own weights:
Th' extremes of glory and of shame,
Like East and West, become the same:
No Indian Prince has to his palace
More foll'wers than a thief to th' gallows,
But if a beating seem so brave,
What glories must a whipping have
Such great atchievements cannot fail
To cast salt on a woman's tail:
For if I thought your nat'ral talent
Of passive courage were so gallant,
As you strain hard to have it thought,
I could grow amorous, and dote.
When HUDIBRAS this language heard,
He prick'd up's ears and strok'd his beard;
Thought he, this is the lucky hour;
Wines work when vines are in the flow'r;
This crisis then I'll set my rest on,
And put her boldly to the question.
Madam, what you wou'd seem to doubt,
Shall be to all the world made out,
How I've been drubb'd, and with what spirit
And magnanimity I bear it;
And if you doubt it to be true,
I'll stake myself down against you:
And if I fail in love or troth,
Be you the winner, and take both.
Quoth she, I've beard old cunning stagers
Say, fools for arguments use wagers;
And though I prais'd your valour, yet
I did not mean to baulk your wit;
Which, if you have, you must needs know
What I have told you before now,
And you b' experiment have prov'd,
I cannot love where I'm belov'd.
Quoth HUDIBRAS, 'tis a caprich
Beyond th' infliction of a witch;
So cheats to play with those still aim
That do not understand the game.
Love in your heart as icily burns
As fire in antique Roman urns,
To warm the dead, and vainly light
Those only that see nothing by't.
Have you not power to entertain,
And render love for love again;
As no man can draw in his breath
At once, and force out air beneath?
Or do you love yourself so much,
To bear all rivals else a grutch?
What fate can lay a greater curse
Than you upon yourself would force?
For wedlock without love, some say,
Is but a lock without a key.
It is a kind of rape to marry
One that neglects, or cares not for ye:
For what does make it ravishment,
But b'ing against the mind's consent?
A rape that is the more inhuman
For being acted by a woman.
Why are you fair, but to entice us
To love you, that you may despise us?
But though you cannot Love, you say,
Out of your own fanatick way,
Why should you not at least allow
Those that love you to do so too?
For, as you fly me, and pursue
Love more averse, so I do you;
And am by your own doctrine taught
To practise what you call a fau't.
Quoth she, If what you say is true,
You must fly me as I do you;
But 'tis not what we do, but say,
In love and preaching, that must sway.
Quoth he, To bid me not to love,
Is to forbid my pulse to move,
My beard to grow, my ears to prick up,
Or (when I'm in a fit) to hickup:
Command me to piss out the moon,
And 'twill as easily be done:
Love's power's too great to be withstood
By feeble human flesh and blood.
'Twas he that brought upon his knees
The hect'ring, kill-cow HERCULES;
Transform'd his leager-lion's skin
T' a petticoat, and made him spin;
Seiz'd on his club, and made it dwindle
T' a feeble distaff, and a spindle.
'Twas he that made emperors gallants
To their own sisters and their aunts;
Set popes and cardinals agog,
To play with pages at leap-frog.
'Twas he that gave our Senate purges,
And flux'd the House of many a burgess;
Made those that represent the nation
Submit, and suffer amputation;
And all the Grandees o' the Cabal
Adjourn to tubs at Spring and Fall.
He mounted Synod-Men, and rode 'em
To Dirty-Lane and Little Sodom;
Made 'em curvet like Spanish jenets,
And take the ring at Madam [Bennet's]
'Twas he that made Saint FRANCIS do
More than the Devil could tempt him to,
In cold and frosty weather, grow
Enamour'd of a wife of snow;
And though she were of rigid temper,
With melting flames accost and tempt her;
Which after in enjoyment quenching,
He hung a garland on his engine
Quoth she, If Love have these effects,
Why is it not forbid our sex?
Why is't not damn'd and interdicted,
For diabolical and wicked?
And sung, as out of tune, against,
As Turk and Pope are by the Saints?
I find I've greater reason for it,
Than I believ'd before t' abhor it.
Quoth HUDIBRAS, These sad effects
Spring from your Heathenish neglects
Of Love's great pow'r, which he returns
Upon yourselves with equal scorns;
And those who worthy lovers slight,
Plagues with prepost'rous appetite.
This made the beauteous Queen of Crete
To take a town-bull for her sweet,
And from her greatness stoop so low,
To be the rival of a cow:
Others to prostitute their great hearts,
To he baboons' and monkeys' sweet-hearts;
Some with the Dev'l himself in league grow,
By's representative a Negro.
'Twas this made vestal-maids love-sick,
And venture to be bury'd quick:
Some by their fathers, and their brothers,
To be made mistresses and mothers.
'Tis this that proudest dames enamours
On lacquies and valets des chambres;
Their haughty stomachs overcomes,
And makes 'em stoop to dirty grooms;
To slight the world, and to disparage
Claps, issue, infamy, and marriage.
Quoth she, These judgments are severe,
Yet such as I should rather bear,
Than trust men with their oaths, or prove
Their faith and secresy in love,
Says he, There is as weighty reason
For secresy in love as treason.
Love is a burglarer, a felon,
That at the windore-eyes does steal in
To rob the heart, and with his prey
Steals out again a closer way,
Which whosoever can discover,
He's sure (as he deserves) to suffer.
Love is a fire, that burns and sparkles
In men as nat'rally as in charcoals,
Which sooty chymists stop in holes
When out of wood they extract coals:
So lovers should their passions choak,
That, tho' they burn, they may not smoak.
'Tis like that sturdy thief that stole
And dragg'd beasts backwards into's hole:
So Love does lovers, and us men
Draws by the tails into his den,
That no impression may discover,
And trace t' his cave, the wary lover,
But if you doubt I should reveal
What you entrust me under seal.
I'll prove myself as close and virtuous
As your own secretary ALBERTUS.
Quoth she, I grant you may be close
In hiding what your aims propose.
Love-passions are like parables,
By which men still mean something else,
Though love be all the world's pretence,
Money's the mythologick sense;
The real substance of the shadow,
Which all address and courtship's made to.
Thought he, I understand your play,
And how to quit you your own way:
He that will win his dame, must do
As Love does when he bends his bow;
With one hand thrust the lady from,
And with the other pull her home.
I grant, quoth he, wealth is a great
Provocative to am'rous heat.
It is all philters, and high diet,
That makes love rampant, and to fly out:
'Tis beauty always in the flower,
That buds and blossoms at fourscore:
'Tis that by which the sun and moon
At their own weapons are out-done:
That makes Knights-Errant fall in trances,
And lay about 'em in romances:
'Tis virtue, wit, and worth, and all
That men divine and sacred call:
For what is worth in any thing,
But so much money as 'twill bring?
Or what, but riches is there known,
Which man can solely call his own
In which no creature goes his half;
Unless it be to squint and laugh?
I do confess, with goods and land,
I'd have a wife at second-hand;
And such you are. Nor is 't your person
My stomach's set so sharp and fierce on;
But 'tis (your better part) your riches,
That my enamour'd heart bewitches.
Let me your fortune but possess,
And settle your person how you please:
Or make it o'er in trust to th' Devil;
You'll find me reasonable and civil.
Quoth she, I like this plainness better
Than false mock-passion, speech, or letter,
Or any feat of qualm or sowning,
But hanging of yourself, or drowning.
Your only way with me to break
Your mind, is breaking of your neck;
For as when merchants break, o'erthrown,
Like nine-pins they strike others down,
So that would break my heart; which done,
My tempting fortune is your own,
These are but trifles: ev'ry lover
Will damn himself over and over,
And greater matters undertake
For a less worthy mistress' sake:
Yet th' are the only ways to prove
Th' unfeign'd realities of love:
For he that hangs, or beats out's brains,
The Devil's in him if he feigns.
Quoth HUDIBRAS, This way's too rough
For mere experiment and proof:
It is no jesting, trivial matter,
To swing t' th' air, or douce in Water,
And, like a water-witch, try love;
That's to destroy, and not to prove;
As if a man should be dissected
To find what part is disaffected.
Your better way is to make over,
In trust, your fortune to your lover.
Trust is a trial; if it break,
'Tis not so desp'rate as a neck.
Beside, th' experiment's more certain;
Men venture necks to gain a fortune:
The soldier does it ev'ry day.
(Eight to the week) for sixpence pay:
Your pettifoggers damn their souls,
To share with knaves in cheating fools:
And merchants, vent'ring through the main,
Slight pirates, rocks, and horns, for gain.
This is the way I advise you to:
Trust me, and see what I will do.
Quoth she, I should be loth to run
Myself all th' hazard, and you none;
Which must be done, unless some deed
Of your's aforesaid do precede.
Give but yourself one gentle swing
For trial, and I'll cut the string:
Or give that rev'rend head a maul,
Or two, or three, against a wall,
To shew you are a man of mettle,
And I'll engage myself to settle.
Quoth he, My head's not made of brass,
As Friar BACON'S noodle was;
Nor (like the Indian's skull) so tough
That, authors say, 'twas musket-proof,
As yet on any new adventure,
As it had need to be, to enter.
You see what bangs it has endur'd,
That would, before new feats, be cur'd.
But if that's all you stand upon,
Here, strike me luck, it shall be done.
Quoth she, The matter's not so far gone
As you suppose: Two words t' a bargain:
That may be done, and time enough,
When you have given downright proof;
And yet 'tis no fantastic pique
I have to love, nor coy dislike:
'Tis no implicit, nice aversion
T' your conversation, mein, or person,
But a just fear, lest you should prove
False and perfidious in love:
For if I thought you could be true,
I could love twice as much as you.
Quoth he, My faith as adamanatine,
As chains of destiny, I'll maintain:
True as APOLLO ever spoke,
Or Oracle from heart of oak;
And if you'll give my flame but vent,
Now in close hugger-mugger pent,
And shine upon me but benignly,
With that one, and that other pigsney,
The sun and day shall sooner part,
Than love or you shake off my heart;
The sun, that shall no more dispense
His own but your bright influence.
I'll carve your name on barks of trees,
With true-loves-knots and flourishes,
That shall infuse eternal spring,
And everlasting flourishing:
Drink ev'ry letter on't in stum,
And make it brisk champaign become;
Where-e'er you tread, your foot shall set
The primrose and the violet:
All spices, perfumes, and sweet powders,
Shall borrow from your breath their odours:
Nature her charter shall renew,
And take all lives of things from you;
The world depend upon your eye,
And when you frown upon it, die:
Only our loves shall still survive,
New worlds and natures to out-live:
And, like to heralds' moons, remain
All crescents, without change or wane.
Hold, hold, quoth she; no more of this,
Sir Knight; you take your aim amiss:
For you will find it a hard chapter
To catch me with poetic rapture,
In which your mastery of art
Doth shew itself, and not your heart:
Nor will you raise in mine combustion
By dint of high heroic fustian.
She that with poetry is won,
Is but a desk to write upon;
And what men say of her, they mean
No more than on the thing they lean.
Some with Arabian spices strive
T' embalm her cruelly alive;
Or season her, as French cooks use
Their haut-gousts, bouillies, or ragousts:
Use her so barbarously ill,
To grind her lips upon a mill,
Until the facet doublet doth
Fit their rhimes rather than her mouth:
Her mouth compar'd to an oyster's, with
A row of pearl in't - stead of teeth.
Others make posies of her cheeks,
Where red and whitest colours mix;
In which the lily, and the rose,
For Indian lake and ceruse goes.
The sun and moon by her bright eyes
Eclips'd, and darken'd in the skies,
Are but black patches, that she wears,
Cut into suns, and moons, and stars:
By which astrologers as well,
As those in Heav'n above, can tell
What strange events they do foreshow
Unto her under-world below.
Her voice, the music of the spheres,
So loud, it deafens mortals ears;
As wise philosophers have thought;
And that's the cause we hear it not.
This has been done by some, who those
Th' ador'd in rhime, would kick in prose;
And in those ribbons would have hung
On which melodiously they sung;
That have the hard fate to write best
Of those still that deserve it least;
It matters not how false, or forc'd:
So the best things be said o' th' worst:
It goes for nothing when 'tis said;
Only the arrow's drawn to th' bead,
Whether it be a swan or goose
They level at: So shepherds use
To set the same mark on the hip
Both of their sound and rotten sheep:
For wits, that carry low or wide,
Must be aim'd higher, or beside
The mark, which else they ne'er come nigh,
But when they take their aim awry.
But I do wonder you should choose
This way t' attack me with your Muse,
As one cut out to pass your tricks on,
With fulhams of poetic fiction:
I rather hop'd I should no more
Hear from you o' th' gallanting score:
For hard dry-bastings us'd to prove
The readiest remedies of love;
Next a dry-diet: but if those fail,
Yet this uneasy loop-hol'd jail,
In which ye are hamper'd by the fetlock,
Cannot but put y' in mind of wedlock;
Wedlock, that's worse than any hole here,
If that may serve you for a cooler,
T' allay your mettle, all agog
Upon a wife, the heavi'r clog:
Or rather thank your gentler fate,
That for a bruis'd or broken pate,
Has freed you from those knobs that grow
Much harder on the marry'd brow:
But if no dread can cool your courage,
From vent'ring on that dragon, marriage,
Yet give me quarter, and advance
To nobler aims your puissance:
Level at beauty and at wit;
The fairest mark is easiest hit.
Quoth HUDIBRAS, I'm beforehand
In that already, with your command
For where does beauty and high wit
But in your constellation meet?
Quoth she, What does a match imply,
But likeness and equality?
I know you cannot think me fit
To be th' yoke-fellow of your wit;
Nor take one of so mean deserts,
To be the partner of your parts;
A grace which, if I cou'd believe,
I've not the conscience to receive.
That conscience, quoth HUDIBRAS,
Is mis-inform'd: I'll state the case
A man may be a legal donor,
Of any thing whereof he's owner,
And may confer it where he lists,
I' th' judgment of all casuists,
Then wit, and parts, and valour, may
Be ali'nated, and made away,
By those that are proprietors,
As I may give or sell my horse.
Quoth she, I grant the case is true
And proper 'twixt your horse and you;
But whether I may take as well
As you may give away or sell?
Buyers you know are bid beware;
And worse than thieves receivers are.
How shall I answer hue and cry,
For a roan gelding, twelve hands high,
All spurr'd and switch'd, a lock on's hoof,
A sorrel mane? Can I bring proof
Where, when, by whom, and what y' were sold for,
And in the open market toll'd for?
Or should I take you for a stray,
You must be kept a year and day
(Ere I can own you) here i' the pound,
Where, if y' are sought, you may be found
And in the mean time I must pay
For all your provender and hay.
Quoth he, It stands me much upon
T' enervate this objection,
And prove myself; by topic clear
No gelding, as you would infer.
Loss of virility's averr'd
To be the cause of loss of beard,
That does (like embryo in the wom
Abortive on the chin become.
This first a woman did invent,
In envy of man's ornament;
SEMIRAMIS, of Babylon,
Who first of all cut men o' th' stone,
To mar their beards, and lay foundation
Of sow-geldering operation.
Look on this beard, and tell me whether
Eunuchs wear such, or geldings either?
Next it appears I am no horse;
That I can argue and discourse
Have but two legs, and ne'er a tail.
Quoth she, That nothing will avail
For some philosophers of late here,
Write, men have four legs by nature,
And that 'tis custom makes them go
Erron'ously upon but two;
As 'twas in Germany made good
B' a boy that lost himself in a wood,
And growing down to a man, was wont
With wolves upon all four to hunt.
As for your reasons drawn from tails,
We cannot say they're true or false,
Till you explain yourself, and show,
B' experiment, 'tis so or no.
Quoth he, If you'll join issue on't,
I'll give you satisfactory account;
So you will promise, if you lose,
To settle all, and be my spouse.
That never shall be done (quoth she)
To one that wants a tail, by me
For tails by nature sure were meant,
As well as beards, for ornament:
And though the vulgar count them homely,
In men or beast they are so comely,
So gentee, alamode, and handsome,
I'll never marry man that wants one;
And till you can demonstrate plain,
You have one equal to your mane,
I'll be torn piece-meal by a horse,
Ere I'll take you for better or worse.
The Prince of CAMBAY's daily food
Is asp, and basilisk, and toad;
Which makes him have so strong a breath,
Each night he stinks a queen to death;
Yet I shall rather lie in's arms
Than yours, on any other terms.
Quoth he, What nature can afford,
I shall produce, upon my word;
And if she ever gave that boon
To man, I'll prove that I have one
I mean by postulate illation,
When you shall offer just occasion:
But since y' have yet deny'd to give
My heart, your pris'ner, a reprieve,
But made it sink down to my heel,
Let that at least your pity feel;
And, for the sufferings of your martyr,
Give its poor entertainer quarter;
And, by discharge or main-prize, grant
Deliv'ry from this base restraint.
Quoth she, I grieve to see your leg
Stuck in a hole here like a peg;
And if I knew which way to do't
(Your honour safe) I'd let you out.
That Dames by jail-delivery
Of Errant-Knights have been set free,
When by enchantment they have been,
And sometimes for it too, laid in,
Is that which Knights are bound to do
By order, oath, and honour too:
For what are they renown'd, and famous else,
But aiding of distressed damosels?
But for a Lady no ways errant,
To free a Knight, we have no warrant
In any authentical romance,
Or classic author, yet of France;
And I'd be loth to have you break
An ancient custom for a freak,
Or innovation introduce
In place of things of antique use;
To free your heels by any course,
That might b' unwholesome to your spurs;
Which, if I should consent unto,
It is not in my pow'r to do;
For 'tis a service must be done ye
With solemn previous ceremony;
Which always has been us'd t' untie
The charms of those who here do lie
For as the ancients heretofore
To Honour's Temple had no door,
But that which thorough Virtue's lay,
So from this dungeon there's no way
To honour'd freedom, but by passing
That other virtuous school of lashing,
Where Knights are kept in narrow lists,
With wooden lockets 'bout their wrists;
In which they for a while are tenants,
And for their Ladies suffer penance:
Whipping, that's Virtue's governess,
Tutress of arts and sciences;
That mends the gross mistakes of Nature,
And puts new life into dull matter;
That lays foundation for renown,
And all the honours of the gown.
This suffer'd, they are set at large,
And freed with hon'rable discharge.
Then in their robes the penitentials
Are straight presented with credentials,
And in their way attended on
By magistrates of ev'ry town;
And, all respect and charges paid,
They're to their ancient seats convey'd.
Now if you'll venture, for my sake,
To try the toughness of your back,
And suffer (as the rest have done)
The laying of a whipping on,
(And may you prosper in your suit,
As you with equal vigour do't,)
I here engage myself to loose ye,
And free your heels from Caperdewsie.
But since our sex's modesty
Will not allow I should be by,
Bring me, on oath, a fair account,
And honour too, when you have done't,
And I'll admit you to the place
You claim as due in my good grace.
If matrimony and hanging go
By dest'ny, why not whipping too?
What med'cine else can cure the fits
Of lovers when they lose their wits?
Love is a boy by poets stil'd;
Then spare the rod and spoil the child.
A Persian emp'ror whipp'd his grannam
The sea, his mother VENUS came on;
And hence some rev'rend men approve
Of rosemary in making love.
As skilful coopers hoop their tubs
With Lydian and with Phrygian dubs,
Why may not whipping have as good
A grace, perform'd in time and mood,
With comely movement, and by art,
Raise passion in a lady's heart?
It is an easier way to make
Love by, than that which many take.
Who would not rather suffer whipping,
Than swallow toasts of bits of ribbon?
Make wicked verses, treats, and faces,
And spell names over with beer-glasses
Be under vows to hang and die
Love's sacrifice, and all a lie?
With china-oranges and tarts
And whinning plays, lay baits for hearts?
Bribe chamber-maids with love and money,
To break no roguish jests upon ye?
For lilies limn'd on cheeks, and roses,
With painted perfumes, hazard noses?
Or, vent'ring to be brisk and wanton,
Do penance in a paper lanthorn?
All this you may compound for now,
By suffering what I offer you;
Which is no more than has been done
By Knights for Ladies long agone.
Did not the great LA MANCHA do so
For the INFANTA DEL TOBOSO?
Did not th' illustrious Bassa make
Himself a slave for Misse's sake?
And with bull's pizzle, for her love,
Was taw 'd as gentle as a glove?
Was not young FLORIO sent (to cool
His flame for BIANCAFIORE) to school,
Where pedant made his pathic bum
For her sake suffer martyrdom?
Did not a certain lady whip
Of late her husband's own Lordship?
And though a grandee of the House,
Claw'd him with fundamental blows
Ty'd him stark naked to a bed-post,
And firk'd his hide, as if sh' had rid post
And after, in the sessions-court,
Where whipping's judg'd, had honour for't?
This swear you will perform, and then
I'll set you from th' inchanted den,
And the magician's circle clear.
Quoth he, I do profess and swear,
And will perform what you enjoin,
Or may I never see you mine.
Amen, (quoth she); then turn'd about,
And bid her Esquire let him out.
But ere an artist could be found
T' undo the charms another bound,
The sun grew low, and left the skies,
Put down (some write) by ladies eyes,
The moon pull'd off her veil of light
That hides her face by day from sight,
(Mysterious veil, of brightness made,
That's both her lustre and her shade,)
And in the lanthorn of the night
With shining horns hung out her light;
For darkness is the proper sphere,
Where all false glories use t' appear.
The twinkling stars began to muster,
And glitter with their borrow'd lustre,
While sleep the weary 'd world reliev'd,
By counterfeiting death reviv'd;
His whipping penance till the morn
Our vot'ry thought it best t' adjourn,
And not to carry on a work
Of such importance in the dark,
With erring haste, but rather stay,
And do't in th' open face of day;
And in the mean time go in quest
Of next retreat to take his rest.
- quotes about beard
- quotes about honor
- quotes about luck
- quotes about television
- quotes about drawing
- quotes about equality
- quotes about cooking
- quotes about philosophy
- quotes about performance
'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.
For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!
Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.
Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise
Or even straighter and more consequent
Since yesterday at this time–yet, again,
If but one angel spoke from Ararat,
I should be very sorry not to hear:
So open all the letters! let me read.
Blanche Ord, the writer in the 'Lady's Fan,'
Requests my judgment on . . that, afterwards.
Kate Ward desires the model of my cloak,
And signs, 'Elisha to you.' Pringle Sharpe
Presents his work on 'Social Conduct,' . . craves
A little money for his pressing debts . .
From me, who scarce have money for my needs,–
Art's fiery chariot which we journey in
Being apt to singe our singing-robes to holes,
Although you ask me for my cloak, Kate Ward!
Here's Rudgely knows it,–editor and scribe–
He's 'forced to marry where his heart is not,
Because the purse lacks where he lost his heart.'
Ah,–lost it because no one picked it up!
That's really loss! (and passable impudence.)
My critic Hammond flatters prettily,
And wants another volume like the last.
My critic Belfair wants another book
Entirely different, which will sell, (and live?)
A striking book, yet not a startling book,
The public blames originalities.
(You must not pump spring-water unawares
Upon a gracious public, full of nerves–)
Good things, not subtle, new yet orthodox,
As easy reading as the dog-eared page
That's fingered by said public, fifty years,
Since first taught spelling by its grandmother,
And yet a revelation in some sort:
That's hard, my critic, Belfair! So–what next?
My critic Stokes objects to abstract thoughts;
'Call a man, John, a woman, Joan,' says he,
'And do not prate so of humanities:'
Whereat I call my critic, simply Stokes.
My critic Jobson recommends more mirth,
Because a cheerful genius suits the times,
And all true poets laugh unquenchably
Like Shakspeare and the gods. That's very hard,
The gods may laugh, and Shakspeare; Dante smiled
With such a needy heart on two pale lips,
We cry, 'Weep rather, Dante.' Poems are
Men, if true poems: and who dares exclaim
At any man's door, 'Here, 'tis probable
The thunder fell last week, and killed a wife,
And scared a sickly husband–what of that?
Get up, be merry, shout, and clap your hands,
Because a cheerful genius suits the times–'?
None says so to the man,–and why indeed
Should any to the poem? A ninth seal;
The apocalypse is drawing to a close.
Ha,–this from Vincent Carrington,–'Dear friend,
I want good counsel. Will you lend me wings
To raise me to the subject, in a sketch
I'll bring to-morrow–may I? at eleven?
A poet's only born to turn to use;
So save you! for the world . . and Carrington.'
'(Writ after.) Have you heard of Romney Leigh,
Beyond what's said of him in newspapers,
His phalansteries there, his speeches here,
His pamphlets, pleas, and statements, everywhere?
He dropped me long ago; but no one drops
A golden apple–though, indeed, one day,
You hinted that, but jested. Well, at least,
You know Lord Howe, who sees him . . whom he sees,
And you see, and I hate to see,–for Howe
Stands high upon the brink of theories,
Observes the swimmers, and cries 'Very fine,'
But keeps dry linen equally,–unlike
That gallant breaster, Romney. Strange it is,
Such sudden madness, seizing a young man,
To make earth over again,–while I'm content
To make the pictures. Let me bring the sketch.
A tiptoe Danae, overbold and hot:
Both arms a-flame to meet her wishing Jove
Halfway, and burn him faster down; the face
And breasts upturned and straining, the loose locks
All glowing with the anticipated gold.
Or here's another on the self-same theme.
She lies here–flat upon her prison-floor,
The long hair swathed about her to the heel,
Like wet sea-weed. You dimly see her through
The glittering haze of that prodigious rain,
Half blotted out of nature by a love
As heavy as fate. I'll bring you either sketch.
I think, myself, the second indicates
More passion. '
Surely. Self is put away,
And calm with abdication. She is Jove,
And no more Danae–greater thus. Perhaps
The painter symbolises unawares
Two states of the recipient artist-soul;
One, forward, personal, wanting reverence,
Because aspiring only. We'll be calm,
And know that, when indeed our Joves come down.
We all turn stiller than we have ever been.
Kind Vincent Carrington. I'll let him come.
He talks of Florence,–and may say a word
Of something as it chanced seven years ago,–
A hedgehog in the path, or a lame bird,
In those green country walks, in that good time,
When certainly I was so miserable . .
I seem to have missed a blessing ever since.
The music soars within the little lark,
And the lark soars. It is not thus with men.
We do not make our places with our strains,–
Content, while they rise, to remain behind,
Alone on earth instead of so in heaven.
No matter–I bear on my broken tale.
When Romney Leigh and I had parted thus,
I took a chamber up three flights of stairs
Not far from being as steep as some larks climb,
And, in a certain house in Kensington,
Three years I lived and worked. Get leave to work
In this world,–'tis the best you get at all;
For God, in cursing, gives us better gifts
Than men in benediction. God says, 'Sweat
For foreheads;' men say 'crowns;' and so we are crowned,
Ay, gashed by some tormenting circle of steel
Which snaps with a secret spring. Get work; get work;
Be sure 'tis better than what you work to get.
So, happy and unafraid of solitude,
I worked the short days out,–and watched the sun
On lurid morns or monstrous afternoons,
Like some Druidic idol's fiery brass,
With fixed unflickering outline of dead heat,
In which the blood of wretches pent inside
Seemed oozing forth to incarnadine the air,–
Push out through fog with his dilated disk,
And startle the slant roofs and chimney-pots
With splashes of fierce colour. Or I saw
Fog only, the great tawny weltering fog,
Involve the passive city, strangle it
Alive, and draw it off into the void,
Spires, bridges, streets, and squares, as if a sponge
Had wiped out London,–or as noon and night
Had clapped together and utterly struck out
The intermediate time, undoing themselves
In the act. Your city poets see such things,
Not despicable. Mountains of the south,
When, drunk and mad with elemental wines,
They rend the seamless mist and stand up bare,
Make fewer singers, haply. No one sings,
Descending Sinai; on Parnassus mount,
You take a mule to climb, and not a muse,
Except in fable and figure: forests chant
Their anthems to themselves, and leave you dumb.
But sit in London, at the day's decline,
And view the city perish in the mist
Like Pharaoh's armaments in the deep Red Sea,–
The chariots, horsemen, footmen, all the host,
Sucked down and choked to silence–then, surprised
By a sudden sense of vision and of tune,
You feel as conquerors though you did not fight,
And you and Israel's other singing girls,
Ay, Miriam with them, sing the song you choose.
I worked with patience which means almost power
I did some excellent things indifferently,
Some bad things excellently. Both were praised,
The latter loudest. And by such a time
That I myself had set them down as sins
Scarce worth the price of sackcloth, week by week,
Arrived some letter through the sedulous post,
Like these I've read, and yet dissimilar,
With pretty maiden seals,–initials twined
Of lilies, or a heart marked Emily,
(Convicting Emily of being all heart);
Or rarer tokens from young bachelors,
Who wrote from college (with the same goosequill,
Suppose, they had been just plucked of) and a snatch
From Horace, 'Collegisse juvat,' set
Upon the first page. Many a letter signed
Or unsigned, showing the writers at eighteen
Had lived too long, though every muse should help
The daylight, holding candles,–compliments,
To smile or sigh at. Such could pass with me
No more than coins from Moscow circulate
At Paris. Would ten rubles buy a tag
Of ribbon on the boulevard, worth a sou?
I smiled that all this youth should love me,–sighed
That such a love could scarcely raise them up
To love what was more worthy than myself;
Then sighed again, again, less generously,
To think the very love they lavished so,
Proved me inferior. The strong loved me not,
And he . . my cousin Romney . . did not write.
I felt the silent finger of his scorn
Prick every bubble of my frivolous fame
As my breath blew it, and resolve it back
To the air it came from. Oh, I justified
The measure he had taken of my height:
The thing was plain–he was not wrong a line;
I played at art, made thrusts with a toy-sword,
Amused the lads and maidens.
Came a sigh
Deep, hoarse with resolution,–I would work
To better ends, or play in earnest. 'Heavens,
I think I should be almost popular
If this went on!'–I ripped my verses up,
And found no blood upon the rapier's point:
The heart in them was just an embryo's heart,
Which never yet had beat, that it should die:
Just gasps of make-believe galvanic life;
Mere tones, inorganised to any tune.
And yet I felt it in me where it burnt,
Like those hot fire-seeds of creation held
In Jove's clenched palm before the worlds were sown;
But I–I was not Juno even! my hand
Was shut in weak convulsion, woman's ill,
And when I yearned to loose a finger–lo,
The nerve revolted. 'Tis the same even now:
This hand may never, haply, open large,
Before the spark is quenched, or the palm charred,
To prove the power not else than by the pain.
It burns, it burnt–my whole life burnt with it,
And light, not sunlight and not torchlight, flashed
My steps out through the slow and difficult road.
I had grown distrustful of too forward Springs,
The season's books in drear significance
Of morals, dropping round me. Lively books?
The ash has livelier verdure than the yew;
And yet the yew's green longer, and alone
Found worthy of the holy Christmas time.
We'll plant more yews if possible, albeit
We plant the graveyards with them.
Day and night
I worked my rhythmic thought, and furrowed up
Both watch and slumber with long lines of life
Which did not suit their season. The rose fell
From either cheek, my eyes globed luminous
Through orbits of blue shadow, and my pulse
Would shudder along the purple-veined wrist
Like a shot bird. Youth's stern, set face to face
With youth's ideal: and when people came
And said, 'You work too much, you are looking ill,'
I smiled for pity of them who pitied me,
And thought I should be better soon perhaps
For those ill looks. Observe–' I,' means in youth
Just I . . the conscious and eternal soul
With all its ends,–and not the outside life,
The parcel-man, the doublet of the flesh,
The so much liver, lung, integument,
Which make the sum of 'I' hereafter, when
World-talkers talk of doing well or ill.
I prosper, if I gain a step, although
A nail then pierced my foot: although my brain
Embracing any truth, froze paralysed,
I prosper. I but change my instrument;
I break the spade off, digging deep for gold,
And catch the mattock up.
I worked on, on.
Through all the bristling fence of nights and days
Which hedges time in from the eternities,
I struggled, . . never stopped to note the stakes
Which hurt me in my course. The midnight oil
Would stink sometimes; there came some vulgar needs:
I had to live, that therefore I might work.
And, being but poor, I was constrained, for life,
To work with one hand for the booksellers,
While working with the other for myself
And art. You swim with feet as well as hands
Or make small way. I apprehended this,–
In England, no one lives by verse that lives;
And, apprehending, I resolved by prose
To make a space to sphere my living verse.
I wrote for cyclopædias, magazines,
And weekly papers, holding up my name
To keep it from the mud. I learnt the use
Of the editorial 'we' in a review,
As courtly ladies the fine trick of trains,
And swept it grandly through the open doors
As if one could not pass through doors at all
Save so encumbered. I wrote tales beside,
Carved many an article on cherry-stones
To suit light readers,–something in the lines
Revealing, it was said, the mallet-hand,
But that, I'll never vouch for. What you do
For bread, will taste of common grain, not grapes,
Although you have a vineyard in Champagne,–
Much less in Nephelococcygia,
As mine was, peradventure.
For just so many days, just breathing room
For body and verse, I stood up straight and worked
My veritable work. And as the soul
Which grows within a child, makes the child grow,–
Or as the fiery sap, the touch from God,
Careering through a tree, dilates the bark,
And roughs with scale and knob, before it strikes
The summer foliage out in a green flame–
So life, in deepening with me, deepened all
The course I took, the work I did. Indeed,
The academic law convinced of sin;
The critics cried out on the falling off
Regretting the first manner. But I felt
My heart's life throbbing in my verse to show
It lived, it also–certes incomplete,
Disordered with all Adam in the blood,
But even its very tumours, warts, and wens,
Still organised by, and implying life.
A lady called upon me on such a day.
She had the low voice of your English dames,
Unused, it seems, to need rise half a note
To catch attention,–and their quiet mood,
As if they lived too high above the earth
For that to put them out in anything:
So gentle, because verily so proud;
So wary and afeared of hurting you,
By no means that you are not really vile,
But that they would not touch you with their foot
To push you to your place; so self-possessed
Yet gracious and conciliating, it takes
An effort in their presence to speak truth:
You know the sort of woman,–brilliant stuff,
And out of nature. 'Lady Waldemar.'
She said her name quite simply, as if it meant
Not much indeed, but something,–took my hands,
And smiled, as if her smile could help my case,
And dropped her eyes on me, and let them melt.
'Is this,' she said, 'the Muse?'
'No sibyl even,'
I answered, 'since she fails to guess the cause
Which taxed you with this visit, madam.'
She said, 'I like to be sincere at once;
Perhaps, if I had found a literal Muse,
The visit might have taxed me. As it is,
You wear your blue so chiefly in your eyes,
My fair Aurora, in a frank good way,
It comforts me entirely for your fame,
As well as for the trouble of my ascent
To this Olympus. '
There, a silver laugh
Ran rippling through her quickened little breaths
The steep stair somewhat justified.
Your ladyship has left me curious why
You dared the risk of finding the said Muse?'
'Ah,–keep me, notwithstanding, to the point
Like any pedant. Is the blue in eyes
As awful as in stockings, after all,
I wonder, that you'd have my business out
Before I breathe–exact the epic plunge
In spite of gasps? Well, naturally you think
I've come here, as the lion-hunters go
To deserts, to secure you, with a trap
For exhibition in my drawing-rooms
On zoologic soirées? Not in the least.
Roar softly at me; I am frivolous,
I dare say; I have played at lions, too
Like other women of my class,–but now
I meet my lion simply as Androcles
Met his . . when at his mercy.'
So, she bent
Her head, as queens may mock,–then lifting up
Her eyelids with a real grave queenly look,
Which ruled, and would not spare, not even herself,
'I think you have a cousin:–Romney Leigh.'
'You bring a word from him? '–my eyes leapt up
To the very height of hers,– 'a word from him? '
'I bring a word about him, actually.
But first,'–she pressed me with her urgent eyes–
'You do not love him,–you?'
'You're frank at least
In putting questions, madam,' I replied.
'I love my cousin cousinly–no more.'
'I guessed as much. I'm ready to be frank
In answering also, if you'll question me,
Or even with something less. You stand outside,
You artist women, of the common sex;
You share not with us, and exceed us so
Perhaps by what you're mulcted in, your hearts
Being starved to make your heads: so run the old
Traditions of you. I can therefore speak,
Without the natural shame which creatures feel
When speaking on their level, to their like.
There's many a papist she, would rather die
Than own to her maid she put a ribbon on
To catch the indifferent eye of such a man,–
Who yet would count adulteries on her beads
At holy Mary's shrine, and never blush;
Because the saints are so far off, we lose
All modesty before them. Thus, to-day.
'Tis I, love Romney Leigh.'
'Forbear,' I cried.
'If here's no muse, still less is any saint;
Nor even a friend, that Lady Waldemar
Should make confessions' . .
'That's unkindly said.
If no friend, what forbids to make a friend
To join to our confession ere we have done?
I love your cousin. If it seems unwise
To say so, it's still foolisher (we're frank)
To feel so. My first husband left me young,
And pretty enough, so please you, and rich enough,
To keep my booth in May-fair with the rest
To happy issues. There are marquises
Would serve seven years to call me wife, I know:
And, after seven, I might consider it,
For there's some comfort in a marquisate
When all's said,–yes, but after the seven years;
I, now, love Romney. You put up your lip,
So like a Leigh! so like him!–Pardon me,
I am well aware I do not derogate
In loving Romney Leigh. The name is good,
The means are excellent; but the man, the man–
Heaven help us both,–I am near as mad as he
In loving such an one.'
She slowly wrung
Her heavy ringlets till they touched her smile,
As reasonably sorry for herself;
And thus continued,–
'Of a truth, Miss Leigh,
I have not, without a struggle, come to this.
I took a master in the German tongue,
I gamed a little, went to Paris twice;
But, after all, this love! . . . you eat of love,
And do as vile a thing as if you ate
Of garlic–which, whatever else you eat,
Tastes uniformly acrid, till your peach
Reminds you of your onion! Am I coarse?
Well, love's coarse, nature's coarse–ah there's the rub!
We fair fine ladies, who park out our lives
From common sheep-paths, cannot help the crows
From flying over,–we're as natural still
As Blowsalinda. Drape us perfectly
In Lyons' velvet,–we are not, for that,
Lay-figures, like you! we have hearts within,
Warm, live, improvident, indecent hearts,
As ready for distracted ends and acts
As any distressed sempstress of them all
That Romney groans and toils for. We catch love
And other fevers, in the vulgar way.
Love will not be outwitted by our wit,
Nor outrun by our equipages:–mine
Persisted, spite of efforts. All my cards
Turned up but Romney Leigh; my German stopped
At germane Wertherism; my Paris rounds
Returned me from the Champs Elysées just
A ghost, and sighing like Dido's. I came home
Uncured,–convicted rather to myself
Of being in love . . in love! That's coarse you'll say
I'm talking garlic.'
Coldly I replied.
'Apologise for atheism, not love!
For, me, I do believe in love, and God.
I know my cousin: Lady Waldemar
I know not: yet I say as much as this–
Whoever loves him, let her not excuse
But cleanse herself; that, loving such a man,
She may not do it with such unworthy love
He cannot stoop and take it.'
'That is said
Austerely, like a youthful prophetess,
Who knits her brows across her pretty eyes
To keep them back from following the grey flight
Of doves between the temple-columns. Dear,
Be kinder with me. Let us two be friends.
I'm a mere woman–the more weak perhaps
Through being so proud; you're better; as for him,
He's best. Indeed he builds his goodness up
So high, it topples down to the other side,
And makes a sort of badness; there's the worst
I have to say against your cousin's best!
And so be mild, Aurora, with my worst,
For his sake, if not mine.'
'I own myself
Incredulous of confidence like this
Availing him or you.'
'I, worthy of him?
In your sense I am not so–let it pass.
And yet I save him if I marry him;
Let that pass too.'
'Pass, pass, we play police
Upon my cousin's life, to indicate
What may or may not pass?' I cried. 'He knows
what's worthy of him; the choice remains with him;
And what he chooses, act or wife, I think
I shall not call unworthy, I, for one.'
'Tis somewhat rashly said,' she answered slow.
Now let's talk reason, though we talk of love.
Your cousin Romney Leigh's a monster! there,
The word's out fairly; let me prove the fact.
We'll take, say, that most perfect of antiques,
They call the Genius of the Vatican,
Which seems too beauteous to endure itself
In this mixed world, and fasten it for once
Upon the torso of the Drunken Fawn,
(Who might limp surely, if he did not dance,)
Instead of Buonarroti's mask: what then?
We show the sort of monster Romney is,
With god-like virtue and heroic aims
Subjoined to limping possibilities
Of mismade human nature. Grant the man
Twice godlike, twice heroic,–still he limps,
And here's the point we come to.'
But, Lady Waldemar, the point's the thing
We never come to.'
At need! I like you'–(there, she took my hands)
'And now my lioness, help Androcles,
For all your roaring. Help me! for myself
I would not say so–but for him. He limps
So certainly, he'll fall into the pit
A week hence,–so I lose him–so he is lost!
And when he's fairly married, he a Leigh,
To a girl of doubtful life, undoubtful birth,
Starved out in London, till her coarse-grained hands
Are whiter than her morals,–you, for one,
May call his choice most worthy.'
He, . . . Romney!'
'Ah, you're moved at last,' she said.
'These monsters, set out in the open sun,
Of course throw monstrous shadows: those who think
Awry, will scarce act straightly. Who but he?
And who but you can wonder? He has been mad,
The whole world knows, since first, a nominal man,
He soured the proctors, tried the gownsmen's wits,
With equal scorn of triangles and wine,
And took no honours, yet was honourable.
They'll tell you he lost count of Homer's ships
In Melbourne's poor-bills, Ashley's factory bills,–
Ignored the Aspasia we all dared to praise,
For other women, dear, we could not name
Because we're decent. Well, he had some right
On his side probably; men always have,
Who go absurdly wrong. The living boor
Who brews your ale, exceeds in vital worth
Dead Caesar who 'stops bungholes' in the cask;
And also, to do good is excellent,
For persons of his income, even to boors:
I sympathise with all such things. But he
Went mad upon them . . madder and more mad,
From college times to these,–as, going down hill,
The faster still, the farther! you must know
Your Leigh by heart; he has sown his black young curls
With bleaching cares of half a million men
Already. If you do not starve, or sin,
You're nothing to him. Pay the income-tax,
And break your heart upon't . . . he'll scarce be touched;
But come upon the parish, qualified
For the parish stocks, and Romney will be there
To call you brother, sister, or perhaps
A tenderer name still. Had I any chance
With Mister Leigh, who am Lady Waldemar,
And never committed felony?'
Too bitterly,' I said, 'for the literal truth.'
'The truth is bitter. Here's a man who looks
For ever on the ground! you must be low;
Or else a pictured ceiling overhead,
Good painting thrown away. For me, I've done
What women may, (we're somewhat limited,
We modest women) but I've done my best.
–How men are perjured when they swear our eyes
Have meaning in them! they're just blue or brown,–
They just can drop their lids a little. In fact,
Mine did more, for I read half Fourier through,
Proudhon, Considerant, and Louis Blanc
With various other of his socialists;
And if I had been a fathom less in love,
Had cured myself with gaping. As it was,
I quoted from them prettily enough,
Perhaps, to make them sound half rational
To a saner man than he, whene'er we talked,
(For which I dodged occasion)–learnt by heart
His speeches in the Commons and elsewhere
Upon the social question; heaped reports
Of wicked women and penitentiaries,
On all my tables, with a place for Sue;
And gave my name to swell subscription-lists
Toward keeping up the sun at nights in heaven,
And other possible ends. All things I did,
Except the impossible . . such as wearing gowns
Provided by the Ten Hours' movement! there,
I stopped–we must stop somewhere. He, meanwhile,
Unmoved as the Indian tortoise 'neath the world
Let all that noise go on upon his back;
He would not disconcert or throw me out;
'Twas well to see a woman of my class
With such a dawn of conscience. For the heart,
Made firewood for his sake, and flaming up
To his very face . . he warmed his feet at it:
But deigned to let my carriage stop him short
In park or street,–he leaning on the door
With news of the committee which sate last
On pickpockets at suck.'
'You jest–you jest.'
'As martyrs jest, dear (if you read their lives),
Upon the axe which kills them. When all's done
By me, . . for him–you'll ask him presently
The color of my hair–he cannot tell,
Or answers 'dark' at random,–while, be sure,
He's absolute on the figure, five or ten,
Of my last subscription. Is it bearable,
And I a woman?'
'Is it reparable,
Though I were a man?'
'I know not. That's to prove.
But, first, this shameful marriage?'
'Ay?' I cried.
'Then really there's a marriage.'
I held him fast upon it. 'Mister Leigh,'
Said I, 'shut up a thing, it makes more noise.
'The boiling town keeps secrets ill; I've known
'Yours since last week. Forgive my knowledge so:
'You feel I'm not the woman of the world
'The world thinks; you have borne with me before
'And used me in your noble work, our work,
'And now you shall not cast me off because
'You're at the difficult point, the join. 'Tis true
'Even if I can scarce admit the cogency
'Of such a marriage . . where you do not love
'(Except the class), yet marry and throw your name
'Down to the gutter, for a fire-escape
'To future generation! it's sublime,
'A great example,–a true Genesis
'Of the opening social era. But take heed;
'This virtuous act must have a patent weight,
'Or loses half its virtue. Make it tell,
'Interpret it, and set it in the light,
'And do not muffle it in a winter-cloak
'As a vulgar bit of shame,–as if, at best,
'A Leigh had made a misalliance and blushed
'A Howard should know it.' Then, I pressed him more–
'He would not choose,' I said, 'that even his kin, . .
'Aurora Leigh, even . . should conceive his act
'Less sacrifice, more appetite.' At which
He grew so pale, dear, . . to the lips, I knew
I had touched him. 'Do you know her,' he inquired,
'My cousin Aurora?' 'Yes,' I said, and lied
(But truly we all know you by your books),
And so I offered to come straight to you,
Explain the subject, justify the cause,
And take you with me to Saint Margaret's Court
To see this miracle, this Marian Erle,
This drover's daughter (she's not pretty, he swears),
Upon whose finger, exquisitely pricked
By a hundred needles, we're to hang the tie
'Twixt class and class in England,–thus indeed
By such a presence, yours and mine, to lift
The match up from the doubtful place. At once
He thanked me, sighing, . . murmured to himself
'She'll do it perhaps; she's noble,'–thanked me, twice,
And promised, as my guerdon, to put off
His marriage for a month.'
I answered then.
'I understand your drift imperfectly.
You wish to lead me to my cousin's betrothed,
To touch her hand if worthy, and hold her hand
If feeble, thus to justify his match.
So be it then. But how this serves your ends,
And how the strange confession of your love
Serves this, I have to learn–I cannot see.'
She knit her restless forehead. 'Then, despite,
Aurora, that most radiant morning name,
You're dull as any London afternoon.
I wanted time,–and gained it,–wanted you,
And gain you! You will come and see the girl
In whose most prodigal eyes, the lineal pearl
And pride of all your lofty race of Leighs
Is destined to solution. Authorised
By sight and knowledge, then, you'll speak your mind,
And prove to Romney, in your brilliant way,
He'll wrong the people and posterity
(Say such a thing is bad for you and me,
And you fail utterly), by concluding thus
An execrable marriage. Break it up.
Disroot it–peradventure, presently,
We'll plant a better fortune in its place.
Be good to me, Aurora, scorn me less
For saying the thing I should not. Well I know
I should not. I have kept, as others have,
The iron rule of womanly reserve
In lip and life, till now: I wept a week
Before I came here.'–Ending, she was pale;
The last words, haughtily said, were tremulous.
This palfrey pranced in harness, arched her neck,
And, only by the foam upon the bit,
You saw she champed against it.
Then I rose.
'I love love: truth's no cleaner thing than love.
I comprehend a love so fiery hot
It burns its natural veil of august shame,
And stands sublimely in the nude, as chaste
As Medicean Venus. But I know,
A love that burns through veils will burn through masks
And shrivel up treachery. What, love and lie!
Nay–go to the opera! your love's curable.'
'I love and lie!' she said–'I lie, forsooth?'
And beat her taper foot upon the floor,
And smiled against the shoe,–'You're hard, Miss Leigh,
Unversed in current phrases.–Bowling-greens
Of poets are fresher than the world's highways:
Forgive me that I rashly blew the dust
Which dims our hedges even, in your eyes,
And vexed you so much. You find, probably,
No evil in this marriage,–rather good
Of innocence, to pastoralise in song:
You'll give the bond your signature, perhaps,
Beneath the lady's work,–indifferent
That Romney chose a wife, could write her name,
In witnessing he loved her.'
'Loved!' I cried;
'Who tells you that he wants a wife to love?
He gets a horse to use, not love, I think:
There's work for wives as well,–and after, straw,
When men are liberal. For myself, you err
Supposing power in me to break this match.
I could not do it, to save Romney's life,
And would not, to save mine.'
'You take it so,'
She said, 'farewell then. Write your books in peace,
As far as may be for some secret stir
Now obvious to me,–for, most obviously,
In coming hither I mistook the way.'
Whereat she touched my hand and bent her head,
And floated from me like a silent cloud
That leaves the sense of thunder.
I drew breath,
As hard as in a sick-room. After all,
This woman breaks her social system up
For love, so counted–the love possible
To such,–and lilies are still lilies, pulled
By smutty hands, though spotted from their white;
And thus she is better, haply, of her kind,
Than Romney Leigh, who lives by diagrams,
And crosses out the spontaneities
Of all his individual, personal life
With formal universals. As if man
Were set upon a high stool at a desk,
To keep God's books for Him, in red and black,
And feel by millions! What, if even God
Were chiefly God by living out Himself
To an individualism of the Infinite,
Eterne, intense, profuse,–still throwing up
The golden spray of multitudinous worlds
In measure to the proclive weight and rush
Of his inner nature,–the spontaneous love
Still proof and outflow of spontaneous life?
Then live, Aurora!
Two hours afterward,
Within Saint Margaret's Court I stood alone,
Close-veiled. A sick child, from an ague-fit,
Whose wasted right hand gambled 'gainst his left
With an old brass button, in a blot of sun,
Jeered weakly at me as I passed across
The uneven pavement; while a woman, rouged
Upon the angular cheek-bones, kerchief torn,
Thin dangling locks, and flat lascivious mouth,
Cursed at a window, both ways, in and out,
By turns some bed-rid creature and myself,–
'Lie still there, mother! liker the dead dog
You'll be to-morrow. What, we pick our way,
Fine madam, with those damnable small feet!
We cover up our face from doing good,
As if it were our purse! What brings you here,
My lady? is't to find my gentleman
Who visits his tame pigeon in the eaves?
Our cholera catch you with its cramps and spasms,
And tumble up your good clothes, veil and all,
And turn your whiteness dead-blue.' I looked up;
I think I could have walked through hell that day,
And never flinched. 'The dear Christ comfort you,'
I said, 'you must have been most miserable
To be so cruel,'–and I emptied out
My purse upon the stones: when, as I had cast
The last charm in the cauldron, the whole court
Went boiling, bubbling up, from all its doors
And windows, with a hideous wail of laughs
And roar of oaths, and blows perhaps . . I passed
Too quickly for distinguishing . . and pushed
A little side-door hanging on a hinge,
And plunged into the dark, and groped and climbed
The long, steep, narrow stair 'twixt broken rail
And mildewed wall that let the plaster drop
To startle me in the blackness. Still, up, up!
So high lived Romney's bride. I paused at last
Before a low door in the roof, and knocked;
There came an answer like a hurried dove–
'So soon! can that be Mister Leigh? so soon?'
And, as I entered, an ineffable face
Met mine upon the threshold. 'Oh, not you,
Not you!' . . the dropping of the voice implied;
'Then, if not you, for me not any one.'
I looked her in the eyes, and held her hands,
And said 'I am his cousin,–Romney Leigh's;
And here I'm come to see my cousin too.'
She touched me with her face and with her voice,
This daughter of the people. Such soft flowers
From such rough roots? The people, under there,
Can sin so, curse so, look so, smell so . . . faugh!
Yet have such daughters!
Was Marian Erle. She was not white nor brown,
But could look either, like a mist that changed
According to being shone on more or less:
The hair, too, ran its opulence of curls
In doubt 'twixt dark and bright, nor left you clear
To name the color. Too much hair perhaps
(I'll name a fault here) for so small a head,
Which seemed to droop on that side and on this,
As a full-blown rose uneasy with its weight,
Though not a breath should trouble it. Again,
The dimple in the cheek had better gone
With redder, fuller rounds; and somewhat large
The mouth was, though the milky little teeth
Dissolved it to so infantile a smile!
For soon it smiled at me; the eyes smiled too,
But 'twas as if remembering they had wept,
And knowing they should, some day, weep again.
We talked. She told me all her story out,
Which I'll re-tell with fuller utterance,
As coloured and confirmed in aftertimes
By others, and herself too. Marian Erle
Was born upon the ledge of Malvern Hill,
To eastward, in a hut, built up at night,
To evade the landlord's eye, of mud and turf,
Still liable, if once he looked that way,
To being straight levelled, scattered by his foot,
Like any other anthill. Born, I say;
God sent her to his world, commissioned right,
Her human testimonials fully signed,
Not scant in soul–complete in lineaments;
But others had to swindle her a place
To wail in when she had come. No place for her,
By man's law! born an outlaw, was this babe;
Her first cry in our strange and strangling air,
When cast in spasms out by the shuddering womb,
Was wrong against the social code,–forced wrong.
What business had the baby to cry there?
I tell her story and grow passionate.
She, Marian, did not tell it so, but used
Meek words that made no wonder of herself
For being so sad a creature. 'Mister Leigh
Considered truly that such things should change.
They will, in heaven–but meantime, on the earth,
There's none can like a nettle as a pink,
Except himself. We're nettles, some of us,
And give offence by the act of springing up;
And, if we leave the damp side of the wall,
The hoes, of course, are on us.' So she said.
Her father earned his life by random jobs
Despised by steadier workmen–keeping swine
On commons, picking hops, or hurrying on
The harvest at wet seasons,–or, at need,
Assisting the Welsh drovers, when a drove
Of startled horses plunged into the mist
Below the mountain-road, and sowed the wind
With wandering neighings. In between the gaps
Of such irregular work, he drank and slept,
And cursed his wife because, the pence being out,
She could not buy more drink. At which she turned,
(The worm), and beat her baby in revenge
For her own broken heart. There's not a crime
But takes its proper change out still in crime
If once rung on the counter of this world:
Let sinners look to it.
Yet the outcast child,
For whom the very mother's face forewent
The mother's special patience, lived and grew;
Learnt early to cry low, and walk alone,
With that pathetic vacillating roll
Of the infant body on the uncertain feet,
(The earth being felt unstable ground so soon)
At which most women's arms unclose at once
With irrepressive instinct. Thus, at three,
This poor weaned kid would run off from the fold,
This babe would steal off from the mother's chair,
And, creeping through the golden walls of gorse,
Would find some keyhole toward the secrecy
Of Heaven's high blue, and, nestling down, peer out–
Oh, not to catch the angels at their games,
She had never heard of angels, but to gaze
She knew not why, to see she knew not what,
A-hungering outward from the barren earth
For something like a joy. She liked, she said,
To dazzle black her sight against the sky,
For then, it seemed, some grand blind Love came down,
And groped her out, and clasped her with a kiss;
She learnt God that way, and was beat for it
Whenever she went home,–yet came again,
As surely as the trapped hare, getting free,
Returns to his form. This grand blind Love, she said,
This skyey father and mother both in one,
Instructed her and civilised her more
Than even the Sunday-school did afterward,
To which a lady sent her to learn books
And sit upon a long bench in a row
With other children. Well, she laughed sometimes
To see them laugh and laugh, and moil their texts;
But ofter she was sorrowful with noise,
And wondered if their mothers beat them hard
That ever they should laugh so. There was one
She loved indeed,–Rose Bell, a seven years' child,
So pretty and clever, who read syllables
When Marian was at letters; she would laugh
At nothing–hold your finger up, she laughed,
Then shook her curls down on her eyes and mouth
To hide her make-mirth from the schoolmaster.
And Rose's pelting glee, as frank as rain
On cherry-blossoms, brightened Marian too,
To see another merry whom she loved.
She whispered once (the children side by side,
With mutual arms entwined about their necks)
'Your mother lets you laugh so?' 'Ay,' said Rose,
'She lets me. She was dug into the ground
Six years since, I being but a yearling wean.
Such mothers let us play and lose our time,
And never scold nor beat us! Don't you wish
You had one like that?' There, Marian, breaking off
Looked suddenly in my face. 'Poor Rose,' said she,
'I heard her laugh last night in Oxford Street.
I'd pour out half my blood to stop that laugh,–
Poor Rose, poor Rose!' said Marian.
It tried her, when she had learnt at Sunday-school
What God was, what he wanted from us all,
And how, in choosing sin, we vexed the Christ,
To go straight home and hear her father pull
The name down on us from the thunder-shelf,
Then drink away his soul into the dark
From seeing judgment. Father, mother, home,
Were God and heaven reversed to her: the more
She knew of Right, the more she guessed their wrong:
Her price paid down for knowledge, was to know
The vileness of her kindred: through her heart,
Her filial and tormented heart, henceforth
They struck their blows at virtue. Oh, 'tis hard
To learn you have a father up in heaven
By a gathering certain sense of being, on earth,
Still worse than orphaned: 'tis too heavy a grief,
The having to thank God for such a joy!
And so passed Marian's life from year to year.
Her parents took her with them when they tramped,
Dodged lanes and heaths, frequented towns and fairs,
And once went farther and saw Manchester,
And once the sea, that blue end of the world,
That fair scroll-finis of a wicked book,–
And twice a prison, back at intervals,
Returning to the hills. Hills draw like heaven,
And stronger sometimes, holding out their hands
To pull you from the vile flats up to them;
And though, perhaps, these strollers still strolled back,
As sheep do, simply that they knew the way,
They certainly felt bettered unawares
Emerging from the social smut of towns
To wipe their feet clean on the mountain turf.
In which long wanderings, Marian lived and learned,
Endured and learned. The people on the roads
Would stop and ask her how her eyes outgrew
Her cheeks, and if she meant to lodge the birds
In all that hair; and then they lifted her,
The miller in his cart, a mile or twain,
The butcher's boy on horseback. Often, too,
The pedlar stopped, and tapped her on the head
With absolute forefinger, brown and ringed,
And asked if peradventure she could read:
And when she answered 'ay,' would toss her down
Some stray odd volume from his heavy pack,
A Thomson's Seasons, mulcted of the Spring,
Or half a play of Shakespeare's, torn across:
(She had to guess the bottom of a page
By just the top sometimes,–as difficult,
As, sitting on the moon, to guess the earth!),
Or else a sheaf of leaves (for that small Ruth's
Small gleanings) torn out from the heart of books,
From Churchyard Elegies and Edens Lost,
From Burns, and Bunyan, Selkirk, and Tom Jones.
'Twas somewhat hard to keep the things distinct,
And oft the jangling influence jarred the child
Like looking at a sunset full of grace
Through a pothouse window while the drunken oaths
Went on behind her; but she weeded out
Her book-leaves, threw away the leaves that hurt,
(First tore them small, that none should find a word),
And made a nosegay of the sweet and good
To fold within her breast, and pore upon
At broken moments of the noontide glare,
When leave was given her to untie her cloak
And rest upon the dusty roadside bank
From the highway's dust. Or oft, the journey done,
Some city friend would lead her by the hand
To hear a lecture at an institute.
And thus she had grown, this Marian Erle of ours,
To no book-learning,–she was ignorant
Of authors,–not in earshot of the things
Out-spoken o'er the heads of common men,
By men who are uncommon,–but within
The cadenced hum of such, and capable
Of catching from the fringes of the wind
Some fragmentary phrases, here and there,
Of that fine music,–which, being carried in
To her soul, had reproduced itself afresh
In finer motions of the lips and lids.
She said, in speaking of it, 'If a flower
Were thrown you out of heaven at intervals,
You'd soon attain to a trick of looking up,–
And so with her.' She counted me her years,
Till I felt old; and then she counted me
Her sorrowful pleasures, till I felt ashamed.
She told me she was almost glad and calm
On such and such a season; sate and sewed,
With no one to break up her crystal thoughts:
While rhymes from lovely poems span around
Their ringing circles of ecstatic tune,
Beneath the moistened finger of the Hour.
Her parents called her a strange, sickly child,
Not good for much, and given to sulk and stare,
And smile into the hedges and the clouds,
And tremble if one shook her from her fit
By any blow, or word even. Out-door jobs
Went ill with her; and household quiet work
She was not born to. Had they kept the north,
They might have had their pennyworth out of her
Like other parents, in the factories;
(Your children work for you, not you for them,
Or else they better had been choked with air
The first breath drawn;) but, in this tramping life,
Was nothing to be done with such a child,
But tramp and tramp. And yet she knitted hose
Not ill, and was not dull at needlework;
And all the country people gave her pence
For darning stockings past their natural age,
And patching petticoats from old to new,
And other light work done for thrifty wives.
One day, said Marian–the sun shone that day–
Her mother had been badly beat, and felt
The bruises sore about her wretched soul
(That must have been): she came in suddenly,
And snatching, in a sort of breathless rage,
Her daughter's headgear comb, let down the hair
Upon her, like a sudden waterfall,
Then drew her drenched and passive, by the arm,
Outside the hut they lived in. When the child
Could clear her blinded face from all that stream
Of tresses . . there, a man stood, with beasts' eyes
That seemed as they would swallow her alive,
Complete in body and spirit, hair and all,–
With burning stertorous breath that hurt her cheek,
He breathed so near. The mother held her tight,
Saying hard between her teeth–'Why wench, why wench,
The squire speaks to you now–the squire's too good,
He means to set you up and comfort us.
Be mannerly at least.' The child turned round
And looked up piteous in the mother's face
(Be sure that mother's death-bed will not want
Another devil to damn, than such a look),
'Oh, mother!' then, with desperate glance to heaven,
'Good, free me from my mother,' she shrieked out,
'These mothers are too dreadful.' And, with force
As passionate as fear, she tore her hands,
Like lilies from the rocks, from hers and his,
And sprang down, bounded headlong down the steep,
Away from both–away, if possible,
As far as God,–away! They yelled at her,
As famished hounds at a hare. She heard them yell;
She felt her name hiss after her from the hills,
Like shot from guns. On, on. And now she had cast
The voices off with the uplands. On. Mad fear
Was running in her feet and killing the ground;
The white roads curled as if she burnt them up,
The green fields melted, wayside trees fell back
To make room for her. Then her head grew vexed;
Trees, fields, turned on her and ran after her;
She heard the quick pants of the hills behind,
Their keen air pricked her neck. She had lost her feet,
Could run no more, yet somehow went as fast,–
The horizon, red, 'twixt steeples in the east
So sucked her forward, forward, while her heart
Kept swelling, swelling, till it swelled so big
It seemed to fill her body; then it burst,
And overflowed the world and swamped the light,
'And now I am dead and safe,' thought Marian Erle–
She had dropped, she had fainted.
When the sense returned,
The night had passed–not life's night. She was 'ware
Of heavy tumbling motions, creaking wheels,
The driver shouting to the lazy team
That swung their rankling bells against her brain,
While, through the waggon's coverture and chinks,
The cruel yellow morning pecked at her
Alive or dead, upon the straw inside,–
At which her soul ached back into the dark
And prayed, 'no more of that.' A waggoner
Had found her in a ditch beneath the moon,
As white as moonshine, save for the oozing blood.
At first he thought her dead; but when he had wiped
The mouth and heard it sigh, he raised her up,
And laid her in his waggon in the straw,
And so conveyed her to the distant town
To which his business called himself, and left
That heap of misery at the hospital.
She stirred;–the place seemed new and strange as death.
The white strait bed, with others strait and white,
Like graves dug side by side, at measured lengths,
And quiet people walking in and out
With wonderful low voices and soft steps,
And apparitional equal care for each,
Astonished her with order, silence, law:
And when a gentle hand held out a cup,
She took it, as you do at sacrament,
Half awed, half melted,–not being used, indeed,
To so much love as makes the form of love
And courtesy of manners. Delicate drinks
And rare white bread, to which some dying eyes
Were turned in observation. O my God,
How sick we must be, ere we make men just!
I think it frets the saints in heaven to see
How many Desolate creatures on the earth
Have learnt the simple dues of fellowship
And social comfort, in a hospital,
As Marian did. She lay there, stunned, half tranced,
And wished, at intervals of growing sense,
She might be sicker yet, if sickness made
The world so marvellous kind, the air so hushed,
And all her wake-time quiet as a sleep;
For now she understood, (as such things were)
How sickness ended very oft in heaven,
Among the unspoken raptures. Yet more sick,
And surelier happy. Then she dropped her lids,
And, folding up her hands as flowers at night,
Would lose no moment of the blessed time.
She lay and seethed in fever many weeks;
But youth was strong and overcame the test;
Revolted soul and flesh were reconciled
And fetched back to the necessary day
And daylight duties. She could creep about
The long bare rooms, and stare out drearily
From any narrow window on the street,
Till some one, who had nursed her as a friend,
Said coldly to her, as an enemy,
'She had leave to go next week, being well enough,'
While only her heart ached. 'Go next week,' thought she,
'Next week! how would it be with her next week,
Let out into that terrible street alone
Among the pushing people, . . to go . . where?'
One day, the last before the dreaded last,
Among the convalescents, like herself
Prepared to go next morning, she sate dumb,
And heard half absently the women talk,
How one was famished for her baby's cheeks–
'The little wretch would know her! a year old,
And lively, like his father!' one was keen
To get to work, and fill some clamorous mouths;
And one was tender for her dear goodman
Who had missed her sorely,–and one, querulous . .
'Would pay those scandalous neighbours who had dared
To talk about her as already dead,'–
And one was proud . . 'and if her sweetheart Luke
Had left her for a ruddier face than hers,
(The gossip would be seen through at a glance)
Sweet riddance of such sweethearts–let him hang!
'Twere good to have been as sick for such an end.'
And while they talked, and Marian felt the worse
For having missed the worst of all their wrongs,
A visitor was ushered through the wards
And paused among the talkers. 'When he looked,
It was as if he spoke, and when he spoke
He sang perhaps,' said Marian; 'could she tell?
She only knew' (so much she had chronicled,
As seraphs might, the making of the sun)
'That he who came and spake was Romney Leigh,
And then, and there, she saw and heard him first.'
And when it was her turn to have the face
Upon her,–all those buzzing pallid lips
Being satisfied with comfort–when he changed
To Marian, saying, 'And you? You're going, where?'–
She, moveless as a worm beneath a stone
Which some one's stumbling foot has spurned aside,
Writhed suddenly, astonished with the light,
And breaking into sobs cried, 'Where I go?
None asked me till this moment. Can I say
Where I go? When it has not seemed worth while
To God himself, who thinks of every one,
To think of me, and fix where I shall go?'
'So young,' he gently asked her, 'you have lost
Your father and your mother?'
'Both' she said,
'Both lost! My father was burnt up with gin
Or ever I sucked milk, and so is lost.
My mother sold me to a man last month,
And so my mother's lost, 'tis manifest.
And I, who fled from her for miles and miles,
As if I had caught sight of the fires of hell
Through some wild gap, (she was my mother, sir)
It seems I shall be lost too, presently,
And so we end, all three of us.'
He said,–with such a pity in his voice,
It soothed her more than her own tears,–'poor child!
'Tis simple that betrayal by mother's love
Should bring despair of God's too. Yet be taught
He's better to us than many mothers are,
And children cannot wander beyond reach
Of the sweep of his white raiment. Touch and hold'
And if you weep still, weep where John was laid
While Jesus loved him.'
'She could say the words,'
She told me, 'exactly as he uttered them
A year back, . . since in any doubt or dark,
They came out like the stars, and shone on her
With just their comfort. Common words, perhaps;
The ministers in church might say the same;
But he, he made the church with what he spoke,–
The difference was the miracle,' said she.
Then catching up her smile to ravishment,
She added quickly, 'I repeat his words,
But not his tones: can any one repeat
The music of an organ, out of church?
And when he said 'poor child,' I shut my eyes
To feel how tenderly his voice broke through,
As the ointment-box broke on the Holy feet
To let out the rich medicative nard.'
She told me how he had raised and rescued her
With reverent pity, as, in touching grief,
He touched the wounds of Christ,–and made her feel
More self-respecting. Hope, he called, belief
In God,–work, worship . . therefore let us pray!
And thus, to snatch her soul from atheism,
And keep it stainless from her mother's face,
He sent her to a famous sempstress-house
Far off in London, there to work and hope.
With that they parted. She kept sight of Heaven,
But not of Romney. He had good to do
To others: through the days and through the nights,
She sewed and sewed and sewed. She drooped sometimes,
And wondered, while, along the tawny light,
She struck the new thread into her needle's eye,
How people without mothers on the hills,
Could choose the town to live in!–then she drew
The stitch, and mused how Romney's face would look,
And if 'twere likely he'd remember hers,
When they two had their meeting after death.
What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)
Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,
Pay back thus the succession of affronts
Whereto this church had served as theatre?
For see: at that same altar where he lies,
To that same inch of step, was brought the babe
For blessing after baptism, and there styled
Pompilia, and a string of names beside,
By his bad wife, some seventeen years ago,
Who purchased her simply to palm on him,
Flatter his dotage and defraud the heirs.
Wait awhile! Also to this very step
Did this Violante, twelve years afterward,
Bring, the mock-mother, that child-cheat full-grown,
Pompilia, in pursuance of her plot,
And there brave God and man a second time
By linking a new victim to the lie.
There, having made a match unknown to him,
She, still unknown to Pietro, tied the knot
Which nothing cuts except this kind of knife;
Yes, made her daughter, as the girl was held,
Marry a man, and honest man beside,
And man of birth to boot,—clandestinely
Because of this, because of that, because
O' the devil's will to work his worst for once,—
Confident she could top her part at need
And, when her husband must be told in turn,
Ply the wife's trade, play off the sex's trick
And, alternating worry with quiet qualms,
Bravado with submissiveness, prettily fool
Her Pietro into patience: so it proved.
Ay, 't is four years since man and wife they grew,
This Guido Franceschini and this same
Pompilia, foolishly thought, falsely declared
A Comparini and the couple's child:
Just at this altar where, beneath the piece
Of Master Guido Reni, Christ on cross,
Second to nought observable in Rome,
That couple lie now, murdered yestereve.
Even the blind can see a providence here.
From dawn till now that it is growing dusk,
A multitude has flocked and filled the church,
Coming and going, coming back again,
Till to count crazed one. Rome was at the show.
People climbed up the columns, fought for spikes
O' the chapel-rail to perch themselves upon,
Jumped over and so broke the wooden work
Painted like porphyry to deceive the eye;
Serve the priests right! The organ-loft was crammed,
Women were fainting, no few fights ensued,
In short, it was a show repaid your pains:
For, though their room was scant undoubtedly,
Yet they did manage matters, to be just,
A little at this Lorenzo. Body o' me!
I saw a body exposed once … never mind!
Enough that here the bodies had their due.
No stinginess in wax, a row all round,
And one big taper at each head and foot.
So, people pushed their way, and took their turn,
Saw, threw their eyes up, crossed themselves, gave place
To pressure from behind, since all the world
Knew the old pair, could talk the tragedy
Over from first to last: Pompilia too,
Those who had known her—what 't was worth to them!
Guido's acquaintance was in less request;
The Count had lounged somewhat too long in Rome,
Made himself cheap; with him were hand and glove
Barbers and blear-eyed, as the ancient sings.
Also he is alive and like to be:
Had he considerately died,—aha!
I jostled Luca Cini on his staff,
Mute in the midst, the whole man one amaze,
Staring amain and crossing brow and breast.
"How now?" asked I. "'T is seventy years," quoth he,
"Since I first saw, holding my father's hand,
"Bodies set forth: a many have I seen,
"Yet all was poor to this I live and see.
"Here the world's wickedness seals up the sum:
"What with Molinos' doctrine and this deed,
"Antichrist surely comes and doomsday's near.
"May I depart in peace, I have seen my see."
"Depart then," I advised, "nor block the road
"For youngsters still behindhand with such sights!"
"Why no," rejoins the venerable sire,
"I know it's horrid, hideous past belief,
"Burdensome far beyond what eye can bear;
"But they do promise, when Pompilia dies
"I' the course o' the day,—and she can't outlive night,—
"They'll bring her body also to expose
"Beside the parents, one, two, three a-breast;
"That were indeed a sight, which might I see,
"I trust I should not last to see the like!"
Whereat I bade the senior spare his shanks,
Since doctors give her till to-night to live,
And tell us how the butchery happened. "Ah,
"But you can't know!" sighs he, "I'll not despair:
"Beside I'm useful at explaining things—
"As, how the dagger laid there at the feet,
"Caused the peculiar cuts; I mind its make,
"Triangular i' the blade, a Genoese,
"Armed with those little hook-teeth on the edge
"To open in the flesh nor shut again:
"I like to teach a novice: I shall stay!"
And stay he did, and stay be sure he will.
A personage came by the private door
At noon to have his look: I name no names:
Well then, His Eminence the Cardinal,
Whose servitor in honourable sort
Guido was once, the same who made the match,
(Will you have the truth?) whereof we see effect.
No sooner whisper ran he was arrived
Than up pops Curate Carlo, a brisk lad,
Who never lets a good occasion slip,
And volunteers improving the event.
We looked he'd give the history's self some help,
Treat us to how the wife's confession went
(This morning she confessed her crime, we know)
And, may-be, throw in something of the Priest—
If he's not ordered back, punished anew,
The gallant, Caponsacchi, Lucifer
I' the garden where Pompilia, Eve-like, lured
Her Adam Guido to his fault and fall.
Think you we got a sprig of speech akin
To this from Carlo, with the Cardinal there?
Too wary he was, too widely awake, I trow.
He did the murder in a dozen words;
Then said that all such outrages crop forth
I' the course of nature when Molinos' tares
Are sown for wheat, flourish and choke the Church:
So slid on to the abominable sect
And the philosophic sin—we've heard all that,
And the Cardinal too, (who book-made on the same)
But, for the murder, left it where he found.
Oh but he's quick, the Curate, minds his game!
And, after all, we have the main o' the fact:
Case could not well be simpler,—mapped, as it were,
We follow the murder's maze from source to sea,
By the red line, past mistake: one sees indeed
Not only how all was and must have been,
But cannot other than be to the end of time.
Turn out here by the Ruspoli! Do you hold
Guido was so prodigiously to blame?
A certain cousin of yours has told you so?
Exactly! Here's a friend shall set you right,
Let him but have the handsel of your ear.
These wretched Comparini were once gay
And galliard, of the modest middle class:
Born in this quarter seventy years ago
And married young, they lived the accustomed life,
Citizens as they were of good repute:
And, childless, naturally took their ease
With only their two selves to care about
And use the wealth for: wealthy is the word,
Since Pietro was possessed of house and land—
And specially one house, when good days smiled,
In Via Vittoria, the aspectable street
Where he lived mainly; but another house
Of less pretension did he buy betimes,
The villa, meant for jaunts and jollity,
I' the Pauline district, to be private there—
Just what puts murder in an enemy's head.
Moreover,—here's the worm i' the core, the germ
O' the rottenness and ruin which arrived,—
He owned some usufruct, had moneys' use
Lifelong, but to determine with his life
In heirs' default: so, Pietro craved an heir,
(The story always old and always new)
Shut his fool's-eyes fast on the visible good
And wealth for certain, opened them owl-wide
On fortune's sole piece of forgetfulness,
The child that should have been and would not be.
Hence, seventeen years ago, conceive his glee
When first Violante, 'twixt a smile and blush,
With touch of agitation proper too,
Announced that, spite of her unpromising age,
The miracle would in time be manifest,
An heir's birth was to happen: and it did.
Somehow or other,—how, all in good time!
By a trick, a sleight of hand you are to hear,—
A child was born, Pompilia, for his joy,
Plaything at once and prop, a fairy-gift,
A saints' grace or, say, grant of the good God,—
A fiddle-pin's end! What imbeciles are we!
Look now: if some one could have prophesied,
"For love of you, for liking to your wife,
"I undertake to crush a snake I spy
"Settling itself i' the soft of both your breasts.
"Give me yon babe to strangle painlessly!
"She'll soar to the safe: you'll have your crying out,
"Then sleep, then wake, then sleep, then end your days
"In peace and plenty, mixed with mild regret,
"Thirty years hence when Christmas takes old folk"—
How had old Pietro sprung up, crossed himself,
And kicked the conjuror! Whereas you and I,
Being wise with after-wit, had clapped our hands;
Nay, added, in the old fool's interest,
"Strangle the black-eyed babe, so far so good,
"But on condition you relieve the man
"O' the wife and throttle him Violante too—
"She is the mischief!"
We had hit the mark.
She, whose trick brought the babe into the world,
She it was, when the babe was grown a girl,
Judged a new trick should reinforce the old,
Send vigour to the lie now somewhat spent
By twelve years' service; lest Eve's rule decline
Over this Adam of hers, whose cabbage-plot
Throve dubiously since turned fools' paradise,
Spite of a nightingale on every stump.
Pietro's estate was dwindling day by day,
While he, rapt far above such mundane care,
Crawled all-fours with his baby pick-a-back,
Sat at serene cats'-cradle with his child,
Or took the measured tallness, top to toe,
Of what was grown a great girl twelve years old:
Till sudden at the door a tap discreet,
A visitor's premonitory cough,
And poverty had reached him in her rounds.
This came when he was past the working-time,
Had learned to dandle and forgot to dig,
And who must but Violante cast about,
Contrive and task that head of hers again?
She who had caught one fish, could make that catch
A bigger still, in angler's policy:
So, with an angler's mercy for the bait,
Her minnow was set wriggling on its barb
And tossed to mid-stream; which means, this grown girl
With the great eyes and bounty of black hair
And first crisp youth that tempts a jaded taste,
Was whisked i' the way of a certain man, who snapped.
Count Guido Franceschini the Aretine
Was head of an old noble house enough,
Not over-rich, you can't have everything,
But such a man as riches rub against,
Readily stick to,—one with a right to them
Born in the blood: 't was in his very brow
Always to knit itself against the world,
Beforehand so, when that world stinted due
Service and suit: the world ducks and defers.
As such folks do, he had come up to Rome
To better his fortune, and, since many years,
Was friend and follower of a cardinal;
Waiting the rather thus on providence
That a shrewd younger poorer brother yet,
The Abate Paolo, a regular priest,
Had long since tried his powers and found he swam
With the deftest on the Galilean pool:
But then he was a web-foot, free o' the wave,
And no ambiguous dab-chick hatched to strut,
Humbled by any fond attempt to swim
When fiercer fowl usurped his dunghill top—
A whole priest, Paolo, no mere piece of one
Like Guido tacked thus to the Church's tail!
Guido moreover, as the head o' the house,
Claiming the main prize, not the lesser luck,
The centre lily, no mere chickweed fringe.
He waited and learned waiting, thirty years;
Got promise, missed performance—what would you have?
No petty post rewards a nobleman
For spending youth in splendid lackey-work,
And there's concurrence for each rarer prize;
When that falls, rougher hand and readier foot
Push aside Guido spite of his black looks.
The end was, Guido, when the warning showed,
The first white hair i' the glass, gave up the game,
Determined on returning to his town,
Making the best of bad incurable,
Patching the old palace up and lingering there
The customary life out with his kin,
Where honour helps to spice the scanty bread.
Just as he trimmed his lamp and girt his loins
To go his journey and be wise at home,
In the right mood of disappointed worth,
Who but Violante sudden spied her prey
(Where was I with that angler-simile?)
And threw her bait, Pompilia, where he sulked—
A gleam i' the gloom!
What if he gained thus much,
Wrung out this sweet drop from the bitter Past,
Bore off this rose-bud from the prickly brake
To justify such torn clothes and scratched hands,
And, after all, brought something back from Rome?
Would not a wife serve at Arezzo well
To light the dark house, lend a look of youth
To the mother's face grown meagre, left alone
And famished with the emptiness of hope,
Old Donna Beatrice? Wife you want
Would you play family-representative,
Carry you elder-brotherly, high and right
O'er what may prove the natural petulance
Of the third brother, younger, greedier still,
Girolamo, also a fledgeling priest,
Beginning life in turn with callow beak
Agape for luck, no luck had stopped and stilled.
Such were the pinks and greys about the bait
Persuaded Guido gulp down hook and all.
What constituted him so choice a catch,
You question? Past his prime and poor beside!
Ask that of any she who knows the trade.
Why first, here was a nobleman with friends,
A palace one might run to and be safe
When presently the threatened fate should fall,
A big-browed master to block door-way up,
Parley with people bent on pushing by
And praying the mild Pietro quick clear scores:
Is birth a privilege and power or no?
Also,—but judge of the result desired,
By the price paid and manner of the sale.
The Count was made woo, win and wed at once:
Asked, and was haled for answer, lest the heat
Should cool, to San Lorenzo, one blind eve,
And had Pompilia put into his arms
O' the sly there, by a hasty candle-blink,
With sanction of some priest-confederate
Properly paid to make short work and sure.
So did old Pietro's daughter change her style
For Guido Franceschini's lady-wife
Ere Guido knew it well; and why this haste
And scramble and indecent secrecy?
"Lest Pietro, all the while in ignorance,
"Should get to learn, gainsay and break the match:
"His peevishness had promptly put aside
"Such honour and refused the proffered boon,
"Pleased to become authoritative once.
"She remedied the wilful man's mistake—"
Did our discreet Violante. Rather say,
Thus did she, lest the object of her game,
Guido the gulled one, give him but a chance,
A moment's respite, time for thinking twice,
Might count the cost before he sold himself,
And try the clink of coin they paid him with.
But coin paid, bargain struck and business done,
Once the clandestine marriage over thus,
All parties made perforce the best o' the fact;
Pietro could play vast indignation off,
Be ignorant and astounded, dupe, poor soul,
Please you, of daughter, wife and son-in-law,
While Guido found himself in flagrant fault,
Must e'en do suit and service, soothe, subdue
A father not unreasonably chafed,
Bring him to terms by paying son's devoir.
The end, this:
Guido's broad back was saddled to bear all—
Pietro, Violante, and Pompilia too,—
Three lots cast confidently in one lap,
Three dead-weights with one arm to lift the three
Out of their limbo up to life again.
The Roman household was to strike fresh root
In a new soil, graced with a novel name,
Gilt with an alien glory, Aretine
Henceforth and never Roman any more,
By treaty and engagement; thus it ran:
Pompilia's dowry for Pompilia's self
As a thing of course,—she paid her own expense;
No loss nor gain there: but the couple, you see,
They, for their part, turned over first of all
Their fortune in its rags and rottenness
To Guido, fusion and confusion, he
And his with them and theirs,—whatever rag
With coin residuary fell on floor
When Brother Paolo's energetic shake
Should do the relics justice: since 't was thought,
Once vulnerable Pietro out of reach,
That, left at Rome as representative,
The Abate, backed by a potent patron here,
And otherwise with purple flushing him,
Might play a good game with the creditor,
Make up a moiety which, great or small,
Should go to the common stock—if anything,
Guido's, so far repayment of the cost
About to be,—and if, as looked more like,
Nothing,—why, all the nobler cost were his
Who guaranteed, for better or for worse,
To Pietro and Violante, house and home,
Kith and kin, with the pick of company
And life o' the fat o' the land while life should last.
How say you to the bargain at first blush?
Why did a middle-aged not-silly man
Show himself thus besotted all at once?
Quoth Solomon, one black eye does it all.
They went to Arezzo,—Pietro and his spouse,
With just the dusk o' the day of life to spend,
Eager to use the twilight, taste a treat,
Enjoy for once with neither stay nor stint
The luxury of lord-and-lady-ship,
And realize the stuff and nonsense long
A-simmer in their noddles; vent the fume
Born there and bred, the citizen's conceit
How fares nobility while crossing earth,
What rampart or invisible body-guard
Keeps off the taint of common life from such.
They had not fed for nothing on the tales
Of grandees who give banquets worthy Jove,
Spending gold as if Plutus paid a whim,
Served with obeisances as when … what God?
I'm at the end of my tether; 't is enough
You understand what they came primed to see:
While Guido who should minister the sight,
Stay all this qualmish greediness of soul
With apples and with flagons—for his part,
Was set on life diverse as pole from pole:
Lust of the flesh, lust of the eye,—what else
Was he just now awake from, sick and sage,
After the very debauch they would begin?—
Suppose such stuff and nonsense really were.
That bubble, they were bent on blowing big,
He had blown already till he burst his cheeks,
And hence found soapsuds bitter to the tongue.
He hoped now to walk softly all his days
In soberness of spirit, if haply so,
Pinching and paring he might furnish forth
A frugal board, bare sustenance, no more,
Till times, that could not well grow worse, should mend.
Thus minded then, two parties mean to meet
And make each other happy. The first week,
And fancy strikes fact and explodes in full.
"This," shrieked the Comparini, "this the Count,
"The palace, the signorial privilege,
"The pomp and pageantry were promised us?
"For this have we exchanged our liberty,
"Our competence, our darling of a child?
"To house as spectres in a sepulchre
"Under this black stone-heap, the street's disgrace,
"Grimmest as that is of the gruesome town,
"And here pick garbage on a pewter plate
"Or cough at verjuice dripped from earthenware?
"Oh Via Vittoria, oh the other place
"I' the Pauline, did we give you up for this?
"Where's the foregone housekeeping good and gay,
"The neighbourliness, the companionship,
"The treat and feast when holidays came round,
"The daily feast that seemed no treat at all,
"Called common by the uncommon fools we were!
"Even the sun that used to shine at Rome,
"Where is it? Robbed and starved and frozen too,
"We will have justice, justice if there be!"
Did not they shout, did not the town resound!
Guido's old lady-mother Beatrice,
Who since her husband, Count Tommaso's death,
Had held sole sway i' the house,—the doited crone
Slow to acknowledge, curtsey and abdicate,—
Was recognized of true novercal type,
Dragon and devil. His brother Girolamo
Came next in order: priest was he? The worse!
No way of winning him to leave his mumps
And help the laugh against old ancestry
And formal habits long since out of date,
Letting his youth be patterned on the mode
Approved of where Violante laid down law.
Or did he brighten up by way of change,
Dispose himself for affability?
The malapert, too complaisant by half
To the alarmed young novice of a bride!
Let him go buzz, betake himself elsewhere
Nor singe his fly-wings in the candle-flame!
Four months' probation of this purgatory,
Dog-snap and cat-claw, curse and counterblast,
The devil's self were sick of his own din;
And Pietro, after trumpeting huge wrongs
At church and market-place, pillar and post,
Square's corner, street's end, now the palace-step
And now the wine-house bench—while, on her side,
Violante up and down was voluble
In whatsoever pair of ears would perk
From goody, gossip, cater-cousin and sib,
Curious to peep at the inside of things
And catch in the act pretentious poverty
At its wits' end to keep appearance up,
Make both ends meet,—nothing the vulgar loves
Like what this couple pitched them right and left.
Then, their worst done that way, both struck tent, marched:
—Renounced their share o' the bargain, flung what dues
Guido was bound to pay, in Guido's face,
Left their hearts'-darling, treasure of the twain
And so forth, the poor inexperienced bride,
To her own devices, bade Arezzo rot,
Cursed life signorial, and sought Rome once more.
I see the comment ready on your lip,
"The better fortune, Guido's—free at least
"By this defection of the foolish pair,
"He could begin make profit in some sort
"Of the young bride and the new quietness,
"Lead his own life now, henceforth breathe unplagued."
Could he? You know the sex like Guido's self.
Learn the Violante-nature!
Once in Rome,
By way of helping Guido lead such life,
Her first act to inaugurate return
Was, she got pricked in conscience: Jubilee
Gave her the hint. Our Pope, as kind as just,
Attained his eighty years, announced a boon
Should make us bless the fact, held Jubilee—
Short shrift, prompt pardon for the light offence
And no rough dealing with the regular crime
So this occasion were not suffered slip—
Otherwise, sins commuted as before,
Without the least abatement in the price.
Now, who had thought it? All this while, it seems,
Our sage Violante had a sin of a sort
She must compound for now or not at all.
Now be the ready riddance! She confessed
Pompilia was a fable not a fact:
She never bore a child in her whole life.
Had this child been a changeling, that were grace
In some degree, exchange is hardly theft,
You take your stand on truth ere leap your lie:
Here was all lie, no touch of truth at all,
All the lie hers—not even Pietro guessed
He was as childless still as twelve years since.
The babe had been a find i' the filth-heap, Sir,
Catch from the kennel! There was found at Rome,
Down in the deepest of our social dregs,
A woman who professed the wanton's trade
Under the requisite thin coverture,
Communis meretrix and washer-wife:
The creature thus conditioned found by chance
Motherhood like a jewel in the muck,
And straightway either trafficked with her prize
Or listened to the tempter and let be,—
Made pact abolishing her place and part
In womankind, beast-fellowship indeed.
She sold this babe eight months before its birth
To our Violante, Pietro's honest spouse,
Well-famed and widely-instanced as that crown
To the husband, virtue in a woman's shape.
She it was, bought, paid for, passed off the thing
As very flesh and blood and child of her
Despite the flagrant fifty years,—and why?
Partly to please old Pietro, fill his cup
With wine at the late hour when lees are left,
And send him from life's feast rejoicingly,—
Partly to cheat the rightful heirs, agape,
Each uncle's cousin's brother's son of him,
For that same principal of the usufruct
It vext him he must die and leave behind.
Such was the sin had come to be confessed.
Which of the tales, the first or last, was true?
Did she so sin once, or, confessing now,
Sin for the first time? Either way you will.
One sees a reason for the cheat: one sees
A reason for a cheat in owning cheat
Where no cheat had been. What of the revenge?
What prompted the contrition all at once,
Made the avowal easy, the shame slight?
Why, prove they but Pompilia not their child,
No child, no dowry! this, supposed their child,
Had claimed what this, shown alien to their blood,
Claimed nowise: Guido's claim was through his wife,
Null then and void with hers. The biter bit,
Do you see! For such repayment of the past,
One might conceive the penitential pair
Ready to bring their case before the courts,
Publish their infamy to all the world
And, arm in arm, go chuckling thence content.
Is this your view? 'T was Guido's anyhow
And colourable: he came forward then,
Protested in his very bride's behalf
Against this lie and all it led to, least
Of all the loss o' the dowry; no! From her
And him alike he would expunge the blot,
Erase the brand of such a bestial birth,
Participate in no hideous heritage
Gathered from the gutter to be garnered up
And glorified in a palace. Peter and Paul!
But that who likes may look upon the pair
Exposed in yonder church, and show his skill
By saying which is eye and which is mouth
Thro' those stabs thick and threefold,—but for that—
A strong word on the liars and their lie
Might crave expression and obtain it, Sir!
—Though prematurely, since there's more to come,
More that will shake your confidence in things
Your cousin tells you,—may I be so bold?
This makes the first act of the farce,—anon
The sombre element comes stealing in
Till all is black or blood-red in the piece.
Guido, thus made a laughing-stock abroad,
A proverb for the market-place at home,
Left alone with Pompilia now, this graft
So reputable on his ancient stock,
This plague-seed set to fester his sound flesh,
What does the Count? Revenge him on his wife?
Unfasten at all risks to rid himself
The noisome lazar-badge, fall foul of fate,
And, careless whether the poor rag was ware
O' the part it played, or helped unwittingly,
Bid it go burn and leave his frayed flesh free?
Plainly, did Guido open both doors wide,
Spurn thence the cur-cast creature and clear scores
As man might, tempted in extreme like this?
No, birth and breeding, and compassion too
Saved her such scandal. She was young, he thought,
Not privy to the treason, punished most
I' the proclamation of it; why make her
A party to the crime she suffered by?
Then the black eyes were now her very own,
Not any more Violante's: let her live,
Lose in a new air, under a new sun,
The taint of the imputed parentage
Truly or falsely, take no more the touch
Of Pietro and his partner anyhow!
All might go well yet.
So she thought, herself,
It seems, since what was her first act and deed
When news came how these kindly ones at Rome
Had stripped her naked to amuse the world
With spots here, spots there and spots everywhere?
—For I should tell you that they noised abroad
Not merely the main scandal of her birth,
But slanders written, printed, published wide,
Pamphlets which set forth all the pleasantry
Of how the promised glory was a dream,
The power a bubble, and the wealth—why, dust.
There was a picture, painted to the life,
Of those rare doings, that superlative
Initiation in magnificence
Conferred on a poor Roman family
By favour of Arezzo and her first
And famousest, the Franceschini there.
You had the Countship holding head aloft
Bravely although bespattered, shifts and straits
In keeping out o' the way o' the wheels o' the world,
The comic of those home-contrivances
When the old lady-mother's with was taxed
To find six clamorous mouths in food more real
Than fruit plucked off the cobwebbed family-tree,
Or acorns shed from its gilt mouldered frame—
Cold glories served up with stale fame for sauce.
What, I ask,—when the drunkenness of hate
Hiccuped return for hospitality,
Befouled the table they had feasted on,
Or say,—God knows I'll not prejudge the case,—
Grievances thus distorted, magnified,
Coloured by quarrel into calumny,—
What side did our Pompilia first espouse?
Her first deliberate measure was—she wrote,
Pricked by some loyal impulse, straight to Rome
And her husband's brother the Abate there,
Who, having managed to effect the match,
Might take men's censure for its ill success.
She made a clean breast also in her turn,
And qualified the couple properly,
Since whose departure, hell, she said, was heaven,
And the house, late distracted by their peals,
Quiet as Carmel where the lilies live.
Herself had oftentimes complained: but why?
All her complaints had been their prompting, tales
Trumped up, devices to this very end.
Their game had been to thwart her husband's love
And cross his will, malign his words and ways,
To reach this issue, furnish this pretence
For impudent withdrawal from their bond,—
Theft, indeed murder, since they meant no less
Whose last injunction to her simple self
Had been—what parents'-precept do you think?
That she should follow after with all speed,
Fly from her husband's house clandestinely,
Join them at Rome again, but first of all
Pick up a fresh companion in her flight,
So putting youth and beauty to fit use,—
Some gay dare-devil cloak-and-rapier spark
Capable of adventure,—helped by whom
She, some fine eve when lutes were in the air,
Having put poison in the posset-cup,
Laid hands on money, jewels and the like,
And, to conceal the thing with more effect,
By way of parting benediction too,
Fired the house,—one would finish famously
I' the tumult, slip out, scurry off and away
And turn up merrily at home once more.
Fact this, and not a dream o' the devil, Sir!
And more than this, a fact none dare dispute,
Word for word, such a letter did she write,
And such the Abate read, nor simply read
But gave all Rome to ruminate upon,
In answer to such charges as, I say,
The couple sought to be beforehand with.
The cause thus carried to the courts at Rome,
Guido away, the Abate had no choice
But stand forth, take his absent brother's part,
Defend the honour of himself beside.
He made what head he might against the pair,
Maintained Pompilia's birth legitimate
And all her rights intact—hers, Guido's now:
And so far by his policy turned their flank,
(The enemy being beforehand in the place)
That,—though the courts allowed the cheat for fact,
Suffered Violante to parade her shame,
Publish her infamy to heart's content,
And let the tale o' the feigned birth pass for proved,—
Yet they stopped there, refused to intervene
And dispossess the innocents, befooled
By gifts o' the guilty, at guilt's new caprice.
They would not take away the dowry now
Wrongfully given at first, nor bar at all
Succession to the aforesaid usufruct,
Established on a fraud, nor play the game
Of Pietro's child and now not Pietro's child
As it might suit the gamester's purpose. Thus
Was justice ever ridiculed in Rome:
Such be the double verdicts favoured here
Which send away both parties to a suit
Nor puffed up nor cast down,—for each a crumb
Of right, for neither of them the whole loaf.
Whence, on the Comparini's part, appeal—
Counter-appeal on Guido's,—that's the game:
And so the matter stands, even to this hour,
Bandied as balls are in a tennis-court,
And so might stand, unless some heart broke first,
Leave it thus, and now revert
To the old Arezzo whence we moved to Rome.
We've had enough o' the parents, false or true,
Now for a touch o' the daughter's quality.
The start's fair henceforth, every obstacle
Out of the young wife's footpath, she's alone,
Left to walk warily now: how does she walk?
Why, once a dwelling's threshold marked and crossed
In rubric by the enemy on his rounds
As eligible, as fit place of prey,
Baffle him henceforth, keep him out who can!
Stop up the door at the first hint of hoof,
Presently at the window taps a horn,
And Satan's by your fireside, never fear!
Pompilia, left alone now, found herself;
Found herself young too, sprightly, fair enough,
Matched with a husband old beyond his age
(Though that was something like four times her own)
Because of cares past, present and to come:
Found too the house dull and its inmates dead,
So, looked outside for light and life.
Did in a trice turn up with life and light,—
The man with the aureole, sympathy made flesh,
The all-consoling Caponsacchi, Sir!
A priest—what else should the consoler be?
With goodly shoulderblade and proper leg,
A portly make and a symmetric shape,
And curls that clustered to the tonsure quite.
This was a bishop in the bud, and now
A canon full-blown so far: priest, and priest
Nowise exorbitantly overworked,
The courtly Christian, not so much Saint Paul
As a saint of Cæsar's household: there posed he
Sending his god-glance after his shot shaft,
Apollos turned Apollo, while the snake
Pompilia writhed transfixed through all her spires.
He, not a visitor at Guido's house,
Scarce an acquaintance, but in prime request
With the magnates of Arezzo, was seen here,
Heard there, felt everywhere in Guido's path
If Guido's wife's path be her husband's too.
Now he threw comfits at the theatre
Into her lap,—what harm in Carnival?
Now he pressed close till his foot touched her gown,
His hand brushed hers,—how help on promenade?
And, ever on weighty business, found his steps
Incline to a certain haunt of doubtful fame
Which fronted Guido's palace by mere chance;
While—how do accidents sometimes combine!—
Pompilia chose to cloister up her charms
Just in a chamber that o'erlooked the street,
Sat there to pray, or peep thence at mankind.
This passage of arms and wits amused the town.
At last the husband lifted eyebrow,—bent
On day-book and the study how to wring
Half the due vintage from the worn-out vines
At the villa, tease a quarter the old rent
From the farmstead, tenants swore would tumble soon,—
Pricked up his ear a-singing day and night
With "ruin, ruin;"—and so surprised at last—
Why, what else but a titter? Up he jumps.
Back to mind come those scratchings at the grange,
Prints of the paw about the outhouse; rife
In his head at once again are word and wink,
Mum here and budget there, the smell o' the fox,
The must o' the gallant. "Friends, there's falseness here!"
The proper help of friends in such a strait
Is waggery, the world over. Laugh him free
O' the regular jealous-fit that's incident
To all old husbands that wed brisk young wives,
And he'll go duly docile all his days.
"Somebody courts your wife, Count? Where and when?
"How and why? Mere horn-madness: have a care!
"Your lady loves her own room, sticks to it,
"Locks herself in for hours, you say yourself.
"And—what, it's Caponsacchi means you harm?
"The Canon? We caress him, he's the world's,
"A man of such acceptance—never dream,
"Though he were fifty times the fox you fear,
"He'd risk his brush for your particular chick,
"When the wide town's his hen-roost! Fie o' the fool!"
So they dispensed their comfort of a kind.
Guido at last cried "Something is in the air,
"Under the earth, some plot against my peace.
"The trouble of eclipse hangs overheard;
"How it should come of that officious orb
"Your Canon in my system, you must say:
"I say—that from the pressure of this spring
"Began the chime and interchange of bells,
"Ever one whisper, and one whisper more,
"And just one whisper for the silvery last,
"Till all at once a-row the bronze-throats burst
"Into a larum both significant
"And sinister: stop it I must and will.
"Let Caponsacchi take his hand away
"From the wire!—disport himself in other paths
"Than lead precisely to my palace-gate,—
"Look where he likes except one window's way
"Where, cheek on hand, and elbow set on sill,
"Happens to lean and say her litanies
"Every day and all day long, just my wife—
"Or wife and Caponsacchi may fare the worse!"
Admire the man's simplicity, "I'll do this,
"I'll not have that, I'll punish and prevent!"—
'T is easy saying. But to a fray, you see,
Two parties go. The badger shows his teeth:
The fox nor lies down sheep-like nor dares fight.
Oh, the wife knew the appropriate warfare well,
The way to put suspicion to the blush!
At first hint of remonstrance, up and out
I' the face of the world, you found her: she could speak,
State her case,—Franceschini was a name,
Guido had his full share of foes and friends—
Why should not she call these to arbitrate?
She bade the Governor do governance,
Cried out on the Archbishop,—why, there now,
Take him for sample! Three successive times,
Had he to reconduct her by main-force
From where she took her station opposite
His shut door,—on the public steps thereto,
Wringing her hands, when he came out to see,
And shrieking all her wrongs forth at his foot,—
Back to the husband and the house she fled:
Judge if that husband warmed him in the face
Of friends or frowned on foes as heretofore!
Judge if he missed the natural grin of folk,
Or lacked the customary compliment
Of cap and bells, the luckless husband's fit!
So it went on and on till—who was right?
One merry April morning, Guido woke
After the cuckoo, so late, near noonday,
With an inordinate yawning of the jaws,
Ears plugged, eyes gummed together, palate, tongue
And teeth one mud-paste made of poppy-milk;
And found his wife flown, his scritoire the worse
For a rummage,—jewelry that was, was not,
Some money there had made itself wings too,—
The door lay wide and yet the servants slept
Sound as the dead, or dosed which does as well.
In short, Pompilia, she who, candid soul,
Had not so much as spoken all her life
To the Canon, nay, so much as peeped at him
Between her fingers while she prayed in church,—
This lamb-like innocent of fifteen years
(Such she was grown to by this time of day)
Had simply put an opiate in the drink
Of the whole household overnight, and then
Got up and gone about her work secure,
Laid hand on this waif and the other stray,
Spoiled the Philistine and marched out of doors
In company of the Canon who, Lord's love,
What with his daily duty at the church,
Nightly devoir where ladies congregate,
Had something else to mind, assure yourself,
Beside Pompilia, paragon though she be,
Or notice if her nose were sharp or blunt!
Well, anyhow, albeit impossible,
Both of them were together jollily
Jaunting it Rome-ward, half-way there by this,
While Guido was left go and get undrugged,
Gather his wits up, groaningly give thanks
When neighbours crowded round him to condole.
"Ah," quoth a gossip, "well I mind me now,
"The Count did always say he thought he felt
"He feared as if this very chance might fall!
"And when a man of fifty finds his corns
"Ache and his joints throb, and foresees a storm,
"Though neighbours laugh and say the sky is clear,
"Let us henceforth believe him weatherwise!"
Then was the story told, I'll cut you short:
All neighbours knew: no mystery in the world.
The lovers left at nightfall—over night
Had Caponsacchi come to carry off
Pompilia,—not alone, a friend of his,
One Guillichini, the more conversant
With Guido's housekeeping that he was just
A cousin of Guido's and might play a prank—
(Have not you too a cousin that's a wag?)
—Lord and a Canon also,—what would you have?
Such are the red-clothed milk-swollen poppy-heads
That stand and stiffen 'mid the wheat o' the Church!—
This worthy came to aid, abet his best.
And so the house was ransacked, booty bagged,
The lady led downstairs and out of doors
Guided and guarded till, the city passed,
A carriage lay convenient at the gate.
Good-bye to the friendly Canon; the loving one
Could peradventure do the rest himself.
In jumps Pompilia, after her the priest,
"Whip, driver! Money makes the mare to go,
"And we've a bagful. Take the Roman road!"
So said the neighbours. This was eight hours since.
Guido heard all, swore the befitting oaths,
Shook off the relics of his poison-drench,
Got horse, was fairly started in pursuit
With never a friend to follow, found the track
Fast enough, 't was the straight Perugia way,
Trod soon upon their very heels, too late
By a minute only at Camoscia, reached
Chiusi, Foligno, ever the fugitives
Just ahead, just out as he galloped in,
Getting the good news ever fresh and fresh,
Till, lo, at the last stage of all, last post
Before Rome,—as we say, in sight of Rome
And safety (there's impunity at Rome
For priests, you know) at—what's the little place?—
What some call Castelnuovo, some just call
The Osteria, because o' the post-house inn,
There, at the journey's all but end, it seems,
Triumph deceived them and undid them both,
Secure they might foretaste felicity
Nor fear surprisal: so, they were surprised.
There did they halt at early evening, there
Did Guido overtake them: 't was day-break;
He came in time enough, not time too much,
Since in the courtyard stood the Canon's self
Urging the drowsy stable-grooms to haste
Harness the horses, have the journey end,
The trifling four-hours'-running, so reach Rome.
And the other runaway, the wife? Upstairs,
Still on the couch where she had spent the night,
One couch in one room, and one room for both.
So gained they six hours, so were lost thereby.
Sir, what's the sequel? Lover and beloved
Fall on their knees? No impudence serves here?
They beat their breasts and beg for easy death,
Confess this, that and the other?—anyhow
Confess there wanted not some likelihood
To the supposition so preposterous,
That, O Pompilia, thy sequestered eyes
Had noticed, straying o'er the prayerbook's edge,
More of the Canon than that black his coat,
Buckled his shoes were, broad his hat of brim:
And that, O Canon, thy religious care
Had breathed too soft a benedicite
To banish trouble from a lady's breast
So lonely and so lovely, nor so lean!
This you expect? Indeed, then, much you err.
Not to such ordinary end as this
Had Caponsacchi flung the cassock far,
Doffed the priest, donned the perfect cavalier.
The die was cast: over shoes over boots:
And just as she, I presently shall show,
Pompilia, soon looked Helen to the life,
Recumbent upstairs in her pink and white,
So, in the inn-yard, bold as 't were Troy-town,
There strutted Paris in correct costume,
Cloak, cap and feather, no appointment missed,
Even to a wicked-looking sword at side,
He seemed to find and feel familiar at.
Nor wanted words as ready and as big
As the part he played, the bold abashless one.
"I interposed to save your wife from death,
"Yourself from shame, the true and only shame:
"Ask your own conscience else!—or, failing that,
"What I have done I answer, anywhere,
"Here, if you will; you see I have a sword:
"Or, since I have a tonsure as you taunt,
"At Rome, by all means,—priests to try a priest.
"Only, speak where your wife's voice can reply!"
And then he fingered at the sword again.
So, Guido called, in aid and witness both,
The Public Force. The Commissary came,
Officers also; they secured the priest;
Then, for his more confusion, mounted up
With him, a guard on either side, the stair
To the bed-room where still slept or feigned a sleep
His paramour and Guido's wife: in burst
The company and bade her wake and rise.
Her defence? This. She woke, saw, sprang upright
I' the midst and stood as terrible as truth,
Sprang to her husband's side, caught at the sword
That hung there useless,—since they held each hand
O' the lover, had disarmed him properly,—
And in a moment out flew the bright thing
Full in the face of Guido: but for help
O' the guards who held her back and pinioned her
With pains enough, she had finished you my tale
With a flourish of red all round it, pinked her man
Prettily; but she fought them one to six.
They stopped that,—but her tongue continued free:
She spat forth such invective at her spouse,
O'erfrothed him with such foam of murderer,
Thief, pandar—that the popular tide soon turned,
The favour of the very sbirri, straight
Ebbed from the husband, set toward his wife,
People cried "Hands off, pay a priest respect!"
And "persecuting fiend" and "martyred saint"
Began to lead a measure from lip to lip.
But facts are facts and flinch not; stubborn things,
And the question "Prithee, friend, how comes my purse
"I' the poke of you?"—admits of no reply.
Here was a priest found out in masquerade,
A wife caught playing truant if no more;
While the Count, mortified in mien enough,
And, nose to face, an added palm in length,
Was plain writ "husband" every piece of him:
Capture once made, release could hardly be.
Beside, the prisoners both made appeal,
"Take us to Rome!"
Taken to Rome they were;
The husband trooping after, piteously,
Tail between legs, no talk of triumph now—
No honour set firm on its feet once more
On two dead bodies of the guilty,—nay,
No dubious salve to honour's broken pate
From chance that, after all, the hurt might seem
A skin-deep matter, scratch that leaves no scar:
For Guido's first search,—ferreting, poor soul,
Here, there and everywhere in the vile place
Abandoned to him when their backs were turned,
Found,—furnishing a last and best regale,—
All the love-letters bandied 'twixt the pair
Since the first timid trembling into life
O' the love-star till its stand at fiery full.
Mad prose, mad verse, fears, hopes, triumph, despair,
Avowal, disclaimer, plans, dates, names,—was nought
Wanting to prove, if proof consoles at all,
That this had been but the fifth act o' the piece
Whereof the due proemium, months ago
These playwrights had put forth, and ever since
Matured the middle, added 'neath his nose.
He might go cross himself: the case was clear.
Therefore to Rome with the clear case; there plead
Each party its best, and leave law do each right,
Let law shine forth and show, as God in heaven,
Vice prostrate, virtue pedestalled at last,
The triumph of truth! What else shall glad our gaze
When once authority has knit the brow
And set the brain behind it to decide
Between the wolf and sheep turned litigants?
"This is indeed a business!" law shook head:
"A husband charges hard things on a wife,
"The wife as hard o' the husband: whose fault here?
"A wife that flies her husband's house, does wrong:
"The male friend's interference looks amiss,
"Lends a suspicion: but suppose the wife,
"On the other hand, be jeopardized at home—
"Nay, that she simply hold, ill-groundedly,
"An apprehension she is jeopardized,—
"And further, if the friend partake the fear,
"And, in a commendable charity
"Which trusteth all, trust her that she mistrusts,—
"What do they but obey law—natural law?
"Pretence may this be and a cloak for sin,
"And circumstances that concur i' the close
"Hint as much, loudly—yet scarce loud enough
"To drown the answer 'strange may yet be true:'
"Innocence often looks like guiltiness.
"The accused declare that in thought, word and deed,
"Innocent were they both from first to last
"As male-babe haply laid by female-babe
"At church on edge of the baptismal font
"Together for a minute, perfect-pure.
"Difficult to believe, yet possible,
"As witness Joseph, the friend's patron-saint.
"The night at the inn—there charity nigh chokes
"Ere swallow what they both asseverate;
"Though down the gullet faith may feel it go,
"When mindful of what flight fatigued the flesh
"Out of its faculty and fleshliness,
"Subdued it to the soul, as saints assure:
"So long a flight necessitates a fall
"On the first bed, though in a lion's den,
"And the first pillow, though the lion's back:
"Difficult to believe, yet possible.
"Last come the letters' bundled beastliness—
"Authority repugns give glance to—nay,
"Turns head, and almost lets her whip-lash fall;
"Yet here a voice cries 'Respite!' from the clouds—
"the accused, both in a tale, protest, disclaim,
"Abominate the horror: 'Not my hand'
"Asserts the friend—'Nor mine' chimes in the wife,
"'Seeing I have no hand, nor write at all.'
"Illiterate—for she goes on to ask,
"What if the friend did pen now verse now prose,
"Commend it to her notice now and then?
"'T was pearls to swine: she read no more than wrote,
"And kept no more than read, for as they fell
"She ever brushed the burr-like things away,
"Or, better, burned them, quenched the fire in smoke.
"As for this fardel, filth and foolishness,
"She sees it now the first time: burn it too!
"While for his part the friend vows ignorance
"Alike of what bears his name and bears here:
"'T is forgery, a felon's masterpiece,
"And, as 't is said the fox still finds the stench,
"Home-manufacture and the husband's work.
"Though he confesses, the ingenuous friend,
"That certain missives, letters of a sort,
"Flighty and feeble, which assigned themselves
"To the wife, no less have fallen, far too oft,
"In his path: wherefrom he understood just this—
"That were they verily the lady's own.
"Why, she who penned them, since he never saw
"Save for one minute the mere face of her,
"Since never had there been the interchange
"Of word with word between them all their life,
"Why, she must be the fondest of the frail,
"And fit, she for the 'apage' he flung,
"Her letters for the flame they went to feed!
"But, now he sees her face and hears her speech,
"Much he repents him if, in fancy-freak
"For a moment the minutest measurable,
"He coupled her with the first flimsy word
"O' the self-spun fabric some mean spider-soul
"Furnished forth: stop his films and stamp on him!
"Never was such a tangled knottiness,
"But thus authority cuts the Gordian through,
"And mark how her decision suits the need!
"Here's troublesomeness, scandal on both sides,
"Plenty of fault to find, no absolute crime:
"Let each side own its fault and make amends!
"What does a priest in cavalier's attire
"Consorting publicly with vagrant wives
"In quarters close as the confessional,
"Though innocent of harm? 'T is harm enough:
"Let him pay it,—say, be relegate a good
"Three years, to spend in some place not too far
"Nor yet too near, midway 'twixt near and far,
"Rome and Arezzo,—Civita we choose,
"Where he may lounge away time, live at large,
"Find out the proper function of a priest,
"Nowise an exile,—that were punishment,—
"But one our love thus keeps out of harm's way
"Not more from the husband's anger than, mayhap
"His own … say, indiscretion, waywardness,
"And wanderings when Easter eves grow warm.
"For the wife,—well, our best step to take with her,
"On her own showing, were to shift her root
"From the old cold shade and unhappy soil
"Into a generous ground that fronts the south
"Where, since her callow soul, a-shiver late,
"Craved simply warmth and called mere passers-by
"To the rescue, she should have her fill of shine.
"Do house and husband hinder and not help?
"Why then, forget both and stay here at peace,
"Come into our community, enroll
"Herself along with those good Convertites,
"Those sinners saved, those Magdalens re-made,
"Accept their ministration, well bestow
"Her body and patiently possess her soul,
"Until we see what better can be done.
"Last for the husband: if his tale prove true,
"Well is he rid of two domestic plagues—
"Both wife that ailed, do whatsoever he would,
"And friend of hers that undertook the cure.
"See, what a double load we lift from breast!
"Off he may go, return, resume old life,
"Laugh at the priest here and Pompilia there
"In limbo each and punished for their pains,
"And grateful tell the inquiring neighbourhood—
"In Rome, no wrong but has its remedy."
The case was closed. Now, am I fair or no
In what I utter? Do I state the facts,
Having forechosen a side? I promised you!
The Canon Caponsacchi, then, was sent
To change his garb, re-trim his tonsure, tie
The clerkly silk round, every plait correct,
Make the impressive entry on his place
Of relegation, thrill his Civita,
As Ovid, a like sufferer in the cause,
Planted a primrose-patch by Pontus: where,—
What with much culture of the sonnet-stave
And converse with the aborigines,
Soft savagery of eyes unused to roll
And hearts that all awry went pit-a-pat
And wanted setting right in charity,—
What were a couple of years to while away?
Pompilia, as enjoined, betook herself
To the aforesaid Convertites, soft sisterhood
In Via Lungara, where the light ones live,
Spin, pray, then sing like linnets o'er the flax.
"Anywhere, anyhow, out of my husband's house
"Is heaven," cried she,—was therefore suited so.
But for Count Guido Franceschini, he-
The injured man thus righted—found no heaven
I' the house when he returned there, I engage,
Was welcomed by the city turned upside down
In a chorus of inquiry. "What, back—you?
"And no wife? Left her with the Penitents?
"Ah, being young and pretty, 't were a shame
"To have her whipped in public: leave the job
"To the priests who understand! Such priests as yours—
"(Pontifex Maximus whipped Vestals once)
"Our madcap Caponsacchi: think of him!
"So, he fired up, showed fight and skill of fence?
"Ay, you drew also, but you did not fight!
"The wiser, 't is a word and a blow with him,
"True Caponsacchi, of old Head-i'-the-Sack
"That fought at Fiesole ere Florence was:
"He had done enough, to firk you were too much.
"And did the little lady menace you,
"Make at your breast with your own harmless sword?
"The spitfire! Well, thank God you're safe and sound,
"Have kept the sixth commandment whether or no
"The lady broke the seventh: I only wish
"I were as saint-like, could contain me so.
"I, the poor sinner, fear I should have left
"Sir Priest no nose-tip to turn up at me!"
You, Sir, who listen but interpose no word,
Ask yourself, had you borne a baiting thus?
Was it enough to make a wise man mad?
Oh, but I'll have your verdict at the end!
Well, not enough, it seems: such mere hurt falls,
Frets awhile, aches long, then grows less and less,
And so gets done with. Such was not the scheme
O' the pleasant Comparini: on Guido's wound
Ever in due succession, drop by drop,
Came slow distilment from the alembic here
Set on to simmer by Canidian hate,
Corrosives keeping the man's misery raw.
First fire-drop,—when he thought to make the best
O' the bad, to wring from out the sentence passed,
Poor, pitiful, absurd although it were,
Yet what might eke him out result enough
And make it worth while to have had the right
And not the wrong i' the matter judged at Rome.
Inadequate her punishment, no less
Punished in some slight sort his wife had been;
Then, punished for adultery, what else?
On such admitted crime he thought to seize,
And institute procedure in the courts
Which cut corruption of this kind from man,
Cast loose a wife proved loose and castaway:
He claimed in due form a divorce at least.
This claim was met now by a counterclaim:
Pompilia sought divorce from bed and board
Of Guido, whose outrageous cruelty,
Whose mother's malice and whose brother's hate
Were just the white o' the charge, such dreadful depths
Blackened its centre,—hints of worse than hate,
Love from that brother, by that Guido's guile,
That mother's prompting. Such reply was made,
So was the engine loaded, wound up, sprung
On Guido, who received bolt full in breast;
But no less bore up, giddily perhaps.
He had the Abate Paolo still in Rome,
Brother and friend and fighter on his side:
They rallied in a measure, met the foe
Manlike, joined battle in the public courts,
As if to shame supine law from her sloth:
And waiting her award, let beat the while
Arezzo's banter, Rome's buffoonery,
On this ear and on that ear, deaf alike,
Safe from worse outrage. Let a scorpion nip,
And never mind till he contorts his tail!
But there was sting i' the creature; thus it struck.
Guido had thought in his simplicity—
That lying declaration of remorse,
That story of the child which was no child
And motherhood no motherhood at all,
—That even this sin might have its sort of good
Inasmuch as no question more could be,—
Call it false, call the story true,—no claim
Of further parentage pretended now:
The parents had abjured all right, at least,
I' the woman owned his wife: to plead right still
Were to declare the abjuration false:
He was relieved from any fear henceforth
Their hands might touch, their breath defile again
Pompilia with his name upon her yet.
Well, no: the next news was, Pompilia's health
Demanded change after full three long weeks
Spent in devotion with the Sisterhood,—
Which rendered sojourn,—so the court opined,—
Too irksome, since the convent's walls were high
And windows narrow, now was air enough
Nor light enough, but all looked prison-like,
The last thing which had come in the court's head.
Propose a new expedient therefore,—this!
She had demanded—had obtained indeed,
By intervention of her pitying friends
Or perhaps lovers—(beauty in distress,
Beauty whose tale is the town-talk beside,
Never lacks friendship's arm about her neck)—
Obtained remission of the penalty,
Permitted transfer to some private place
Where better air, more light, new food might soothe—
Incarcerated (call it, all the same)
At some sure friend's house she must keep inside,
Be found in at requirement fast enough,—
Domus pro carcere, in Roman style.
You keep the house i' the main, as most men do
And all good women: but free otherwise,
Should friends arrive, to lodge them and what not?
And such a domum, such a dwelling-place,
Having all Rome to choose from, where chose she?
What house obtained Pompilia's preference?
Why, just the Comparini's—just, do you mark,
Theirs who renounced all part and lot in her
So long as Guido could be robbed thereby,
And only fell back on relationship
And found their daughter safe and sound again
When that might surelier stab him: yes, the pair
Who, as I told you, first had baited hook
With this poor gilded fly Pompilia-thing,
Then caught the fish, pulled Guido to the shore
And gutted him,—not found a further use
For the bait, would trail the gauze wings yet again
I' the way of what new swimmer passed their stand.
They took Pompilia to their hiding-place—
Not in the heart of Rome as formerly,
Under observance, subject to control—
But out o' the way,—or in the way, who knows?
That blind mute villa lurking by the gate
At Via Paulina, not so hard to miss
By the honest eye, easy enough to find
In twilight by marauders: where perchance
Some muffled Caponsacchi might repair,
Employ odd moments when he too tried change,
Found that a friend's abode was pleasanter
Than relegation, penance and the rest.
Come, here's the last drop does its worst to wound
Here's Guido poisoned to the bone, you say
Your boasted still's full strain and strength: not so!
One master-squeeze from screw shall bring to birth
The hoard i' the heart o' the toad, hell's quintessence.
He learned the true convenience of the change,
And why a convent lacks the cheerful hearts
And helpful hands which female straits require,
When, in the blind mute villa by the gate,
Pompilia—what? sang, danced, saw company?
—Gave birth, Sir, to a child, his son and heir,
Or Guido's heir and Caponsacchi's son.
I want your word now: what do you say to this?
What would say little Arezzo and great Rome,
And what did God say and the devil say
One at each ear o' the man, the husband, now
The father? Why, the overburdened mind
Broke down, what was a brain became a blaze.
In fury of the moment—(that first news
Fell on the Count among his vines, it seems,
Doing his farm-work,)—why, he summoned steward,
Called in the first four hard hands and stout hearts
From field and furrow, poured forth his appeal,
Not to Rome's law and gospel any more,
But this clown with a mother or a wife,
That clodpole with a sister or a son:
And, whereas law and gospel held their peace,
What wonder if the sticks and stones cried out?
All five soon somehow found themselves at Rome,
At the villa door: there was the warmth and light—
The sense of life so just an inch inside—
Some angel must have whispered "One more chance!"
Knocked at the door,—"Who is it knocks?" cried one.
"I will make," surely Guido's angel urged,
"One final essay, last experiment,
"Speak the word, name the name from out all names
"Which, if,—as doubtless strong illusions are,
"And strange disguisings whereby truth seems false,
"And, since I am but man, I dare not do
"God's work until assured I see with God,—
"If I should bring my lips to breathe that name
"And they be innocent,—nay, by one mere touch
"Of innocence redeemed from utter guilt,-
"That name will bar the door and bid fate pass.
"I will not say 'It is a messenger,
"'A neighbour, even a belated man,
"'Much less your husband's friend, your husband's self:'
"At such appeal the door is bound to ope.
"But I will say"—here's rhetoric and to spare!
Why, Sir, the stumbling-block is cursed and kicked,
Block though it be; the name that brought offence
Will bring offence: the burnt child dreads the fire
Although that fire feed on some taper-wick
Which never left the altar nor singed a fly:
And had a harmless man tripped you by chance,
How would you wait him, stand or step aside,
When next you heard he rolled your way? Enough.
"Giuseppe Caponsacchi!" Guido cried;
And open flew the door: enough again.
Vengeance, you know, burst, like a mountain-wave
That holds a monster in it, over the house,
And wiped its filthy four walls free at last
With a wash of hell-fire,—father, mother, wife,
Killed them all, bathed his name clean in their blood,
And, reeking so, was caught, his friends and he,
Haled hither and imprisoned yesternight
O' the day all this was.
Now, Sir, tale is told,
Of how the old couple come to lie in state
Though hacked to pieces,—never, the expert say,
So thorough a study of stabbing—while the wife
(Viper-like, very difficult to slay)
Writhes still through every ring of her, poor wretch,
At the Hospital hard by—survives, we'll hope,
To somewhat purify her putrid soul
By full confession, make so much amends
While time lasts; since at day's end die she must.
For Caponsacchi,—why, they'll have him here,
As hero of the adventure, who so fit
To figure in the coming Carnival?
'T will make the fortune of whate'er saloon
Hears him recount, with helpful cheek, and eye
Hotly indignant now, now dewy-dimmed,
The incidents of flight, pursuit, surprise,
Capture, with hints of kisses all between—
While Guido, wholly unromantic spouse,
No longer fit to laugh at since the blood
Gave the broad farce an all too brutal air,
Why, he and those four luckless friends of his
May tumble in the straw this bitter day—
Laid by the heels i' the New Prison, I hear,
To bide their trial, since trial, and for the life,
Follows if but for form's sake: yes, indeed!
But with a certain issue: no dispute,
"Try him," bids law: formalities oblige:
But as to the issue,—look me in the face!—
If the law thinks to find them guilty, Sir,
Master or men—touch one hair of the five,
Then I say in the name of all that's left
Of honour in Rome, civility i' the world
Whereof Rome boasts herself the central source,—
There's an end to all hope of justice more.
Astræa's gone indeed, let hope go too!
Who is it dares impugn the natural law,
Deny God's word "the faithless wife shall die"?
What, are we blind? How can we fail to learn
This crowd of miseries make the man a mark,
Accumulate on one devoted head
For our example?—yours and mine who read
Its lesson thus—"Henceforward let none dare
"Stand, like a natural in the public way,
"Letting the very urchins twitch his beard
"And tweak his nose, to earn a nickname so,
"Be styled male-Grissel or else modern Job!"
Had Guido, in the twinkling of an eye,
Summed up the reckoning, promptly paid himself,
That morning when he came up with the pair
At the wayside inn,—exacted his just debt
By aid of what first mattock, pitchfork, axe
Came to hand in the helpful stable-yard,
And with that axe, if providence so pleased,
Cloven each head, by some Rolando-stroke,
In one clean cut from crown to clavicle,
—Slain the priest-gallant, the wife-paramour,
Sticking, for all defence, in each skull's cleft
The rhyme and reason of the stroke thus dealt,
To-wit, those letters and last evidence
Of shame, each package in its proper place,—
Bidding, who pitied, undistend the skulls,—
I say, the world had praised the man. But no!
That were too plain, too straight; too simply just!
He hesitates, calls law forsooth to help.
And law, distasteful to who calls in law
When honour is beforehand and would serve,
What wonder if law hesitate in turn,
Plead her disuse to calls o' the kind, reply
(Smiling a little) "'T is yourself assess
"The worth of what's lost, sum of damage done.
"What you touched with so light a finger-tip,
"You whose concern it was to grasp the thing,
"Why must law gird herself and grapple with?
"Law, alien to the actor whose warm blood
"Asks heat from law whose veins run lukewarm milk,—
"What you dealt lightly with, shall law make out
Sir, what's the good of law
In a case o'the kind? None, as she all but says.
Call in law when a neighbour breaks your fence,
Cribs from your field, tampers with rent or lease,
Touches the purse or pocket,—but wooes your wife?
No: take the old way trod when men were men!
Guido preferred the new path,—for his pains,
Stuck in a quagmire, floundered worse and worse
Until he managed somehow scramble back
Into the safe sure rutted road once more,
Revenged his own wrong like a gentleman.
Once back 'mid the familiar prints, no doubt
He made too rash amends for his first fault,
Vaulted too loftily over what barred him late,
And lit i' the mire again,—the common chance,
The natural over-energy: the deed
Maladroit yields three deaths instead of one,
And one life left: for where's the Canon's corpse?
All which is the worse for Guido, but, be frank—
The better for you and me and all the world,
Husbands of wives, especially in Rome.
The thing is put right, in the old place,—ay,
The rod hangs on its nail behind the door,
Fresh from the brine: a matter I commend
To the notice, during Carnival that's near,
Of a certain what's-his-name and jackanapes
Somewhat too civil of eves with lute and song
About a house here, where I keep a wife.
(You, being his cousin, may go tell him so.)
Don't call the alligator a big-mouth till you have crossed the river.