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Robert Burns

Epigram Addressed to an Artist

Dear _____, I'll gie ye some advice,
You'll tak it no uncivil:
You shouldna paint at angels mair,
But try and paint the devil.

To paint an Angel's kittle wark,
Wi' Nick, there's little danger:
You'll easy draw a lang-kent face,
But no sae weel a stranger.

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Kilmeny

Bonnie Kilmeny gaed up the glen;
But it wasna to meet Duneira's men,
Nor the rosy monk of the isle to see,
For Kilmeny was pure as pure could be.
It was only to hear the yorlin sing,
And pu' the cress-flower round the spring;
The scarlet hypp and the hindberrye,
And the nut that hung frae the hazel tree;
For Kilmeny was pure as pure could be.
But lang may her minny look o'er the wa',
But lang may she seek i' the green-wood shaw;
Lang the laird o' Duneira blame,
And lang, lang greet or Kilmeny come hame!

When many a day had come and fled,
When grief grew calm, and hope was dead,
When mess for Kilmeny's soul had been sung,
When the bedesman had pray'd and the dead bell rung,
Late, late in gloamin' when all was still,
When the fringe was red on the westlin hill,
The wood was sere, the moon i' the wane,
The reek o' the cot hung over the plain,
Like a little wee cloud in the world its lane;
When the ingle low'd wi' an eiry leme,
Late, late in the gloamin' Kilmeny came hame!

'Kilmeny, Kilmeny, where have you been?
Lang hae we sought baith holt and den;
By linn, by ford, and green-wood tree,
Yet you are halesome and fair to see.
Where gat you that joup o' the lily scheen?
That bonnie snood of the birk sae green?
And these roses, the fairest that ever were seen?
Kilmeny, Kilmeny, where have you been?'

Kilmeny look'd up with a lovely grace,
But nae smile was seen on Kilmeny's face;
As still was her look, and as still was her e'e,
As the stillness that lay on the emerant lea,
Or the mist that sleeps on a waveless sea.
For Kilmeny had been, she knew not where,
And Kilmeny had seen what she could not declare;
Kilmeny had been where the cock never crew,
Where the rain never fell, and the wind never blew.
But it seem'd as the harp of the sky had rung,
And the airs of heaven play'd round her tongue,
When she spake of the lovely forms she had seen,
And a land where sin had never been;
A land of love and a land of light,
Withouten sun, or moon, or night;

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Robert Burns

Death and Doctor Hornbook

SOME books are lies frae end to end,
And some great lies were never penn’d:
Ev’n Ministers they hae been kenn’d,
In holy rapture,
A rousing whid, at times, to vend,
And nail’t wi’ Scripture.

But this that I am gaun to tell,
Which lately on a night befel,
Is just as true ’s the Deil’s in hell,
Or Dublin city:
That e’er he nearer comes oursel
S a muckle pity.

The Clachan yill had made me canty,
I was na fou, but just had plenty;
I stacher’d whyles, but yet took tent ay
To free the ditches;
An’ hillocks, stanes, an’ bushes kenn’d ay
Frae ghaists an’ witches.

The rising Moon began to glowr
The distant Cumnock hills out-owre;
To count her horns, wia’ my pow’r,
I set mysel,
But whether she had three or four,
I cou’d na tell.

I was come round about the hill,
And todlin down on Willie’s mill,
Setting my staff wia’ my skill,
To keep me sicker;
Tho’ leeward whyles, against my will,
I took a bicker.

I there wi’ Something does forgather,
That pat me in an eerie swither;
An awfu’ scythe, out-owre ae shouther,
Clear-dangling, hang;
A three-tae’d leister on the ither
Lay, large anlang.

Its stature seem’d lang Scotch ells twa,
The queerest shape that e’er I saw,
For fient a wame it had ava,
And then its shanks,
They were as thin, as sharp an’ sma’
As cheeks o’ branks.

»Guid-een«, quo I; »Friend! hae ye been mawin,

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The Mother's Lesson

Come hither an' sit on my knee, Willie,
Come hither an' sit on my knee,
An' list while I tell how your brave brither fell,
Fechtin' for you an' for me:
Fechtin' for you an' for me, Willie,
Wi' his guid sword in his han'.
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man!


Ye min' o' your ain brither dear, Willie,
Ye min' o' your ain brither dear,
How he pettled ye aye wi' his pliskies an' play,
An' was aye sae cantie o' cheer:
Aye sae cantie o' cheer, Willie,
As he steppit sae tall an' sae gran',
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man.


D'ye min' when the bull had ye doun, Willie,
D'ye min' when the bull had ye doun?
D'ye min' wha grippit ye fra the big bull,
D'ye min' o' his muckle red woun'?
D'ye min' o' his muckle red woun', Willie,
D'ye min' how the bluid doun ran?
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man.


D'ye min' when we a' wanted bread, Willie,
the year when we a' wanted bread?
How he smiled when he saw the het parritch an' a',
An' gaed cauld an' toom to his bed:
Gaed awa' toom to his bed, Willie,
For the love o' wee Willie an' Nan?
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man!


Next simmer was bright but an' ben, Willie,
Next simmer was bright but an' ben,
When there cam a gran' cry like a win' strang an' high
By loch, an' mountain, an' glen:
By loch, an' mountain, an' glen, Willie,
The cry o' a far forrin lan',
An' up loupit ilka brave man, Willie,
Up loupit ilka brave man.

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15 Selected Love Poems in Scots

1.Ballad

Oh cauld's the doonrush o a burn
In winter's iron thraa,
Bit caulder still's a merriage bed
Fin luv has stolen awa.

Far niver gowden sun luiks doon,
Sae derk's the gairden booer¬
Bit derker yet's the hairt o man
Far skaith an sorra cooer.

Oh deep's a dreich an dowie loch
Far salmon niver sweems,
Bit deeper still's the cruel mire
That smores a bairn's dreams.

Oh I wad don the goun sae green,
Wi lilies hap ma head
An like Tam Lin the elfin knicht,
Step ower the burn o bluid
That rins between this eirdly warld
An kingdom o the fay,
Far niver mortal feet may gyang,
Nor mortal thochts bring wae.

2.Eve

Bird o Paradise,
Spirk o Original sin,
An efterthocht.
A rib o the yird
Rowed up in a cutty claith;
A wanton, a limmer,
The hurly-gush o the river's
Nae fur ye.

Strae-dallie, a peach, a leech,
Ye're the stank o a gairden puil!
Quine, ye're a chaip bawbee,
A vessel, a vassal haudin the
Wine o yer Lord's creation.
Spunk that kinnelt temptation,
Ye war framed fur the fire,
Fur the Fa,

Frae the verra first.
Ye an the serpent
Scapegoats.
Baith accurst.

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Auld Lang Syne

(r.burns)
Traditional new years eves song. jeff performed it live at mercury lounge, new york, on december 31 1995.
Should auld acquaintance be forgot
And never brought to mind?
Should auld acquaintance be forgot
And auld lang syne!
For auld lang syne, my dear
For auld lang syne
Well tak a cup o kindness yet
For auld lang syne.
And surely yell be your pint stowp
And surely Ill be mine!
And well tak a cup o kindness yet,
For auld lang syne.
For auld lang syne, my dear
For auld lang syne
Well tak a cup o kindness yet
For auld lang syne.
We twa hae run about the braes
And poud the gowans fine
But weve wanderd mony a weary fit
Sin auld lang syne.
For auld lang syne, my dear
For auld lang syne
Well tak a cup o kindness yet
For auld lang syne.
We twa hae paidld in the burn
Frae morning sun till dine
But seas between us briad hae roard
Sin auld lang syne.
For auld lang syne, my dear
For auld lang syne
Well tak a cup o kindness yet
For auld lang syne.
And theres a hand, my trusty fere
And gies a hand o thine
And well tak a right gude-willie waught
For auld lang syne.
For auld lang syne, my dear
For auld lang syne
Well tak a cup o kindness yet
For auld lang syne.

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Jock O The Side

Now Liddisdale has ridden a raid,
But I wat they had better staid at hame;
For Mitchell o Winfield he is dead,
And my son Johnie is prisner tane?
With my fa ding diddle, la la dew diddle.

For Mangerton house auld Downie is gane,
Her coats she has kilted up to her knee;
And down the water wi speed she rins,
While tears in spaits fa fast frae her eie.

Then up and bespake the lord Mangerton:
'What news, what news, sister Downie, to me?'
'Bad news, bad news, my lord Mangerton;
Mitchel is killd, and tane they hae my son Johnie.'

'Neer fear, sister Downie,' quo Mangerton;
'I hae yokes of oxen, four-and-twentie,
My barns, my byres, and my faulds, a' weel filld,
And I'll part wi them a' ere Johnie shall die.

'Three men I'll take to set him free,
Weel harnessd a' wi best of steel;
The English rogues may hear, and drie
The weight o their braid swords to feel

'The Laird's Jock ane, the Laird's Wat twa,
O Hobie Noble, thou ane maun be!
Thy coat is blue, thou has been true,
Since England banishd thee, to me.'

Now, Hobie was an English man,
In Bewcastle-dale was bred and born;
But his misdeeds they were sae great,
They banished him neer to return.

Lord Mangerton then orders gave,--
'Your horses the wrang way maun a' be shod;
Like gentlemen ye must not seem,
But look like corn-caugers gawn ae road.

'Your armour gude ye maunna shaw,
Nor ance appear like men o weir;
As country lads be all arrayd,
Wi branks and brecham on ilk mare.'

Sae now a' their horses are shod the wrang way,
And Hobie has mounted his grey sae fine,
Jock his lively bay, Wat's on his white horse behind,
And on they rode for the water o Tyne.

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Robert Burns

The Twa Dogs, A Tale

'Twas in that place o' Scotland's isle,
That bears the name o' auld King COIL,[1]
Upon a bonie day in June,
When wearing thro' the afternoon,
5 Twa dogs, that were na thrang at hame,
Forgather'd ance upon a time.

The first I'll name, they ca'd him 'Cæsar',
Was keepet for his Honor's pleasure:
His hair, his size, his mouth, his lugs,
10 Shew'd he was nane o' Scotland's dogs;
But whalpit some place far abroad,
Whare sailors gang to fish for Cod.

His locked, letter'd, braw brass collar
Shew'd him the gentleman an' scholar;
15 But though he was o' high degree,
The fient a pride, nae pride had he;
But wad hae spent an hour caressin,
Ev'n wi' al tinkler-gipsey's messan:
At kirk or market, mill or smiddie,
20 Nae tawted tyke, tho' e'er sae duddie,
But he wad stand, as glad to see him,
An' stroan'd on stanes an' hillocks wi' him.

The tither was a ploughman's collie-
A rhyming, ranting, raving billie,
25 Wha for his friend an' comrade had him,
And in freak had 'Luath' ca'd him,
After some dog in Highland Sang,[2]
Was made lang syne,-Lord knows how lang.

He was a gash an' faithfu' tyke,
30 As ever lap a sheugh or dyke.
His honest, sonsie, baws'nt face
Aye gat him friends in ilka place;
His breast was white, his tousie back
Weel clad wi' coat o' glossy black;
35 His gawsie tail, wi' upward curl,
Hung owre his hurdie's wi' a swirl.

Nae doubt but they were fain o' ither,
And unco pack an' thick thegither;
Wi' social nose whiles snuff'd an' snowket;
40 Whiles mice an' moudieworts they howket;
Whiles scour'd awa' in lang excursion,
An' worry'd ither in diversion;
Till tir'd at last wi mony a farce,
Upon a knowe they set them down upon their -,
45 An' there began a lang digression.

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Robert Burns

The Twa Dogs

A Tale

'Twas in that place o' Scotland's isle,
That bears the name o' auld King Coil,
Upon a bonie day in June,
When wearin' thro' the afternoon,
Twa dogs, that were na thrang at hame,
Forgather'd ance upon a time.

The first I'll name, they ca'd him Caesar,
Was keepit for His Honor's pleasure:
His hair, his size, his mouth, his lugs,
Shew'd he was nane o' Scotland's dogs;
But whalpit some place far abroad,
Whare sailors gang to fish for cod.

His locked, letter'd, braw brass collar
Shew'd him the gentleman an' scholar;
But though he was o' high degree,
The fient a pride, nae pride had he;
But wad hae spent an hour caressin,
Ev'n wi' al tinkler-gipsy's messin:
At kirk or market, mill or smiddie,
Nae tawted tyke, tho' e'er sae duddie,
But he wad stan't, as glad to see him,
An' stroan't on stanes an' hillocks wi' him.

The tither was a ploughman's collie-
A rhyming, ranting, raving billie,
Wha for his friend an' comrade had him,
And in freak had Luath ca'd him,
After some dog in Highland Sang,
Was made lang syne,-Lord knows how lang.

He was a gash an' faithfu' tyke,
As ever lap a sheugh or dyke.
His honest, sonsie, baws'nt face
Aye gat him friends in ilka place;
His breast was white, his touzie back
Weel clad wi' coat o' glossy black;
His gawsie tail, wi' upward curl,
Hung owre his hurdie's wi' a swirl.

Nae doubt but they were fain o' ither,
And unco pack an' thick thegither;
Wi' social nose whiles snuff'd an' snowkit;
Whiles mice an' moudieworts they howkit;
Whiles scour'd awa' in lang excursion,
An' worry'd ither in diversion;
Until wi' daffin' weary grown

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Lewis Carroll

The Lang Coortin'

THE ladye she stood at her lattice high,
Wi' her doggie at her feet;
Thorough the lattice she can spy
The passers in the street,

"There's one that standeth at the door,
And tirleth at the pin:
Now speak and say, my popinjay,
If I sall let him in."

Then up and spake the popinjay
That flew abune her head:
"Gae let him in that tirls the pin:
He cometh thee to wed."

O when he cam' the parlour in,
A woeful man was he!
"And dinna ye ken your lover agen,
Sae well that loveth thee?"

"And how wad I ken ye loved me, Sir,
That have been sae lang away?
And how wad I ken ye loved me, Sir?
Ye never telled me sae."

Said - "Ladye dear," and the salt, salt tear
Cam' rinnin' doon his cheek,
"I have sent the tokens of my love
This many and many a week.

"O didna ye get the rings, Ladye,
The rings o' the gowd sae fine?
I wot that I have sent to thee
Four score, four score and nine."

"They cam' to me," said that fair ladye.
"Wow, they were flimsie things!"
Said - "that chain o' gowd, my doggie to howd,
It is made o' thae self-same rings."

"And didna ye get the locks, the locks,
The locks o' my ain black hair,
Whilk I sent by post, whilk I sent by box,
Whilk I sent by the carrier?"

"They cam' to me," said that fair ladye;
"And I prithee send nae mair!"
Said - "that cushion sae red, for my doggie's head,
It is stuffed wi' thae locks o' hair."

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Lewis Carroll

The Lang Coortin

The ladye she stood at her lattice high,
Wi' her doggie at her feet;
Thorough the lattice she can spy
The passers in the street,

'There's one that standeth at the door,
And tirleth at the pin:
Now speak and say, my popinjay,
If I sall let him in.'

Then up and spake the popinjay
That flew abune her head:
'Gae let him in that tirls the pin:
He cometh thee to wed.'

O when he cam' the parlour in,
A woeful man was he!
'And dinna ye ken your lover agen,
Sae well that loveth thee?'

'And how wad I ken ye loved me, Sir,
That have been sae lang away?
And how wad I ken ye loved me, Sir?
Ye never telled me sae.'

Said - 'Ladye dear,' and the salt, salt tear
Cam' rinnin' doon his cheek,
'I have sent the tokens of my love
This many and many a week.

'O didna ye get the rings, Ladye,
The rings o' the gowd sae fine?
I wot that I have sent to thee
Four score, four score and nine.'

'They cam' to me,' said that fair ladye.
'Wow, they were flimsie things!'
Said - 'that chain o' gowd, my doggie to howd,
It is made o' thae self-same rings.'

'And didna ye get the locks, the locks,
The locks o' my ain black hair,
Whilk I sent by post, whilk I sent by box,
Whilk I sent by the carrier?'

'They cam' to me,' said that fair ladye;
'And I prithee send nae mair!'
Said - 'that cushion sae red, for my doggie's head,
It is stuffed wi' thae locks o' hair.'

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Robert Burns

Tam o' Shanter

"Of Brownyis and of Bogillis full is this Buke." - Gawin Douglas

When chapmen billies leave the street,
And drouthy neibors, neibors meet,
As market days are wearing late,
An' folk begin to tak the gate;
While we sit bousing at the nappy,
And getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and styles,
That lie between us and our hame,
Where sits our sulky sullen dame.
Gathering her brows like gathering storm.
Nursing her wrath to keep it warm.

This truth fand honest Tam o' Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne'er a town surpasses
For honest men and bonie lasses.)

O Tam! had'st thou but been sae wise,
As ta'en thy ain wife Kate's advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum;
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi' the miller,
Thou sat as lang as thou had siller;
That every naig was ca'd a shoe on,
The smith and thee gat roaring fou on;
That at the L[or]d's house, even on Sunday,
Thou drank wi' Kirkton Jean till Monday.
She prophesied that late or soon,
Thou would be found deep drown'd in Doon;
Or catch'd wi' warlocks in the mirk,
By Alloway's auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthen'd, sage advices,
The husband frae the wife despises!

But to our tale:— Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi' reaming swats, that drank divinely
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo'ed him like a verra brither—
They had been fou for weeks thegither!

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Edom o' Gordon

IT fell about the Martinmas,
   When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
   'We maun draw to a hauld.

'And what a hauld sall we draw to,
   My merry men and me?
We will gae to the house o' the Rodes,
   To see that fair ladye.'

The lady stood on her castle wa',
   Beheld baith dale and down;
There she was ware of a host of men
   Cam riding towards the town.

'O see ye not, my merry men a',
   O see ye not what I see?
Methinks I see a host of men;
   I marvel wha they be.'

She ween'd it had been her lovely lord,
   As he cam riding hame;
It was the traitor, Edom o' Gordon,
   Wha reck'd nae sin nor shame.

She had nae sooner buskit hersell,
   And putten on her gown,
But Edom o' Gordon an' his men
   Were round about the town.

They had nae sooner supper set,
   Nae sooner said the grace,
But Edom o' Gordon an' his men
   Were lighted about the place.

The lady ran up to her tower-head,
   Sae fast as she could hie,
To see if by her fair speeches
   She could wi' him agree.

'Come doun to me, ye lady gay,
   Come doun, come doun to me;
This night sall ye lig within mine arms,
   To-morrow my bride sall be.'

'I winna come down, ye fals Gordon,
   I winna come down to thee;
I winna forsake my ain dear lord,
   That is sae far frae me.'

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Feeling Out Of Sorts?

Feeling out of sorts these days?
Want to know what you can do?
Need help? Here are 50 ways,
Maybe you'll benefit from a few

ROTMS


SYMPTOMS OF SPIRITUAL AWAKENING


1. Changing sleep patterns: restlessness, hot feet, waking up two or three times a night. Feeling tired after you wake up and sleepy off and on during the day.
There is something called the Triad Sleep Pattern that occurs for many: you sleep for about 2-3 hours, wake up, go back to sleep for another couple of hours, wake again, and go back to sleep again. For others, the sleep requirements have changed. You can get by on less sleep.
Lately I have been experiencing huge waves of energy running into my body from the crown. It feels good, but it keeps me awake for a long time, then subsides.

Advice: Get used to it. Make peace with it and don't worry about getting enough sleep (which often causes more insomnia) . You will be able to make it through the day if you hold thoughts of getting just what you need. You can also request your Higher Power to give you a break now and then and give you a good, deep night's sleep.

If you can't go back to sleep right away, use the waking moments to meditate, read poetry, write in your journal or look at the moon. Your body will adjust to the new pattern.

2. Activity at the crown of the head: Tingling, itching, prickly, crawling sensations along the scalp and/or down the spine. A sense of energy vibrating on top of the head, as if energy is erupting from the head in a shower. Also the sensation of energy pouring in through the crown, described as 'sprinkles'.


This may also be experienced as pressure on the crown, as if someone is pushing his/her finger into the center of your head. As I mentioned in #1, I have been experiencing huge downloads of energy through the crown.
In the past, I have felt more generalized pressure, as if my head is in a gentle vise. One man related that his hair stood on end and his body was covered with goosebumps.

Advice: This is nothing to be alarmed about. What you are experiencing is an opening of the crown chakra. The sensations mean that you are opening up to receive divine energy.


3. Sudden waves of emotion. Crying at the dropp of a hat. Feeling suddenly angry or sad with little provocation. Or inexplicably depressed. Then very happy. Emotional roller coaster. There is often a pressure or sense of emotions congested in the heart chakra (the middle of the chest) . This is not to be confused with the heart, which is located to the left of the heart chakra.

Advice: Accept your feelings as they come up and let them go. Go directly to your heart chakra and feel the emotion. Expand it outward to your all your fields and breathe deeply from the belly all the way up to your upper chest. Just feel the feeling and let it evaporate on its own. Don't direct the emotions at anyone.


You are cleaning out your past. If you want some help with this, say out loud that you intend to release all these old issues and ask your Higher Power to help you. You can also ask Grace Elohim to help you release with ease and gentleness. Be grateful that your body is releasing the see motions and not holding onto them inside where they can do harm.


One source suggests that depression is linked to letting go of relationships to people, work, etc. that no longer match us and our frequencies. When we feel guilty about letting go of these relationships, depression helps us medicate that pain.


4. Old 'stuff' seems to be coming up, as described above, and the people with whom you need to work it out (or their clones) appear in your life. Completion issues.

Or perhaps you need to work through issues of self-worth, abundance, creativity, addictions, etc. The resources or people you need to help you move through these issues start to appear.

Advice: Same as #3. Additionally, don't get too involved in analyzing these issues. Examining them too much will simply cycle you back through them over and over again at deeper and deeper levels. Get professional help if you need to and walk through it.


Do not try to avoid them or disassociate yourself from them. Embrace whatever comes up and thank it for helping you move ahead. Thank your Higher Power for giving you the opportunity to release these issues. Remember, you don't want these issues to stay stuck in your body.

5. Changes in weight. The weight gain in the US population is phenomenal. Other people may be losing weight.

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Robert Burns

Tam O'Shanter

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
And folk begin to tak the gate;
While we sit bousin, at the nappy,
And gettin fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest Tam o' Shanter,
As he frae Ayr ae night did canter:
(Auld Ayr, wham ne'er a town surpasses,
For honest men and bonie lasses.)

O Tam! had'st thou but been sae wise
As taen thy ain wife Kate's advice!
She tauld thee weel thou was a skellum,
A bletherin, blusterin, drunken blellum;
That frae November till October,
Ae market-day thou was na sober;
That ilka melder wi' the miller,
Thou sat as lang as thou had siller;
That ev'ry naig was ca'd a shoe on,
The smith and thee gat roarin fou on;
That at the Lord's house, ev'n on Sunday,
Thou drank wi' Kirkton Jean till Monday.
She prophesied, that, late or soon,
Thou would be found deep drown'd in Doon;
Ot catch'd wi' warlocks in the mirk,
By Alloway's auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthen'd sage advices,
The husband frae the wife despises!

But to our tale:-Ae market night,
Tam had got planted unco right,
Fast by an ingle, bleezing finely,
Wi' reaming swats that drank divinely;
And at his elbow, Souter Johnie,
His ancient, trusty, drouthy crony:
Tam lo'ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi' sangs and clatter;
And ay the ale was growing better:
The landlady and Tam grew gracious

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Edom O'Gordon

It fell about the Martinmas,
When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
'We maun draw to a hauld.

'And whatna hauld sall we draw to,
My merry men and me?
We will gae to the house of the Rodes,
To see that fair ladye.'

The lady stood on her castle wa',
Beheld baith dale and down;
There she was aware of a host of men
Came riding towards the town.

'O see ye not, my merry men a',
O see ye not what I see?
Methinks I see a host of men;
I marvel who they be.'

She ween'd it had been her lovely lord,
As he cam' riding hame;
It was the traitor, Edom o' Gordon,
Wha reck'd nor sin nor shame.

She had na sooner buskit hersell,
And putten on her gown,
Till Edom o' Gordon an' his men
Were round about the town.

They had nae sooner supper set,
Nae sooner said the grace,
But Edom o' Gordon an' his men
Were lighted about the place.

The lady ran up to her tower-head,
As fast as she could hie,
To see if by her fair speeches
She could wi' him agree.

'Come doun to me, ye lady gay,
Come doun, come doun to me;
This night sall ye lig within mine arms,
To-morrow my bride sall be.'

'I winna come down, ye fause Gordon,
I winna come down to thee;
I winna forsake my ain dear lord,--
And he is na far frae me.'

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Edom O'Gordon

It fell about the Martinmas,
When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
'We maun draw to a hauld.
'And whatna hauld sall we draw to,
My merry men and me?
We will gae to the house of the Rodes,
To see that fair ladye.'
The lady stood on her castle wa',
Beheld baith dale and down;
There she was aware of a host of men
Came riding towards the town.

'O see ye not, my merry men a',
O see ye not what I see?
Methinks I see a host of men;
I marvel who they be.'

She ween'd it had been her lovely lord,
As he cam' riding hame;
It was the traitor, Edom o' Gordon,
Wha reck'd nor sin nor shame.

She had na sooner buskit hersell,
And putten on her gown,
Till Edom o' Gordon an' his men
Were round about the town.

They had nae sooner supper set,
Nae sooner said the grace,
But Edom o' Gordon an' his men
Were lighted about the place.

The lady ran up to her tower-head,
As fast as she could hie,
To see if by her fair speeches
She could wi' him agree.

'Come doun to me, ye lady gay,
Come doun, come doun to me;
This night sall ye lig within mine arms,
To-morrow my bride sall be.'

'I winna come down, ye fause Gordon,
I winna come down to thee;
I winna forsake my ain dear lord,-
And he is na far frae me.'

'Gie owre your house, ye lady fair,
Gie owre your house to me;

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Edward, Edward. A Scottish Ballad

MODERN TRANSLATION (original below)

'Why does your sword so drip with blood,
Edward, Edward?
Why does your sword so drip with blood?
And why so sad are ye, O?'
'O, I have killed my hawk so good,
Mother, mother:
O I have killed my hawk so good:
And I had no more but he, O.'

'Your hawk's blood was never so red,
Edward, Edward:
Your hawk’s blood was never so red,
My dear son I tell thee, O.'
'O, I have killed my red-roan steed,
Mother, mother:
O, I have killed my red-roan steed,
That once was so fair and free, O.'

'Your steed was old, and we have got more,
Edward, Edward:
Your steed was old, and we have got more,
Some other evil ye fear, O.'
'O, I have killed my father dear,
Mother, mother:
O, I have killed my father dear,
Alas! and woe is me, O!'

'And what penance will ye suffer for that,
Edward, Edward?
And what penance will ye suffer for that?
My dear son, now tell me, O.'
'I'll set my feet in yonder boat,
Mother, mother:
Ill set my feet in yonder boat,
And Ill fare over the sea, O.'

'And what will ye do with your towers and your halls,
Edward, Edward?
And what will ye do with your towers and your halls,
That were sae fair to see, O?'
'Ill let them stand till they down fall,
Mother, mother:
Ill let them stand till they down fall,
For here never more may I be, O.'

'And what will ye leave to your children and your wife,
Edward, Edward?
And what will ye leave to your children and your wife

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Overnight Angels

(ian hunter)
In the heat of the indian summer
Out along the appalachian way
You can hear the sound of the overnight angels
As they pray
Charged by the light of some mariners lantern
Spitting out a cold but triangular spray
Cant you hear the screams of the overnight angels
As they play
Talking to the spirits through a silver curtain
Reaching out beyond the length of the light
You can catch a glimpse of an overnight angel
As he shines
Dancing through the toys of the dead and the living
Laughing at the poets changing their rhymes
Cant you feel the pulse of the overnight angels
Beating time
Can you hear us can you hear us
Were talking bout the overnight angels
Can you hear us can you hear us
Were talking bout the overnight angels angels angels
Children of the junkies led the revolution
Push yourselves over get yourselves there
Someone throw their arms round the overnight angels
Cause they care
Angels dont need no phony religion
Throw them out along with the ethnic nowheres
They will never speak to the overnight angels
They can only stare
Can you hear us can you hear us
Were talking bout the overnight angels
Can you hear us can you hear us
Were talking bout the overnight angels angels angels angels
Can you hear us can you hear us
Were talking bout the overnight angels
Can you hear us can you hear us
Were talking bout the overnight angels angels angels angels
Can you hear us can you hear us
Were talking bout the overnight angels
Can you hear us can you hear us
Were talking bout the overnight angels angels angels angels
Can you hear us can you hear us
Were talking bout the overnight angels
Can you hear us can you hear us
Were talking bout the overnight angels angels angels angels
Angels angels angels angels
Angels angels angels angels
Angels angels angels angels
Overnight angels
Overnight angels

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The Bloody Sun

“O WHERE have ye been the morn sae late,
My merry son, come tell me hither?
O where have ye been the morn sae late?
And I wot I hae but anither.”
“By the water-gate, by the water-gate,
O dear mither.”

And whatten kin’ o’ wark had ye there to make,
My merry son, come tell me hither?
And whatten kin’ o’ wark had ye there to make?
And I wot I hae but anither.”
I watered my steeds with water frae the lake,
O dear mither.”

“Why is your coat sae fouled the day,
My merry son, come tell me hither?
Why is your coat sae fouled the day?
And I wot I hae but anither.”
The steeds were stamping sair by the weary banks of clay,
O dear mither.”

And where gat ye thae sleeves of red,
My merry son, come tell me hither?
And where gat ye thae sleeves of red?
And I wot I hae but anither.”
I have slain my ae brither by the weary water-head,
O dear mither.”

And where will ye gang to mak your mend,
My merry son, come tell me hither?
And where will ye gang to mak your mend?
And I wot I hae not anither.”
The warldis way, to the warldis end,
O dear mither.”

And what will ye leave your father dear,
My merry son, come tell me hither?
And what will ye leave your father dear?
And I wot I hae not anither.”
The wood to fell and the logs to bear,
For he’ll never see my body mair,
O dear mither.”

And what will ye leave your mither dear,
My merry son, come tell me hither?
And what will ye leave your mither dear?
And I wot I hae not anither.”
The wool to card and the wool to wear,
For yell never see my body mair,
O dear mither.”

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The Ghost,

There stands a City,-- neither large nor small,
Its air and situation sweet and pretty;
It matters very little -- if at all --
Whether its denizens are dull or witty,
Whether the ladies there are short or tall,
Brunettes or blondes, only, there stands a city!--
Perhaps 'tis also requisite to minute
That there's a Castle and a Cobbler in it.

A fair Cathedral, too, the story goes,
And kings and heroes lie entomb'd within her;
There pious Saints, in marble pomp repose,
Whose shrines are worn by knees of many a Sinner;
There, too, full many an Aldermanic nose
Roll'd its loud diapason after dinner;
And there stood high the holy sconce of Becket,
-- Till four assassins came from France to crack it.

The Castle was a huge and antique mound,
Proof against all th' artillery of the quiver,
Ere those abominable guns were found
To send cold lead through gallant warrior's liver.
It stands upon a gently rising ground,
Sloping down gradually to the river,
Resembling (to compare great things with smaller),
A well-scooped, mouldy Stilton cheese,-- but taller.

The Keep, I find, 's been sadly alter'd lately,
And, 'stead of mail-clad knights, of honour jealous,
In martial panoply so grand and stately,
Its walls are fill'd with money-making fellows,
And stuff'd, unless I'm misinformed greatly,
With leaden pipes, and coke, and coals, and bellows;
In short, so great a change has come to pass,
'Tis now a manufactory of Gas.

But to my tale.-- Before this profanation,
And ere its ancient glories were cut short all,
A poor hard-working Cobbler took his station
In a small house, just opposite the portal;
His birth, his parentage, and education,
I know but little of -- a strange, odd mortal;
His aspect, air, and gait, were all ridiculous;
His name was Mason -- he'd been christen'd Nicholas.

Nick had a wife possessed of many a charm,
And of the Lady Huntingdon persuasion;
But, spite of all her piety, her arm
She'd sometimes exercise when in a passion;
And, being of a temper somewhat warm,

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