Epigram
A draught from Helicon could once inspire
The bard to wing in song his loftiest flight;
But poets of these later times require
A draft from Wall Street, payable at sight.
poem by Anne Lynch Botta from Poems (1848)
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English Bards and Scotch Reviewers: A Satire
'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare
'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.
Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.
O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.
When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.
Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
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0005 Totally Boring Poem
I’m totally bored by:
poems that sound like other poems
poems that try to sound unlike any other poems
poets who never take risks
poets who think that taking risks
makes them good poets
poems with 'meaning'
poems with no meaning
poets who slag off other poets
as if that achieves something
poets that tell you that rhyme
is not for an age but for all time
poets that tell you that rhyme is outmoded and boring
poets who think that the poetry of 'the past'
is greater than that of 'the present'
poets who think that the poetry of 'the present'
is greater than that of 'the past'
poems that tell you the poet's the first to discover sex
poets that tell you they’re the best sex you’ll ever have
although you’ll never meet them to find out
poets that tell you they’ve been dumped
poets who've never known love and being dumped
poets who are ambitious
poets who are unambitious
poets who tell you all about higher things
poets who reject higher things
poets who think life’s just a joke
poets who think life’s no joke
[...] Read more
poem by Michael Shepherd
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Independence
Happy the bard (though few such bards we find)
Who, 'bove controlment, dares to speak his mind;
Dares, unabash'd, in every place appear,
And nothing fears, but what he ought to fear:
Him Fashion cannot tempt, him abject Need
Cannot compel, him Pride cannot mislead
To be the slave of Greatness, to strike sail
When, sweeping onward with her peacock's tail,
Quality in full plumage passes by;
He views her with a fix'd, contemptuous eye,
And mocks the puppet, keeps his own due state,
And is above conversing with the great.
Perish those slaves, those minions of the quill,
Who have conspired to seize that sacred hill
Where the Nine Sisters pour a genuine strain,
And sunk the mountain level with the plain;
Who, with mean, private views, and servile art,
No spark of virtue living in their heart,
Have basely turn'd apostates; have debased
Their dignity of office; have disgraced,
Like Eli's sons, the altars where they stand,
And caused their name to stink through all the land;
Have stoop'd to prostitute their venal pen
For the support of great, but guilty men;
Have made the bard, of their own vile accord,
Inferior to that thing we call a lord.
What is a lord? Doth that plain simple word
Contain some magic spell? As soon as heard,
Like an alarum bell on Night's dull ear,
Doth it strike louder, and more strong appear
Than other words? Whether we will or no,
Through Reason's court doth it unquestion'd go
E'en on the mention, and of course transmit
Notions of something excellent; of wit
Pleasing, though keen; of humour free, though chaste;
Of sterling genius, with sound judgment graced;
Of virtue far above temptation's reach,
And honour, which not malice can impeach?
Believe it not--'twas Nature's first intent,
Before their rank became their punishment,
They should have pass'd for men, nor blush'd to prize
The blessings she bestow'd; she gave them eyes,
And they could see; she gave them ears--they heard;
The instruments of stirring, and they stirr'd;
Like us, they were design'd to eat, to drink,
To talk, and (every now and then) to think;
Till they, by Pride corrupted, for the sake
Of singularity, disclaim'd that make;
Till they, disdaining Nature's vulgar mode,
Flew off, and struck into another road,
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poem by Charles Churchill
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The Castle Of Indolence
The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.
O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.
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poem by James Thomson
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The Course of Time. Book I.
Eternal Spirit! God of truth! to whom
All things seem as they are; thou who of old
The prophet's eye unscaled, that nightly saw,
While heavy sleep fell down on other men,
In holy vision tranced, the future pass
Before him, and to Judah's harp attuned
Burdens that made the pagan mountains shake,
And Zion's cedars bow—inspire my song;
My eye unscale; me what is substance teach,
And shadow what, while I of things to come,
As past rehearsing, sing the Course of Time,
The second Birth, and final Doom of man.
The muse, that soft and sickly wooes the ear
Of love, or chanting loud in windy rhyme
Of fabled hero, raves through gaudy tale
Not overfraught with sense, I ask not; such
A strain befits not argument so high.
Me thought, and phrase, severely sifting out
The whole idea, grant—uttering as 'tis
The essential truth—Time gone, the Righteous saved,
The Wicked damned, and Providence approved.
Hold my right hand, Almighty! and me teach
To strike the lyre, but seldom struck, to notes
Harmonious with the morning stars, and pure
As those of sainted bards, and angels sung,
Which wake the echoes of eternity—
That fools may hear and tremble, and the wise
Instructed listen, of ages yet to come.
Long was the day, so long expected, past
Of the eternal doom, that gave to each
Of all the human race his due reward.
The sun—earth's sun, and moon, and stars, had ceased
To number seasons, days, and months, and years
To mortal man: hope was forgotten, and fear;
And Time, with all its chance and change, and smiles,
And frequent tears, and deeds of villany,
Or righteousness—once talked of much, as things
Of great renown, was now but ill remembered;
In dim and shadowy vision of the past,
Seen far remote, as country, which has left
The traveller's speedy step, retiring back
From morn till even: and long, eternity
Had rolled his mighty years, and with his years
Men had grown old: the saints, all home returned
From pilgrimage, and war, and weeping, long
Had rested in the bowers of peace, that skirt
The stream of life; and long, alas, how long!
To them it seemed, the wicked who refused
To be redeemed, had wandered in the dark
Of hell's despair, and drunk the burning cup
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poem by Robert Pollok
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The Iliad: Book 12
So the son of Menoetius was attending to the hurt of Eurypylus
within the tent, but the Argives and Trojans still fought desperately,
nor were the trench and the high wall above it, to keep the Trojans in
check longer. They had built it to protect their ships, and had dug
the trench all round it that it might safeguard both the ships and the
rich spoils which they had taken, but they had not offered hecatombs
to the gods. It had been built without the consent of the immortals,
and therefore it did not last. So long as Hector lived and Achilles
nursed his anger, and so long as the city of Priam remained untaken,
the great wall of the Achaeans stood firm; but when the bravest of the
Trojans were no more, and many also of the Argives, though some were
yet left alive when, moreover, the city was sacked in the tenth
year, and the Argives had gone back with their ships to their own
country- then Neptune and Apollo took counsel to destroy the wall, and
they turned on to it the streams of all the rivers from Mount Ida into
the sea, Rhesus, Heptaporus, Caresus, Rhodius, Grenicus, Aesopus,
and goodly Scamander, with Simois, where many a shield and helm had
fallen, and many a hero of the race of demigods had bitten the dust.
Phoebus Apollo turned the mouths of all these rivers together and made
them flow for nine days against the wall, while Jove rained the
whole time that he might wash it sooner into the sea. Neptune himself,
trident in hand, surveyed the work and threw into the sea all the
foundations of beams and stones which the Achaeans had laid with so
much toil; he made all level by the mighty stream of the Hellespont,
and then when he had swept the wall away he spread a great beach of
sand over the place where it had been. This done he turned the
rivers back into their old courses.
This was what Neptune and Apollo were to do in after time; but as
yet battle and turmoil were still raging round the wall till its
timbers rang under the blows that rained upon them. The Argives, cowed
by the scourge of Jove, were hemmed in at their ships in fear of
Hector the mighty minister of Rout, who as heretofore fought with
the force and fury of a whirlwind. As a lion or wild boar turns
fiercely on the dogs and men that attack him, while these form solid
wall and shower their javelins as they face him- his courage is all
undaunted, but his high spirit will be the death of him; many a time
does he charge at his pursuers to scatter them, and they fall back
as often as he does so- even so did Hector go about among the host
exhorting his men, and cheering them on to cross the trench.
But the horses dared not do so, and stood neighing upon its brink,
for the width frightened them. They could neither jump it nor cross
it, for it had overhanging banks all round upon either side, above
which there were the sharp stakes that the sons of the Achaeans had
planted so close and strong as a defence against all who would
assail it; a horse, therefore, could not get into it and draw his
chariot after him, but those who were on foot kept trying their very
utmost. Then Polydamas went up to Hector and said, "Hector, and you
other captains of the Trojans and allies, it is madness for us to
try and drive our horses across the trench; it will be very hard to
cross, for it is full of sharp stakes, and beyond these there is the
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poem by Homer, translated by Samuel Butler
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Temora - Book II
ARGUMENT.
This book opens, we may suppose, about midnight, with a soliloquy of Ossian, who had retired from the rest of the army, to mourn for his son Oscar. Upon hearing the noise of Cathmor's army approaching, he went to find out his brother Fillan, who kept the watch on the hill of Mora, in the front of Fingal's army. In the conversation of the brothers, the episode of Conar, the son of Trenmor, who was the first king of Ireland, is introduced, which lays open the origin of the contests between the Gael and the Fir-bolg, the two nations who first possessed themselves of that island. Ossian kindles a fire on Mora: upon which Cathmor desisted from the design he had formed of surprising the army of the Caledonians. He calls a council of his chiefs: reprimands Foldath for advising a night attack, as the Irish were so much superior in number to the enemy. The bard Fonar introduces the story of Crothar, the ancestor of the king, which throws further light on the history of Ireland, and the original pretensions of the family of Atha to the throne of that kingdom. The Irish chiefs lie down to rest, and Cathmor himself undertakes the watch. In his circuit round the army he is met by Ossian. The interview of the two heroes is described. Cathmor obtains a promise from Ossian to order a funeral elegy to be sung over the grave of Cairbar: it being the opinion of the times, that the souls of the dead could not be happy till their elegies were sung by a bard. Morning comes. Cathmor and Ossian part; and the latter, casually meeting with Carril the son of Kinfena, sends that bard, with a funeral song, to the tomb of Cairbar.
FATHER of heroes! O Trenmor! High dweller of eddying winds! where the dark-red thunder marks the troubled clouds! Open thou thy stormy halls. Let the bards of old be near. Let them draw near with songs and their half viewless harps. No dweller of misty valley comes! No hunter unknown at his streams! It is the car-borne Oscar, from the field of war. Sudden is thy change, my son, from what thou wert on dark Moi-lena! The blast folds thee in its skirt, and rustles through the sky! Dost thou not behold thy father, at the stream of night? The chiefs of Morven sleep far distant. They have lost no son! But ye have lost a hero, chiefs of resounding Morven! Who could equal his strength, when battle rolled against his side, like the darkness of crowded waters? Why this cloud on Ossian's soul? It ought to burn in danger. Erin is near with her host. The king of Selma is alone. Alone thou shalt not be, my father, while I can lift the spear!
I rose in all my arms. I rose and listened to the wind. The shield of Fillan is not heard. I tremble for the son of Fingal. "Why should the foe come by night? Why should the dark-haired warrior fall?" Distant, sullen murmurs rise; like the noise of the lake of Lego, when its waters shrink, in the days of frost, and all its bursting ice resounds. The people of Lara look to heaven, and foresee the storm! My steps are forward on the heath. The spear of Oscar is in my hand? Red stars looked from high. I gleamed along the night.
I saw Fillan silent before me, bending forward from Mora's rock. He heard the shout of the foe. The joy of his soul arose. He heard my sounding tread, and turned his lifted spear. "Comest thou, son of night, in peace? Or dost thou meet my wrath? The foes of Fingal are mine. Speak, or fear my steel. I stand not, in vain, the shield of Morven's race." "Never mayest thou stand in vain, son of blue-eyed Clatho! Fingal begins to be alone. Darkness gathers on the last of his days. Yet he has two sons who ought to shine in war. Who ought to be two beams of light, near the steps of his departure."
"Son of Fingal," replied the youth, "it is not long since I raised the spear. Few are the marks of my sword in war. But Fillan's soul is fire! The chiefs of Bolga crowd around the shield of generous Cathmor. Their gathering is on the heath. Shall my steps approach their host? I yielded to Oscar alone in the strife of the race of Cona!"
"Fillan, thou shalt not approach their host; nor fall before thy fame is known. My name is heard in song; when needful, I advance. From the skirts of night I shall view them over all their gleaming tribes. Why, Fillan, didst thou speak of Oscar? Why awake my sigh! I must forget the warrior, till the storm is rolled away. Sadness ought not to dwell in danger, nor the tear in the eye of war. Our fathers forgot their fallen sons, till the noise of arms was past. Then sorrow returned to the tomb, and the song of bards arose. The memory of those who fell quickly followed the departure of war: when the tumult of battle is past, the soul in silence melts away for the dead.
"Conar was the brother of Trathal, first of mortal men. His battles were on every coast. A thousand streams rolled down the blood of. his foes. His fame filled green Erin, like a pleasant gale. The nations gathered in Ullin, and they blessed the king; the king of the race of their fathers, from the land of Selma.
"The chiefs of the south were gathered, in the darkness of their pride. In the horrid cave of Moma they mixed their secret words. Thither often, they said, the spirits of their fathers came; showing their pale forms from the chinky rocks; reminding them of the honor of Bolga. 'Why should Conar reign,' they said, 'the son of resounding Morven?'
"They came forth, like the streams of the desert, with the roar of their hundred tribes. Cona was a rock before them: broken, they rolled on every side. But often they returned, and the sons of Selma fell. The king stood, among the tombs of his warriors. He darkly bent his mournful face. His soul was rolled into itself: and he had marked the place where he was to fall: when Trathal came, in his strength, his brother from cloudy Morven. Nor did he come alone. Colgar was at his side: Colgar the son of the king and of white-bosomed Solin-corma.
"As Trenmor, clothed with meteors, descends from the halls of thunder, pouring the dark storm before him over the troubled sea: so Colgar descended to battle, and wasted the echoing field. His father rejoiced over the hero: but an arrow came! His tomb was raised without a tear. The king was to revenge his son. He lightened forward in battle, till Bolga yielded at her streams!
"When peace returned to the land: when his blue waves bore the king to Morven: then he remembered his son, and poured the silent tear. Thrice did the bards, at the cave of Furmono, call the soul of Colgar. They called him to the hills of his land. He heard them in his mist. Trathal placed his sword in the cave, that the spirit of his son might rejoice."
"Colgar, son of Trathal," said Fillan, "thou wert renowned in youth! but the king hath not marked my sword, bright streaming on the field. I go forth with the crowd. I return without my fame. But the foe approaches, Ossian! I hear their murmur on the heath. The sound of their steps is like thunder, in the bosom of the ground, when the rocking hills shake their groves, and not a blast pours from the darkened sky!"
Ossian turned sudden on his spear. He raised the flame of an oak on high. I spread it large on Mora's wind. Cathmor stopt in his course. Gleaming he stood, like a rock, on whose sides are the wandering blasts; which seize its echoing streams, and clothe them with ice. So stood the friend of strangers! The winds lift his heavy locks. Thou art the tallest of the race of Erin, king of streamy Atha!
"First of bards" said Cathmor, "Fonar, call the chiefs of Erin. Call red-haired Cormar: dark-browed Malthos: the sidelong-looking gloom of Maronnan. Let the pride of Foldath appear. The red-rolling eye of Turlotho. Nor let Hidalla be forgot; his voice, in danger, is the sound of a shower, when it falls in the blasted vale, near Atha's falling stream. Pleasant is its sound on the plain, whilst broken thunder travels over the sky!"
They came in their clanging arms. They bent forward to his voice, as if a spirit of their fathers spoke from a cloud of night. Dreadful shone they to the light, like the fall of the stream of Bruno, when the meteor lights it, before the nightly stranger. Shuddering he stops in his journey, and looks up for the beam of the morn!
"Why delights Foldath," said the king, "to pour the blood of foes by night? Fails his arm in battle, in the beams of day? Few are the foes before us; why should we clothe us in shades? The valiant delight to shine in the battles of their land! Thy counsel was in vain, chief of Moma! The eyes of Morven do not sleep. They are watchful as eagles on their mossy rocks. Let each collect beneath his cloud the strength of his roaring tribe. To-morrow I move, in light, to meet the foes of Bolga! Mighty was he that is low, the race of Borbar-duthul!"
"Not unmarked," said Foldath, "were my steps be. fare thy race. In light, I met the foes of Cairbar. The warrior praised my deeds. But his stone was raised without a tear! No bard sung over Erin's king. Shall his foes rejoice along their mossy hills? No they must not rejoice! He was the friend of Foldath. Our words were mixed, in secret, in Moma's silent cave; whilst thou, a boy in the field, pursued'st the thistle's beard. With Moma's sons I shall rush abroad, and find the foe on his dusky hills. Fingal shall die without his song, the gray-haired king of Selma."
" Dost thou think, thou feeble man," replied Cathmor, half enraged: "Dost thou think Fingal can fail, without his fame, in Erin? Could the bards be silent at the tomb of Selma's king; the song would burst in secret! the spirit of the king would rejoice! It is when thou shalt fall, that the bard shall forget the song. Thou art dark, chief of Moma, though thine arm is a tempest in war. Do I forget the king of Erin, in his narrow house? My soul is not lost to Cairbar, the brother of my love! I marked the bright beams of joy which travelled over his cloudy mind, when I returned, with fame, to Atha of the streams."
Tall they removed, beneath the words of the king. Each to his own dark tribe; where, humming, they rolled on the heath, faint-glittering to the stars: like waves in a rocky bay, before the nightly wind. Beneath an oak lay the chief of Atha. His shield, a dusky round, hung high. Near him, against a rock, leaned the fair stranger of Inis-huna: that beam of light, with wandering locks, from Lumon of the roes. At a distance rose the voice of Fonar, with the deeds of the days of old. The song fails, at times, in Lubar's growing roar.
"Crothar," began the bard, first dwelt at Atha's mossy stream! A thousand oaks, from the mountains, formed his echoing hail. The gathering of the people
was there, around the feast of the blue-eyed king. But who, among his chiefs, was like the stately Crothar? Warriors kindled in his presence. The young sigh of the virgins rose. In Alnecma was the warrior honored: the first of the race of Bolga.
"He pursued the chase in Ullin: on the moss-covered top of Drumardo. From the wood looked the daughter of Cathmin, the blue-rolling eye of Con-láma. Her sigh rose in secret. She bent her head, amidst her wandering locks. The moon looked in, at night, and saw the white tossing of her arms; for she thought of the mighty Crothar in the season of dreams.
"Three days feasted Crothar with Cathmin. On the fourth they awaked the hinds. Con-láma moved to the chase, with all her lovely steps. She met Crothar in the narrow path. The bow fell at once from her hand. She turned her face away, and half hid it with her locks. The love of Crothar rose. He brought the white-bosomed maid to Atha. Bards raised the song in her presence. Joy dwelt round the daughter of Cathmin.
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poem by James Macpherson
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
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poem by Conrad Potter Aiken
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Good Poets and Bad Poets
Some poets get awards and think they are good poets.
Some poets never get awards and think they are bad poets.
Some poets think they are good poets only in their own mind
Some poets think they are bad poets in somebody's else mind.
Some poets think they are good poets in somebody else mind.
Some poets think others think they are good poets but they don't in their hearts.
Some poets think they are good poets in their hearts but not in anyone else's mind.
All are insecure, except those who get security from the opinions of others and that, alas, doesn't last and isn't real.
Some poets have left the entire scene and live only in their mind.
Some poets take criticism and don't mind.
Some poets avoid criticism and do mind.
Some poets write poetry to get love.
Some poets love to write poetry.
Some poets are ahead of their time, in their mind
Some poets spend a lifetime feeling like failures in their mind
Some poets live only after they die.
Some poets have much to say but can't articulate
Some poets retreat, believing others don't understand
So which one of these am I?
I guess I am all of these and none of these
and no matter what my description
I intend to keep doing what I do:
Write. Right
poem by Lonnie Hicks
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The Candidate
Ye idler things, that soothed my hours of care,
Where would ye wander, triflers, tell me where?
As maids neglected, do ye fondly dote,
On the tair type, or the embroider'd coat;
Detest my modest shelf, and long to fly
Where princely Popes and mighty Miltons lie?
Taught but to sing, and that in simple style,
Of Lycia's lip, and Musidora's smile; -
Go then! and taste a yet unfelt distress,
The fear that guards the captivating press;
Whose maddening region should ye once explore,
No refuge yields my tongueless mansion more.
But thus ye'll grieve, Ambition's plumage stript,
'Ah, would to Heaven, we'd died in manuscript!'
Your unsoil'd page each yawning wit shall flee,
- For few will read, and none admire like me. -
Its place, where spiders silent bards enrobe,
Squeezed betwixt Cibber's Odes and Blackmore's Job;
Where froth and mud, that varnish and deform,
Feed the lean critic and the fattening worm;
Then sent disgraced--the unpaid printer's bane -
To mad Moorfields, or sober Chancery Lane,
On dirty stalls I see your hopes expire,
Vex'd by the grin of your unheeded sire,
Who half reluctant has his care resign'd,
Like a teased parent, and is rashly kind.
Yet rush not all, but let some scout go forth,
View the strange land, and tell us of its worth;
And should he there barbarian usage meet,
The patriot scrap shall warn us to retreat.
And thou, the first of thy eccentric race,
A forward imp, go, search the dangerous place,
Where Fame's eternal blossoms tempt each bard,
Though dragon-wits there keep eternal guard;
Hope not unhurt the golden spoil to seize,
The Muses yield, as the Hesperides;
Who bribes the guardian, all his labour's done,
For every maid is willing to be won.
Before the lords of verse a suppliant stand,
And beg our passage through the fairy land:
Beg more--to search for sweets each blooming field,
And crop the blossoms woods and valleys yield,
To snatch the tints that beam on Fancy's bow;
And feel the fires on Genius' wings that glow;
Praise without meanness, without flattery stoop,
Soothe without fear, and without trembling, hope.
TO THE AUTHORS OF THE MONTHLY REVIEW.
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poem by George Crabbe
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Childe Harold's Pilgrimage: A Romaunt. Canto I.
To Ianthe:
Not in those climes where I have late been straying,
Though Beauty long hath there been matchless deem'd;
Not in those visions to the heart displaying
Forms which it sighs but to have only dream'd,
Hath aught like thee in truth or fancy seem'd:
Nor, having seen thee, shall I vainly seek
To paint those charms which varied as they beam'd --
To such as see thee not my words were weak;
To those who gaze on thee what language could they speak?
Ah! may'st thou ever be what now thou art,
Nor unbeseem the promise of thy spring,
As fair in form, as warm yet pure in heart,
Love's image upon earth without his wing,
And guileless beyond Hope's imagining!
And surely she who now so fondly rears
Thy youth, in thee, thus hourly brightening,
Beholds the rainbow of her future years,
Before whose heavenly hues all sorrow disappears.
Young Peri of the West!-'tis well for me
My years already doubly number thine;
My loveless eye unmov'd may gaze on thee,
And safely view thy ripening beauties shine;
Happy, I ne'er shall see them in decline,
Happier, that while all younger hearts shall bleed,
Mine shall escape the doom thine eyes assign
To those whose admiration shall succeed,
But mixed with pangs to Love's even loveliest hours decreed.
Oh! let that eye, which, wild as the Gazelle's,
Now brightly bold or beautifully shy,
Wins as it wanders, dazzles where it dwells,
Glance o'er this page; nor to my verse deny
That smile for which my breast might vainly sigh,
Could I to thee be ever more than friend:
This much, dear maid, accord; nor question why
To one so young my strain I would commend,
But bid me with my wreath one matchless lily blend.
Such is thy name with this my verse entwin'd;
And long as kinder eyes a look shall cast
On Harold's page, Ianthe's here enshrin'd
Shall thus be first beheld, forgotten last:
My days once number'd, should this homage past
Attract thy fairy fingers near the lyre
Of him who hail'd thee, loveliest as thou wast,
Such is the most my memory may desire;
Though more than Hope can claim, could Friendship less require?
[...] Read more
A Fable For Critics
Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'
Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.
Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
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poem by James Russell Lowell
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The Four Seasons : Autumn
Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind
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poem by James Thomson
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Canto the Third
I.
Is thy face like thy mother’s, my fair child!
Ada! sole daughter of my house and heart?
When last I saw thy young blue eyes, they smiled,
And then we parted, - not as now we part,
But with a hope. -
Awaking with a start,
The waters heave around me; and on high
The winds lift up their voices: I depart,
Whither I know not; but the hour’s gone by,
When Albion’s lessening shores could grieve or glad mine eye.
II.
Once more upon the waters! yet once more!
And the waves bound beneath me as a steed
That knows his rider. Welcome to their roar!
Swift be their guidance, wheresoe’er it lead!
Though the strained mast should quiver as a reed,
And the rent canvas fluttering strew the gale,
Still must I on; for I am as a weed,
Flung from the rock, on Ocean’s foam, to sail
Where’er the surge may sweep, the tempest’s breath prevail.
III.
In my youth’s summer I did sing of One,
The wandering outlaw of his own dark mind;
Again I seize the theme, then but begun,
And bear it with me, as the rushing wind
Bears the cloud onwards: in that tale I find
The furrows of long thought, and dried-up tears,
Which, ebbing, leave a sterile track behind,
O’er which all heavily the journeying years
Plod the last sands of life - where not a flower appears.
IV.
Since my young days of passion - joy, or pain,
Perchance my heart and harp have lost a string,
And both may jar: it may be, that in vain
I would essay as I have sung to sing.
Yet, though a dreary strain, to this I cling,
So that it wean me from the weary dream
Of selfish grief or gladness - so it fling
Forgetfulness around me - it shall seem
To me, though to none else, a not ungrateful theme.
V.
[...] Read more
poem by Byron from Childe Harold's Pilgrimage (1818)
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Oh, thou, in Hellas deemed of heavenly birth,
Muse, formed or fabled at the minstrel’s will!
Since shamed full oft by later lyres on earth,
Mine dares not call thee from thy sacred hill:
Yet there I’ve wandered by thy vaunted rill;
Yes! sighed o’er Delphi’s long-deserted shrine
Where, save that feeble fountain, all is still;
Nor mote my shell awake the weary Nine
To grace so plain a tale - this lowly lay of mine.
II.
Whilome in Albion’s isle there dwelt a youth,
Who ne in virtue’s ways did take delight;
But spent his days in riot most uncouth,
And vexed with mirth the drowsy ear of Night.
Ah, me! in sooth he was a shameless wight,
Sore given to revel and ungodly glee;
Few earthly things found favour in his sight
Save concubines and carnal companie,
And flaunting wassailers of high and low degree.
III.
Childe Harold was he hight: - but whence his name
And lineage long, it suits me not to say;
Suffice it, that perchance they were of fame,
And had been glorious in another day:
But one sad losel soils a name for aye,
However mighty in the olden time;
Nor all that heralds rake from coffined clay,
Nor florid prose, nor honeyed lines of rhyme,
Can blazon evil deeds, or consecrate a crime.
IV.
Childe Harold basked him in the noontide sun,
Disporting there like any other fly,
Nor deemed before his little day was done
One blast might chill him into misery.
But long ere scarce a third of his passed by,
Worse than adversity the Childe befell;
He felt the fulness of satiety:
Then loathed he in his native land to dwell,
Which seemed to him more lone than eremite’s sad cell.
V.
For he through Sin’s long labyrinth had run,
Nor made atonement when he did amiss,
[...] Read more
poem by Byron from Childe Harold's Pilgrimage (1818)
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Canto the First
Oh, thou, in Hellas deemed of heavenly birth,
Muse, formed or fabled at the minstrel’s will!
Since shamed full oft by later lyres on earth,
Mine dares not call thee from thy sacred hill:
Yet there I’ve wandered by thy vaunted rill;
Yes! sighed o’er Delphi’s long-deserted shrine
Where, save that feeble fountain, all is still;
Nor mote my shell awake the weary Nine
To grace so plain a tale - this lowly lay of mine.
II.
Whilome in Albion’s isle there dwelt a youth,
Who ne in virtue’s ways did take delight;
But spent his days in riot most uncouth,
And vexed with mirth the drowsy ear of Night.
Ah, me! in sooth he was a shameless wight,
Sore given to revel and ungodly glee;
Few earthly things found favour in his sight
Save concubines and carnal companie,
And flaunting wassailers of high and low degree.
III.
Childe Harold was he hight: - but whence his name
And lineage long, it suits me not to say;
Suffice it, that perchance they were of fame,
And had been glorious in another day:
But one sad losel soils a name for aye,
However mighty in the olden time;
Nor all that heralds rake from coffined clay,
Nor florid prose, nor honeyed lines of rhyme,
Can blazon evil deeds, or consecrate a crime.
IV.
Childe Harold basked him in the noontide sun,
Disporting there like any other fly,
Nor deemed before his little day was done
One blast might chill him into misery.
But long ere scarce a third of his passed by,
Worse than adversity the Childe befell;
He felt the fulness of satiety:
Then loathed he in his native land to dwell,
Which seemed to him more lone than eremite’s sad cell.
V.
For he through Sin’s long labyrinth had run,
Nor made atonement when he did amiss,
[...] Read more
poem by Byron from Childe Harold's Pilgrimage (1818)
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The Brus Book X
[Preparations for battle against John of Lorn]
Quhen Thomas Randell on this wis
Wes takyn as Ik her devys
And send to dwell in gud keping
For spek that he spak to the king,
The gud king that thocht on the scaith
The dispyt and felny bath
That Jhone off Lorne had till him doyn
His ost assemblyt he then sone
And towart Lorn he tuk the way
With his men intill gud aray.
Bot Jhone off Lorn off his cummyng
Lang or he come had wittering,
And men on ilk sid gadryt he
I trow twa thousand thai mycht be
And send thaim for to stop the way
Quhar the gud king behovyt away,
And that wes in an evill plas
That sa strayt and sa narow was
That twasum samyn mycht nocht rid
In sum place off the hillis sid.
The nethyr halff was peralous
For schor crag hey and hydwous
Raucht to the se doun fra the pas,
On athyr halff the montane was
Sua combrous hey and stay
That it was hard to pas that way.
I trow nocht that in all Bretane
Ane heyar hill may fundyn be.
Thar Jhone off Lorne gert his menye
Enbuschyt be abovyn the way,
For giff the king held thar away
He thocht he suld sone vencussyt be,
And himselff held him apon the se
Weill ner the pais with his galayis.
Bot the king that in all assayis
Wes fundyn wys and avisé
Persavyt rycht weill thar sutelte,
And that he neid that gait suld ga.
His men departyt he in twa
And till the gud lord off Douglas
Quham in herbryd all worschip was
He taucht the archerys everilkane
And this gud lord with him has tane
Schyr Alysander Fraser the wycht,
And Wylyam Wysman a gud knycht
And with thaim syne Schyr Androw Gray.
Thir with thar mengne held thar way
And clamb the hill deliverly
And or thai off the tother party
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poem by John Barbour
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Metamorphoses: Book The First
OF bodies chang'd to various forms, I sing:
Ye Gods, from whom these miracles did spring,
Inspire my numbers with coelestial heat;
'Till I my long laborious work compleat:
And add perpetual tenour to my rhimes,
Deduc'd from Nature's birth, to Caesar's times.
The Creation of Before the seas, and this terrestrial ball,
the World And Heav'n's high canopy, that covers all,
One was the face of Nature; if a face:
Rather a rude and indigested mass:
A lifeless lump, unfashion'd, and unfram'd,
Of jarring seeds; and justly Chaos nam'd.
No sun was lighted up, the world to view;
No moon did yet her blunted horns renew:
Nor yet was Earth suspended in the sky,
Nor pois'd, did on her own foundations lye:
Nor seas about the shores their arms had thrown;
But earth, and air, and water, were in one.
Thus air was void of light, and earth unstable,
And water's dark abyss unnavigable.
No certain form on any was imprest;
All were confus'd, and each disturb'd the rest.
For hot and cold were in one body fixt;
And soft with hard, and light with heavy mixt.
But God, or Nature, while they thus contend,
To these intestine discords put an end:
Then earth from air, and seas from earth were
driv'n,
And grosser air sunk from aetherial Heav'n.
Thus disembroil'd, they take their proper place;
The next of kin, contiguously embrace;
And foes are sunder'd, by a larger space.
The force of fire ascended first on high,
And took its dwelling in the vaulted sky:
Then air succeeds, in lightness next to fire;
Whose atoms from unactive earth retire.
Earth sinks beneath, and draws a num'rous throng
Of pondrous, thick, unwieldy seeds along.
About her coasts, unruly waters roar;
And rising, on a ridge, insult the shore.
Thus when the God, whatever God was he,
Had form'd the whole, and made the parts agree,
That no unequal portions might be found,
He moulded Earth into a spacious round:
Then with a breath, he gave the winds to blow;
And bad the congregated waters flow.
He adds the running springs, and standing lakes;
And bounding banks for winding rivers makes.
Some part, in Earth are swallow'd up, the most
In ample oceans, disembogu'd, are lost.
[...] Read more
The Aeneid of Virgil: Book 9
WHILE these affairs in distant places pass’d,
The various Iris Juno sends with haste,
To find bold Turnus, who, with anxious thought,
The secret shade of his great grandsire sought.
Retir’d alone she found the daring man, 5
And op’d her rosy lips, and thus began:
“What none of all the gods could grant thy vows,
That, Turnus, this auspicious day bestows.
Æneas, gone to seek th’ Arcadian prince,
Has left the Trojan camp without defense; 10
And, short of succors there, employs his pains
In parts remote to raise the Tuscan swains.
Now snatch an hour that favors thy designs;
Unite thy forces, and attack their lines.”
This said, on equal wings she pois’d her weight, 15
And form’d a radiant rainbow in her flight.
The Daunian hero lifts his hands and eyes,
And thus invokes the goddess as she flies:
“Iris, the grace of heav’n, what pow’r divine
Has sent thee down, thro’ dusky clouds to shine? 20
See, they divide; immortal day appears,
And glitt’ring planets dancing in their spheres!
With joy, these happy omens I obey,
And follow to the war the god that leads the way.”
Thus having said, as by the brook he stood, 25
He scoop’d the water from the crystal flood;
Then with his hands the drops to heav’n he throws,
And loads the pow’rs above with offer’d vows.
Now march the bold confed’rates thro’ the plain,
Well hors’d, well clad; a rich and shining train. 30
Messapus leads the van; and, in the rear,
The sons of Tyrrheus in bright arms appear.
In the main battle, with his flaming crest,
The mighty Turnus tow’rs above the rest.
Silent they move, majestically slow, 35
Like ebbing Nile, or Ganges in his flow.
The Trojans view the dusty cloud from far,
And the dark menace of the distant war.
Caicus from the rampire saw it rise,
Black’ning the fields, and thick’ning thro’ the skies. 40
Then to his fellows thus aloud he calls:
“What rolling clouds, my friends, approach the walls?
Arm! arm! and man the works! prepare your spears
And pointed darts! the Latian host appears.”
Thus warn’d, they shut their gates; with shouts ascend 45
The bulwarks, and, secure, their foes attend:
For their wise gen’ral, with foreseeing care,
Had charg’d them not to tempt the doubtful war,
Nor, tho’ provok’d, in open fields advance,
But close within their lines attend their chance. 50
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poem by Publius Vergilius Maro
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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