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The Debt

Cast: Sam Worthington, Helen Mirren, Ciarán Hinds, Marton Csokas, Tom Wilkinson

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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George Meredith

Grandfather Bridgeman

I

'Heigh, boys!' cried Grandfather Bridgeman, 'it's time before dinner to-day.'
He lifted the crumpled letter, and thumped a surprising 'Hurrah!'
Up jumped all the echoing young ones, but John, with the starch in his throat,
Said, 'Father, before we make noises, let's see the contents of the note.'
The old man glared at him harshly, and twinkling made answer: 'Too bad!
John Bridgeman, I'm always the whisky, and you are the water, my lad!'

II

But soon it was known thro' the house, and the house ran over for joy,
That news, good news, great marvels, had come from the soldier boy;
Young Tom, the luckless scapegrace, offshoot of Methodist John;
His grandfather's evening tale, whom the old man hailed as his son.
And the old man's shout of pride was a shout of his victory, too;
For he called his affection a method: the neighbours' opinions he knew.

III

Meantime, from the morning table removing the stout breakfast cheer,
The drink of the three generations, the milk, the tea, and the beer
(Alone in its generous reading of pints stood the Grandfather's jug),
The women for sight of the missive came pressing to coax and to hug.
He scattered them quick, with a buss and a smack; thereupon he began
Diversions with John's little Sarah: on Sunday, the naughty old man!

IV

Then messengers sped to the maltster, the auctioneer, miller, and all
The seven sons of the farmer who housed in the range of his call.
Likewise the married daughters, three plentiful ladies, prime cooks,
Who bowed to him while they condemned, in meek hope to stand high in his books.
'John's wife is a fool at a pudding,' they said, and the light carts up hill
Went merrily, flouting the Sabbath: for puddings well made mend a will.

V

The day was a van-bird of summer: the robin still piped, but the blue,
As a warm and dreamy palace with voices of larks ringing thro',
Looked down as if wistfully eyeing the blossoms that fell from its lap:
A day to sweeten the juices: a day to quicken the sap.
All round the shadowy orchard sloped meadows in gold, and the dear
Shy violets breathed their hearts out: the maiden breath of the year!

VI

Full time there was before dinner to bring fifteen of his blood,
To sit at the old man's table: they found that the dinner was good.
But who was she by the lilacs and pouring laburnums concealed,

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Hey Hey Helen

So at last youre free
Its the way you wanted it to be
And the price you pay
To become a woman of today
Is it worth the pain to see the children cry
Does it hurt when they ask for daddy
Hey hey helen
Now you live on your own
Hey hey helen
Can you make it alone
(yes you can)
So youre free at last
And beginning to forget the past
Does it make you sad
When you think about the life you ha-ha-had
But youre right, you had to take a second chance
So you fight to find your freedom
Hey hey helen
Now you live on your own
Hey hey helen
Can you make it alone
Hey hey helen (hey hey helen)
Whats the matter with you
Hey hey helen (hey hey helen)
Dont you know what to do
(yes you do)
(ahah, yes you do yes you do)
(ahah, yes you do yes you do)
Hey hey helen
Now you live on your own
Hey hey helen
Can you make it alone
Hey hey helen (hey hey helen)
Whats the matter with you
Hey hey helen (hey hey helen)
Dont you know what to do
Hey hey helen (hey hey helen)
Now you live on your own
Hey hey helen (hey hey helen)
(fade)

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Homer

The Iliad: Book 3

When the companies were thus arrayed, each under its own captain,
the Trojans advanced as a flight of wild fowl or cranes that scream
overhead when rain and winter drive them over the flowing waters of
Oceanus to bring death and destruction on the Pygmies, and they
wrangle in the air as they fly; but the Achaeans marched silently,
in high heart, and minded to stand by one another.
As when the south wind spreads a curtain of mist upon the mountain
tops, bad for shepherds but better than night for thieves, and a man
can see no further than he can throw a stone, even so rose the dust
from under their feet as they made all speed over the plain.
When they were close up with one another, Alexandrus came forward as
champion on the Trojan side. On his shoulders he bore the skin of a
panther, his bow, and his sword, and he brandished two spears shod
with bronze as a challenge to the bravest of the Achaeans to meet
him in single fight. Menelaus saw him thus stride out before the
ranks, and was glad as a hungry lion that lights on the carcase of
some goat or horned stag, and devours it there and then, though dogs
and youths set upon him. Even thus was Menelaus glad when his eyes
caught sight of Alexandrus, for he deemed that now he should be
revenged. He sprang, therefore, from his chariot, clad in his suit
of armour.
Alexandrus quailed as he saw Menelaus come forward, and shrank in
fear of his life under cover of his men. As one who starts back
affrighted, trembling and pale, when he comes suddenly upon a
serpent in some mountain glade, even so did Alexandrus plunge into the
throng of Trojan warriors, terror-stricken at the sight of the son
Atreus.
Then Hector upbraided him. "Paris," said he, "evil-hearted Paris,
fair to see, but woman-mad, and false of tongue, would that you had
never been born, or that you had died unwed. Better so, than live to
be disgraced and looked askance at. Will not the Achaeans mock at us
and say that we have sent one to champion us who is fair to see but
who has neither wit nor courage? Did you not, such as you are, get
your following together and sail beyond the seas? Did you not from
your a far country carry off a lovely woman wedded among a people of
warriors- to bring sorrow upon your father, your city, and your
whole country, but joy to your enemies, and hang-dog shamefacedness to
yourself? And now can you not dare face Menelaus and learn what manner
of man he is whose wife you have stolen? Where indeed would be your
lyre and your love-tricks, your comely locks and your fair favour,
when you were lying in the dust before him? The Trojans are a
weak-kneed people, or ere this you would have had a shirt of stones
for the wrongs you have done them."
And Alexandrus answered, "Hector, your rebuke is just. You are
hard as the axe which a shipwright wields at his work, and cleaves the
timber to his liking. As the axe in his hand, so keen is the edge of
your scorn. Still, taunt me not with the gifts that golden Venus has
given me; they are precious; let not a man disdain them, for the
gods give them where they are minded, and none can have them for the
asking. If you would have me do battle with Menelaus, bid the

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The Life And Death Of Tom Thumb

In Arthur's court Tom Thumb did live,
A man of mickle might ;
The best of all the table round,
And eke a doughty knight.
His stature but an inch in height,
Or quarter of a span :
Then think you not this little knight
Was proved a valiant man ?

His father was a ploughman plain,
His mother milk'd the cow,
Yet how that they might have a son
They knew not what to do :
Until such time this good old man
To learned Merlin goes,
And there to him his deep desires
In secret manner shows.

How in his heart he wish'd to have
A child, in time to come,
To be his heir, though it might be
No bigger than his thumb.

Of which old Merlin thus foretold,
That he his wish should have,
And so this son of statue small
The charmer to him gave.

No blood nor bones in him should be,
In shape, and being such
That men should hear him speak, but not
His wandering shadow touch.

But so unseen to go or come,—
Whereas it pleas'd him still ;
Begot and born in half and hour,
To fit his father's will.

And in four minutes grew so fast
That he became so tall
As was the ploughman's thumb in height,
And so they did him call—
TOM THUMB, the which the fairy queen
There gave him to his name,
Who, with her train of goblins grim,
Unto his christening came.

Whereas she cloth'd him richly brave,
In garments fine and fair,
Which lasted him for many years

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Helen of Troy

A mythological beauty, she had been;
A legendary beauty, she had grown.
Who is it other than Helen of Troy,
The epitome of seductive beauty?

A symbol of man’s erotic desires,
From the other women, Helen differs
In that she never employed her charms
To gain power of self-aggrandizement.

Her era dates back to fifth century B.C.
The fairest of women had been the one
Whom all women should hate and yet envy,
And all men should fear and yet desire.

No wonder, men were captive of her charm,
But not was she captive of any man..
She had admirers; none did she admire.
Her fairness deserved more than what she got.

A puppet she was in the heavenly battle,
Where Greek Gods and Goddesses had sported.
As such, she must be absolved of the taints
She was attached with, sadistically.

Helen was the daughter of Zeus and Leda,
The Greek God and Goddess. Born of an egg,
And brought up by a shepherd, she became
The prince of Sparta, a kingdom’f the Greek.

At her age ten, Helen was kidnapped
By an Athenian Hero for her charm
And was, however, brought back unscathed
By her brother; so famous she became.

At Helen’s wedding, numerous suitors
From far and wide came to claim her fair hand.
They were made to swear an oath to defend
The chosen husband in the event of

A rival attempting to abduct Helen,
The beauty who bred danger where she trod.
The oath assumed a greater importance
In the development of the Trojan War.

Helen was married to Menelaus,
A warrior, on his highest offerings.
On king’s death, he became the king of Sparta.
Helen bore a daughter; nine years rolled.

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William Makepeace Thackeray

The King Of Brentford’s Testament

The noble King of Brentford
Was old and very sick,
He summon'd his physicians
To wait upon him quick;
They stepp'd into their coaches
And brought their best physick.

They cramm'd their gracious master
With potion and with pill;
They drench'd him and they bled him;
They could not cure his ill.
'Go fetch,' says he, 'my lawyer,
I'd better make my will.'

The monarch's royal mandate
The lawyer did obey;
The thought of six-and-eightpence
Did make his heart full gay.
'What is't,' says he, 'your Majesty
Would wish of me to-day?'

'The doctors have belabor'd me
With potion and with pill:
My hours of life are counted,
O man of tape and quill!
Sit down and mend a pen or two,
I want to make my will.

'O'er all the land of Brentford
I'm lord, and eke of Kew:
I've three-per-cents and five-per-cents;
My debts are but a few;
And to inherit after me
I have but children two.

Prince Thomas is my eldest son,
A sober Prince is he,
And from the day we breech'd him
Till now, he's twenty-three,
He never caused disquiet
To his poor Mamma or me.

'At school they never flogg'd him,
At college, though not fast,
Yet his little-go and great-go
He creditably pass'd,
And made his year's allowance
For eighteen months to last.

'He never owed a shilling.

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Es Ist Nie Vorbei

Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:
We've come a long way
It's been a rough ride
Tell me why all the good things has to come to an end
We've left no stone unturned
Tell me what
How will i miss you already waiting for your return
Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:

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D. S.

Written and composed by michael jackson.
Produced by michael jackson.
They wanna get my ass
Dead or alive
You know he really tried to take me
Down by surprise
I bet he missioned with the cia
He don't do half what he say
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
He out shock in every single way
He'll stop at nothing just to get his political say
He think he hot cause he's bsta
I bet he never had a social life anyway
You think he brother with the kkk?
I bet his mother never taught him
Right anyway
He want your vote just to remain ta.
He don't do half what he say
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Does he send letters to the fbi?
Did he say to either do it or die?
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Tom sneddon is a cold man
Thomas sneddon is a cold man
(ad lib fade)

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Sam

(john farrar/hank marvin/don black)
I heard that youre on your own now
So am i
Im living alone now
I was wrong
So were you
What will you do?
Are you glad to be free?
Are you feeling lost just like me?
Longing for company
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
I find the days hard to face now
Empty rooms
Theres much too much space now
And the nights go so slow
Im sure you know
Wish I knew what to do
It would be so nice seeing you
And it might help you too
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
Oh sam, you know where I am
Oh sam, ooh sam
You know, you know
You know where I am

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The Rivals

Look heah! Is I evah tole you 'bout de curious way I won
Anna Liza? Say, I nevah? Well heah's how de thing wuz done.

Lize, you know, wuz mighty purty —dat's been forty yeahs ago —
'N 'cos to look at her dis minit, you might'n spose dat it wuz so.

She wuz jes de greates' 'traction in de county, 'n bless de lam'!
Eveh darkey wuz a-co'tin, but it lay 'twix me an' Sam.

You know Sam. We both wuz wukin' on de ole John Tompkin's place.
'N evehbody wuz a-watchin' t' see who's gwine to win de race.

Hee! hee! hee! Now you mus' raley 'scuse me fu' dis snickering,
But I jes can't he'p f'om laffin' eveh time I tells dis thing.

Ez I wuz a-sayin', me an' Sam wuked daily side by side,
He a-studyin', me a-studyin', how to win Lize fu' a bride.

Well, de race was kinder equal. Lize wuz sorter on de fence;
Sam he had de mostes dollars, an' I had de mostes sense.

Things dey run along 'bout eben tel der come Big Meetin' day;
Sam den thought, to win Miss Liza, he had foun' de shoest way.

An' you talk about big meetin's! None been like it 'fore nor sence;
Der wuz sich a crowd o' people dat we had to put up tents.

Der wuz preachers f'om de Eas', an' 'der wuz preachers f'om de Wes';
Folks had kilt mos' eveh chicken, an' wuz fattenin' up de res'.

Gals had all got new w'ite dresses, an' bought ribbens fu' der hair,
Fixin' fu' de openin' Sunday, prayin' dat de day'd be fair.

Dat de Reveren' Jasper Jones of Mount Moriah, it wuz 'low'd,
Wuz to preach de openin' sermon; so you know der wuz a crowd.

Fu' dat man wuz sho a preacher; had a voice jes like a bull;
So der ain't no use in sayin' dat de meetin' house wuz full.

Folks wuz der f'om Big Pine Hollow, some come 'way f'om Muddy Creek,
Some come jes to stay fu' Sunday, but de crowd stay'd thoo de week.

Some come ridin' in top-buggies wid de w'eels all painted red,
Pulled by mules dat run like rabbits, each one tryin' to git ahead.

Othah po'rer folks come drivin' mules dat leaned up 'ginst de shaf',
Hitched to broke-down, creaky wagons dat looked like dey'd drap in half.

But de bigges' crowd come walkin', wid der new shoes on der backs;
'Scuse wuz dat dey couldn't weah em 'cause de heels wuz full o' tacks.

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Helen Wheels

Said farewell to my last hotel it never was much kind of abode
Glasgow town never brought me down when I was heading out on the road
Carlisle city never looked so pretty, and the kendal freeway is fast
Slow down driver, wanna stay alive, I wanna make this journey last
Helen (helen) hell on wheels
Aint nobody else gonna know the way she feels
Helen (helen) hell on wheels
And they never gonna take her away
M6 south down liverpool, where they play the west coast sound
Sailor sam, he came from birmingham, but he never will be found
Doin fine when a london sign, grees me like a long lost friend
Mister motor wont you check her out, shes gotta take me back again
Helen (helen) hell on wheels
Aint nobody else gonna know the way she feels
Helen (helen) hell on wheels
And they never gonna take her away
Got no time for a rum and lime, I wanna get my right foot down;
Shake some dust off of this old bus, I gotta get her out of town
Spend the day upon the motorway, where the carburettors blast;
Slow down driver, wanna stay alive, I wanna make this journey last
Helen (helen) hell on wheels
Aint nobody else gonna know the way she feels
Helen (helen) hell on wheels
And they never gonna take her away
Say bye-bye.....fade out

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Uncle Sam

Here they come again hop scotching up to my door
One by one again knockety knock knocking upon my floor
Swinging on my gate they gain entry by the yard
Pulling at my hair they scream paint your thoughts upon my card
But not tonight Ive got studies to examine
Tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time he gives me things to do
cause hes a wonderful man
But Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
To be with my uncle sam
Silly little sniggers from the women liberators
But Ill stand and hold my post
Polished buttons and erect Ill raise the flag
Ill show those women whos the most
But not tonight Ive got studies to examine
Tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time, gives me things to do
Hes a wonderful man
But Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
But not tonight Ive got studies to examine
Tomorrow ah ah ah
And tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time he gives me things to do
cause hes a wonderful man
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam

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Three Ha'Pence a Foot

I'll tell you an old-fashioned story
That Grandfather used to relate,
Of a joiner and building contractor;
'Is name, it were Sam Oglethwaite.

In a shop on the banks of the Irwell,
Old Sam used to follow 'is trade,
In a place you'll have 'eard of, called Bury;
You know, where black puddings is made.

One day, Sam were filling a knot 'ole
Wi' putty, when in thro' the door
Came an old feller fair wreathed wi' whiskers;
T'ould chap said 'Good morning, I'm Noah.'

Sam asked Noah what was 'is business,
And t'ould chap went on to remark,
That not liking the look of the weather,
'E were thinking of building an Ark.

'E'd gotten the wood for the bulwarks,
And all t'other shipbuilding junk,
And wanted some nice Bird's Eye Maple
To panel the side of 'is bunk.

Now Maple were Sam's Monopoly;
That means it were all 'is to cut,
And nobody else 'adn't got none;
So 'e asked Noah three ha'pence a foot.

'A ha'penny too much,' replied Noah
'A Penny a foot's more the mark;
A penny a foot, and when t'rain comes,
I'll give you a ride in me Ark.'
But neither would budge in the bargain;
The whole daft thing were kind of a jam,
So Sam put 'is tongue out at Noah,
And Noah made 'Long Bacon ' at Sam

In wrath and ill-feeling they parted,
Not knowing when they'd meet again,
And Sam had forgot all about it,
'Til one day it started to rain.

It rained and it rained for a fortni't,
And flooded the 'ole countryside.
It rained and it kept' on raining,
'Til the Irwell were fifty mile wide.

The 'ouses were soon under water,

[...] Read more

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Hello, my name is Sarah

My name is Sarah
I am the one who is not
Who never is
These are the hands for my embraces
Mutilated in emptiness
Husked in the rings at twilight I take off
And throw into the dark.
They are writing a history of a plastic toy
Buried in the tombs of childhood
That never grew towards a cradle.

My name is Sarah
I am the one who is trying to be
These are the feet for my steps.
Frozen in the paths
Tied by tinkling jewelerry
At twilight I take off
And throw into the dark.

They walk the streets that there are no more
The streets trodden by mere silhouettes of paths
They go down the wells
To strangle in them
A swimming hope for the end.

My name is Sarah.
I am the one who wants.
This is the neck for your hands.
Slightly touch.
It's tied in thousands of necklaces
At twilight I take off
And throw into the dark.

The darkness greedily eats
The circles I push the dreams into
I let it touch.
It's all right.

My name is Sarah.
I am the one who does not consent.
This is the hair for my plaits.
The silver ribbons
And shiny pearls at twilight I take off
And throw it into the dark.
It's all right.

I have broken all the rules
I have broken cliches
Magic circles
I tore the pages

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Zdravo, Moje Ime Je Sara

Moje ime je Sara.
Ja sam ona koja nisam,
koja nikada nisam.
Ovo su ruke za moje zagrljaje.
Osakacene prazninom.
Okrunjene u prstenju koje sumrakom skidam
i u tmine bacam.
One pisu istoriju plasticne igracke
sahranjene u grobovima djetinjstva
koje nije doraslo do kolijevke.


Zovem se Sara.
Ja sam ona koja pokusava da bude.
Ovo su stopala za moje korake.
Ukocene putevima.
Vezana zveketavim nakitom
koji sumrakom skidam i u tmine bacam.


Ona hodaju nepostojecim ulicama
kojima gaze jos samo prividi staza.
Silaze u bunare
da u njima udave
proplivalu nadu za kraj.


Moje ime je Sara.
Ja sam ona koja bi htjela.
Ovo je vrat za vase ruke.
Dotaknite lagano.
Vezan je hiljadama lancica
koje sumrakom skidam
i u tmine bacam.

Ona jedu halapljivo,
krugove u koje sazimam snove
dozvoljavam da dira.
Neka je.


Zovem se Sara.
Ja sam ona koja ne pristaje.
Ovo je kosa za moje pletenice.
U njima trake od srebra
i bisere sjajne sumrakom skidam
i u tmine bacam. Neka ih.

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Diplomatist

I live on Canada en Bas —
De fines' lan' you see —
An' Oncle Sam, a fr'en of mine,
He live nex' door to me.

Now, long tam' Sam an' me mak' trade,
W'enever that we meet,
An' Sam, he drive de bargain hard,
Sometime bigarre! he sheat.

I not say mooch about it, me,
I never t'ink no harm
Before I fin' mon Oncle Sam
He wan' my little farm.

An' w'en I not to heem will give
De lan' my fader hown,
Den Sam get mad an' say to me,
'I'll play my hand alone.

You kip away; I not will trade,
Don' come my place about!'
Ah! den I see hees leetle game
Was w'at you call 'freeze-hout.'

Mais, I can stan' de fros', for hice
To me is not'ing new;
Sir John mak' freeze agains' de Yanks —
See if dey lak' it, too.

But w'en Sir John t'row up his han'
An' die, 'twas change indeed;
No par'ner lef' could follow up
De fin' ole chieftain's lead.

An' de Canadian peup' was tire,
For dey was not mooch please
For pay big price for jus' to nurse
Les enfants industries.

Dey say, 'We wan' to buy our t'ing
On some mooch sheaper shop,
Dose enfants industries are sure
Long tam' for growing hup.'

For eighteen year dey pull l'argent
From bottom of de purse,
We t'ink it ees long tam' enough
For dem to be on nurse.

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