Lightning Strikes
Anderson/squire/howe/white/sherwood/khoroshev
What you gonna do when the lightning strikes and hits you
Who ya gonna call for the secret of stealing the world
Swimming in this ocean of words on your new cellphone
Diving for the wisdom of pearls in your eyes
Come on
What ya gonna do when the lightning strikes and hits you
How ya gonna laugh when the joker forgets his lines
Stepping off a cloud into space whatever greets you
Show me how you got this award for being alive
Waking up is waking to the power
Dancing up is dancing till the dawn
Talk talk talk will always get you someplace
Shake it up n shake me till Im done
Shake it up now!
She ay... do wa bap
She ay... do wa bap
She ay... do wa bap
She ay... do wa bap
Who ya gonna call when the power
Begins to chase you
Spinning out of shape now youre learning to live again
Fastening your seatbelt tonight it could get jumpy
Showing me the good n that
Life is not in vain
Take take take n take me thru the lightning
Walk dont talk me always on the run
Ride it out until you get the picture
Shake it up and let me get me some
Let me get me some
Eya he say touch it together
Touching my spirit touching my feeling
Eya he say touch it together
Touching my spirit touching my feeling
Eya he say coming together
Touching my spirit touching my feeling
Eya he say coming together
Touching my spirit touching my feeling
Talk, talk, talk, keep moving round in circles
Moving till the moon is on the run
Take me take me take me to the new day
Take me out and let me get me some
Take take take and dance me thru the lightning
Moving to the left n to the sun... ya ya ya
Help me get me some... ya
Help me get me some... come on
Ooh ya... ooh ya... ooh ya... ooh ya
Ooh ya... ooh ya... ooh ya
song performed by Yes
Added by Lucian Velea
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Related quotes
Colyn Cloute
Quis consurget mecum adversus malignantes ?
aut quis stabit mecum adversus operantes iniqui-
tatem ? Nemo, Domine !
W H A T can it auayle
To dryue forth a snayle,
Or to make a sayle
Of an herynges tayle ;
To ryme or to rayle,
To wryte or to indyte,
Eyther for delyte
Or elles for despyte ;
Or bokes to compyle
Of dyuers maner style, 10
Vyce to reuyle
And synne to exyle ;
To teche or to preche,
As reason wyll reche ?
Say this, and say that,
His hed is so fat,
He wotteth neuer what
Nor wherof he speketh ;
He cryeth and he creketh,
He pryeth and he peketh, 20
He chydes and he chatters,
He prates and he patters,
He clytters and he clatters,
He medles and he smatters,
He gloses and he flatters ;
Or yf he speake playne,
Than he lacketh brayne,
He is but a fole ;
Let hym go to scole,
On a thre foted stole 30
That he may downe syt,
For he lacketh wyt ;
And yf that he hyt
The nayle on the hede,
It standeth in no stede ;
The deuyll, they say, is dede,
The deuell is dede.
It may well so be,
Or els they wolde se
Otherwyse, and fle 40
From worldly vanyte,
And foule couetousnesse,
And other wretchednesse,
Fyckell falsenesse,
Varyablenesse,
With vnstablenesse.
[...] Read more
poem by John Skelton
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A Song of Sherwood
Sherwood in the twilight, is Robin Hood awake?
Grey and ghostly shadows are gliding through the brake,
Shadows of the dappled deer, dreaming of the morn,
Dreaming of a shadowy man that winds a shadowy horn.
Robin Hood is here again: all his merry thieves
Hear a ghostly bugle-note shivering through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.
Merry, merry England has kissed the lips of June:
All the wings of fairyland were here beneath the moon,
Like a flight of rose-leaves fluttering in a mist
Of opal and ruby and pearl and amethyst.
Merry, merry England is waking as of old,
With eyes of blither hazel and hair of brighter gold:
For Robin Hood is here again beneath the bursting spray
In Sherwood, in Sherwood, about the break of day.
Love is in the greenwood building him a house
Of wild rose and hawthorn and honeysuckle boughs:
Love is in the greenwood, dawn is in the skies,
And Marian is waiting with a glory in her eyes.
Hark! The dazzled laverock climbs the golden steep!
Marian is waiting: is Robin Hood asleep?
Round the fairy grass-rings frolic elf and fay,
In Sherwood, in Sherwood, about the break of day.
Oberon, Oberon, rake away the gold,
Rake away the red leaves, roll away the mould,
Rake away the gold leaves, roll away the red,
And wake Will Scarlett from his leafy forest bed.
Friar Tuck and Little John are riding down together
With quarter-staff and drinking-can and grey goose-feather.
The dead are coming back again, the years are rolled away
In Sherwood, in Sherwood, about the break of day.
Softly over Sherwood the south wind blows.
All the heart of England his in every rose
Hears across the greenwood the sunny whisper leap,
Sherwood in the red dawn, is Robin Hood asleep?
Hark, the voice of England wakes him as of old
And, shattering the silence with a cry of brighter gold
Bugles in the greenwood echo from the steep,
Sherwood in the red dawn, is Robin Hood asleep?
[...] Read more
poem by Alfred Noyes
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Sherwood
Sherwood in the twilight, is Robin Hood awake?
Grey and ghostly shadows are gliding through the brake;
Shadows of the dappled deer, dreaming of the morn,
Dreaming of a shadowy man that winds a shadowy horn.
Robin Hood is here again: all his merry thieves
Hear a ghostly bugle-note shivering through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.
Merry, merry England has kissed the lips of June:
All the wings of fairyland were here beneath the moon;
Like a flight of rose-leaves fluttering in a mist
Of opal and ruby and pearl and amethyst.
Merry, merry England is waking as of old,
With eyes of blither hazel and hair of brighter gold:
For Robin Hood is here again beneath the bursting spray
In Sherwood, in Sherwood, about the break of day.
Love is in the greenwood building him a house
Of wild rose and hawthorn and honeysuckle boughs;
Love it in the greenwood: dawn is in the skies;
And Marian is waiting with a glory in her eyes.
Hark! The dazzled laverock climbs the golden steep:
Marian is waiting: is Robin Hood asleep?
Round the fairy grass-rings frolic elf and fay,
In Sherwood, in Sherwood, about the break of day.
Oberon, Oberon, rake away the gold,
Rake away the red leaves, roll away the mould,
Rake away the gold leaves, roll away the red,
And wake Will Scarlett from his leafy forest bed.
Friar Tuck and Little John are riding down together
With quarter-staff and drinking-can and grey goose-feather;
The dead are coming back again; the years are rolled away
In Sherwood, in Sherwood, about the break of day.
Softly over Sherwood the south wind blows;
All the heart of England hid in every rose
Hears across the greenwood the sunny whisper leap,
Sherwood in the red dawn, is Robin Hood asleep?
Hark, the voice of England wakes him as of old
And, shattering the silence with a cry of brighter gold,
Bugles in the greenwood echo from the steep,
Sherwood in the red dawn, is Robin Hood asleep?
[...] Read more
poem by Alfred Noyes
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I Go Swimming
Ooh, I go swimming, swimming in the water
Swimming in the river, swimming in the sea
I go swimming
I go swimming, swimming in the water
Swimming in the pool, swimming is cool
I go swimming
The sun is burning, I am yearning
For the waterflow (waterflow)
Next to my skin i, like to begin a
Waterflow (waterflow)
Letting off steam I float in a dream,
I cant let go (cant let go)
Follow my wishes, follow the fishes
Down below (down below)
I go swimming
I need water, water to drink
Water on my brain, water sustain,
Water over me
I want water, water I need
Water to think, water to drink
Water over me
The sun is burning, I am yearning
For the waterflow (waterflow)
Next to my skin i, like to begin a
Waterflow (waterflow)
Letting off steam I float in a dream,
I cant let go (cant let go)
Follow my wishes, follow the fishes
Down below (down below)
I go swimming
I go swimming, I go swimming
Swimming in water, swimming in water, swimming in water
Water all over me
Swimming in water, swimming in water, swimming in water
I go swimming, I go swimming
I go swimming, I go swimming
Swimming, I go swimming
Oh I go swimming, I go swimming
Water all over me
Swimming in water, swimming in water, swimming in water
Water all over me
Swimming in water, swimming in water, swimming in water
Water all over me
Swimming in water, swimming in water, swimming in water
Water all over me
song performed by Peter Gabriel
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Tale XII
'SQUIRE THOMAS; OR THE PRECIPITATE CHOICE.
'Squire Thomas flatter'd long a wealthy Aunt,
Who left him all that she could give or grant;
Ten years he tried, with all his craft and skill,
To fix the sovereign lady's varying will;
Ten years enduring at her board to sit,
He meekly listen'd to her tales and wit:
He took the meanest office man can take,
And his aunt's vices for her money's sake:
By many a threat'ning hint she waked his fear,
And he was pain'd to see a rival near:
Yet all the taunts of her contemptuous pride
He bore, nor found his grov'ling spirit tried:
Nay, when she wish'd his parents to traduce,
Fawning he smiled, and justice call'd th' abuse:
'They taught you nothing: are you not at best,'
Said the proud Dame, 'a trifler, and a jest?
Confess you are a fool!'--he bow'd and he
confess'd.
This vex'd him much, but could not always last:
The dame is buried, and the trial past.
There was a female, who had courted long
Her cousin's gifts, and deeply felt the wrong;
By a vain boy forbidden to attend
The private councils of her wealthy friend,
She vow'd revenge, nor should that crafty boy
In triumph undisturb'd his spoils enjoy:
He heard, he smiled, and when the Will was read,
Kindly dismiss'd the Kindred of the dead;
'The dear deceased' he call'd her, and the crowd
Moved off with curses deep and threat'nings loud.
The youth retired, and, with a mind at ease,
Found he was rich, and fancied he must please:
He might have pleased, and to his comfort found
The wife he wish'd, if he had sought around,
For there were lasses of his own degree,
With no more hatred to the state than he;
But he had courted spleen and age so long,
His heart refused to woo the fair and young;
So long attended on caprice and whim,
He thought attention now was due to him;
And as his flattery pleased the wealthy Dame,
Heir to the wealth, he might the flattery claim:
But this the fair, with one accord, denied,
Nor waived for man's caprice the sex's pride.
There is a season when to them is due
Worship and awe, and they will claim it too:
'Fathers,' they cry, 'long hold us in their chain,
[...] Read more
poem by George Crabbe
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Thoughts Of A Goldfish
I am a goldfish; I am swimming around this bowl. It is getting dizzy.
A goldfish I am; It is getting dizzy. Swimming around this bowl I am.
Am I a goldfish? I am swimming around this bowl. It is getting dizzy.
It is getting dizzy, swimming around this bowl, I am a goldfish. I am.
Around this bowl I am swimming. It is getting dizzy. I am a goldfish
I am a goldfish. It is getting dizzy around this bowl, I am swimming.
I am swimming around this bowl; I am a goldfish. It is getting dizzy.
Around this bowl, it is getting dizzy. I am a goldfish; I am swimming.
I am a goldfish. It is getting dizzy. I am swimming around this bowl.
I am a goldfish. Bowl this around: it is getting dizzy. I am swimming.
I am swimming around this bowl. Am I a goldfish? It is getting dizzy.
Am I a goldfish bowl? It is getting dizzy. Am I swimming around this?
It is getting dizzy. I am a goldfish. Am I swimming around this bowl?
Am I a goldfish? Around this bowl am I swimming? It is getting dizzy.
Am I a goldfish? I am. It is getting dizzy, swimming around this bowl.
Am I a goldfish? It is getting dizzy. I am swimming around this bowl.
Am I a goldfish swimming? Around this bowl, I am. It is getting dizzy.
Am I a goldfish? It is getting dizzy. Around this bowl I am swimming.
Am I swimming? I am a goldfish around this bowl. It is getting dizzy.
Am I swimming? Is it getting dizzy? Around this bowl I am a goldfish.
It is getting dizzy. Am I swimming? Am I a goldfish around this bowl?
Am I a-swimming? I am a round goldfish. This bowl, it is getting dizzy.
This bowl: It is getting dizzy. I am a goldfish I am swimming around.
Am I a bowl? It is getting dizzy. I am a goldfish swimming around this.
It is getting dizzy. Am I a round bowl? I am this goldfish a-swimming.
I am a goldfish I am swimming around. Is this bowl getting dizzy? It is.
Is it? I am getting a goldfish. I am swimming around this dizzy bowl.
I am. I am swimming around this goldfish bowl. Dizzy it is a-getting.
I am a dizzy goldfish swimming. I am a round bowl. Is it getting this?
Is this bowl around a dizzy, swimming goldfish? I am. I am getting it.
Is this getting dizzy? Am I a round goldfish? Am I a swimming bowl?
I am a goldfish; I am swimming around this bowl. It is getting dizzy.
poem by C. Richard Miles
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Pearl
Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.
2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.
3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.
4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.
[...] Read more
poem by Anonymous Olde English
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Lightning Strikes
Anderson/squire/howe/white/sherwood/khoroshev
What you gonna do when the lightning strikes and hits you
Who ya gonna call for the secret of stealing the world
Swimming in this ocean of words on your new cellphone
Diving for the wisdom of pearls in your eyes
Come on
What ya gonna do when the lightning strikes and hits you
How ya gonna laugh when the joker forgets his lines
Stepping off a cloud into space whatever greets you
Show me how you got this award for being alive
Waking up is waking to the power
Dancing up is dancing till the dawn
Talk talk talk will always get you someplace
Shake it up n shake me till Im done
Shake it up now!
She ay... do wa bap
She ay... do wa bap
She ay... do wa bap
She ay... do wa bap
Who ya gonna call when the power
Begins to chase you
Spinning out of shape now youre learning to live again
Fastening your seatbelt tonight it could get jumpy
Showing me the good n that
Life is not in vain
Take take take n take me thru the lightning
Walk dont talk me always on the run
Ride it out until you get the picture
Shake it up and let me get me some
Let me get me some
Eya he say touch it together
Touching my spirit touching my feeling
Eya he say touch it together
Touching my spirit touching my feeling
Eya he say coming together
Touching my spirit touching my feeling
Eya he say coming together
Touching my spirit touching my feeling
Talk, talk, talk, keep moving round in circles
Moving till the moon is on the run
Take me take me take me to the new day
Take me out and let me get me some
Take take take and dance me thru the lightning
Moving to the left n to the sun... ya ya ya
Help me get me some... ya
Help me get me some... come on
Ooh ya... ooh ya... ooh ya... ooh ya
Ooh ya... ooh ya... ooh ya
song performed by Yes
Added by Lucian Velea
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Tale XV
ADVICE; OR THE 'SQUIRE AND THE PRIEST.
A wealthy Lord of far-extended land
Had all that pleased him placed at his command;
Widow'd of late, but finding much relief
In the world's comforts, he dismiss'd his grief;
He was by marriage of his daughters eased,
And knew his sons could marry if they pleased;
Meantime in travel he indulged the boys,
And kept no spy nor partner of his joys.
These joys, indeed, were of the grosser kind,
That fed the cravings of an earthly mind;
A mind that, conscious of its own excess,
Felt the reproach his neighbours would express.
Long at th' indulgent board he loved to sit,
Where joy was laughter, and profaneness wit;
And such the guest and manners of the hall,
No wedded lady on the 'Squire would call:
Here reign'd a Favourite, and her triumph gain'd
O'er other favourites who before had reign'd;
Reserved and modest seemed the nymph to be,
Knowing her lord was charm'd with modesty;
For he, a sportsman keen, the more enjoy'd,
The greater value had the thing destroyed.
Our 'Squire declared, that from a wife released,
He would no more give trouble to a Priest;
Seem'd it not, then, ungrateful and unkind
That he should trouble from the priesthood find?
The Church he honour'd, and he gave the due
And full respect to every son he knew;
But envied those who had the luck to meet
A gentle pastor, civil and discreet;
Who never bold and hostile sermon penned,
To wound a sinner, or to shame a friend;
One whom no being either shunn'd or fear'd:
Such must be loved wherever they appear'd.
Not such the stern old Rector of the time,
Who soothed no culprit, and who spared no crime;
Who would his fears and his contempt express
For irreligion and licentiousness;
Of him our Village Lord, his guests among,
By speech vindictive proved his feelings stung.
'Were he a bigot,' said the 'Squire, 'whose zeal
Condemn'd us all, I should disdain to feel:
But when a man of parts, in college train'd,
Prates of our conduct, who would not be pain'd?
While he declaims (where no one dares reply)
On men abandon'd, grov'ling in the sty
(Like beasts in human shape) of shameless luxury.
Yet with a patriot's zeal I stand the shock
[...] Read more
poem by George Crabbe
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Hudibras: Part 1 - Canto III
THE ARGUMENT
The scatter'd rout return and rally,
Surround the place; the Knight does sally,
And is made pris'ner: Then they seize
Th' inchanted fort by storm; release
Crowdero, and put the Squire in's place;
I should have first said Hudibras.
Ah me! what perils do environ
The man that meddles with cold iron!
What plaguy mischiefs and mishaps
Do dog him still with after-claps!
For though dame Fortune seem to smile
And leer upon him for a while,
She'll after shew him, in the nick
Of all his glories, a dog-trick.
This any man may sing or say,
I' th' ditty call'd, What if a Day?
For HUDIBRAS, who thought h' had won
The field, as certain as a gun;
And having routed the whole troop,
With victory was cock a-hoop;
Thinking h' had done enough to purchase
Thanksgiving-day among the Churches,
Wherein his mettle, and brave worth,
Might be explain'd by Holder-forth,
And register'd, by fame eternal,
In deathless pages of diurnal;
Found in few minutes, to his cost,
He did but count without his host;
And that a turn-stile is more certain
Than, in events of war, dame Fortune.
For now the late faint-hearted rout,
O'erthrown, and scatter'd round about,
Chas'd by the horror of their fear
From bloody fray of Knight and Bear,
(All but the dogs, who, in pursuit
Of the Knight's victory, stood to't,
And most ignobly fought to get
The honour of his blood and sweat,)
Seeing the coast was free and clear
O' th' conquer'd and the conqueror,
Took heart again, and fac'd about,
As if they meant to stand it out:
For by this time the routed Bear,
Attack'd by th' enemy i' th' rear,
Finding their number grew too great
For him to make a safe retreat,
[...] Read more
poem by Samuel Butler
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Sir Peter Harpdon's End
In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.
John Curzon
Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.
Sir Peter
So-
What are their names?
John Curzon
Why, Jacques Aquadent,
And Peter Plombiere, but-
Sir Peter
What colour'd hair
Has Peter now? has Jacques got bow legs?
John Curzon
Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?
Sir Peter
O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.
John Curzon
going.
Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.
[...] Read more
poem by William Morris
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Here Begynneth A Lyttell Treatyse Cleped La Conusaunce Damours
Forth gone the virgyns euerychone
Replet with ioye/and eke felicite
To gether floures. And some vnto one
Haue more fantasy/whan they it se
Than to all that in the medowes be
Another shall incontrary wyse
Gether other after theyr deuyse.
So done clerkes/of great grauite
Chose maters/wheron they lyst to wryte
But I that am of small capacite
Toke on me this treatyse to endyte
Tauoyde ydelnesse/more than for delyte
And most parte therof/tolde was to me
As here after/ye may rede and se.
Thus endeth the prologue.
The thyrde idus/in the moneth of July
Phebus his beames/lustryng euery way
Gladdynge the hartes/of all our Hemyspery
And mouynge many/vnto sporte and playe
So dyd it me/the treuthe for to saye
To walke forth/I had great inclination
Per chaunce some where/to fynde recreation
And as I walked/ever I dyd beholde
Goodly yonge people/that them encouraged
In suche maner wyse/as though they wolde
Ryght gladly have songe or daunsed
Or els some other gorgious thynge deuysed
Whose demeanynge/made me ryght ioyous
For to beholde/theyr dedes amorous.
To wryte all thynges of plesure/that I se
In euery place/where I passed by
In all a day recunted it can nat be
Who coude discryue the fresshe beauty
Of dames and pusels/attyred gorgiously
So swete of loke/so amiable of face
Smilyng doulcely/on suche as stande in grace
Certaynly theyr boute/and curtesy
Ofte moueth me/for to do my payne
Some thynge to wryte/them to magnifye
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poem by Anonymous Olde English
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Fourth Book
THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'
So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
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poem by Robert Browning from The Ring and the Book
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Eighth Book
ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.
The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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A Pearls Worth
Silver pearls fall down her skin
She knows she must do it for she can't stay strong
For all she has to do is count to ten
She knows he's always wrong
Silver pearls fall down her face
In the dead of night, it is so dark
She stands in the room with fear, with hate
In her soul the pain he gave has left its mark
Silver pearls fall on the barrel
As she holds the gun in her hands
For long before this night their love grew stale
And oh how she thinks it is easy to hold life and death in her hands
Silver pearls fall over bruises, the pain
She bites her lip as she counts one... two
In her heart he's left the stain
She looks at his still body three... four
Silver pearls fall as she moves her hands
She walks to his side
In front of his face she stands
As her mind starts the chant 'he lied'
Silver pearls fall five... six
She holds the barrel to his head
Seven... Eight... she moves her feet just to stall
She knows it won't matter for she is already dead
Silver pearls shade her eyes
Nine... she counts on
her mind filled with his lies
Ten... her finger tightens as he opens his eyes
Silver pearls fall as she pulls the trigger, pulls the string
His eyes wonder, as he fades
His mouth moves, and she remembers the thing
Now she only see dark shades
Silver pearls fall as he leaves her, as she turns
Her daughter stands at the door at only six
Her hand turns
Her eyes search through the young girls eyes
Silver pearls fall as she mouths her last breath
The trigger is pulled as she sinks to her knees
The girls screams fill her mind, for she feels the hand of death
And only now she sees
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poem by Bethany Maxwell
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
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poem by Robinson Jeffers
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Quatrains Of Life
What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?
What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?
'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.
Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.
I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.
Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.
All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.
So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''
My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?
I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.
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poem by Wilfrid Scawen Blunt
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