And You & I
I. cord of life
(anderson/bruford/howe/squire)
A man conceived a moments answers to the dream,
Staying the flowers daily, sensing all the themes.
As a foundation left to create the spiral aim,
A movement regained and regarded both the same,
All complete in the sight of seeds of life with you.
Changed only for a sight of sound, the space agreed.
Between the picture of time behind the face of need,
Coming quickly to terms of all expression laid,
Emotion revealed as the ocean maid,
All complete in the sight of seeds of life with you.
Oh.
Turn round tailor, coins and
Assaulting all the mornings of the crosses
Interest shown, never know
Presenting one another to the cord, their fruitless worth;
All left dying, rediscovered cords are broken,
Of the door that turned round, locked inside
To close the cover, the mother earth.
All the interest shown, they wont
To turn one another, to the sign hide, hold, they wont
At the time tell you, watching the world,
To float your climb. watching all of the world,
Watching us go by.
And you and I climb over the sea to the valley,
And you and I reached out for reasons to call.
Ii. eclipse
(anderson/bruford/squire)
Coming quickly to terms of all expression laid,
Emotion revealed as the ocean maid,
As a movement regained and regarded both the same,
All complete in the side of seeds of life with you.
Iii. the preacher the teacher
(anderson/bruford/howe/squire)
Sad preacher nailed upon the coloured door of time;
Insane teacher be there reminded of the rhyme.
Therell be no mutant enemy we shall certify;
Political ends, as sad remains, will die.
Reach out as forward tastes begin to enter you.
Ooh, ooh.
I listened hard but could not see
Life tempo change out and inside me.
The preacher trained in all to lose his name;
The teacher travels, asking to be shown the same.
In the end, well agree, well accept, well immortalise
That the truth of the man maturing in his eyes,
All complete in the sight of seeds of life with you.
Coming quickly to terms of all expression laid,
As a moment regained and regarded both the same,
[...] Read more
song performed by Yes
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Related quotes
And You & I
I. cord of life
(anderson/bruford/howe/squire)
A man conceived a moments answers to the dream,
Staying the flowers daily, sensing all the themes.
As a foundation left to create the spiral aim,
A movement regained and regarded both the same,
All complete in the sight of seeds of life with you.
Changed only for a sight of sound, the space agreed.
Between the picture of time behind the face of need,
Coming quickly to terms of all expression laid,
Emotion revealed as the ocean maid,
All complete in the sight of seeds of life with you.
Oh.
Turn round tailor, coins and
Assaulting all the mornings of the crosses
Interest shown, never know
Presenting one another to the cord, their fruitless worth;
All left dying, rediscovered cords are broken,
Of the door that turned round, locked inside
To close the cover, the mother earth.
All the interest shown, they wont
To turn one another, to the sign hide, hold, they wont
At the time tell you, watching the world,
To float your climb. watching all of the world,
Watching us go by.
And you and I climb over the sea to the valley,
And you and I reached out for reasons to call.
Ii. eclipse
(anderson/bruford/squire)
Coming quickly to terms of all expression laid,
Emotion revealed as the ocean maid,
As a movement regained and regarded both the same,
All complete in the side of seeds of life with you.
Iii. the preacher the teacher
(anderson/bruford/howe/squire)
Sad preacher nailed upon the coloured door of time;
Insane teacher be there reminded of the rhyme.
Therell be no mutant enemy we shall certify;
Political ends, as sad remains, will die.
Reach out as forward tastes begin to enter you.
Ooh, ooh.
I listened hard but could not see
Life tempo change out and inside me.
The preacher trained in all to lose his name;
The teacher travels, asking to be shown the same.
In the end, well agree, well accept, well immortalise
That the truth of the man maturing in his eyes,
All complete in the sight of seeds of life with you.
Coming quickly to terms of all expression laid,
As a moment regained and regarded both the same,
[...] Read more
song performed by Yes
Added by Lucian Velea
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Social Netowrking Of Robots
end of world war
end of world war 11
end of world scenarios
end of world thursday prophet
end of world wa rtwo
end of world war 2 france
end of world video
end of world war 1 effects
end of world vision
end of world songs
end of world war 2
end of world war 1
end of world wallpapers
end of world scenerio
end of world time clock
end of wortd
end of world wtf mate youtube
end of world west america
end of world war ii
end of world war iii
end of wrestling match signal
end of worlds
end of worldwar 2
end of world war i
end of world war two
end of wrestling match indicator
end of world war 2 wikipedia
end of world war 21945
end of world war one
end of world wite web
end of worled war 2
end of world wide ii
end of world war 2 info
end of world war two date
end of wow
end of ww 2
end of ww2
end of ww1 treaty of versailles
end of ww1 treaty
end of ww ii
end of ww2 in czechoslovakia
end of ww2 date
end of ww1 ghost photos
end of ww1 treaty of vers
end of ww 1
end of ww2 for japanese americans
end of ww-ii
end of ww2 battleship
end of wrold war 2
end of ww11
[...] Read more
poem by Rwetewrt Erwtwer
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Colyn Cloute
Quis consurget mecum adversus malignantes ?
aut quis stabit mecum adversus operantes iniqui-
tatem ? Nemo, Domine !
W H A T can it auayle
To dryue forth a snayle,
Or to make a sayle
Of an herynges tayle ;
To ryme or to rayle,
To wryte or to indyte,
Eyther for delyte
Or elles for despyte ;
Or bokes to compyle
Of dyuers maner style, 10
Vyce to reuyle
And synne to exyle ;
To teche or to preche,
As reason wyll reche ?
Say this, and say that,
His hed is so fat,
He wotteth neuer what
Nor wherof he speketh ;
He cryeth and he creketh,
He pryeth and he peketh, 20
He chydes and he chatters,
He prates and he patters,
He clytters and he clatters,
He medles and he smatters,
He gloses and he flatters ;
Or yf he speake playne,
Than he lacketh brayne,
He is but a fole ;
Let hym go to scole,
On a thre foted stole 30
That he may downe syt,
For he lacketh wyt ;
And yf that he hyt
The nayle on the hede,
It standeth in no stede ;
The deuyll, they say, is dede,
The deuell is dede.
It may well so be,
Or els they wolde se
Otherwyse, and fle 40
From worldly vanyte,
And foule couetousnesse,
And other wretchednesse,
Fyckell falsenesse,
Varyablenesse,
With vnstablenesse.
[...] Read more
poem by John Skelton
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Tale XII
'SQUIRE THOMAS; OR THE PRECIPITATE CHOICE.
'Squire Thomas flatter'd long a wealthy Aunt,
Who left him all that she could give or grant;
Ten years he tried, with all his craft and skill,
To fix the sovereign lady's varying will;
Ten years enduring at her board to sit,
He meekly listen'd to her tales and wit:
He took the meanest office man can take,
And his aunt's vices for her money's sake:
By many a threat'ning hint she waked his fear,
And he was pain'd to see a rival near:
Yet all the taunts of her contemptuous pride
He bore, nor found his grov'ling spirit tried:
Nay, when she wish'd his parents to traduce,
Fawning he smiled, and justice call'd th' abuse:
'They taught you nothing: are you not at best,'
Said the proud Dame, 'a trifler, and a jest?
Confess you are a fool!'--he bow'd and he
confess'd.
This vex'd him much, but could not always last:
The dame is buried, and the trial past.
There was a female, who had courted long
Her cousin's gifts, and deeply felt the wrong;
By a vain boy forbidden to attend
The private councils of her wealthy friend,
She vow'd revenge, nor should that crafty boy
In triumph undisturb'd his spoils enjoy:
He heard, he smiled, and when the Will was read,
Kindly dismiss'd the Kindred of the dead;
'The dear deceased' he call'd her, and the crowd
Moved off with curses deep and threat'nings loud.
The youth retired, and, with a mind at ease,
Found he was rich, and fancied he must please:
He might have pleased, and to his comfort found
The wife he wish'd, if he had sought around,
For there were lasses of his own degree,
With no more hatred to the state than he;
But he had courted spleen and age so long,
His heart refused to woo the fair and young;
So long attended on caprice and whim,
He thought attention now was due to him;
And as his flattery pleased the wealthy Dame,
Heir to the wealth, he might the flattery claim:
But this the fair, with one accord, denied,
Nor waived for man's caprice the sex's pride.
There is a season when to them is due
Worship and awe, and they will claim it too:
'Fathers,' they cry, 'long hold us in their chain,
[...] Read more
poem by George Crabbe
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Tale XV
ADVICE; OR THE 'SQUIRE AND THE PRIEST.
A wealthy Lord of far-extended land
Had all that pleased him placed at his command;
Widow'd of late, but finding much relief
In the world's comforts, he dismiss'd his grief;
He was by marriage of his daughters eased,
And knew his sons could marry if they pleased;
Meantime in travel he indulged the boys,
And kept no spy nor partner of his joys.
These joys, indeed, were of the grosser kind,
That fed the cravings of an earthly mind;
A mind that, conscious of its own excess,
Felt the reproach his neighbours would express.
Long at th' indulgent board he loved to sit,
Where joy was laughter, and profaneness wit;
And such the guest and manners of the hall,
No wedded lady on the 'Squire would call:
Here reign'd a Favourite, and her triumph gain'd
O'er other favourites who before had reign'd;
Reserved and modest seemed the nymph to be,
Knowing her lord was charm'd with modesty;
For he, a sportsman keen, the more enjoy'd,
The greater value had the thing destroyed.
Our 'Squire declared, that from a wife released,
He would no more give trouble to a Priest;
Seem'd it not, then, ungrateful and unkind
That he should trouble from the priesthood find?
The Church he honour'd, and he gave the due
And full respect to every son he knew;
But envied those who had the luck to meet
A gentle pastor, civil and discreet;
Who never bold and hostile sermon penned,
To wound a sinner, or to shame a friend;
One whom no being either shunn'd or fear'd:
Such must be loved wherever they appear'd.
Not such the stern old Rector of the time,
Who soothed no culprit, and who spared no crime;
Who would his fears and his contempt express
For irreligion and licentiousness;
Of him our Village Lord, his guests among,
By speech vindictive proved his feelings stung.
'Were he a bigot,' said the 'Squire, 'whose zeal
Condemn'd us all, I should disdain to feel:
But when a man of parts, in college train'd,
Prates of our conduct, who would not be pain'd?
While he declaims (where no one dares reply)
On men abandon'd, grov'ling in the sty
(Like beasts in human shape) of shameless luxury.
Yet with a patriot's zeal I stand the shock
[...] Read more
poem by George Crabbe
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Fourth Book
THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'
So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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Hudibras: Part 1 - Canto III
THE ARGUMENT
The scatter'd rout return and rally,
Surround the place; the Knight does sally,
And is made pris'ner: Then they seize
Th' inchanted fort by storm; release
Crowdero, and put the Squire in's place;
I should have first said Hudibras.
Ah me! what perils do environ
The man that meddles with cold iron!
What plaguy mischiefs and mishaps
Do dog him still with after-claps!
For though dame Fortune seem to smile
And leer upon him for a while,
She'll after shew him, in the nick
Of all his glories, a dog-trick.
This any man may sing or say,
I' th' ditty call'd, What if a Day?
For HUDIBRAS, who thought h' had won
The field, as certain as a gun;
And having routed the whole troop,
With victory was cock a-hoop;
Thinking h' had done enough to purchase
Thanksgiving-day among the Churches,
Wherein his mettle, and brave worth,
Might be explain'd by Holder-forth,
And register'd, by fame eternal,
In deathless pages of diurnal;
Found in few minutes, to his cost,
He did but count without his host;
And that a turn-stile is more certain
Than, in events of war, dame Fortune.
For now the late faint-hearted rout,
O'erthrown, and scatter'd round about,
Chas'd by the horror of their fear
From bloody fray of Knight and Bear,
(All but the dogs, who, in pursuit
Of the Knight's victory, stood to't,
And most ignobly fought to get
The honour of his blood and sweat,)
Seeing the coast was free and clear
O' th' conquer'd and the conqueror,
Took heart again, and fac'd about,
As if they meant to stand it out:
For by this time the routed Bear,
Attack'd by th' enemy i' th' rear,
Finding their number grew too great
For him to make a safe retreat,
[...] Read more
poem by Samuel Butler
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Sir Peter Harpdon's End
In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.
John Curzon
Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.
Sir Peter
So-
What are their names?
John Curzon
Why, Jacques Aquadent,
And Peter Plombiere, but-
Sir Peter
What colour'd hair
Has Peter now? has Jacques got bow legs?
John Curzon
Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?
Sir Peter
O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.
John Curzon
going.
Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.
[...] Read more
poem by William Morris
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Quartet
I I wanna learn
(anderson / howe / wakeman / bruford)
I wanna learn more about you
We havent spoke in quite a while
And all of the dreams that come true
So surprising how it catches you
I wanna learn more about me
Ive been sinking like a setting stone
And now the dreams are realising its true
Thats why I wanna learn about you
I wanna know more about life
And things that can fly in between my mind
I wanna change all the I dream about
My waking and my so many lives, oh my
I wanna learn more about you
We havent spoke in quite a while
Just let me, let me come through
Ill give you my heart, my life for life
Ii she gives me love
(anderson / howe / wakeman / bruford / dowling)
She gives me love
When love had gone away
When the pressure came so fast
She give me love
Long distance runaround
And in between the pressure
I was summoned
How did we dance on the south side of the sky
We saw the flags flying on the moon
And thru the gates of delirium so fast
Believing in the light was a beginning
Only to believe in you
Only to believe in you
She give me love
When I was losing fast
I was awakened by the dream
She was the love for me
The first and last
And all that I remembered
Was the roundabout only to believe in you
Iii who was the first
(anderson / howe / wakeman / bruford)
Who was the first to show
The moon at night
Is never so far away
We are the first to define the
Languages of love
Who was the first to learn
The universal consciousness divine
We are the first to discover
[...] Read more
song performed by Yes
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Exodus (Laswell Mix)
[Bob Marley]
Exodus: Movement of Jah people! Oh-oh-oh, yea-eah!
.......
Men and people will fight ya down (Tell me why!)
When ya see Jah light. (Ha-ha-ha-ha-ha-ha-ha!)
Let me tell you if you're not wrong; (Then, why?)
Everything is all right.
So we gonna walk - all right! - through de roads of creation:
We the generation (Tell me why!)
(Trod through great tribulation) trod through great tribulation.
Exodus, all right! Movement of Jah people!
Oh, yeah! O-oo, yeah! All right!
Exodus: Movement of Jah people! Oh, yeah!
Yeah-yeah-yeah, well!
Uh! Open your eyes and look within:
Are you satisfied (with the life you're living)? Uh!
We know where we're going, uh!
We know where we're from.
We're leaving Babylon,
We're going to our Father land.
2, 3, 4: Exodus: movement of Jah people! Oh, yeah!
(Movement of Jah people!) Send us another brother Moses!
(Movement of Jah people!) From across the Red Sea!
(Movement of Jah people!) Send us another brother Moses!
(Movement of Jah people!) From across the Red Sea!
Movement of Jah people!
---
/Instrumental break/
---
Exodus, all right! Oo-oo-ooh! Oo-ooh!
Movement of Jah people! Oh, yeah!
Exodus!
Exodus! All right!
Exodus! Now, now, now, now!
Exodus!
Exodus! Oh, yea-ea-ea-ea-ea-ea-eah!
Exodus!
Exodus! All right!
Exodus! Uh-uh-uh-uh!
Move! Move! Move! Move! Move! Move!
Open your eyes and look within:
Are you satisfied with the life you're living?
We know where we're going;
We know where we're from.
We're leaving Babylon, y'all!
We're going to our Father's land.
Exodus, all right! Movement of Jah people!
Exodus: movement of Jah people!
Movement of Jah people!
Movement of Jah people!
[...] Read more
song performed by Bob Marley
Added by Lucian Velea
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Here Begynneth A Lyttell Treatyse Cleped La Conusaunce Damours
Forth gone the virgyns euerychone
Replet with ioye/and eke felicite
To gether floures. And some vnto one
Haue more fantasy/whan they it se
Than to all that in the medowes be
Another shall incontrary wyse
Gether other after theyr deuyse.
So done clerkes/of great grauite
Chose maters/wheron they lyst to wryte
But I that am of small capacite
Toke on me this treatyse to endyte
Tauoyde ydelnesse/more than for delyte
And most parte therof/tolde was to me
As here after/ye may rede and se.
Thus endeth the prologue.
The thyrde idus/in the moneth of July
Phebus his beames/lustryng euery way
Gladdynge the hartes/of all our Hemyspery
And mouynge many/vnto sporte and playe
So dyd it me/the treuthe for to saye
To walke forth/I had great inclination
Per chaunce some where/to fynde recreation
And as I walked/ever I dyd beholde
Goodly yonge people/that them encouraged
In suche maner wyse/as though they wolde
Ryght gladly have songe or daunsed
Or els some other gorgious thynge deuysed
Whose demeanynge/made me ryght ioyous
For to beholde/theyr dedes amorous.
To wryte all thynges of plesure/that I se
In euery place/where I passed by
In all a day recunted it can nat be
Who coude discryue the fresshe beauty
Of dames and pusels/attyred gorgiously
So swete of loke/so amiable of face
Smilyng doulcely/on suche as stande in grace
Certaynly theyr boute/and curtesy
Ofte moueth me/for to do my payne
Some thynge to wryte/them to magnifye
[...] Read more
poem by Anonymous Olde English
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Eighth Book
ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.
The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Order Of The Universe
I order theme
(anderson / howe / wakeman / bruford)
Instrumental
Ii rock gives courage
(anderson / howe / wakeman / bruford / lawrence)
You dont need anybody, dont you give me that surprise
Everything about you inside your eyes
You dont need anybody in your family ties
You crossed over the river
You dont need any money to deserve all your friends
Its just the love you give them
You dont need anybody in this complicated life
You crossed over the river
And youre there on your own and youre lost in your life
And you think theres someones gonna make you feel so good
You better lose control you better watch your step
For theres something inside you, they call it
Rock gives courage, a way to win the trust
Rock gives lover a way to win or bust
You dont need anybody in this complicated life
You crossed over the river
Rock gives courage, a way to with the trust
Rock gives lovers a way to win or bust
Rock gives sisters a way to speak their mind
Without this gift of rock and roll
Wed all be wasting time
Iii its so hard to grow
(anderson / howe / wakeman / bruford)
They say weve got it made, they say we gotta light
Where is the man with all the great directions
They say we gotta win, they say we gotta learn
But in the end its just the same damn reason
They say youve gotta run, they say you gotta jump
Dont really need to know which way were going
They say we gotta push, they say we gotta shout
Is this the way to keep our bonfires burning
Sick feeling, sick reasoning, sick challenge you la la la la
You cant imagine it, how hard it is to grow
You cant imagine it, can you imagine
The order of the universe
You dont need anybody, dont you give me that surprise
Everything about you inside your eyes
You dont need anybody in your family ties
You crossed over the river
You dont need any money to deserve all your friends
Its just the love you give em
You dont need anybody in the complicated life
You crossed over the river, you crossed over the river
You crossed over the river, you crossed over the river
Iv the universe
[...] Read more
song performed by Yes
Added by Lucian Velea
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Order Of The Universe
I order theme
(anderson / howe / wakeman / bruford)
Instrumental
Ii rock gives courage
(anderson / howe / wakeman / bruford / lawrence)
You dont need anybody, dont you give me that surprise
Everything about you inside your eyes
You dont need anybody in your family ties
You crossed over the river
You dont need any money to deserve all your friends
Its just the love you give them
You dont need anybody in this complicated life
You crossed over the river
And youre there on your own and youre lost in your life
And you think theres someones gonna make you feel so good
You better lose control you better watch your step
For theres something inside you, they call it
Rock gives courage, a way to win the trust
Rock gives lover a way to win or bust
You dont need anybody in this complicated life
You crossed over the river
Rock gives courage, a way to with the trust
Rock gives lovers a way to win or bust
Rock gives sisters a way to speak their mind
Without this gift of rock and roll
Wed all be wasting time
Iii its so hard to grow
(anderson / howe / wakeman / bruford)
They say weve got it made, they say we gotta light
Where is the man with all the great directions
They say we gotta win, they say we gotta learn
But in the end its just the same damn reason
They say youve gotta run, they say you gotta jump
Dont really need to know which way were going
They say we gotta push, they say we gotta shout
Is this the way to keep our bonfires burning
Sick feeling, sick reasoning, sick challenge you la la la la
You cant imagine it, how hard it is to grow
You cant imagine it, can you imagine
The order of the universe
You dont need anybody, dont you give me that surprise
Everything about you inside your eyes
You dont need anybody in your family ties
You crossed over the river
You dont need any money to deserve all your friends
Its just the love you give em
You dont need anybody in the complicated life
You crossed over the river, you crossed over the river
You crossed over the river, you crossed over the river
Iv the universe
[...] Read more
song performed by Yes
Added by Lucian Velea
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[9] O, Moon, My Sweet-heart!
O, Moon, My Sweet-heart!
[LOVE POEMS]
POET: MAHENDRA BHATNAGAR
POEMS
1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song
[...] Read more
poem by Mahendra Bhatnagar
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Cord Of Life
A man conceived a moments answers to the dream,
Staying the flowers daily, sensing all the themes.
As a foundation left to create the spiral aim,
A movement regained and regarded both the same,
All complete in the sight of seeds of life with you.
Changed only for a sight of sound, the space agreed.
Between the picture of time behind the face of need,
Coming quickly to terms of all expression laid,
Emotion revealed as the ocean maid,
All complete in the sight of seeds of life with you.
Oh.
Turn round tailor, coins and
Assaulting all the mornings of the crosses
Interest shown, never know
Presenting one another to the cord, their fruitless worth;
All left dying, rediscovered cords are broken,
Of the door that turned round, locked inside
To close the cover, the mother earth.
All the interest shown, they wont
To turn one another, to the sign hide, hold, they wont
At the time tell you, watching the world,
To float your climb. watching all of the world,
Watching us go by.
And you and I climb over the sea to the valley,
And you and I reached out for reasons to call.
song performed by Yes
Added by Lucian Velea
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