Die, Zombie, Die
What is it? What it is. What is it?
Dazzling, yea starving town, starving town, out of the cold, out of the cold
(Die, Die, Die!) Moneyman rumble. Dreamtime maker.
Dressed to kill. Crybaby keeper.
Nature of the madness. Lies very still.
Shadow boxing motions a real believer.
Areal believer. Look here, get it and go, look here.
Seduction in a new new world, seduction. Into the fire
(Die, Die, Die!) Cannibal collision american girl.
Suck in your gut. Unlike before yea, unlike before, if you murder.
Object of desire. Now come and get it. Get it! Come get it! Come.
While I roustabout. Brutalities inflictied. A rush across the room.
While the city sleeps. I want to ask you. What's in store?
Fleshy jaws. Now wait a minute.
song performed by White Zombie
Added by Lucian Velea
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Related quotes
Dear Mr. President
I'm looking outside of my windows
The view that i see
Is a child and mama
And the child is begging for money
Tell me why, tell me why
The woman is blind is she so broke
The kid's dealing crime
It's such a beautiful city
But the world is burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a beautiful city
But the world is it burning down
I go to my room to turn on the t.v
I sit myself down
And i start laughing hard
'cause this man he's asking for money
He sats "if you send me lots of cash i'll send you
Stuff to make you rich fast"
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
And it's burning down
And it's called the u.s of a.
One day i'm going to have lots of money
But i'll have to give up
For this rich society
Oh please mr. president will you lend me a future
'cause you'll just get it back
From the little blind woman
With the kid on the corner
And the people all over, doin' crack
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
And it's burning down
And it's called the u.s of a.
I'm walking outside on a sunny day
With no one around
And i wonder what's wrong
The i hear this loud piercing siren
Oh my god the bomb has just dropped
[...] Read more
song performed by 4 Non Blondes
Added by Lucian Velea
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The Old Chisholm Trail
Well, come along boys and listen to my tale
I'll tell you all my troubles on the ol' Chisholm Trail
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I started up the trail October twenty-third
Started up the trail with the U-2 herd
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
On a ten dollar horse and a forty dollar saddle
Started out punchin' them long horn cattle
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
With my seat in the saddle and my hand on the horn
I'm the best dang cowboy that was ever born
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
It's cloudy in the west and lookin' like rain
And my danged old slicker's in the wagon again
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
The wind began to blow and the rain began to fall
And it looked like we were gonna lose 'em all
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
No chaps, no slickers and it's pouring rain
I swear I'll never night herd again
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I cripple on my horse and I don't know how
Roping these long horn U-2 cows
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Well, I went to the boss to draw my roll
And the boss had me fugured nine dollars in the hole
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Well, me and the boss we had a little spat
So I hit him in the face with my ten gallon hat
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
The boss said to me, ''Well, I'll fire you
Not only you but the whole darn crew.''
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I'll sell my horse, I'll sell my saddle
And you can drive all your long horn cattle
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea...
song performed by Randy Travis
Added by Lucian Velea
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Die, Zombie, Die
What is it? what it is. what is it? dazzling, yea starving town, starving town, out of the cold, out of the cold |die, die, die!| moneyman rumble. dreamtime maker. dressed to kill. crybaby keepe
Ture of the madness. lies very still. shadow bo xing motions a real believer. areal believer. look here, get it and go, look here. seduction in a new new world, seduction. into the fire |die, die, die!| cannibal collision american girl. suck in your gut. unlike before yea, unlike before, if you m urder. object of desire. now come and get it. get it! come get it! come. while I roustabout. brutalities inflictied. a rush across the room. while the city sleeps. I want to ask you. whats in store? fleshy jaws. now wait a minute.
song performed by Rob Zombie
Added by Lucian Velea
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Lou Dog Went To The Moon
My little dog, ran away the other day
yea yea, yea yea, yea yea,yea yea.
I cant believe my little dog Lou Dog, ran away
yea yea, yea yea, yea yea, yea yea
He packed his bags, got into a hotair ballon
yea yea, yea yea, yea yea, yea yea
And then my little dog, Lou Dog,
Sailed off to the moon
yea yea, yea yea, yea yea, yea yea
[yells somthing twice!]
That was the day that, Lou Dog, Went to the moon.
[clapping and cheering]
song performed by Sublime
Added by Lucian Velea
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Sir Peter Harpdon's End
In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.
John Curzon
Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.
Sir Peter
So-
What are their names?
John Curzon
Why, Jacques Aquadent,
And Peter Plombiere, but-
Sir Peter
What colour'd hair
Has Peter now? has Jacques got bow legs?
John Curzon
Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?
Sir Peter
O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.
John Curzon
going.
Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.
[...] Read more
poem by William Morris
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Crybaby
Cry to me, those were your very words
You said cry to me, cry to me
There you stood, laughing at my tears
You said, silly boy, forget your childhood fears
But you dont realize how strange it makes me feel
Now were exchanging parts
Stop, youre breaking my heart
Whos the crybaby now
Cry to me, cry to me, youre the crybaby now
Cry to me, cry
Whos the crybaby, whos breaking my heart
Lie to me, you know that I know you too well
So dont you lie to me, lie to me
I watch you from afar, crying up your sleeve
When they turn away,
So theyll still believe you dont need no one
But Im the only one that sees how youre torn apart
Stop youre breaking my heart
Whos the crybaby now
Cry to me, cry to me, youre my crybaby now
Cry to me, cry to me, whos the crybaby now
Cry to me, cry to me, youre my crybaby now
Whos the crybaby, whos breaking my heart
So what can you say now
What can you feel
When youve got a heart made of leather and steel
And you wont break down
You took self defense and turned it into art
Stop, youre breaking my heart
Come on
song performed by Utopia
Added by Lucian Velea
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Keep On Running
Some gonna get you
Some gonna grab you
Some gonna jump out of the bushes and grab you
Whole lotta folks, you better run faster.
Some gonna grab you
Some gonna jump out of the bushes and grab you
Some gonna grab you
Oh you need this thing to grab you, ha.
Yea, yea
Keep on running
Keep on running from my love
Keep on running, yea
Keep on running from my love
Some folks say that youre really, really fine,
All you want to be is just a friend of mine,
But I know, the man your with gonna break your heart,
And youll be sad real soon, yea.
Keep on running,
Keep on running from my love,
Keep on running, yea,
Keep on running from my love.
Some folks say that youre really, really fine
But all you want to be is just a friend of mine,
But I know Im gonna get you with him -real soon.
Why do you keep?
Keep on running, running from my love
Yea, keep on running from
Keep on running, running from my love
I need you baby
Keep on running, running from my love
And everyday yea,
Keep on running, running from my love. oh
Keep on running
Keep on running from my love
Keep on running yea
Keep on running from my love
Some folks say that your love is really good
All you want to be is just a friend of mine,
But I know, Im gonna get you in the end
cause I need you so
Keep on running
Keep on running, running from my love
Yea, keep on running baby
Keep on running, running from my love, yea
Keep on running, running from my love
Keep on running, running from my love
...say it loud
Keep on running, running from my love
Oh, yea
Keep on running, running from my love
[...] Read more
song performed by Stevie Wonder
Added by Lucian Velea
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The Interpretation of Nature and
I.
MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.
II.
Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.
III.
Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.
IV.
Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.
V.
The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.
VI.
It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.
VII.
The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.
VIII.
Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.
IX.
The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.
X.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.
XI.
As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.
XII.
The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.
XIII.
[...] Read more
poem by Sir Francis Bacon
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Book II - Part 02 - Atomic Motions
Now come: I will untangle for thy steps
Now by what motions the begetting bodies
Of the world-stuff beget the varied world,
And then forever resolve it when begot,
And by what force they are constrained to this,
And what the speed appointed unto them
Wherewith to travel down the vast inane:
Do thou remember to yield thee to my words.
For truly matter coheres not, crowds not tight,
Since we behold each thing to wane away,
And we observe how all flows on and off,
As 'twere, with age-old time, and from our eyes
How eld withdraws each object at the end,
Albeit the sum is seen to bide the same,
Unharmed, because these motes that leave each thing
Diminish what they part from, but endow
With increase those to which in turn they come,
Constraining these to wither in old age,
And those to flower at the prime (and yet
Biding not long among them). Thus the sum
Forever is replenished, and we live
As mortals by eternal give and take.
The nations wax, the nations wane away;
In a brief space the generations pass,
And like to runners hand the lamp of life
One unto other.
But if thou believe
That the primordial germs of things can stop,
And in their stopping give new motions birth,
Afar thou wanderest from the road of truth.
For since they wander through the void inane,
All the primordial germs of things must needs
Be borne along, either by weight their own,
Or haply by another's blow without.
For, when, in their incessancy so oft
They meet and clash, it comes to pass amain
They leap asunder, face to face: not strange-
Being most hard, and solid in their weights,
And naught opposing motion, from behind.
And that more clearly thou perceive how all
These mites of matter are darted round about,
Recall to mind how nowhere in the sum
Of All exists a bottom,- nowhere is
A realm of rest for primal bodies; since
(As amply shown and proved by reason sure)
Space has no bound nor measure, and extends
Unmetered forth in all directions round.
Since this stands certain, thus 'tis out of doubt
No rest is rendered to the primal bodies
Along the unfathomable inane; but rather,
[...] Read more
poem by Lucretius
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Love Having You Around
Please,
Mama, mama, mama,
Mama, mama, baby,
Baby, baby, baby,
Mama, mama, mama,
Baby, baby, baby,
Listen baby,
Every day I want to fly my kite,
Every day I want to fly my kite,
An every day I want to get on my camel an ride.
Oo yea
Every day I want to shake your hand, yea, yea, yea,
For in the world makin me a better man,
An every day I want to get on my camel an ride
(on my camel ride, on my camel)
Oo baby
And when the day is through,
Nothin to do, sit around groovin with you,
And I say it cause I love having you around,
And I say it cause I love having you around. yea
Everyday I want to be your friend, (be your friend)
cause you have stuck with me through thick and thin
An every day I want a smile in your lovely brown eyes,
(smile at your lovely brown eyes)
Oh yea
Every day Im gonna give my share,
cause I know your gonna take me there, (hey, hey)
An every day I want to get on my camel an ride, oo
(get on my camel)
And when the day is done,
Nothin to do, spend all my time just loving you, (oh, yea)
An I say it cause I love having you around, mm baby
And I say it cause I love oo having you around
Yea, yea, yea, yea, yea
Yea, yea, yea
An in the end I know youll be with me,
cause you made my soul so free, (so everyday)
An every day I wanna get on my camel an ride, yea
(on my camel)
And when the day is through,
Nothin to do, spend all my time just lovin you
An I say it cause I love yea having you around.
(love having you around)
And I say it cause I love having you around yea, yea, yea
An I say it cause I love having you around (having you around baby)
And I say it cause I love (cant you hear me people? ) having you around
(cant you hear me people? )
And I say it cause I love having you around
(cant you hear me say it? cant you hear me say it baby? )
And I say it cause I love having you around
[...] Read more
song performed by Stevie Wonder
Added by Lucian Velea
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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OBIIT MDCCCXXXIII (Entire)
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,
But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.
Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
Forgive these wild and wandering cries,
[...] Read more
poem by Alfred Lord Tennyson
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Laus Veneris
Asleep or waking is it? for her neck,
Kissed over close, wears yet a purple speck
Wherein the pained blood falters and goes out;
Soft, and stung softly — fairer for a fleck.
But though my lips shut sucking on the place,
There is no vein at work upon her face;
Her eyelids are so peaceable, no doubt
Deep sleep has warmed her blood through all its ways.
Lo, this is she that was the world's delight;
The old grey years were parcels of her might;
The strewings of the ways wherein she trod
Were the twain seasons of the day and night.
Lo, she was thus when her clear limbs enticed
All lips that now grow sad with kissing Christ,
Stained with blood fallen from the feet of God,
The feet and hands whereat our souls were priced.
Alas, Lord, surely thou art great and fair.
But lo her wonderfully woven hair!
And thou didst heal us with thy piteous kiss;
But see now, Lord; her mouth is lovelier.
She is right fair; what hath she done to thee?
Nay, fair Lord Christ, lift up thine eyes and see;
Had now thy mother such a lip — like this?
Thou knowest how sweet a thing it is to me.
Inside the Horsel here the air is hot;
Right little peace one hath for it, God wot;
The scented dusty daylight burns the air,
And my heart chokes me till I hear it not.
Behold, my Venus, my soul's body, lies
With my love laid upon her garment-wise,
Feeling my love in all her limbs and hair
And shed between her eyelids through her eyes.
She holds my heart in her sweet open hands
Hanging asleep; hard by her head there stands,
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poem by Algernon Charles Swinburne
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As I ventured to the Wood
As I ventured to the wood,
I stopped to draw on dewy air; let
Droplets shimmer in my hair, that
Rested on my tranquil head – as
In a sense of cosy bed.
As I ventured to the wood,
A gesturing cuckoo perched above,
And then in song with cooing dove,
‘You're welcome’, bade he, ’Enter please
To roam our land with gentle breeze.’
As I ventured to the wood,
A fallow deer of limpid eye
Gave care to glance at lucky I.
The heavenly aura 'bout her glow had
Charmed me, like a fine Bordeaux.
As I ventured to the wood,
A dazzling flower waved her face
In blazing show of dance and chase, and
Reddened bright in shade of dawn, she
Flirted like a prancing fawn.
As I ventured to the wood,
A butterfly had graced my arm,
And knowing I bid him no harm, he
Splayed for me hypnotic wing in
Colours for to urge me sing!
As I ventured to the wood,
The radiant sun shone down on me.
He flushed and beamed ‘I say to thee,
You bless your land; be filled with pride, and
Cherish e’er yon countryside! ’
Copyright © Mark R Slaughter 2009
All rights reserved
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poem by Mark R Slaughter
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Mist Upon the Placid Morn
Bleed out your beauty, Autumn –
Give up a gentle wrist, and smear
Your bloody hues atop the green.
Cast a calming throw of heady peace
Upon the cooling land.
And as you grant the sun a final fling of warmth,
Charge the silent air
(Now lolling on a foliar deathbed)
With earthen whiff to intimate the fungal push.
Soon you’ll send a shiver down the watery spine of
Quivering ponds, punctual brooks, and
Listless lakes, to warn them of the freeze to come.
Behold! your mellow spirit
Hanging as a mist upon the placid morn –
A sight that draws a sneaking tear or two – forlorn
Observers are we all of colder climes to view!
Autumn Lady, must you be the summer waning –?
Our adieu to fairer-weather life?
Ah well, at least you hum a warming tone, ensuring
Nature’s rhythm still abounds.
But now you must prepare the mind for chilly times –
You know the drill –
Guiding us along a sloping path
To ease our psyche in to sleet and snow –
The blue-ice bite of winter.
Copyright © Mark R Slaughter 2010
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poem by Mark R Slaughter
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Goin Through The Motions
(ian hunter and eric bloom)
Producer for bonnie: jim steinman
Chant:
In and out and out and in
And up and down and all around
Were going through it
V nothing to it
V all youve got to do is do it
Going through the motions - 1,2,3,4
I go you go you go me go
Everywhere that we go well be
Going through the motions - 1,2,3,4
1,2
Going through the motions
Going through the motions
I dont really care
Cause youre going nowhere
Youve got nothing but fear in your eyes
Youre leading me on
But you can be anyone
Cause I know youll be gone when I rise
And were going through the motions
Going through the motions
Going through the motions
Going through the motions
Staying with you
Gave us something to do
I always thought it was true for a while
Your loving your lies
Youre so thinly disguised
You couldnt tell right from wrong if you tried
And were going through the motions
Going through the motions
Going through the motions
Going through the motions
To thee Ill dedicate this photograph
Ill even sign it love to you, again
And when its faded and forgotten in some book
Youll sometimes look
Youll sometimes look
Youll sometimes look
Instrumental
Its a game its a game
No lets call it a shame
Cause theres no one to blame
Its a pain
You were a friend for a day
So dont cry if I say
That you got what you want, its ok
Going through the motions
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song performed by Bonnie Tyler
Added by Lucian Velea
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The Holy Grail
From noiseful arms, and acts of prowess done
In tournament or tilt, Sir Percivale,
Whom Arthur and his knighthood called The Pure,
Had passed into the silent life of prayer,
Praise, fast, and alms; and leaving for the cowl
The helmet in an abbey far away
From Camelot, there, and not long after, died.
And one, a fellow-monk among the rest,
Ambrosius, loved him much beyond the rest,
And honoured him, and wrought into his heart
A way by love that wakened love within,
To answer that which came: and as they sat
Beneath a world-old yew-tree, darkening half
The cloisters, on a gustful April morn
That puffed the swaying branches into smoke
Above them, ere the summer when he died
The monk Ambrosius questioned Percivale:
`O brother, I have seen this yew-tree smoke,
Spring after spring, for half a hundred years:
For never have I known the world without,
Nor ever strayed beyond the pale: but thee,
When first thou camest--such a courtesy
Spake through the limbs and in the voice--I knew
For one of those who eat in Arthur's hall;
For good ye are and bad, and like to coins,
Some true, some light, but every one of you
Stamped with the image of the King; and now
Tell me, what drove thee from the Table Round,
My brother? was it earthly passion crost?'
`Nay,' said the knight; `for no such passion mine.
But the sweet vision of the Holy Grail
Drove me from all vainglories, rivalries,
And earthly heats that spring and sparkle out
Among us in the jousts, while women watch
Who wins, who falls; and waste the spiritual strength
Within us, better offered up to Heaven.'
To whom the monk: `The Holy Grail!--I trust
We are green in Heaven's eyes; but here too much
We moulder--as to things without I mean--
Yet one of your own knights, a guest of ours,
Told us of this in our refectory,
But spake with such a sadness and so low
We heard not half of what he said. What is it?
The phantom of a cup that comes and goes?'
`Nay, monk! what phantom?' answered Percivale.
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poem by Alfred Lord Tennyson
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