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What Goes On

(reed)
What goes on in your mind?
I think that I am falling down.
What goes on in your mind?
I think that I am upside down.
Lady, be good, and do what you should,
You know itll work allright.
Lady, be good, do what you should,
You know itll be allright.
Im goin up, and Im goin down.
Im gonna fly from side to side.
See the bells, up in the sky,
Somebodys cut the string in two.
Lady, be good, and do what you should,
You know itll work alright.
Lady, be good, do what you should,
You know itll be alright.
One minute one, one minute two.
One minute up and one minute down.
What goes on here in your mind?
I think that I am falling down.
Lady, be good, and do what you should,
You know itll work alright.
Lady, be good, do what you should,
You know itll be alright.

song performed by Velvet Underground
Added by Lucian Velea
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The Bells

I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.

II

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And an in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells,bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!

III

Hear the loud alarum bells-
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,

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poem by Edgar Allan Poe
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HARDWARE STORE

Nothin' ever (ever) happens in this town
Feelin' low down (down), not a lot to do around here
I thought that I would go right out of my mind
Until a friend told me the news
He said, "Hey! You know that vacant lot
Right beside the gas station? Well somebody bought it
And on that spot they're gonna build a shop
Where we can go buy bolts and screws"
Since then I've been walking on air (air)
I can barely brush my teeth or comb my hair
'Cause I'm so excited and I really don't care
I've been waiting since last June
For this day to finally arrive
I'm so happy (happy) now just to be alive
'Cause any minute now I'm gonna be inside
Well, I hope they open soon
I can't wait, (no I) I can't wait (oh when)
When are they gonna open up that door?
I'm goin' (yes I'm) goin', I'm a-goin' to the
Goin' to the (hard) ware I'm goin', really goin' to the
Goin' (hard) I'm goin' to the (hard) oh yes I'm goin' to the
Hardware store
In my sleeping bag I camped out overnight
Right in front of the store, then as soon as it was light out
I pressed my nose right up against the glass
You know, I had to be first in line
Gonna get me a flashlight and a broom
Want a pair of pliers for every single room of my house
See those hacksaws? Very, very soon
One of them will be all mine
Guys with nametags walking down the aisles
Rows of garden hoses that go on for miles and miles
Brand new socket wrenches in a plethora of styles
All arranged alphabetically
And they're doing a promotional stunt
There's a great big purple sign out front
That says every 27th customer
Will get a ball peen hammer free
I can't wait, (no I) I can't wait (oh when)
When are they gonna open up that door?
I'm goin' (yes I'm) goin', I'm a-goin' to the
Goin' to the (hard) ware I'm goin', really goin' to the
Goin' (hard) I'm goin' to the (hard) oh yes I'm goin' to the
Hardware store
I'm goin' (yes I'm) goin', I'm a-goin' to the
Goin' to the (hard) ware I'm goin', really goin' to the
Goin' (hard) I'm goin' to the (hard) oh yes I'm goin' to the
Hardware store
Would you look at all that stuff.
They've got allen wrenches, gerbil feeders, toilet seats, electric heaters

[...] Read more

song performed by Weird Al Yankovic
Added by Lucian Velea
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Nestling

When to summon the sky
Little nestling?
When to summon the sky?

And suffer the risk - abscond in dread -
The knowledge of sort that you'll be dead
Upon a calamitous fall;

Or taken in flight - a hawkish pounce -
Demolished as prey; your fate pronounce
You gone, and to never recall.

O when to summon the sky
Little nestling?
When to summon the sky?

Aborting a den with
Feathered bed,
Unwavering mother who
Saw you fed -
Surrendering all so
You may spread
Your reach of tentative wings!

‘Tis only instinct -
E'er the reason -
Forging life:
The Nesting Season
And the trials it brings.

So up and summon the sky
Little nestling,
Up! and summon the sky!

Copyright © Mark R Slaughter 2011

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poem by Mark R Slaughter
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Somebodys Baby

(originally from the fast times at ridgemont high soundtrack)
Well, just - a look at that girl with the lights comin up in her eyes.
Shes got to be somebodys baby.
She must be somebodys baby.
All the guys on the corner stand back and let her walk on by.
Shes got to be somebodys baby.
She must be somebodys baby.
Shes got to be somebodys baby.
Shes so fine.
Shes probably somebodys only light.
Gonna shine tonight.
Yeah, shes probably somebodys baby, all right.
I heard her talkin with her friend when she thought nobody else was around.
She said shes got to be somebodys baby; she must be somebodys baby.
cause when the cars and the signs and the street lights light up the town,
Shes got to be somebodys baby;
She must be somebodys baby;
Shes got to be somebodys baby.
Shes so....
Shes gonna be somebodys only light.
Gonna shine tonight.
Yeah, shes gonna be somebodys baby tonight.
I try to shut eyes, but I cant get here outta my sight.
I know Im gonna know her, but I gotta get over my fright.
Well, Im just gonna walk up to her.
Im gonna talk to her tonight.
Yeah, shes gonna be somebodys only light.
Gonna shine tonight.
Yeah, shes gonna be somebodys baby tonight.
Gonna shine tonight, make her mine tonight.

song performed by Jackson Browne
Added by Lucian Velea
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Go Cut Creator Go

[LL Cool J]
1, 2, 3 'o' clock 4 'o' clock ROCK
5, 6, 7 'o' clock 8 'o' clock ROCK
9, 10, 11 'o' clock 12 'o' clock ROCK
Gonna ROCK (What?) ROCK, ROCK around the clock
Three years ago in St. Albans, Queens
I was rockin at a park called one eighteen
Little kids stood and watched as I rocked the spot
Didn't know that years later I'll be standin on top
Livin near Farmers Boulevard I was born and base-shaw
Stopped the rich and shaked hands with the poor
And this is a story about a brother I know
Cut Creator on the fader no watch him go
[Chorus]
Go, go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go, go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
[LL Cool J]
When back in the days before I clocked some dough
I used to go to the show and sit in the front row
Hopin and prayin one day I'll get on the road
So I had a feeler and a summer and I meet when I'm stoned
Not fearin a thought, got stung like a horse
Don't make fun of my posse, cause each man is a boss
When his only damn way to pull a jam out the crate
One time for your mind
Check out the guitar break
[Chorus]
Go, go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go, go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
Go Cut Creator Go
[LL Cool J]
This jam just wasn't enough for Jimmy Hendrix to see
He could do lessons of mixin take you under his wing
Straight from the heart cause it ain't the money that we came here for
Ain't no thoughts in the room ain't breakin no roles
And in the Rock 'n' Roll land, a big strivin plan
Just my posse learn the vocals what little they had
It's all about us three: Eve, Phil & Jay
He heard Cut Creator cut now check it out to play

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song performed by LL Cool J
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Dirty Job

Its a dirty job
But somebodys got to do it
Better get to it
Somebodys gotta do it
Whatever it takes, whatever it takes
Any work at all
Is better than none
Better buckle down to it
Gotta get the job done
Gotta earn my pay... I gotta earn my pay
I cant wait around on the lottery
And there aint no millionaires
Lookin for me
And somebodys gotta do it, do it
Somebodys gotta do it, do it
Somebodys gotta do it, do it
Somebody
I can think of better things
Id rather do
I might get lucky
And Im hopin to
But until I do
I gotta compromise
The job aint much
But at least its mine
It beats standin
In the unemployment line
Put pride aside
And Ill improvise
Even if I do get a better job
Somebody else
Has gotta fill my spot
Somebodys gotta do it, do it
Somebodys gotta do it, do it
Somebodys gotta do it, do it
Somebody
Somebody
Somebodys gotta do it, do it
Somebodys gotta do it, do it
Its a dirty job
Its a low-down dirty job
Somebody
Even if the rules are too hard to follow
Even when pride is too hard to swallow
Its another day so its another dollar
Thats what its all about, oh
Its a dirty job
But somebodys got to do it
Better get to it
Somebodys gotta do it

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song performed by Dolly Parton
Added by Lucian Velea
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Heroin

Well I wish, I was born
A thousand years ago
And I wish that I sailed
The darkened sea
On a great big clipper ship
Goin from this land into that
In a sailors suit and cap
Away from the big city -
Away from the big city
Where a man cannot be free
Of all the evils in this town
And of himself and those around
And Im closin in on death
And I guess that I just dont know
And I guess that I just dont know
Ah - jesus died for somebodys sins
But not mine
Jesus died for somebodys sins
But not mine
I dont know just where Im goin - ahh
But Im gonna try for the kingdom
If I can - yeah
cause it makes me feel like Im a man
When I put a spike into my vein
And I tell you things arent quite
The same
Its a mainline to my pain
Jesus died for somebodys sins
But not mine - heroin
Jesus died for somebodys sins
(I can feel it)
But not mine - heroin
I said, jesus died for somebodys sins
But not mine - heroin
I have made a very big decision
I gonna try to nullify my life -
You know
I get so low and then the smack flows
I dont care Im gonna make it my wife
Because when the blood begins to flow
And shoots up the droppers neck
And Im closin in on death
You can all go take a walk
And I guess that I just dont know
And I guess that I just dont know
Jesus died for somebodys sins
But not mine - heroin
Jesus died for somebodys sins
(I can feel it)
But not mine - heroin

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song performed by Billy Idol
Added by Lucian Velea
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The Odyssey: Book 21

Minerva now put it in Penelope's mind to make the suitors try
their skill with the bow and with the iron axes, in contest among
themselves, as a means of bringing about their destruction. She went
upstairs and got the store room key, which was made of bronze and
had a handle of ivory; she then went with her maidens into the store
room at the end of the house, where her husband's treasures of gold,
bronze, and wrought iron were kept, and where was also his bow, and
the quiver full of deadly arrows that had been given him by a friend
whom he had met in Lacedaemon- Iphitus the son of Eurytus. The two
fell in with one another in Messene at the house of Ortilochus,
where Ulysses was staying in order to recover a debt that was owing
from the whole people; for the Messenians had carried off three
hundred sheep from Ithaca, and had sailed away with them and with
their shepherds. In quest of these Ulysses took a long journey while
still quite young, for his father and the other chieftains sent him on
a mission to recover them. Iphitus had gone there also to try and
get back twelve brood mares that he had lost, and the mule foals
that were running with them. These mares were the death of him in
the end, for when he went to the house of Jove's son, mighty Hercules,
who performed such prodigies of valour, Hercules to his shame killed
him, though he was his guest, for he feared not heaven's vengeance,
nor yet respected his own table which he had set before Iphitus, but
killed him in spite of everything, and kept the mares himself. It
was when claiming these that Iphitus met Ulysses, and gave him the bow
which mighty Eurytus had been used to carry, and which on his death
had been left by him to his son. Ulysses gave him in return a sword
and a spear, and this was the beginning of a fast friendship, although
they never visited at one another's houses, for Jove's son Hercules
killed Iphitus ere they could do so. This bow, then, given him by
Iphitus, had not been taken with him by Ulysses when he sailed for
Troy; he had used it so long as he had been at home, but had left it
behind as having been a keepsake from a valued friend.
Penelope presently reached the oak threshold of the store room;
the carpenter had planed this duly, and had drawn a line on it so as
to get it quite straight; he had then set the door posts into it and
hung the doors. She loosed the strap from the handle of the door,
put in the key, and drove it straight home to shoot back the bolts
that held the doors; these flew open with a noise like a bull
bellowing in a meadow, and Penelope stepped upon the raised
platform, where the chests stood in which the fair linen and clothes
were laid by along with fragrant herbs: reaching thence, she took down
the bow with its bow case from the peg on which it hung. She sat
down with it on her knees, weeping bitterly as she took the bow out of
its case, and when her tears had relieved her, she went to the
cloister where the suitors were, carrying the bow and the quiver, with
the many deadly arrows that were inside it. Along with her came her
maidens, bearing a chest that contained much iron and bronze which her
husband had won as prizes. When she reached the suitors, she stood
by one of the bearing-posts supporting the roof of the cloister,
holding a veil before her face, and with a maid on either side of her.

[...] Read more

poem by Homer, translated by Samuel Butler
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Fly Away

Spread your wings
Flying over frozen mountains
Crystal rivers and geizer fountains
????
Float with the breeze and cross seas to shores
Deserts, cactus, and tumbleweed
Irish meadows and fields of green
Glide through cities of brick and stone
Broken arrows of ancient roan
Fly with me
Come on and fly with me
Come on and fly with me
Come on and fly with me
Come on and fly with me
Won't you come fly with me?
Come on and fly with me
Come on and fly with me
Everybody
Haunted woodlands, forbidden trails
?????
Castle halls, underwater falls
Pyramids crumble when nature calls
Skies of blue become black with stars
Lightning bugs kept within jars
Sand moves slowly through the hour glass
Wings spread, we can all fly last
Everybody come and fly away
You must believe that you can fly away
Spread your wings and come and fly away
Just believe that you will fly away
Rock will melt, coal crystalize
The clouds and skylines materialize
Wings spread take flights over northern lights
Wolves howl over blood-red moonlit nights
We're Kings and Queens within our dreams
The sky rains down into ruby rings
Oceans river lakes and ponds
Lions unicorns birds and ???
Fly with me
Come on and fly with me
Come on and fly with me
Come on and fly with me
Come on and fly with me
Won't you come fly with me?
Come on and fly with me
Come on and fly with me
Everybody
Martians travel to the land of Mecca
Atlantis hidden deep under forever
Iceland golden tombs of pharoah kings

[...] Read more

song performed by Insane Clown Posse
Added by Lucian Velea
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Cut You Down To Size

Dont you know theyre gonna cut you down to size
(they cut you down yeah theyll cut you down)
Youre gonna find out when you see it right in their eyes
(they cut you down yeah theyll cut you down)
How does it feel when you see through your disguise
(they cut you down yeah theyll cut you down)
And they cut you down, yeah they cut you down
They cut you down to size
How does it feel
Whatd you do with this fire inside
Where do you turn now that you realize
Where you go when you run out of alibis
Tell me
Dont you know theyre gonna cut you down to size
(they cut you down yeah theyll cut you down)
Youre gonna find out when you see it right in their eyes
(they cut you down yeah theyll cut you down)
How does it feel when you see through your disguise
(they cut you down yeah theyll cut you down)
And they cut you down to, they cut you down to
They cut you down to size
How does it feel
How does it feel
Youve been living with your own suspicion
Now youve got to believe
I know youve heard it said that only the strong survive
Dont you know theyre gonna cut you down to size
(they cut you down yeah theyll cut you down)
Youre gonna find out when you see it right in their eyes
(they cut you down yeah theyll cut you down)
How does it feel when you see through your disguise
(they cut you down yeah theyll cut you down)
And they cut you down to size
Dont you know theyre gonna
How does it feel when you see through your disguise
And they cut you down to, cut you down to
Cut you down to size
Get up stand up, come back for another round
And they cut you down to size
Cut you down to size

song performed by Starship
Added by Lucian Velea
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Christabel

PART I

'Tis the middle of night by the castle clock
And the owls have awakened the crowing cock;
Tu-whit!- Tu-whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
'T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that's far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.-
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air

[...] Read more

poem by Samuel Taylor Coleridge
Added by Poetry Lover
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Talk To Her

When you talk to her talk to her
Like it was somebody else
Talk to your mama
Dont get smart
But I have a heart to heart
And just like you would
Would you doubt us
Cause everything you do or say
You got to live with everyday
Shes somebodys baby
Shes somebodys sister
Shes somebodys mama
Now when you go to her
Speak truthfully
Honest as you can be from your heart
Youre in a situation
But youre losing patience
Take your time and look her in the eyes
When you just cant find the words you want
And its hard to reach a point
Where you both can understand
Dont just tell the truth
But tell the whole truth
Itll make a better man out of you
When you talk to her talk to her
Like it was somebody else
Talk to your mama
Dont get smart
But I have a heart to heart
And just like you would
Would you doubt us
Cause everything you do or say
You got to live with everyday
Shes somebodys baby
Shes somebodys sister
Shes somebodys mama
He doesnt matter if
Shes wearing mini skirt or business suit
Whether shes twenty-five or ninety-nine
Treat her the way your mama talked you to
She could be the queen shieber, she could be a school teacher
A homemaker or lawyer
I think its good for your comma
Cause when you talk to her
When you talk to her talk to her
Like it was somebody else
Talk to your mama
Dont get smart
But I have a heart to heart
And just like you would

[...] Read more

song performed by India Arie
Added by Lucian Velea
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Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Lesson In Leavin

Somebodys gonna give you a lesson in leavin
Somebodys gonna give you back what youve been givin
And I hope that Im around
To watch em knock you down
Its like you to love em and leave em
Just like you loved me and left me
Its like you to do that sort of thing
Over and over again
Youre a fool-hearted man
I hear youve been askin about me
From some of my friends
Well youd better believe Im not goin
Through that again
Youre the kind of man a woman thinks she can change
Oh, but the only thing changin is my way of thinkin
And Im thinkin that maybe someday
Somebodys gonna give you a lesson in losin
Somebodys gonna do to you what youve been doin
And I hope that Im around
To watch em knock you down
Somebodys gonna give you a lesson in hurtin
Somebodys gonna leave you with your fire burnin
And no way to put it out
Baby there aint no doubt
Youre a fool-hearted man
Yeah, youre the kind of man
A woman thinks she can change
But the only thing changin
Is my way of thinkin
And Im thinkin that maybe someday
Somebodys gonna give you a lesson in leavin
Somebodys gonna give you back what youve been givin
And I hope that Im around
To watch em knock you down
Its like you to love em and leave em
Just like you loved me and left me
Its like you to do that sort of thing
Over and over again
Youre a fool-hearted man
Somebodys gonna give you a lesson in leavin
Somebodys gonna give you back what youve been givin
And I hope that Im around
To watch em knock you down
Its like you to love em and leave em
Just like you loved me and left me
Its like you to do that sort of thing
Over and over again
Youre a fool-hearted man
Oh, a fool-hearted man
Oh, whoa

[...] Read more

song performed by Jo Dee Messina
Added by Lucian Velea
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Be There

You dont wanna go there
Let me lead you by the hand
You dont wanna be there
Over the sea and down to land
As I look into your eyes
I pay no mind
I found the way
To get inside you
Id give you peace of mind
Am I see you falling?
Am I see you falling?
Am I see you falling beautiful
The same
I dont see you falling,
I dont see you falling,
I dont see you falling beautiful
Sometimes
You dont wanna go there
Let me lead you by the hand
You dont wanna be there
Over the sea and down to land
As I look into your eyes
I pay no mind
I found the way
To get inside you
Id give you peace of mind
Am I see you falling?
Am I see you falling?
Am I see you falling beautiful
The same
I dont see you falling,
I dont see you falling,
I dont see you falling beautiful
Sometimes
Here and again
And there youre
Falling, falling, falling,
Falling, falling, falling
Am I see you falling?
Am I see you falling?
Am I see you falling beautiful
The same
I dont see you falling,
I dont see you falling,
I dont see you falling beautiful
Sometimes
Am I see you falling?
Am I see you falling?
Am I see you falling beautiful
The same

[...] Read more

song performed by Unkle
Added by Lucian Velea
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I Cant Stand It

(reed)
Before being a man
Livin in a garbage pail
My landlady call me up
She tried to hit me with a mop
I cant stand it anymore more
I cant stand it anymore more
I cant stand it anymore more
But if shelly she would just come back
Itll be allright
But if shelly she would just come back
Itll be allright
I live with thirteen dead cats
A purple who hear spats
Theyre all livin in a hall
And I cant stand it anymore
I cant stand it anymore more
I cant stand it anymore more
I cant stand it anymore more
But if shelly she would just come back
Itll be allright
But if shelly she would just come back
Itll be allright
Before being a man
Livin in a garbage pail
My landlady call me up
She tried to hit me with a mop
I cant stand it anymore more
I cant stand it anymore more
I cant stand it anymore more
But if shelly she would just come back
Itll be allright
But if shelly she would just come back
Itll be allright
Be allright, be allright....

song performed by Velvet Underground
Added by Lucian Velea
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