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Portatemi Dio

Metteteci Dio
sul banco degli imputati
metteteci Dio
e giudicate anche lui... con noi
e difendetelo voi... voi
"buoni cristiani"!
Portatemi Dio
lo voglio vedere
portatemi Dio
gli devo parlare
gli voglio raccontare
di una vita che ho vissuto
e che non ho capito
a cosa servito
che cos' cambiato
anzi
e adesso cosa ho guadagnato
adesso voglio esser pagato!!!
Portatemi Dio!

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Con Voi

Mia cara, voglio farvi sapere

Qualcosa che è molto importante per me,

E qualcosa che può essere

Molto importante per lei,

Se apprezzi il mio amore solo

Come valore di tuo.

Mia cara, sono stato con voi per

Come posso ricordare.

Mi ricordo quando eravamo bambini,

E i nostri genitori erano vicini,

E siamo stati vicini, come pure,

Naturalmente

E i nostri genitori sarebbero pianificare 'gioco-date'

Come chiamati li allora e ancora adesso,

E c'era molto di più ad esso.

Si, tua sorella e tuo fratello sarebbe venuto sopra,

E potrebbe appendere fuori con mio fratello, mia sorella e me.

Ricordo che pensavo che le ragazze erano lorde,

E voi, vorrei evitare

E hai pensato che avevo una malattia,

Così sarebbe evitare me, troppo.

Ma, dopo un paio di settimane,

Siamo diventati amici,

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Quelli Che Non Hanno Et (Gabry Ponte Power Remix)

Siamo noi
Siamo solo noi quelli che
Quelli che non hanno et
E comunque andr
Non si fermeranno mai
Siamo noi sempre solo noi quelli che
Quelli che non hanno et
E chi arriver
Si ricorder di noi
Figli dell'eternit
Sempre in cerca di grandi perch
Nemici di un tempo che va
Dove un re non c'
Come stelle che firmano il blu
E che lasciano in cielo una scia
E' la vita la nostra virt
Cos sia
Siamo noi
Siamo solo noi quelli che
Quelli che non hanno et
E comunque andr
Non si fermeranno mai
Siamo noi sempre solo noi quelli che
Quelli che non hanno et
E chi arriver
Si ricorder di noi
C' una vecchia canzone che va
Testimone del tempo che fu
Conserva la sua dignit
E di chi non c' pi
Come amici di vent'anni fa
Chiusi dentro a una fotografia
Che il domani non canceller
Cos sia
Siamo noi
Siamo solo noi quelli che
Quelli che non hanno et
E comunque andr
Non si fermeranno mai
Siamo noi sempre solo noi quelli che
Quelli che non hanno et
E chi arriver
Si ricorder di noi
Come l'anima oltre il muro del tempo
Il segno che lasci vivr
Siamo noi
siamo solo noi quelli che
Quelli che non hanno et
E comunque andr
Non si fermeranno mai

[...] Read more

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Gli Spari Sopra

Se siete "quelli comodi" che "state bene voi"...
Se altri vivono per niente perch
i "furbi" siete voi.... vedrai che
questo posto, questo posto...
Is Beautiful!!!!!!!
Se siete "Ipocriti Abili"....non siete mai colpevoli
Se non state mai coi deboli, e avete buoni stomaci....
Sorridete!........ gli spari sopra.... Sono Per Noi!
Sorridete!........ gli spari sopra.... Sono Per Noi!
(ed) E' sempre stato facile fare delle Ingiustizie!
Prendere, Manipolare, Fare credere!........ ma adesso
State pi attenti!
Perch ogni cosa scritta!
E se si girano gli eserciti e spariscono gli Eroi
Se la guerra (poi adesso) cominciamo a farla noi Non Sorridete!........ gli spari sopra.... Sono Per Voi!
Non Sorridete!........ gli spari sopra.... Sono Per Voi!!!!!!!
Voi abili a tenere sempre un piede qua e uno l
Avrete un avvenire certo in questo mondo qua per la Dignit!!!!!
Dove l'avete Persa!
E Se per sopravvivere..... qualunque porcheria Lasciate che succeda... e dite "non colpa mia".....
Sorridete!........ Gli Spari Sopra.... Sono Per Noi!
Sorridete!........ Gli Spari Sopra.... Sono Per Noi!
Sorridete!........ Gli Spari Sopra.... Sono Per Noi!

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Vado Al Massimo

Vado al massimo
Vado al massimo
Vado al massimo
Vado a gonfie vele
A gonfie vele
A gonfie vele
Voglio proprio vedere
E voglio proprio vedere
E voglio proprio vedere
Come va a finire
Ahi, ahi, ahi, ahi
Voglio veder come va a finire
Andando al massimo senza frenare
Voglio vedere se davvero poi
Si va a finir male
Meglio rischiare, che diventare
Come quel tale, quel tale
Che scrive sul giornale
Ahi, ahi, ahi, ahi
Vado al massimo
Vado in Messico
Vado in Messico
Voglio andare a vedere
Voglio proprio vedere
Se come dice il droghiere
Laggi van tutti a
A gonfie vele
E quest'estate invece
Di andare al mare
Vado nel Messico io
Altro che al mare
Voglio vedere se l
Davvero si pu volare
Senza rischiare di cadere
D'incontare sempre, sempre
Sempre quel tale, quel tale
Che scrive sul giornale

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Vita Spericolata

Voglio una vita maleducata
di quelle vite fatte, fatte cos
voglio una vita che se ne frega
che se ne frega di tutto s
voglio una vita che non mai tardi
di quelle che non dormono mai
voglio una vita di quelle che non si sa mai.
E poi ci troveremo come le stars
a bere del whisky al Roxy bar
o forse non c'incontreremo mai
ognuno a rincorrere i suoi guai
ognuno col suo viaggio
ognuno diverso
e ognuno in fondo perso
dentro i fatti suoi!
Voglio una vita spericolata
voglio una vita come quelle dei film
voglio una vita esagerata
voglio una vita come Steve Mc Queen
voglio una vita che non mai tardi
di quelle che non dormi mai
voglio una vita, la voglio piena di guai!!!
E poi ci troveremo come le stars
a bere del whisky al Roxy bar
oppure non c'incontreremo mai
ognuno a rincorrere i suoi guai
ognuno col suo viaggio
ognuno diverso
e ognuno in fondo perso
dentro i fatti suoi!
Voglio una vita maleducata
di quelle vite fatte cos
voglio una vita che se ne frega
che se ne frega di tutto s!!!
Voglio una vita che non mai tardi
di quelle che non dormi mai
voglio una vita
vedrai che vita vedrai!!!
E poi ci troveremo come le star
a bere del whisky al Roxy bar
o forse non c'incontreremo mai
ognuno a rincorrere i suoi guai!!!
Voglio una vita spericolata
voglio una vita come quelle dei film
voglio una vita esagerata
voglio una vita come Steve Mc Queen
Voglio una vita maleducata
di quelle vite fatte cos
voglio una vita che se ne frega
che se ne frega di tutto s!!!

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Siamo Solo Noi

Siamo solo noi
che andiamo a letto la mattina presto
e ci svegliamo con il mal di testa
siamo solo noi
che non abbiamo vita regolare
che non ci sappiamo limitare
siamo solo noi
che non abbiamo pi rispetto per niente
neanche per la mente
siamo solo noi
quelli che poi muoiono presto
quelli che per lo stesso.
Siamo solo noi
che non abbiamo pi niente da dire
dobbiamo solo vomitare
siamo solo noi
che non vi stiamo neanche pi ad
ascoltare.
Siamo solo noi
quelli che non han pi rispetto per niente
neanche per la gente
siamo solo noi
quelli che ormai non credono pi a niente
e vi fregano sempre.
Siamo solo noi
che tra demonio e santit lo stesso
basta che ci sia posto
siamo solo noi
che facciamo colazione anche con un toast del resto.
Siamo solo noi
quelli che non han voglia di far niente
rubano solamente
siamo solo noi
generazione di sconvolti
che non han pi santi n eroi
siamo solo noi
siamo solo noi
siamo solo noi...

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Non L'hai Mica Capito

Scusa non ho capito
vuoi ripetere, che cosa avevi da fare
di tanto importante
da non potere proprio, proprio rimandare.
Non mi dire, ti prego
non mi dire che dovevi solo studiare
e ti sembra un buon motivo questo,
per non farti neanche "sentire"!
S ti ho capito
t'interessa pi la scuola
e poi del resto chiss come sei brava ma scusa
tra i vari interessi che hai
dimmi che posto mi di!
Ti voglio bene
non l'hai mica capito
ti voglio bene
lascia stare il vestito
ti voglio bene
non cambiare discorso di non scherzare!
Ti voglio bene
smetti di giocare
ti voglio bene
a un certo punto ti devi "dare"
ti voglio bene
non puoi farti eternamente corteggiare!
Scusa cosa me ne frega del vestito che hai
mi piaci come sei
non mi devi trattare come tutti quei maschietti
che ogni tanto "ti fai"
chiss che cosa pagherei per poter
vedere dentro quella testa cos'hai
se mi stai prendendo in giro guarda che ti giuro non ti perdonerei!
Ti voglio bene
non l'hai mica capito
ti voglio bene
lascia stare il vestito
ti voglio bene
non cambiare discorso di non scherzare!
Ti voglio bene
smetti di giocare
ti voglio bene
a un certo punto ti devi "dare"
ti voglio bene
non puoi farti eternamente corteggiare!
Ti voglio bene...non capisci niente...
Ti voglio bene...bene un accidente
Ti voglio bene...nonostante tutto
TI VOGLIO!

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The Avowyng of Arthur

He that made us on the mulde,
And fair fourmet the folde,
Atte His will, as He wold,
The see and the sande,
Giffe hom joy that will here
Of dughti men and of dere,
Of haldurs that before us were,
That lifd in this londe.
One was Arther the Kinge,
Wythowtun any letting;
Wyth him was mony lordinge
Hardi of honde.
Wice and war ofte thay were,
Bold undur banere,
And wighte weppuns wold were,
And stifly wold stond.

This is no fantum ne no fabull;
Ye wote wele of the Rowun Tabull,
Of prest men and priveabull,
Was holdun in prise:
Chevetan of chivalry,
Kyndenesse and curtesy,
Hunting full warly,
As wayt men and wise.
To the forest thay fare
To hunte atte buk and atte bare,
To the herte and to the hare,
That bredus in the rise.
The King atte Carlele he lay;
The hunter cummys on a day -
Sayd, 'Sir, ther walkes in my way
A well grim gryse.
'He is a balefull bare -
Seche on segh I nevyr are:
He hase wroghte me mycull care
And hurte of my howundes,
Slayn hom downe slely
Wyth feghting full furcely.
Wasse ther none so hardi
Durste bide in his bandus.
On him spild I my spere
And mycull of my nothir gere.
Ther moue no dintus him dere,
Ne wurche him no wowundes.
He is masly made -
All offellus that he bade.
Ther is no bulle so brade
That in frith foundes.

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Voi Hyv Luoja Mit Nyt?

Hn hirvin ruokahalulla hotkii
Ja kuninkaan tieltn rotkoon potkii
Sivua ja risua ja mnnynkpy
Tlt pojalta puuttuu hpy
Jokaiseen notkoon nostatti taloja
Ja talojensa ylle neonvaloja
Tss on mies joka tehd saa
Jotakin elm suurempaa
Ja liihottelee noita ystvin
Kuin bajamajoissa krpsi
On huvipursia ja autonpaskaa
Mutta miksi huokaukset raskaat
Kun hetkiseksi pyshtyy, niin hkeltyy ja huminaa
vain korvissaan kuulee
Miettii kerro kuvastin, mit tuokin jtk tll
tekevns luulee
Kaiken saatuaan on sit moni kysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Kun tyytymttmyys on kaverina pysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Siltoja ja majoja nyt piripintaan
Kun toveruuden myi torihintaan
Neitojen rintoihin iski ahnaasti
Rapatessa roiskuu rasva ja laasti
Ja rappio riemuisa kesken kaiken
Niskaansa sai kylm vett
Jkuninkaan kaikkivoipaisen,
kylm sydnkin saattaa pett
Pian mana tuo arvatenkin paikalle sen
lahtipenkin vaikka onnea kaipasit
onnea vain joka pysytteli piilossa pirulta
Niin moni ihmisparka arkana on kysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Niin moni ihmisparka arkana on kysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Kun tyytymttmyys on kaverina pysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt

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Le Mendiant

C'était quand le printemps a reverdi les prés.
La fille de Lycus, vierge aux cheveux dorés,
Sous les monts Achéens, non loin de Cérynée,

Errait à l'ombre, aux bords du faible et pur Crathis,
Car les eaux du Crathis, sous des berceaux de frêne,
Entouraient de Lycus le fertile domaine.
Soudain, à l'autre bord,
Du fond d'un bois épais, un noir fantôme sort,
Tout pâle, demi-nu, la barbe hérissée:
Il remuait à peine une lèvre glacée,
Des hommes et des dieux implorait le secours,
Et dans la forêt sombre errait depuis deux jours;
Il se traîne, il n'attend qu'une mort douloureuse;
Il succombe. L'enfant, interdite et peureuse,
A ce hideux aspect sorti du fond des bois,
Veut fuir; mais elle entend sa lamentable voix.
Il tend les bras, il tombe à genoux; il lui crie
Qu'au nom de tous les dieux il la conjure, il prie,
Et qu'il n'est point à craindre, et qu'une ardente faim
L'aiguillonne et le tue, et qu'il expire enfin.

'Si, comme je le crois, belle dès ton enfance,
C'est le dieu de ces eaux qui t'a donné naissance,
Nymphe, souvent les voeux des malheureux humains
Ouvrent des immortels les bienfaisantes mains,
Ou si c'est quelque front porteur d'une couronne
Qui te nomme sa fille et te destine au trône,
Souviens-toi, jeune enfant, que le ciel quelquefois
Venge les opprimés sur la tête des rois.
Belle vierge, sans doute enfant d'une déesse,
Crains de laisser périr l'étranger en détresse:
L'étranger qui supplie est envoyé des dieux.'

Elle reste. A le voir, elle enhardit ses yeux,
. . . . . . . . et d'une voix encore
Tremblante: 'Ami, le ciel écoute qui l'implore.
Mais ce soir, quand la nuit descend sur l'horizon,
Passe le pont mobile, entre dans la maison;
J'aurai soin qu'on te laisse entrer sans méfiance.
Pour la douzième fois célébrant ma naissance,
Mon père doit donner une fête aujourd'hui.
Il m'aime, il n'a que moi: viens t'adresser à lui,
C'est le riche Lycus. Viens ce soir; il est tendre,
Il est humain: il pleure aux pleurs qu'il voit répandre.'
Elle achève ces mots, et, le coeur palpitant,
S'enfuit; car l'étranger sur elle, en l'écoutant,
Fixait de ses yeux creux l'attention avide.
Elle rentre, cherchant dans le palais splendide
L'esclave près de qui toujours ses jeunes ans

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Datemi Una Pompa

Stai qui, bastardo posto,
fuori dal mondo e sempre pi nascosto
stai qui, amico muto,
come se fossi un bel vestito vuoto
io voglio andarmene via di qua!
Pompa, pompa, datemi una pompa
perch mi sento un palloncino
pompa, pompa, datemi una pompa
voglio volare sul cielo alpino.
Stai qui sulla ringhiera,
fa presto tardi e presto viene sera
stai qui, con l'anima stanca
fra tutta questa nervosa gente bianca
io voglio andarmene, via di qua!
Pompa, pompa, datemi una pompa
perch mi sento un palloncino
pompa, pompa, datemi una pompa
voglio volare sul cielo alpino.
Se fossi un aeroplano,
che fa un giro tondo, uh da da
dipingerei arcobaleni,
che rasserenino il mondo, uh da da
portami via lontano, su ali di velluto, uhm babe
che ho tanto freddo e mi sono perduto!
Come on junkie, move it
Con on junkie, let's move it
che viene sera e vado via di qua
Pompa, pompa, datemi una pompa
perch mi sento un palloncino
pompa, pompa, datemi una pompa
voglio cantare col nonno Pino.
Se fossi un aeroplano,
che fa un giro tondo, uh da da
dipingerei arcobaleni,
che rasserenino il mondo, uh da da
portami via lontano, su ali di velluto, uhm babe
che ho tanto freddo e mi sono perduto!
Come on, che come vedi,
si pu volare anche con finte ali
come on, che il sole manca,
fra tutta questa nervosa gente bianca
io voglio andarmene, via di qua!
Pompa, pompa, datemi una pompa
perch mi sento un palloncino
pompa, pompa, datemi una pompa
voglio volare sul cielo alpino.
Pompa, pompa, datemi una pompa
Perch mi sento come l'Irene
Pompa, pompa, datemi una pompa
Potresti almeno volermi bene

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Temora - Book IV

ARGUMENT

The second night continues. Fingal relates, at the feast, his own first expedition into Ireland, and his marriage with Ros-cranna, the daughter of Cormac, king of that island. The Irish chiefs convene in the presence of Cathmor. The situation of the king described. The story of Sul-malla, the daughter of Conmor, king of Inis-huna, who, in the disguise of a young warrior, hath followed Cathmor to the war. The sullen behavior of Foldath, who had commanded in the battle of the preceding day, renews the difference between him and Malthos: but Cathmor, interposing, ends it. The chiefs feast, and hear the song of Fonar the bard. Cathmor returns to rest, at a distance from the army. The ghost of his brother Cairbar appears to him in a dream; and obscurely foretells the issue of the war. The soliloquy of the king. He discovers Sul-malla. Morning comes. Her soliloquy closes the book.

"BENEATH an oak," said the king, "I sat on Selma's streamy rock, when Connal rose, from the sea, with the broken spear of Duth-caron. Far distant stood the youth. He turned away his eyes. He remembered the steps of his father, on his own green hill. I darkened in my place. Dusky thoughts flew over my soul. The kings of Erin rose before me. I half unsheathed the sword. Slowly approached the chiefs. They lifted up their silent eyes. Like a ridge of clouds, they wait for the bursting forth of my voice. My voice was, to them, a wind from heaven, to roll the mist away.

"I bade my white sails to rise, before the roar of Cona's wind. Three hundred youths looked, from their waves, on Fingal's bossy shield. High on the mast it hung, and marked the dark-blue sea. But when night came down, I struck, at times, the warning boss: I struck, and looked on high, for fiery-haired Ul-erin. Nor absent was the star of heaven. It travelled red between the clouds. I pursued the lovely beam, on the faint-gleaming deep. With morning, Erin rose in mist. We came into the bay of Moi-lena, where its blue waters tumbled, in the bosom of echoing woods. Here Cormac, in his secret halls, avoids the strength of Colc-ulla. Nor he alone, avoids the foe. The blue eye of Ros-cranna is there: Ros-cranna, white-handed maid, the daughter of the king!

"Gray, on his pointless spear, came forth the aged steps of Cormac. He smiled from his waving locks; but grief was in his soul. He saw us few before him, and his sigh arose. 'I see the arms of Trenmor,' he said; 'and these are the steps of the king! Fingal! thou art a beam of light to Cormac's darkened soul! Early is thy fame, my son: but strong are the foes of Erin. They are like the roar of streams in the land, son of car-borne Comhal!' 'Yet they may be rolled away,' I said, in my rising soul. 'We are not of the race of the feeble, king of blue-shielded hosts! Why should fear come amongst us, like a ghost of night? The soul of the valiant grows when foes increase in the field. Roll no darkness, king of Erin, on the young in war!'

"The bursting tears of the king came down. He seized my hand in silence. 'Race of the daring Trenmor!' at length he said, 'I roll no cloud before thee. Thou burnest in the fire of thy fathers. I behold thy fame. It marks thy course in battle, like a stream of light. But wait the coming of Cairbar; my so must join thy sword. He calls the sons of Erin from all their distant streams.'

"We came to the hall of the king, where it rose in the midst of rocks, on whose dark sides were the marks of streams of old. Broad oaks bend around with their moss. The thick birch is waving near. Half hid, in her shadowy grove, Ros-cranna raises the song. Her white hands move on the harp. I beheld her blues rolling eyes. She was like a spirit of heaven half folded in the skirt of a cloud!

Three days we feasted at Moi-lena. She rises bright in my troubled soul. Cormac beheld me dark. He gave the white-bosomed maid. She comes with bending eye, amid the wandering of her heavy locks. She came! Straight the battle roared. Colc-ulla appeared: I took my spear. My sword rose, with my people against the ridgy foe. Alnecma fled. Colc-ulla fell. Fingal returned with fame.

"Renowned is he, O Fillan, who fights in the strength of his host. The bard pursues his steps through the land of the foe. But he who fights alone, few are his deeds to other times! He shines to-day, a mighty light. To-morrow he is low. One song contains his fame. His name is one dark field. He is forgot; but where his tomb sends forth the tufted grass."

Such are the words of Fingal, on Mora of the roes. Three bards, from the rock of Cormul, pour down the pleasing song. Sleep descends in the sound, on the broad-skirted host. Carril returned with the bards, from the tomb of Dunlora's chief. The voice of morning shall not come to the dusky bed of Duth-caron. No more shalt thou hear the tread of roes around thy narrow house!

As roll the troubled clouds, around a meteor of night, when they brighten their sides with its light along the heaving sea; so gathers Erin around the gleaming form of Cathmor. He, tall in the midst, careless lifts, at times, his spear: as swells, or falls the sound of Fonar's distant harp. Near him leaned, against a rock, Sul-malla of blue eyes, the white-bosomed daughter of Conmor, king of Inis-huna. To his aid came blue-shielded Cathmor, and rolled his foes away. Sul-malla beheld him stately in the hail of feasts. Nor careless rolled the eyes of Cathmor on the long-haired maid!

''The third day arose, when Fithil came, from Erin of the streams. He told of the lifting up of the shield in Selma: he told of the danger of Cairbar. Cathmor raised the sail at Cluba; but the winds were in other lands. Three days he remained on the coast, and turned his eyes on Conmor's halls. He remembered the daughter of strangers, and his sigh arose. Now when the winds awaked the wave: from the hill came a youth in arms; to lift the sword with Cathmor, in his echoing fields. It was the white-armed Sul-malla. Secret she dwelt beneath her helmet. Her steps were in the path of the king: on him her blue eyes rolled with joy, when he lay by his rolling streams: But Cathmor thought that on Lumon she still pursued the roes. He thought, that fair on a rock, she stretched her white hand to the wind; to feel its course from Erin, the green dwelling of her love. He had promised to return, with his white-bosomed sails. The maid is near thee, O Cathmor: leaning on her rock.

The tall forms of the chiefs stand around; all but dark-browed Foldath. He leaned against a distant tree, rolled into his haughty soul. His bushy hair whistles in the wind. At times, bursts the hum of a song. He struck the tree at length, in wrath; and rushed before the king! Calm and stately, to the beam of the oak, arose the form of young Hidalla. His hair falls round his blushing cheek, in the wreaths of waving light. Soft was his voice in Clonra, in the valley of his fathers. Soft was his voice when he touched the harp, in the hall near his roaring stream!

"King of Erin," said Hidalla, "now is the time to feast. Bid the voice of bards arise. Bid them roll the night away. The soul returns, from song, more terrible to war. Darkness settles on Erin. From hill to hill bend the skirted clouds. Far and gray, on the heath, the dreadful strides of ghosts are seen: the ghosts of those who fell bend forward to their song. Bid, O Cathmor! the harps to rise, to brighten the dead, on their wandering blasts."

"Be all the dead forgot," said Foldath's bursting wrath. "Did not I fail in the field? Shall I then hear the song? Yet was not my course harmless in war. Blood was a stream around my steps. But the feeble were behind me. 'The foe has escaped from my sword. In Conra's vale touch thou the harp. Let Dura answer to the voice of Hidalla. Let some maid look, from the wood, on thy long yellow locks. Fly from Lubar's echoing plain. This is the field of heroes!"

"King of Erin," Malthos said, "it is thine to lead in war. Thou art a fire to our eyes, on the dark-brown field. Like a blast thou hast passed over hosts. Thou hast laid them low in blood. But who has heard thy words returning from the field? The wrathful delight in death; their remembrance rests on the wounds of their spear. Strife is folded in their thoughts: their words are ever heard. Thy course, chief of Moma, was like a troubled stream. The dead were rolled on thy path: but others also lift the spear. We were not feeble behind thee: but the foe was strong."

Cathmor beheld the rising rage and bending forward of either chief: for, half unsheathed, they held their swords, and rolled their silent eyes. Now would they have mixed in horrid fray, had not the wrath of Cathmor burned. He drew his sword: it gleamed through night, to the high-flaming oak! "Sons of pride," said the king," allay your swelling souls. Retire in night. Why should my rage arise? Should I contend with both in arms! It is no time for strife! Retire, ye clouds, at my feast. Awake my soul no more."

They sunk from the king on either side; like two columns of morning mist, when the sun rises, between them, on his glittering rocks. Dark is their rolling on either side: each towards its reedy pool!

Silent sat the chiefs at the feast. They look, at times, on Atha's king, where he strode, on his rock, amid his settling soul. The host lie along the field. Sleep descends on Moi-lena. The voice of Fonar ascends alone, beneath his distant tree. It ascends in the praise of Cathmor, son of Larthon of Lumon. But Cathmor did not hear his praise. He lay at the roar of a stream. The rustling breeze of night flew over his whistling locks.

His brother came to his dreams, half seen from his low-hung cloud. Joy rose darkly in his face. He had heard the song of Carril . A blast sustained his dark-skirted cloud: which he seized in the bosom of night, as he rose, with his fame, towards his airy hail. Half mixed with the noise of the stream, he poured his feeble words.

"Joy meet the soul of Cathmor. His voice was heard on Moi-lena. The bard gave his song to Cairbar. He travels on the wind. My form is in my father's hall, like the gliding of a terrible light, which darts across the desert, in a stormy night. No bard shall be wanting at thy tomb when thou art lowly laid. The sons of song love the valiant. Cathmor, thy name is a pleasant gale. The mournful sounds arise! On Lubar's field there is a voice! Louder still, ye shadowy ghosts! The dead were full of fame! Shrilly swells the feeble sound. The rougher blast alone is heard! Aid soon is Cathmor low!" Rolled into himself he flew, wide on the bosom of winds. The old oak felt his departure, and shook its whistling head. Cathmor starts from rest. He takes his deathful spear. He lifts his eyes around. He sees but dark-skirted night.

"It was the voice of the king," he said. "But now his form is gone. Unmarked is your path in the air, ye children of the night. Often, like a reflected beam, are ye seen in the desert wild: but ye retire in your blasts, before our steps approach. Go, then, ye feeble race! Knowledge with you there is none! Your joys are weak, and like the dreams of our rest, or the light winged thought, that flies across the soul. Shall Cathmor soon be low? Darkly laid in his narrow house! Where no morning comes, with her half-opened eyes? Away, thou shade! to fight is mine! All further thought away! I rush forth on eagles' wings, to seize my beam of flame. In the lonely vale of streams, abides the narrow soul. Years roll on, seasons return, but he is still unknown. In a blast comes cloudy death, and lays his gray head low. His ghost is folded in the vapor of the fenny field. Its course is never on hills, nor mossy vales of wind. So shall not Cathmor depart. No boy in the field was he, who only marks the bed of roes, upon the echoing hills. My issuing forth was with kings. My joy in dreadful plains: where broken hosts are rolled away, like seas before the wind."

So spoke the king of Alnecma, brightening in his rising soul. Valor, like a pleasant flame, is gleaming within his breast. Stately is his stride on the heath! The beam of east is poured around. He saw his gray host on the field, wide spreading their ridges in light. He rejoiced, like a spirit of heaven, whose steps came forth on the seas, when he beholds them peaceful round, and all the winds are laid. But soon he awakes the waves, and rolls them large to some echoing shore.

On the rushy bank of a stream slept the daughter of Inis-huna. The helmet had fallen from her head. Her dreams were in the lands of her fathers. There morning is on the field. Gray streams leap down from the rocks. The breezes, in shadowy waves, fly over the rushy fields. There is the sound that prepares for the chase. There the moving of warriors from the hall. But tall above the rest is seen the hero of streamy Atha. He bends his eye of love on Sul-malla, from his stately steps. She turns, with pride, her face away, and careless bends the bow.

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Sottovoce

Solo le sue lacrime dolci faceva gustare alla gente che la circondava. Soltanto sottovoce sapeva parlare quando voleva chiedere qualcosa. Qualcosa semplice di solito, una domanda da bambina. Persino le cose che noi altri le diciamo gridando, lei le diceva sottovoce come se parlasse a se stessa.

E fu cosi anche quell'estate per una volta ancora. Neppure il suo 'grido' di aiuto nessuno ha mai udito su quelle spiagge addormentate che riposavano vuote e stanche dalle orme lasciate dai piccini vicino ai loro enormi castelli che il vento trasformava in sabbia e con se' li portava via lontano.

Fu gelosa per una sola volta anche lei. Gelosa di quel volo, quell andar via lontano della sabbia mentre senza capirlo si allontanava dalla riva tenendo sempre lo sguardo fisso su quelle nuvolette cosi' libere! Sentiva un piccolo dolore, una tristezza, perche' non era anche lei cosi leggera da poter spiccare un volo simile.

Cosi' il suo appello non lo senti' proprio nessuno. Solo le onde che la circondavano e l'abbracciavano stretta stretta con le loro braccia celesti e tiepide. Le parse d'essere accolta da una compagnia di bambini che la invitava a giocare. Voleva bene ai bambini e con tutto il cuore si fece portar via dalle quelle onde. Sorridendo gli chiese sempre sottovoce: - Allora, voi dove andate? Portatemi con voi!
Non ci fu neanche una goccia di mare a rifiutarle la sua compagnia...

Si fece sera un po piu' tardi. Il vento si calmo' e la spiaggia era di nuovo pronta ad accogliere i castelli del giorno dopo...

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Voodoo Voodoo

U a u a voodoo voodoo
U a u a voodoo
U a u a voodoo voodoo
U a u a voodoo
Voodoo voodoo voodoo voodoo
Voodoo voodoo voodoo voodoo.
Lascia che il mio Voodoo lavori eh
Funziona con tutte ma non con te!
Latte di letto, talismani e fiori
un filtro speciale fatto apposta per te.
Ehy sorella figlia della notte
Dimmi se vieni, se funziona se
Dimmi di s, dimmi come
Dimmi di s, dimmi dove
Voodoo voodoo un po' d'amore
Voodoo voodoo per me
Voodoo voodoo solo un po' d'amore
Yee yee yee yee yee yee!
Voodoo voodoo I got a feeling
Voodoo voodoo fiamme sulla luna
Voodoo voodoo I got a feeling
Voodoo voodoo finch ce n'.
Lascia che il mio coso lavori (si spera)
Funziona con tutte ma non con te
Magica donna dalla gatta nera
Ho un filtro fatale fatto apposta per te.
Ehy sorella, figlia del peccato
Dimmi se vieni, se funziona se
Dimmi di s, dimmi come
Dimmi di s, dimmi dove
Voodoo voodoo un po' d'amore
Voodoo voodoo per me
Voodoo voodoo solo un po' d'amore
Yee yee yee yee yee yee!
Voodoo voodoo I got a feeling
Voodoo voodoo fiamme sulla luna
Voodoo voodoo I got a feeling
Voodoo voodoo.
Voodoo voodoo I got a feeling
Voodoo voodoo solco nella duna
Voodoo voodoo I got a feeling
Voodoo voodoo.
Voglio te, questa notte d'estate
Voglio te, anche se non ti piace
Voglio te, senza troppe parole
Voglio che, viene dentro me come un raggio di sole.
Voglio te, questa notte d'estate
Voglio te, anche se non ti piace
Voglio te, senza troppe parole
Voglio che, viene dentro me come un raggio di sole.

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Dopo Di Noi

Dopo di noi
Ho preso qualcuno
Mia perduta, infedelt
A te, e mia malinconia
Dopo di noi
Sto con qualcuno
Mangio sogni e vado a vino
Con chi ho preso dopo te
Spero che ami
Dopo di noi
Spero ti ami
Un po' di pi
Spero che ami
Anche per me
Dopo di noi
Affitto qualcuno
Prendo un treno
E vado via
Da chi ho preso dopo te
Spero che ami
Ma veramente
Spero ti ami
Un po' di pi
Spero che ami
Anche per me
Fiore del piant o
Spero soltanto
Che vada meglio per te
Spero che ami
Dopo di noi
Spero ti ami
Un po' di pi
Spero che ami
Anche per me
Spero ti ami
Meglio di me
Spero ti ami
Con tutte le unghie
Spero ti ami
Anche per me

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Temora - Book VII

ARGUMENT.

This book begins about the middle of the third night from the opening of the poem. The poet describes a kind of mist, which rose by night from the Lake of Lego, and was the usual residence of the souls of the dead, during the interval between their decease and the funeral song. The appearance of the ghost of Fillan above the cave where his body lay. His voice comes to Fingal on the rock of Cormul. The king strikes the shield of Trenmor, which was an infallible sign of his appearing in arms himself. The extraordinary effect of the sound of the shield. Sul-malla, starting from sleep, awakes Cathmor. Their affecting discourse. She insists with him to sue for peace; he resolves to continue the war. He directs her to retire to the neighboring valley of Lona, which was the residence of an old Druid, until the battle of the next day should be over. He awakes his army with the sound of his shield. The shield described. Fonar, the bard, at the desire of Cathmor, relates the first settlement of the Fir-bolg in Ireland, under their leader Larthon. Morning comes. Sul-malla retires to the valley of Lona. A lyric song concludes the book.

From the wood-skirted waters of Lego ascend, at times, gray-bosomed mists; when the gates of the west are closed, on the sun's eagle eye. Wide, over Lara's stream, is poured the vapor dark and deep: the moon, like a dim shield, lay swimming through its folds. With this, clothe the spirits of old their sudden gestures on the wind, when they stride, from blast to blast, along the dusky night. Often, blended with the gale, to some warrior's grave, they roll the mist a gray dwelling to his ghost, until the songs arise.

A sound came from the desert; it was Conar, king of Inis-fail. He poured his mist on the grave of Fillan, at blue-winding Lubar. Dark and mournful sat the ghost, in his gray ridge of smoke. The blast, at times, rolled him together; but the form returned again. It returned with bending eyes, and dark winding of locks of mist.

It was dark. The sleeping host were still in the skirts of night. The flame decayed, on the hill of Fingal; the king lay lonely on his shield. His eyes were half clothed in sleep: the voice of Fillan came. "Sleeps the husband of Clatho? Dwells the father of the fallen in rest? Am I forgot in the folds of darkness; lonely in the season of night?"

"Why dost thou mix," said the king, "with the dreams of my father? Can I forget thee, my son, or thy path of fire in the field? Not such come the deeds of the valiant on the soul of Fingal. They are not a beam of lightning, which is seen and is then no more. I remember thee, O Fillan! and my wrath begins to rise."

The king took his deathful spear, and struck the deeply-sounding shield: his shield, that hung high in night, the dismal sign of war. Ghosts fled on every side, and rolled their gathered forms on the wind. Thrice from the winding vales arose the voice of deaths. The harps of the bards, untouched, sound mournful over the hill.

He struck again the shield; battles rose in the dreams of his host. The wide-tumbling strife is gleaming over their souls. Blue-shielded kings descended to war. Backward-looking armies fly; and mighty deeds are half hid in the bright gleams of steel.

But when the third sound arose, deer started from the clefts of their rocks. The screams of fowl are heard in the desert, as each flew frightened on his blast. The sons of Selma half rose and half assumed their spears. But silence rolled back on the host: they knew the shield of the king. Sleep returned to their eyes; the field was dark and still.

No sleep was thine in darkness, blue-eyed daughter of Conmor! Sul-malla heard the dreadful shield, and rose, amid the night. Her steps are towards the king of Atha. "Can danger shake his daring soul?" In doubt, she stands with bending eyes. Heaven burns with all its stars.

Again the shield resounds! She rushed. She stopt. Her voice half rose. It failed. She saw him, amidst his arms, that gleamed to heaven's fire. She saw him dim in his locks, that rose to nightly wind. Away, for fear, she turned her steps. "Why should the king of Erin awake? Thou art not a dream to his rest, daughter of Inis-huna."

More dreadful rings the shield. Sul-malla starts. Her helmet fails. Loud echoes Lubar's rock, as over it rolls the steel. Bursting from the dreams of night, Cathmor half rose beneath his tree. He saw the form of the maid above him, on the rock. A red star, with twinkling beams, looked through her floating hair.

"Who comes through night to Cathmor in the season of his dreams? Bring'st thou aught of war? Who art thou, son of night? Stand'st thou before me, a form of the times of old? a voice from the fold of a cloud, to warn me of the danger of Erin?"

"Nor lonely scout am I, nor voice from folded cloud," she said, "but I warn thee of the danger of Erin. Dost thou hear that sound? It is not the feeble, king of Atha, that rolls his signs on night."

"Let the warrior roll his signs," he replied, "To Cathmor they are the sounds of harps. My joy is great, voice of night, and burns over all my thoughts. This is the music of kings, on lonely hills, by night; when they light their daring souls, the sons of mighty deeds! The feeble dwell alone, in the valley of the breeze; where mists lift their morning skirts, from the blue-winding streams."

"Not feeble, king of men, were they, the fathers of my race. They dwelt in the folds of battle, in their distant lands. Yet delights not my soul in the signs of death! Lie, who never yields, comes forth: O send the bard of peace!"

Like a dropping rock in the desert, stood Cathmor in his tears. Her voice came, a breeze on his soul, and waked the memory of her land; where she dwelt by her peaceful streams, before he came to the war of Conmor.

"Daughter of strangers," he said, (she trembling turned away,) "long have I marked thee in thy steel, young pine of Inis-huna. But my soul, I said, is folded in a storm. Why should that beam arise, till my steps return in peace? Have I been pale in thy presence, as thou bid'st me to fear the king? The time of danger, O maid, is the season of my soul; for then it swells a mighty stream, and rolls me on the foe.

"Beneath the moss-covered rock of Lona, near his own loud stream; gray in his locks of age, dwells Clonmal king of harps. Above him is his echoing tree, and the dun bounding of roes. The noise of our strife reaches his ear, as he bends in the thoughts of years. There let thy rest be, Sul-malla, until our battle cease. Until I return, in my arms, from the skirts of the evening mist, that rises on Lona, round the dwelling of my love."

A light fell on the soul of the maid: it rose kindled before the king. She turned her face to Cathmor, from amidst her waving locks. "Sooner shall the eagle of heaven be torn from the stream of his roaring wind, when he sees the dun prey before him, the young sons of the bounding roe, than thou, O Cathmor, be turned from the strife of renown. Soon may I see thee, warrior, from the skirts of the evening mist, when it is rolled around me, on Lona of the streams. While yet thou art distant far, strike, Cathmor, strike the shield, that joy may return to my darkened soul, as I lean on the mossy rock. But if thou shouldst fall, I am in the land of strangers; O send thy voice from thy cloud, to the midst of Inis-huna!"

"Young branch of green-headed Lumon, why dost thou shake in the storm? Often has Cathmor returned, from darkly rolling wars. The darts of death are but hail to me; they have often rattled along my shield. I have risen brightened from battle, like a meteor from a stormy cloud. Return not, fair beam, from thy vale, when the roar of battle grows. Then might the foe escape, as from my fathers of old.

"They told to Son-mor, of Clunar, who was slain by Cormac in fight. Three days darkened Son-mor, over his brother's fall. His spouse beheld the silent king and foresaw his steps in war. She prepared the bow, in secret, to attend her blue-shielded hero. To her dwelt darkness at Atha, when he was not there. From their hundred streams, by night, poured down the sons of Alnecma. They had heard the shield of the king, and their rage arose. In clanging arms, they moved along towards Ullin of the groves. Son-mor struck his shield, at times the leader of the war.

"Far behind followed Sul-allin, over the streamy hills. She was a light on the mountain, when they crossed the vale below. Her steps were stately on the vale, when they rose on the mossy hill. She feared to approach the king, who left her in echoing Atha. But when the roar of battle rose; when host was rolled on host, when Son-mor burnt, like the fire of heaven in clouds, with her spreading hair came Sul-allin, for she trembled for her king. He stopt the rushing strife to save the love of heroes. The foe fled by night; Clunar slept without his blood; the blood which ought to be poured upon the warrior's tomb.

"Nor rose the rage of Son-mor, but his days were silent and dark. Sul-allin wandered by her gray stream. with her tearful eyes. Often did she look on the hero, when he was folded in his thoughts. But she shrunk from his eyes, and turned her lone steps away. Battles rose, like a tempest, and drove the mist from his soul. He beheld with joy her steps in the hall, and the white rising of her hands on the harp."

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Va Be'

Va be se proprio te lo devo dire
Non che tu mi faccia poi impazzire
Dio, ci resisto
Se non ci sei non muoio
Non penso solo a te tutte le sere
E anche se non telefoni riesco a dormire
Va be se proprio te lo devo dire
Le calze nere non mi fanno morire
Sar strano
Ma se non le hai non muoio
E poi ti prego non esagerare
Se fai l'amore non ti devi sforzare di urlare
Va be se proprio te lo devo dire
Fisicamente non sei fatta male
Ma non esageriamo
Non sei la Cardinale
E non sopporto che lo fai notare
Con quel tuo modo, ti prego, di camminare
Ma si se proprio te lo devo dire
Non mi dispiace che tu vada a sciare
No, si con gli amici, ho capito
Non non sono geloso
E, perch mi fido naturale
Ah ma allora vuoi litigare
Tu vorresti a tutti i costi farmi ingelosire
Guarda se proprio te lo devo dire
Non che tu mi faccia poi impazzire
Dio, ci resisto
Se non ci sei, se non ci sei non muoio
Me la cavo
Non penso solo a te tutte le sere
Se non telefoni, ti giuro, che riesco a dormire

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Anima Fragile

E tu
chiss dove sei
anima fragile
che mi ascoltavi immobile
ma senza ridere.
E ora tu
chiss dove sei
avrai trovato amore
o come me, cerchi soltanto d'avventure
perch non vuoi pi piangere!
E la vita continua
anche senza di noi
che siamo lontano ormai
da tutte quelle situazioni che ci univano
da tutte quelle piccole emozioni che bastavano
da tutte quelle situazioni che non tornano mai!
Perch col tempo cambia tutto lo sai
cambiamo anche noi
e cambiamo anche noi
e cambiamo anche noi!
e cambiamo anche noi!

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Figli Di Pitagora

Siamo figli di Pitagora e di Casadei
Di Macchiavelli e di Tot
Cresciuti con una morale cattolica
E con i Depeche Mode
Siamo figli di Pitagora e di Trinit
Di Michelangelo e Dario Fo
cresciuti con una morale cattolica
E con i Depeche Mode
E con i Depeche Mode...
Everywhere
we have been everywhere
we 've broken barricades
thanks to the fathers we've had
Who knows how many men
will go along our way
We're living every day
Never forgetting where we're from
Siamo figli di Pitagora e di Casadei
Di Macchiavelli e di Tot
Cresciuti con una morale cattolica
E con i Depeche Mode
Siamo figli di Pitagora e di Trinit
Di Michelangelo e Dario Fo
cresciuti con una morale cattolica
E con i Depeche Mode
E con i Depeche Mode...
Motherland
As well as fatherland
Some say godfatherland
But that's the land that we have
Who knows how many men
Will go along our way
We're living every day
Never forgetting where we're from
Siamo figli di Pitagora e di Casadei
Di Macchiavelli e di Tot
Cresciuti con una morale cattolica
E con i Depeche Mode
Siamo figli di Pitagora e di Trinit
Di Michelangelo e Dario Fo
cresciuti con una morale cattolica
E con i Depeche Mode
E con i Depeche Mode...
Siamo figli di Pitagora e di Casadei
Di Macchiavelli e di Tot
Cresciuti con una morale cattolica
E con i Depeche Mode
Siamo figli di Pitagora e di Trinit
Di Michelangelo e Dario Fo
cresciuti con una morale cattolica

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Para De Jugar

Tres de la maana
Y no me puedo dormir.
Ojal te tuviera aqu junto a m.
Una voz por dentro
Me dice ten cuidado,
Esta chica es peligrosa
Cuando est a tu lado, s.
Para de jugar con mi corazn.
Para de jugar con mi corazn.
Para de jugar con mi corazn.
Para de jugar con mi corazn,
Porque yo ya no quiero sufrir,
Porque yo ya no quiero sufrir.
No s si es tu sonrisa,
No s si es tu mirada,
O lo que t me haces
Cuando las luces se apagan.
Tres de la maana
Y no me puedo dormir.
Ojal supiera qu pretendes
De m.
Para de jugar con mi corazn.
Para de jugar con mi corazn.
Para de jugar con mi corazn.
Para de jugar con mi corazn,
Porque yo ya no quiero sufrir,
Porque yo ya no quiero sufrir.
Una voz por dentro
Me dice ten cuidado,
Esta chica es peligrosa
Cuando est a tu lado, s.
Para de jugar con mi corazn.
Para de jugar con mi corazn.
Para de jugar con mi corazn.
Para de jugar con mi corazn,
Porque yo ya no quiero sufrir,
Porque yo ya no quiero sufrir.
Hey you, cant you see?
Shes playing with your heart.
Shes playing with your heart.
Hey you cant you see?
Shes playing with your heart.
Shes playing with your heart.
Para de jugar con mi corazn.
Para de jugar con mi corazn.
Para de jugar con mi corazn.
Para de jugar con mi corazn,
Porque yo ya no quiero sufrir,
Porque yo ya no quiero sufrir.
Para de jugar con mi corazn.

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