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Anything

Anything for you
Turn my castles blue
Turn my bones to sand
Just to see you
Ill give you anything
Ill give you anything
Ill give you anything
Jackie o with the top down open
All the words to whats unspoken
Ill put together everything thats broken
Just to see you
Ill give you anything
Ill give you anything
Ill give you anything
Jackie o with the top down open
A kings horse for whats been broken
Ill bring back even whats unspoken
Just to see you
Ill give you anything
Ill give you anything
Ill be your anything

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Jackie Brown

Is this your life, jackie brown?
Poorly educated and forced to live on the poor side of town.
Is this your daughter, jackie brown?
This pretty little girl
In the worn out clothes
That have been hand-me down.
Is this your wife, jackie brown?
With sad blue eyes, walking on eggshells so you dont see her frown.
Is this your family, jackie brown?
Dream of vacationing on a mountain stream
And giving the world more than it gave you.
What ugly truths freedom brings
And it hasnt been very kind to you.
Is this your life, jackie brown?
Is this your meal, jackie brown?
Barely enough, Ive seen people throw away more than this out.
Is this your home, jackie brown?
This three room shack
With no running water
And the bathroom out back.
Is this your grave, jackie brown?
This little piece of limestone that says another desperate man took
Himself out.
Is this your dream, jackie brown?
Going nowhere and nowhere fast
We shame ourselves to watch people like this live.
But who gives a damn about jackie brown?
Just another lazy man who couldnt take what was his.
One helluva life jackie brown.
Forevermore, jackie brown
Amen and amen - jackie brown?

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Patrick White

The Only Way To Control Things

The only way to control things is with an open hand.
Water on rock
a fist can't do anything to stop the rain
that keeps washing its bloody knuckles
by kissing the raw red buds
of the pain-killing poppies clean.
Anger grows ashamed of itself
in the presence of unopposable compassion
just as planets are humbled by their atmospheres.
The soft supple things of life insist
and the hard brittle ones comply.
Bullies are the broken toys of wimps.
Power limps.
But space is an open hand.
Mass may shape it
but it teaches matter how to move
just as the sky converts its openness
into a cloud and a bird
or the silence nurtures
the embryo of a blue word
in the empty womb of the dark mother
like the echo of something that can't be said.

The only way to control things is with an open hand.
Not a posture of giving.
Not a posture of receiving.
Not a posture of greeting or farewell.
Not hanging on or letting go
but the single bridge they both make
when they're both at peace with the flow.
It's not the branch it's not the trunk
it's not the root it's not the fruit
but the open handedness of its leaves
that is a tree's consummate passion.
Isis tattoos her star on their palms
like sailors and sails
to keep them from drowning
and into the valleys of their open hands
that lie at the foot of their crook-backed mountains
the aloof stars risk the intimacy of fireflies
and fate flows down like tributaries into the mindstream
as life roots its wildflowers on both shores
as if there were no sides to the flowing
of our binary lifelines.

The only way to control things is with an open hand.
You cannot bind the knower to the knowing
as if time had to know where eternity was going
before anything could change.
X marks the spot where all maps are born

[...] Read more

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Matthew Arnold

Sohrab and Rustum

And the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.
But all the Tartar camp along the stream
Was hush'd, and still the men were plunged in sleep;
Sohrab alone, he slept not; all night long
He had lain wakeful, tossing on his bed;
But when the grey dawn stole into his tent,
He rose, and clad himself, and girt his sword,
And took his horseman's cloak, and left his tent,
And went abroad into the cold wet fog,
Through the dim camp to Peran-Wisa's tent.

Through the black Tartar tents he pass'd, which stood
Clustering like bee-hives on the low flat strand
Of Oxus, where the summer-floods o'erflow
When the sun melts the snows in high Pamere
Through the black tents he pass'd, o'er that low strand,
And to a hillock came, a little back
From the stream's brink--the spot where first a boat,
Crossing the stream in summer, scrapes the land.
The men of former times had crown'd the top
With a clay fort; but that was fall'n, and now
The Tartars built there Peran-Wisa's tent,
A dome of laths, and o'er it felts were spread.
And Sohrab came there, and went in, and stood
Upon the thick piled carpets in the tent,
And found the old man sleeping on his bed
Of rugs and felts, and near him lay his arms.
And Peran-Wisa heard him, though the step
Was dull'd; for he slept light, an old man's sleep;
And he rose quickly on one arm, and said:--

"Who art thou? for it is not yet clear dawn.
Speak! is there news, or any night alarm?"

But Sohrab came to the bedside, and said:--
"Thou know'st me, Peran-Wisa! it is I.
The sun is not yet risen, and the foe
Sleep; but I sleep not; all night long I lie
Tossing and wakeful, and I come to thee.
For so did King Afrasiab bid me seek
Thy counsel, and to heed thee as thy son,
In Samarcand, before the army march'd;
And I will tell thee what my heart desires.
Thou know'st if, since from Ader-baijan first
I came among the Tartars and bore arms,
I have still served Afrasiab well, and shown,
At my boy's years, the courage of a man.
This too thou know'st, that while I still bear on
The conquering Tartar ensigns through the world,

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Color

Performed by the steeles
Composed by prince
Color me black if u color me just like u
Color me angry if u color me less than I do
(whoa, whats your color? )
Yeah, whats your color?
(whoa, whats your color? )
Whats your color?
Color me happy if u teach me what I need 2 know
Color me gone if u dont, if u dont cuz every child needs 2 grow
This I know
(whoa, whats your color? )
Oh, whats your color, yeah?
I wanna know
(whoa, whats your color? )
Oh, whats your color?
Listen (listen)
Love is my color when Im shown love in return
But when I am not, its a bet u can guess what I have learned
Whats my color?
Hey
Color me green (color me green) if I cannot have what uve got
Color me blue (blue) until I do cuz the fire will shonuff be hot
Yes it will
(whoa, whats your color? )
Whats your color, yeah?
Hey yeah
(whoa, whats your color? )
Whats your color, yeah?
Oh, make me a promise (make me a promise)
Oh, make me a promise (that whatever u color me) that whatever u color me
U will at least color me then I can color u 2
Whats your color?
(whoa, whats your color? )
Whats your color, yeah?
Hey
Color
(whoa, whats your color? )
Whats your color?
(whoa, whats your color? )
Whats your color, yeah?
Whats your color?
Make it love
Whats your color?
Mine is love
(whoa, whats your color? ) yeah
(whoa, whats your color? )
Whats your color?
(whoa, whats your color? )

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Ms. Jackie Blue's

Ms. Jackie was limble
Ms. Jackie was quick
Ms. Jackie was strong
She thought she had life licked
Ms. Jackie was determined to never, ever quit
She seemed to struggled with life and what it reallly meant
Ms. Jackie would often try many of the get rich tricks
Ms. Jackie really believed that she. had found her nitch,
The nitch that was right,
A perfect fit,
to later find out that it wasn't quite legit
Ms. Jackie then lost mind and would often have fits
Relentlessly chanting of how she must not quit
Yet, Ms. Jackie still somehow embraced the counterfeits
Ms. Jackie claimed to be superior with supernatural whit
Adhereing to voices that one should forget
Sadly enough, even thou it is painful to admit,
That all the right people and her most close friends
Simply couldn't do nothing to help bring
Ms. Jackie's fire for life back once again
Ms. Jackie's Blue's
Never let it happen to you!

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These Old Bones

Writer Dolly Parton
These old bones will tell your story
These old bones will never lie
These old bones will tell you surely
What you cant see with your eye
These old bones, I shake and rattle
These old bones, I toss and roll
And its all in where they scatter
Tells you what the future holds
Oh, she lived up on the mountain
Eleven miles or so from town
With a one-eyed cat named Wink,
A billy goat and a blue tick hound
Her graying hair was braided
And wrapped around her head
And her dress was long and faded
And her home a rusty shed
In a little pouch of burlap
Tied with a piece of twine
There were bones all shapes and sizes
Gathered through the course of time
Shed throw them out before you
She swore that she could see
The present, past and future
She could ready your destiny
Everybody knew about her
Came to get their fortune read
Concerning health and wealth and power
Who to love and when to wed
Well, I just like helpin people
Im just glad that I could help
Why, I know everybodys secrets
But I keep it to myself
These old bones will tell your story
These old bones will never lie
These old bones will tell you surely
What you cant see with your eye
These old bones, I shake and rattle
These old bones, I toss and roll
And its all in where they scatter
Tells you what the future holds
Some called her witchy woman
Some said she was insane
Some said she was a prophet
Still everybody came
Just because a bodys different
Well, that dont make em mad
Well, theyve crucified a many
For the special gifts theyve had
I had often heard about her,

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Samuel Butler

Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

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Oh Jackie

(tim james/steve mcclintock/tim heintz/kimberly feldman)
Somewhere down the road
A radio is playing
And every songs reminding me of you
I wonder where you are tonight
Jackie Im wishing I could turn back time
I cant believe this is really you
Oh jackie say it isnt so
Tell me that you never meant to let me go
Oh jackie am I all alone
Oh jackie say it isnt true
Tell me that Im not just someone you outgrew
Oh jackie, say it isnt true
Is this the way love ends
Is this the way it happens
Do all these feelings simply fade away
Its hard for me to understand
Jackie I thought that I was your best friend
Its not like you to turn and walk away
Oh jackie say it isnt so
Tell me that you never meant to let me go
Oh jackie am I all alone
Oh jackie say it isnt true
Tell me that Im not just someone you outgrew
Oh jackie, say it isnt true
Where ever you may be tonight
I wonder when you close your eyes
Have you forgotten me

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Jackie Dont Go

Jackie was the focus of my fantasies
There was passion in the schoolyard
Upon the autumn leaves
Cuttin class was gettin easy,
Throwin good sense down the drain,
And while your touch would always please me,
It was love that erased the pain --
Believin that good times forever last,
Now love is a thing of the past
*jackie no, jackie dont go,
Youre a hard act to follow --
Jackie go slow, jackie please,
Im down on my knees, lets do it again*
I was head over heels, I was hard in love,
I put jackie on a pedestal so high above,
Rock n roll became our savior --
That alone was all it took --
And when it came to fool behavior,
Me and jackie, we wrote the book
Believin that good friends forever last,
Now love is a thing of the past
( * repeat)
( * repeat)
Jackie stay -- Im living each day
In the streets of the city callin your name
Jackie please, this is insane,
Lets do it again
In the beginning all the time we spent together,
Never further than a heartbeat away,
Did you try and tell me, jackie, you were leavin,
I couldnt see beyond yesterday

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Have You Seen Jackie?

Have you seen jackie?
Hes a strange strange strange little girl
Make up on his face and his hair in curls
Have you seen jackie?
Shes a strange strange strange little boy
Her long black beard is her pride and joy
And all the children follow him around
And all the grownups try to drag her down
So we sing
Hey, leave jackie alone
Hey, his pigeons have flown
Hey, shes never at home at all these days
Leave jackie alone
Have you seen jackie?
Hes an odd odd odd little fish
To fly around is his only wish
Have you seen jackie?
Shes a queer queer queer little bird
Shy and quiet neither scene nor herd
And all the rats will follow him around
The dogs and cats will chase her from the town
And we sing
Hey, leave jackie alone
Hey, his mind is all blown
Hey, shes not on the phone at all these days
Leave jackie alone
Jackie couldnt decide if he was a girl
Or if she was a boy
Have you seen jackie?

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Whats Mine Is Mine

Key:-
A - anita
R - ray
A: oh, oh, all right; oh, oh, allright
Oh, oh, all right; oh, oh, allright
Oh, oh, all right; oh, oh, allright
My property, my property
A: oh, oh, all right; oh, oh, allright
Oh, oh, all right; oh, oh, allright
R: whats mine is mine hold theres the line
Stop following me from the back all of the time
Theres one of me, one of a kind
Sorry Im first, excuse me do you mind
You wanna be the same and put me out of frame
I got my own style, so you must be insane
Yes theres something else you can find
So dont touch mine, whats mine is mine
A: why do you want to be like me?
Why do you want whats mine?
You know this is my property, babe, youre losing this time
You are wasting time and energy cause you just cant take whats mine
You better save your time and energy gotta get it out of your mind
Whats mine is mine!
R: step back, step back
A: whats mine is mine
Whats mine is mine
Youre wasting your time
R: step back, step back
A: whats mine is mine
Oh, oh, all right
R: dont waste your time and energy
Cause nobody in the world can be like me
Youre looking for something I already found
A smoother move, a better sound
Represent yourself as me, myself, and i
Make your own plan, come on and try!
Ideas nowadays are hard to find
But dont touch mine whats mine is mine!
A: why do you want to be like me?
Why do you want whats mine?
You know this is my property, babe, youre losing this time
You are wasting time and energy cause you just cant take whats mine
You better save your time and energy gotta get it out of your mind
Whats mine is mine!
A: oh....
R: whats mine is mine
Whats mine is mine
A: oh, oh, all right, oh, oh, all right, oh, oh, all right
My property, my property, oh, oh, all right, oh, oh, all right, oh, oh, all right
R: whats mine is mine

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Percys Song

Bad news, bad news,
Come to me where I sleep,
Turn, turn, turn again.
Sayin one of your friends
Is in trouble deep,
Turn, turn to the rain
And the wind.
Tell me the trouble,
Tell once to my ear,
Turn, turn, turn again.
Joliet prison
And ninety-nine years,
Turn, turn to the rain
And the wind.
Oh whats the charge
Of how this came to be,
Turn, turn, turn again.
Manslaughter
In the highest of degree,
Turn, turn to the rain
And the wind.
I sat down and wrote
The best words I could write,
Turn, turn, turn again.
Explaining to the judge
Id be there on wednesday night,
Turn, turn to the rain
And the wind.
Without a reply,
I left by the moon,
Turn, turn, turn again.
And was in his chambers
By the next afternoon,
Turn, turn to the rain
And the wind.
Could ya tell me the facts?
I said without fear,
Turn, turn, turn again.
That a friend of mine
Would get ninety-nine years,
Turn, turn to the rain
And the wind.
A crash on the highway
Flew the car to a field,
Turn, turn, turn again.
There was four persons killed
And he was at the wheel,
Turn, turn to the rain
And the wind.
But I knew him as good

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Jackie Blue

Ooh-hoo, jackie blue
Lives a life from inside of her room
Hides a smile when shes wearing a frown
Ooh, jackie, your not so down
You like your life in a free form style
Youll take an inch but youd love a mile
There never seems to be quite enough
Loving around us when your loving comes
Ooh-hoo, jackie blue
Whats a game, ooh, that you never lose
Ask a winner and youll probably find
Ooh, jackie they lost you some time
Dont try tell me that youre not aware
Of what youre doing and that you dont care
You say that its easy, just a natural thing
Like playing music that youve never seen
Ooh-hoo, jackie blue
Making wishes that never come true
Going places where youve never been
Ooh, jackie, youve blown it again
Ooh-hoo, jackie blue
Lives a life from inside her room
Makes you think that life is a drag
Ooh, jackie, what fun you have had

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by from The Ring and the BookReport problemRelated quotes
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Youre Gonna Get Whats Coming

(robert palmer)
You came up on me like a landslide
Once in awhile I get taken like that
And I like it
Ive got a thunderbird parked right outside
Give me a minute to finish this thing
And well light it.
In all this heat its a job keeping cool
Oh yeah
And I could fry an egg on you
You came up on me like a landslide
Once in awhile I get taken like that
And I like it
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
I hope that youre half as intrepid
As you make out
More often than not, Ill bet
You never got what you asked for
Keep on pouring until you hear me shout
And turn up the sound
If you want me to drive any faster
Caution went out when you walked in the room
If it never came back it would be too soon
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
You came up on me like a landslide
Once in awhile I get taken like that
And I like it
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
Youre gonna get whats coming

[...] Read more

song performed by Robert PalmerReport problemRelated quotes
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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

poem by from Don Juan (1824)Report problemRelated quotes
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Unspoken Words

My thoughts are going back - back to the time
When I was young to live a life
A life of lies - full of lies
Then you came into my life
And youve changed so many things
That Ive done before - that Ive done before
Without you Ive been so alone
Dont leave me this way
Without you Ive been so alone
Dont leave me this way
You treated me the right way
You always said dont give up
Some day you will see what I have done
And when I start thinking about me
Then I find out
You did it right - just right
Without you Ive been so alone
Dont leave me this way
Without you Ive been so alone
Dont leave me this way
Unspoken words - so many unspoken words
They cannot lie to me anymore
Unspoken words - words so full of meaning
They cannot lie, theyre from inside
Unspoken words
Back to start again - were working still together
More than ever - better than before
Better than before
Without you Ive been so alone
Dont leave me this way
Without you Ive been so alone
Dont leave me this way - dont leave me this way
Unspoken words - so many unspoken words
They cannot lie to me anymore
Unspoken words - words so full of meaning
They cannot lie, theyre from inside
All those unspoken words so many, many unspoken words
They cannot lie to me anymore, oh yeah
Without you Ive been so alone
Dont leave me this way, yeah, yeah, yeah, yeah
Unspoken words...

song performed by U. D. O.Report problemRelated quotes
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