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I'm Wondering

Jimmy was your sweetie pie
Your precious one
And I knew you used to love
The very ground he walked upon
One day, Jim's papa told him
Things were looking down
And they packed up everything
They owned and left this little old town
Each tear I dried for you,
The closer our lives grew,
I fell in love it's true
And you say you love me, too
Well, don't you know I'm wondering
Little girl, I'm wondering
How can I make you love me
A little more than you loved him?
Ooh,Baby I'm wondering
Little girl, I'm wondering
How can I make you love me
A little more than you loved him?
Oh baby
But, baby I'm wondering
Little girl, I'm wondering
How can I make you love me
A little more than you loved him?
Oh baby I'm wondering,
Little girl, I'm wondering
How can I make you love me
A little more than you loved Jim?
The day you see his face again
Or hear his voice
I don't want to be a loser
If you have to make a choice
Like a puppet to a string
To you, girl, I'm attached
And I know I'd be in trouble
If he came and took you back
I feel so insecure
In my mind, I can picture
Losing you for sure
And the pain I can't endure
Oh baby I'm wondering
Little girl, I'm wondering
How can I make you love me
A little more than you loved him?
Oh baby I'm wondering,
Sure enough, I'm wondering
How can I make you love me
A little more than you loved Jim?
Ooh Baby

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song performed by Stevie Wonder
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Papa-Omm-Mow-Mow

Papa-Oom-Mow-Mow
The Beach Boys
Frazier/White/Wilson, Jr./Harris
The last time we were up here
We did a song by another group of guys
We like very much
A real friendly group of guys
Called the Rivingtons
Their song is called "Papa-Oom-Mow-Mow"
A papa-oom-mow-mow
A papa-oom-mow-mow
A papa-oom-mow-mow
A papa-oom-mow-mow
Funniest sound I ever heard
(A papa-oom-mow-mow a papa-oom-mow-mow)
But I can't understand a single word
(A papa-oom-mow-mow a papa-oom-mow-mow)
Well if he's serious or if he's playin'
Woo my my it's all he's sayin
Papa-papa-hoooo
(A papa-oom-mow-mow a papa-oom-mow-mow)
Papa-papa-papa-hoooo
(A papa-oom-mow-mow a papa-oom-mow-mow)
Doot doot doot
(A papa-oom-mow-mow a papa-oom-mow-mow)
Doot doot doot
(A papa-oom-mow-mow a papa-oom-mow-mow)
Well say there pop, say what's your name?
(A papa-oom-mow-mow a papa-oom-mow-mow)
Well don't you come around and show your face
(A papa-oom-mow-mow a papa-oom-mow-mow)
But hearing the sound I can't figure it out
Oo-wee this sound makes me stop and shout
Papa-papa-hoooo
(A papa-oom-mow-mow a papa-oom-mow-mow)
Papa-papa-papa-hoooo
(A papa-oom-mow-mow a papa-oom-mow-mow)
Doot doot doot
(A papa-oom-mow-mow a papa-oom-mow-mow)
Doot doot doot
(A papa-oom-mow-mow a papa-oom-mow-mow)
Doot doot doot
Doot doot doot
Doot doot doot
A papa-papa-papa-papa-oom-mow-mow
(A papa-oom-mow-mow a papa-oom-mow-mow)
Doot doot doot
(A papa-oom-mow-mow a papa-oom-mow-mow)
Doot doot doot
(A papa-oom-mow-mow a papa-oom-mow-mow)

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song performed by Beach Boys
Added by Lucian Velea
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Papa-oom-mow-mow

Ah, papa-oom-muh-muh-muh-muh
Ah, papa-oom-mow-mow
Papa-oom-mow-mow
Papa-oom-mow-mow
Dit-dit-dit
Papa-oom-mow-mow
Papa-oom-mow-mow
Dit-dit-dit
Papa-oom-mow-mow
Papa-oom-mow-mow
The funniest sound i ever heard
Papa-oom-mow-mow
Papa-oom-mow-mow
But i can't understand a single word
Papa-oom-mow-mow
Papa-oom-mow-mow
But if he's serious or if he's playin'
Whoo, my my is all he's sayin'
Papa, whooo
Baba-baba-baba-whoooooooo!
Dit-dit-dit
Papa-oom-mow-mow
Papa-oom-mow-mow
Dit-dit-dit
Papa-oom-mow-mow
Papa-oom-mow-mow
Well i said there, pop, say what's your name
Papa-oom-mow-mow
Papa-oom-mow-mow
Why don't you come around and show your face?
Papa-oom-mow-mow
Papa-oom-mow-mow
The weirdest sound--i can't figure it out--
I can't believe this sound makes me slap and shout
Papa, whooo
Baba-baba-baba-whoooooooo! yeah!
Dit-dit-dit
Papa-oom-mow-mow
Papa-oom-mow-mow
Dit-dit-dit
Papa-oom-mow-mow
Papa-oom-mow-mow
Dit-dit-dit
Dit-dit-dit
Dit-dit-dit
Papa-papa-papa-oom-muh-muh-muh-muh
Papa-oom-mow-mow
Papa-oom-mow-mow
Papa-oom-mow-mow
Dit-dit-dit

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song performed by Beach Boys
Added by Lucian Velea
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I Found A Reason

(reed)
Pa papa papa papa
Pa papa papa papa
Pa papa papa papa
Pa papa papa papa
I found a reason to keep living
Oh and the reason, dear, is you
I found a reason to keep singing
Oh and the reason, dear, is you
Oh I do believe
If you dont like things you live
For some place you never gone before
Pa papa papa papa
Pa papa papa papa
Pa papa papa papa
Pa papa papa papa
Honey, I found a reason to keep living
And you know the reason, dear its you
And Ive walked down lifes lonely highways
Hand in hand with myself
And I realized how many paths have crossed between us
Oh I do believe
Youre all what you perceive
What come is better that what came before
Oh I do believe
Youre all what you perceive
What come is better that what came before
Pa papa papa papa
Pa papa papa papa
Pa papa papa papa
Pa papa papa papa
And youd better come, come come, come to me
Come come, come to me
Pa papa papa pa

song performed by Velvet Underground
Added by Lucian Velea
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Pap-Oom-Mow-Mow

The last time we were up here
We did a song by another group of guys
We like very much
A real friendly group of guys
Called the Rivingtons
Their song is called "Papa-Oom-Mow-Mow"
A papa-oom-mow-mow
Funniest sound I ever heard
(A papa-oom-mow-mow a papa-oom-mow-mow)
But I can't understand a single word
(A papa-oom-mow-mow a papa-oom-mow-mow)
Well if he's serious or if he's playin'
Woo my my it's all he's sayin
~CHORUS~
Papa-papa-hoooo
(A papa-oom-mow-mow a papa-oom-mow-mow)
Papa-papa-papa-hoooo
(A papa-oom-mow-mow a papa-oom-mow-mow)
Doot doot doot
(A papa-oom-mow-mow a papa-oom-mow-mow)
Doot doot doot
(A papa-oom-mow-mow a papa-oom-mow-mow)
Well say there pop, say what's your name?
(A papa-oom-mow-mow a papa-oom-mow-mow)
Well don't you come around and show your face
A papa-oom-mow-mow a papa-oom-mow-mow)
But hearing the sound I can't figure it out
Oo-wee this sound makes me stop and shout
Doot doot doot
Doot doot doot
Doot doot doot
A papa-papa-papa-papa-oom-mow-mow
~CHORUS~
Well I hear this sound everywhere I go
(A papa-oom-mow-mow a papa-oom-mow-mow)
From the record, TV, or the radio
(A papa-oom-mow-mow a papa-oom-mow-mow)
But now it's spreadin' all through the land
I still can't seem to understand
Papa-papa-hoooo
(A papa-oom-mow-mow a papa-oom-mow-mow)
~CHORUS

song performed by Beach Boys
Added by Lucian Velea
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The Little Girl's Song

Do not mind my crying, Papa, I am not crying for pain.
Do not mind my shaking, Papa, I am not shaking with fear;
Tho' the wild wild wind is bideous to hear,
And I see the snow and the rain.
When will you come back again,
Papa, Papa?

Somebody else that you love, Papa,
Somebody else that you dearly love
Is weary, like me, because you're away.
Sometimes I see her lips tremble and move,
And I seem to know what they're going to say;
And every day, and all the long day,
I long to cry, 'Oh Mamma, Mamma,
When will Papa come back again?'
But before I can say it I see the pain
Creeping up on her white white cheek,
As the sweet sad sunshine creeps up the white wall,
And then I am sorry, and fear to speak;
And slowly the pain goes out of her cheek,
As the sad sweet sunshine goes from the wall.
Oh, I wish I were grown up wise and tall,
That I might throw my arms round her neck
And say, 'Dear Mamma, oh, what is it all
That I see and see and do not see
In your white white face all the livelong day?'
But she hides her grief from a child like me.
When will you come back again,
Papa, Papa?

Where were you going, Papa, Papa?
All this long while have you been on the sea?
When she looks as if she saw far away,
Is she thinking of you, and what does she see?
Are the white sails blowing,
And the blue men rowing,
And are you standing on the high deck
Where we saw you stand till the ship grew gray,
And we watched and watched till the ship was a speck,
And the dark came first to you, far away?
I wish I could see what she can see,
But she hides her grief from a child like me.
When will you come back again,
Papa, Papa?

Don't you remember, Papa, Papa,
How we used to sit by the fire, all three,

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poem by Sydney Thompson Dobell
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The King of the Vasse

A LEGEND OF THE BUSH.

MY tale which I have brought is of a time
Ere that fair Southern land was stained with crime,
Brought thitherward in reeking ships and cast
Like blight upon the coast, or like a blast
From angry levin on a fair young tree,
That stands thenceforth a piteous sight to see.
So lives this land to-day beneath the sun,—
A weltering plague-spot, where the hot tears run,
And hearts to ashes turn, and souls are dried
Like empty kilns where hopes have parched and died.
Woe's cloak is round her,—she the fairest shore
In all the Southern Ocean o'er and o'er.
Poor Cinderella! she must bide her woe,
Because an elder sister wills it so.
Ah! could that sister see the future day
When her own wealth and strength are shorn away,
A.nd she, lone mother then, puts forth her hand
To rest on kindred blood in that far land;
Could she but see that kin deny her claim
Because of nothing owing her but shame,—
Then might she learn 'tis building but to fall,
If carted rubble be the basement-wall.

But this my tale, if tale it be, begins
Before the young land saw the old land's sins
Sail up the orient ocean, like a cloud
Far-blown, and widening as it neared,—a shroud
Fate-sent to wrap the bier of all things pure,
And mark the leper-land while stains endure.
In the far days, the few who sought the West
Were men all guileless, in adventurous quest
Of lands to feed their flocks and raise their grain,
And help them live their lives with less of pain
Than crowded Europe lets her children know.
From their old homesteads did they seaward go,
As if in Nature's order men must flee
As flow the streams,—from inlands to the sea.

In that far time, from out a Northern land,
With home-ties severed, went a numerous band
Of men and wives and children, white-haired folk:
Whose humble hope of rest at home had broke,
As year was piled on year, and still their toil
Had wrung poor fee from -Sweden's rugged soil.
One day there gathered from the neighboring steads,
In Jacob Eibsen's, five strong household heads,—
Five men large-limbed and sinewed, Jacob's sons,

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poem by John Boyle O'Reilly
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Big Jilm

Rollin and wheelin, stealin and dealin - big jim
Bol weevil, its a pleasel, its a pleasel, my weasel - big jim
Dreamin and schemin, screamin and bleedin - big jim
Froggy in the meadow under the log - big jim
Rollin and wheelin, stealin and dealin - big jim
Bol weevil, its a pleasel, its a pleasel, my weasel - big jim
Big jim
Whats the biggest thing you ever did done see?
Big jim
I mean, whats the biggest, biggest thing you ever did done see?
Big jim
Rollin and wheelin, stealin and dealin - big jim (big jim! big jim!)
(doo doo doo, doo doo doo doo doo)
Bol weevil, its a pleasel, its a pleasel, my weasel - big jim (big jim!)
Dreamin and schemin, screamin and bleedin - big jim (big jim! big jim!)
Froggy in the meadow under the log - big jim (big jim!)
Big jim
I mean, biggest thing you ever did done see?
Big jim (big jim)
Biggest thing you ever did done see - big jim (big jim! big jim!)
Doo doo doo, doo doo doo doo doo (big jim)
Doo doo doo

song performed by Ween
Added by Lucian Velea
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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poem by Percy Bysshe Shelley
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Closer 2 U

I'm gonna get closer to you
Come closer!
I'm gonna get closer to you
Come closer!
I see you watching me boy
Like I've been watching you and
I think it's time that we get down
We're talking big attraction
We're talking interaction
I think it's time that we get down
I'm gonna get closer to you
Show you all the love can give you
I'm gonna get closer to you now
I'm gonna get closer to you
Show you all the love can bring you
I'm gonna get closer to you now
Closer to you
I'll take you on a journey
You'll see that there's no turning back
Just need a chance and we'll get down
It's time for stimulation
When we're in isolation
I'll make you feel up if you're down
I'm gonna get closer to you
Show you all the love can give you
I'm gonna get closer to you now
I'm gonna get closer to you
Show you all the love can bring you
I'm gonna get closer to you now
Come closer and closer still
Closer you make me thrill
Moving your body next to mine
Come closer and closer still
Closer you make me thrill
Closer I'll make you feel divine
Closer to you!
I'm gonna get closer to you
Show you all the love can give you
I'm gonna get closer to you now
Get closer to you now baby
I'm gonna get closer to you
Show you all the love can bring you
I'm gonna get closer to you now
Oh baby, baby baby baby
I'm gonna get closer to you
(Closer to you now)
Show you all that love can bring you
(Closer to you now)
I'm gonna get closer to you now
Whenever you are near

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song performed by 2 Unlimited
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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The Iliad: Book 16

Thus did they fight about the ship of Protesilaus. Then Patroclus
drew near to Achilles with tears welling from his eyes, as from some
spring whose crystal stream falls over the ledges of a high precipice.
When Achilles saw him thus weeping he was sorry for him and said,
"Why, Patroclus, do you stand there weeping like some silly child that
comes running to her mother, and begs to be taken up and carried-
she catches hold of her mother's dress to stay her though she is in
a hurry, and looks tearfully up until her mother carries her- even
such tears, Patroclus, are you now shedding. Have you anything to
say to the Myrmidons or to myself? or have you had news from Phthia
which you alone know? They tell me Menoetius son of Actor is still
alive, as also Peleus son of Aeacus, among the Myrmidons- men whose
loss we two should bitterly deplore; or are you grieving about the
Argives and the way in which they are being killed at the ships, throu
their own high-handed doings? Do not hide anything from me but tell me
that both of us may know about it."
Then, O knight Patroclus, with a deep sigh you answered,
"Achilles, son of Peleus, foremost champion of the Achaeans, do not be
angry, but I weep for the disaster that has now befallen the
Argives. All those who have been their champions so far are lying at
the ships, wounded by sword or spear. Brave Diomed son of Tydeus has
been hit with a spear, while famed Ulysses and Agamemnon have received
sword-wounds; Eurypylus again has been struck with an arrow in the
thigh; skilled apothecaries are attending to these heroes, and healing
them of their wounds; are you still, O Achilles, so inexorable? May it
never be my lot to nurse such a passion as you have done, to the
baning of your own good name. Who in future story will speak well of
you unless you now save the Argives from ruin? You know no pity;
knight Peleus was not your father nor Thetis your mother, but the grey
sea bore you and the sheer cliffs begot you, so cruel and
remorseless are you. If however you are kept back through knowledge of
some oracle, or if your mother Thetis has told you something from
the mouth of Jove, at least send me and the Myrmidons with me, if I
may bring deliverance to the Danaans. Let me moreover wear your
armour; the Trojans may thus mistake me for you and quit the field, so
that the hard-pressed sons of the Achaeans may have breathing time-
which while they are fighting may hardly be. We who are fresh might
soon drive tired men back from our ships and tents to their own city."
He knew not what he was asking, nor that he was suing for his own
destruction. Achilles was deeply moved and answered, "What, noble
Patroclus, are you saying? I know no prophesyings which I am
heeding, nor has my mother told me anything from the mouth of Jove,
but I am cut to the very heart that one of my own rank should dare
to rob me because he is more powerful than I am. This, after all
that I have gone through, is more than I can endure. The girl whom the
sons of the Achaeans chose for me, whom I won as the fruit of my spear
on having sacked a city- her has King Agamemnon taken from me as
though I were some common vagrant. Still, let bygones be bygones: no
man may keep his anger for ever; I said I would not relent till battle
and the cry of war had reached my own ships; nevertheless, now gird my

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poem by Homer, translated by Samuel Butler
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Jimmy

Jimmy
It started out with a few misfortunes
His daddy ran off with some broad from the motown
When momma said we're leavin tomorrow
Jimmy already had his things together
So many days of thinking of the past
The girl he left behind and hangin out in the
free streets
Somehow Jimmy had survived his reflections
The broken glass in his hands, a noose before him
Said he did it before
He's gonna do it again
Give him a fix and a bottle and he won't complain
Until he's blue in the face
Jimmy's the leader of a losin' race
Hey Jimmy did you learn your lesson
You always know what you were missin'
Hey Jimmy did you solve the problem
Just a kid with no direction
Some people say it was fright that drove him
But Jimmy knows who's really scared of difference
The whipping boy won't take his beating
It only left them alone to their thinking
Of how he knew what they could never know
And he would live and learn to be himself
through his mistakes
Watch and laugh, pretend they were okay
Waiting for things to change is just another day
Said he did it before
He's gonna do it again
Give him a fix or a bottle and he won't complain
Until he's blue in the face
Jimmy's the leader of a losing race
Hey Jimmy did you learn your lesson
You always knew what you were missin'
Hey Jimmy did you solve the problem
Just a kid with no direction
Hey Jimmy don't you walk away
We'll look at life according to me
You're my life support auto biography
Hey Jimmy take a look inside
Let's take a chance, enjoy the ride
Impressions don't die
No one knew your story
Hey Jimmy did you learn you lesson
You always knew what you were missin' (Jimmy)
Hey Jimmy did you solve the problem
Just a kid with no direction (Jimmy)
Hey Jimmy did you learn your lesson
You always knew what you were missin' (Jimmy)

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song performed by 1208
Added by Lucian Velea
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The Mylora Elopement

By the winding Wollondilly where the weeping willows weep,
And the shepherd, with his billy, half awake and half asleep,
Folds his fleecy flocks that linger homewards in the setting sun
Lived my hero, Jim the Ringer, "cocky" on Mylora Run.
Jimmy loved the super's daughter, Miss Amelia Jane McGrath.
Long and earnestly he sought her, but he feared her stern papa;
And Amelia loved him truly -- but the course of love, if true,
Never yet ran smooth or duly, as I think it ought to do.

Pondering o'er his predilection, Jimmy watched McGrath, the boss,
Riding past his lone selection, looking for a station 'oss
That was running in the ranges with a mob of outlaws wild.
Mac the time of day exchanges -- off goes Jim to see his child;

Says, "The old man's after Stager, which he'll find is no light job,
And tomorrow I will wager he will try and yard the mob.
Will you come with me tomorrow? I will let the parson know,
And for ever, joy or sorrow, he will join us here below.

"I will bring the nags so speedy, Crazy Jane and Tambourine,
One more kiss -- don't think I'm greedy -- good-bye, lass, before I'm seen --
Just one more -- God bless you, dearie! Don't forget to meet me here,
Life without you is but weary; now, once more, good-bye, my dear."

* * * * *
The daylight shines on figures twain
That ride across Mylora Plain,
Laughing and talking -- Jim and Jane.
"Steady, darling. There's lots of time,
Didn't we slip the old man prime!
I knew he'd tackle that Bowneck mob,
I reckon he'll find it too big a job.
They've beaten us all. I had a try,
But the warrigal devils seem to fly.
That Sambo's a real good but of stuff
No doubt, but not quite good enough.
He'll have to gallop the livelong day,
To cut and come, to race and stay.
I hope he yards 'em, 'twill do him good;
To see us going I don't think would."
A turn in the road and, fair and square,
They meet the old man standing there.
"What's up?" "Why, running away, of course,"
Says Jim, emboldened. The old man turned,
His eye with wild excitement burned.
"I've raced all day through the scorching heat
After old Bowneck: and now I'm beat.
But over that range I think you'll find
The Bowneck mob all run stone-blind.

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poem by Andrew Barton Paterson
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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poem by Robinson Jeffers
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