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Soak Up The Sun (Radio Edit)

My friend the communist
Holds meetings in his RV
I can't afford his gas
So I'm stuck here watching TV
I don't have digital
I don't have diddly squat
It's not having what you want
It's wanting what you've got o
[CHORUS:]
I'm gonna soak up the sun
Gonna tell everyone
To lighten up (I'm gonna tell 'em that)
I've got no one to blame
For every time I feel lame
I'm looking up o I'm gonna soak up the sun
I'm gonna soak up the sun
I've got a crummy job
It don't pay near enough
To buy the things it takes
To win me some of your love
Every time I turn around
I'm looking up, you're looking down
Maybe something's wrong with you
That makes you act the way you do
[CHORUS]
I'm gonna soak up the sun
While it's still free
I'm gonna soak up the sun
Before it goes out on me
Don't have no master suite
I'm still the king of me
You have a fancy ride, but baby
I'm the one who has the key
Every time I turn around
I'm looking up, you're looking down
Maybe something's wrong with you
That makes you act the way you do
Maybe I am crazy too
[CHORUS]
I'm gonna soak up the sun
Got my 45 on
So I can rock on.

song performed by Sheryl Crow
Added by Lucian Velea
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Watching Me Watching You

I sit by the cutting on the beaconsfield line.
Hes watching me watching the trains go by.
And they move so fast --- boy, they really fly.
Hes still watching me watching you watching the
Trains go by.
And the way he stares --- feel like locking my door
And pulling my phone from the wall.
His eyes, like lights from a laser, burn
Making my hair stand --- making the goose-bumps crawl.
Hes watching me watching you watching him
Watching me
Im watching you watching him watching me
Watching stares.
At the cocktail party with a bucks fizz in my hand
I feel him watching me watching the girls go by.
And they move so smooth without even trying.
Hes still watching me watching you watching the
Trains go by.
And the crowd thins and he moves up close but he doesnt speak.
I have to look the other way.
But curiosity gets the better part of me and I peek:
Got two drinks in his hand --- see his lips move ---
What the hells he trying to say.
Hes watching me watching you watching him
Watching me.
Im watching you watching him watching me
Watching stares.
Hes watching me watching you watching him
Watching me.
Hes watching me watching you watching
The trains go by.
Hes watching me watching you watching him
Watching me.
Hes watching me watching you watching him watching me.
Hes watching me watching you watching him watching me watching him watching.

song performed by Jethro Tull
Added by Lucian Velea
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Digital Get Down

Justin (Spoken)]:
Baby baby get nasty nasty
and we can get freaky deaky
[Spoken low]
Baby baby we can do all that we want
We're gettin' nasty nasty we're getting freaky freaky
Baby baby we can do more than just talk
'Cause I can hear ya hear ya and I can see ya see ya
Baby baby we can do all that we want
We're getting nasty nasty we're getting freaky freaky
[Chorus 1]
Digital, digital get down (get down) just you and me
(You may be) Twenty thousand miles away, but I can see ya
And baby, baby you can see me
Digital, digital get down (get down) just what we need
We can get together naturally
(We can) We can get together on the digital screen
[Justin]
Every time I'm sittin all alone girl
I can't wait to get you on the phone girl
So, pick it up, babe
I can see everything you do
Bouncin' me from satellite to satellite
I love the things you do for me so late tonight
So turn me on, yeah
It's like I'm right there next to you, yeah
[Chorus 2 - Justin]
Can we get connected?
I need some love and affection, baby
I'll call you on the phone
I hope that I get through
If you're in the mood and on the phone,
here's what you do: leave a message
You know the kind I like to get back to
[Repeat Chorus 1 with Justin's echoes]
Yeah
[JC]
I lose my mind just when you're speaking
I see you on the screen, I get to freaking
So, get down, babe
And I'll get down for you
I get so excited when I'm watching, girl
I can't wait to see you touch your body, girl
It's just me and you
So, we can do what we gotta do (yeah)
[Repeat Chorus 2 - JC]
[Repeat Chorus 1 with JC's echoes]
Digital, digital, digital, digital get down (get down)
Digital digital digital digital get down (get down)
[Spoken low]

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song performed by N Sync
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Lifes A Gas

Lifes a gas, lifes a gas, lifes a gas, a gas, oh yea
Lifes a gas, lifes a gas, lifes a gas, a gas, oh yea
So dont be sad cause Ill be there dont be sad at all
Lifes a gas, lifes a gas, lifes a gas, a gas, a gas, oh yea
Lifes a gas, lifes a gas, lifes a gas, a gas, a gas, oh yea
So dont be sad cause Ill be there dont be sad at all
Lifes a gas, lifes a gas, lifes a gas, a gas, oh yea
Lifes a gas, lifes a gas, lifes a gas, a gas, oh yea
So dont be sad cause Ill be there dont be sad at all

song performed by Ramones
Added by Lucian Velea
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The Cyclops

SILENUS:
O Bacchus, what a world of toil, both now
And ere these limbs were overworn with age,
Have I endured for thee! First, when thou fled’st
The mountain-nymphs who nursed thee, driven afar
By the strange madness Juno sent upon thee;
Then in the battle of the Sons of Earth,
When I stood foot by foot close to thy side,
No unpropitious fellow-combatant,
And, driving through his shield my winged spear,
Slew vast Enceladus. Consider now,
Is it a dream of which I speak to thee?
By Jove it is not, for you have the trophies!
And now I suffer more than all before.
For when I heard that Juno had devised
A tedious voyage for you, I put to sea
With all my children quaint in search of you,
And I myself stood on the beaked prow
And fixed the naked mast; and all my boys
Leaning upon their oars, with splash and strain
Made white with foam the green and purple sea,--
And so we sought you, king. We were sailing
Near Malea, when an eastern wind arose,
And drove us to this waste Aetnean rock;
The one-eyed children of the Ocean God,
The man-destroying Cyclopses, inhabit,
On this wild shore, their solitary caves,
And one of these, named Polypheme. has caught us
To be his slaves; and so, for all delight
Of Bacchic sports, sweet dance and melody,
We keep this lawless giant’s wandering flocks.
My sons indeed on far declivities,
Young things themselves, tend on the youngling sheep,
But I remain to fill the water-casks,
Or sweeping the hard floor, or ministering
Some impious and abominable meal
To the fell Cyclops. I am wearied of it!
And now I must scrape up the littered floor
With this great iron rake, so to receive
My absent master and his evening sheep
In a cave neat and clean. Even now I see
My children tending the flocks hitherward.
Ha! what is this? are your Sicinnian measures
Even now the same, as when with dance and song
You brought young Bacchus to Althaea’s halls?

CHORUS OF SATYRS:

STROPHE:
Where has he of race divine

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poem by Percy Bysshe Shelley
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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Looking for Water

Still the leaves are spinning 'round
Take my hand as we go down, and down, and down
Looking for water
Well, our light's gone in a New York minute
Don't know about you, but my heart's not in it
(Looking, looking, looking)
I'm looking for water
I'm looking for water
(Looking, looking, looking)
I can't breathe the air, can't raise a fact
'Cause all we've got left is a beat in the night, and I'm
(Looking for water)
Looking for water
(Looking for water)
(Looking, looking)
Take my hand as we go down, and down
Leave it all behind, nothing could be found
(I'm, looking for water)
I'm looking for water
(Looking for water)
(Looking, looking)
(I, looking for water)
Looking everywhere
(Looking for water)
Looking here and there
(I'm looking for water)
I'm looking for water
(Looking for water)
(Looking, looking)
I can't live in this cage, I can't eat this candy
The edge of the earth to the spin in my head
The look in your eyes and never means never
The dawn's early light, baby, dark is forever
(Looking, looking)
(Looking, looking)
(Looking for water)
(Looking, looking)
I
(Looking for water)
(Looking for water)
(Looking, looking)
I
(Looking for water)
(Looking for water)
(Looking, looking)
I
(Looking for water)
(Looking for watter)
Looking, looking)
I

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song performed by David Bowie, music by David Bowie, lyrics by David Bowie from Reality
Added by Lucian Velea
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Secret Meetings

I have secret meetings,
In my mind.
And...
I find they're the best,
All the of time.

Yes, I have secret meetings,
In my mind.
And...
I find they're the best,
All the of time.

In my mind to be condoned,
Secret meetings feeding peace.
In my mind I keep condoned.
Secret meetings feeding peace.
And my head I keep cool and collected.

Yes, I have secret meetings,
In my mind all the time.
And...
It's keepng me cool and collected.

Yes, I have secret meetings,
In my mind all the time.
And...
It's keepng me cool and collected.

Yes, I have secret meetings,
In my mind all the time.
And...
It's keepng me cool and collected.

I have secret meetings in my mind all the time,
To unwind...
From the beatings of the times.
With corruption on the pedestal directing the crimes.

I have secret meetings in my mind all the time,
To unwind...
From the beatings of the times.
With corruption on the pedestal directing the crimes.

I have secret meetings in my mind all the time,
To unwind...
From the beatings of the times.
With corruption on the pedestal directing the crimes.
With corruption on the pedestal directing the crimes.

I have secret meetings to unwind.

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poem by Lawrence S. Pertillar
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
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Jumpin Jack Flash / Youngblood

(george: a couple of numbers from leon)
[jumpin jack flash]
I was born in a crossfire hurricane
And I howled at my mama in the driving rain
But its alright now in fact its a gas
And its alright, hey
Im jumping jack flash its a gas gas gas
I was raised by a toothless bearded hag
I was schooled with a strap right across my back
But its alright now in fact its a gas
And its alright, hey
Im jumping jack flash its a gas gas gas
But its alright now in fact its a gas
And its alright
Im jumping jack flash its a gas gas gas
[...]
But its alright now in fact its a gas
Its alright now in fact its a gas
But its alright now in fact its a gas
But its alright now, but its alright now
But its alright
[jumpin jack flash end - 3:48]
Well, you know that I love my woman
But just sometimes she just dont treat me right
Yeah, I woke up this morning and I looked her in the eye
She said sweet daddy, you got what I want
But you aint givin it to me
Oh, and it hurt me deep down into my soul
And I had [...] out of the door
I was [..] my heart [...]
Gonna ever see my baby no more
I went a-walkin down the street
And I was ashamed to look at anyoone I meet
Ooh, [..] and there she was standing
Leaning up against a lamp post
(well, tell it, tell it)
[youngblood - 4:35]
I saw her standing on the corner
A yellow ribbon in her hair
All night long my heart was shudder
Look at there, look at there
Youre the one, look at there
Youngblood, youngblood, youngblood
Woo, I cant get you out of my mind
And I couldnt sleep, I went on crying
And I saw the risin of the sun
All night long my heart was crying
Youre the one, youre the one
Youre the one, youre the one
Youngblood, youngblood, youngblood

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song performed by George Harrison
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Tale XVI

THE CONFIDANT.

Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may

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poem by George Crabbe
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
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Banapple Gas

Banapple gas, oh banapple gas
Everybodys sniffing it banapple gas
O-o alas!
All the world is stuck on it banapple gas.
Does it do you good, make you better
Set you healthy when youre bed-tied?
Well I dont know if it makes you well...
But it must be healthy
cause it dont smell.
Banapple gas, oh banapple gas
Everybodys living on banapple gas
O-o alas!
All the world is grooving on banapple gas.
Do you know what goes inside to make it
What kind of strange spice makes it right?
Well I dont know what kind of spice
But it must be healthy cause its sterilized.
Banapple gas...banapple gas
Give me more banapple gas
O-o...o-o-o
Does it help you smile more to wake up
Make you happy just to be alive?
Well I dont know if it makes you happy...
But it must be healthy
cause its certified.
Banapple gas, oh banapple gas
All the world is breathing banapple gas
O-o alas!
No one knows whats inside it banapple gas
Oh banapple gas.

song performed by Cat Stevens
Added by Lucian Velea
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Part 10 of Trout Fishing in America

WITNESS FOR TROUT FISHING

IN AMERICA PEACE

In San Francisco around Easter time last year, they had a

trout fishing in America peace parade. They had thousands

of red stickers printed and they pasted them on their small

foreign cars, and on means of national communication like

telephone poles.

The stickers had WITNESS FOR TROUT FISHING IN AM-

ERICA PEACE printed on them.

Then this group of college- and high-school-trained Com-

munists, along with some Communist clergymen and their

Marxist-taught children, marched to San Francisco from

Sunnyvale, a Communist nerve center about forty miles away.

It took them four days to walk to San Francisco. They

stopped overnight at various towns along the way, and slept

on the lawns of fellow travelers.

They carried with them Communist trout fishing in Ameri-

ca peace propaganda posters:

"DON'T DROP AN H-BOMB ON THE OLD FISHING HOLE I"

"ISAAC WALTON WOULD'VE HATED THE BOMB!"

"ROYAL COACHMAN, SI! ICBM, NO!"

They carried with them many other trout fishing in Amer-

ica peace inducements, all following the Communist world

conquest line: the Gandhian nonviolence Trojan horse.

When these young, hard-core brainwashed members of

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poem by Richard Brautigan
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Jumpin Jack Flash

I was born in a cross-fire hurricane
And I howled at my ma in the driving rain,
But it's all right now, in fact, it's a gas!
But it's all right. I'm Jumpin' Jack Flash,
It's a Gas! Gas! Gas!
I was raised by a toothless, bearded hag,
I was schooled with a strap right across my back,
But it's all right now, in fact, it's a gas!
But it's all right, I'm Jumpin' Jack Flash,
It's a Gas! Gas! Gas!
I was drowned, I was washed up and left for dead.
I fell down to my feet and I saw they bled.
I frowned at the crumbs of a crust of bread.
Yeah, yeah, yeah
I was crowned with a spike right thru my head.
But it's all right now, in fact, it's a gas!
But it's all right, I'm Jumpin' Jack Flash,
It's a Gas! Gas! Gas!
Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas
Jumping Jack Flash

song performed by Guns N' Roses
Added by Lucian Velea
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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poem by Robert Browning from The Ring and the Book
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Samson Agonistes (excerpts)

[Samson's Opening Speech]
A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoin'd me,
Where I a prisoner chain'd, scarce freely draw
The air imprison'd also, close and damp,
Unwholesome draught: but here I feel amends,
The breath of Heav'n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn feast the people hold
To Dagon, their sea-idol, and forbid
Laborious works; unwillingly this rest
Their superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease;
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of hornets arm'd, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an angel, who at last in sight
Of both my parents all in flames ascended
From off the altar, where an off'ring burn'd,
As in a fiery column charioting
His godlike presence, and from some great act
Of benefit reveal'd to Abraham's race?
Why was my breeding order'd and prescrib'd
As of a person separate to God,
Design'd for great exploits; if I must die
Betray'd, captiv'd, and both my eyes put out,
Made of my enemies the scorn and gaze;
To grind in brazen fetters under task
With this Heav'n-gifted strength? O glorious strength
Put to the labour of a beast, debas'd
Lower than bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great deliverer now, and find him
Eyeless in Gaza at the mill with slaves,
Himself in bonds under Philistian yoke.
Yet stay, let me not rashly call in doubt
Divine prediction; what if all foretold
Had been fulfill'd but through mine own default,
Whom have I to complain of but myself?
Who this high gift of strength committed to me,
In what part lodg'd, how easily bereft me,
Under the seal of silence could not keep,

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poem by John Milton
Added by Poetry Lover
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Soccer–Passion Song

Soccer–Passion Song

Soccer in the evening;
Soccer in the morning;
Soccer in spring and fall.

Soccer in the raining;
Soccer in the snowing;
Soccer in winter and summer.

Soccer in between my feet,
where I walk;
Soccer in my heart and mind,
how I live;
Soccer my love and life.

Soccer I wake up and play;
Soccer I hold it to sleep;
Soccer my work and rest.

Soccer I sing a new song;
Soccer I dance the magic steps;
Soccer my tears and joy.

Soccer my Mom buys it for me to play;
Soccer my Dad brings me to the game;
Soccer my dear Love watches me to score.

Soccer I dribble and shoot;
Soccer I pass and fall;
Soccer my glory and downfall.

Soccer I strike to attack;
Soccer I tackle to defend;
Soccer my struggle and survival.

Soccer I receive the flags and the whistles;
Soccer I get the yellow and red card;
Soccer my moves and stop.

Soccer I meet my friends;
Soccer I make my enemies;
Soccer my conflict and peace.

Soccer I play and watch;
Soccer I watch but cannot play;
Soccer my dream and reality.

Soccer I learn the rights;
Soccer I confess the fouls;

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poem by Laijon Liu
Added by Poetry Lover
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Fiction (Dreams In Digital)

Shes lost in coma where its beautiful.
Intoxicated from the deep sleep, deep sleep.
Do you wonder what its like living in a permanent imagination.
Sleeping to escape reality, but you like it like that.
Guilty by design, shes nothing more than fiction.
She dreams in digital, cause its better than nothing.
Now that control is gone. it seems unreal.
Shes dreaming in digital, cause its better than nothing
Now that control is gone. it seems unreal.
Shes dreaming in digital. she dreams in digital.
And your pixel army cant save you now.
My finger is on the kill switch.
I remember I used to compose your dreams, control your dreams.
And dont be afraid to expose yourself before I shut you down.
You made some changes since the virus caught you sleeping.
Guilty by design, shes nothing more than fiction.
She dreams in digital, cause its better than nothing.
Now that control is gone. it seems unreal.
Shes dreaming in digital, cause its better than nothing
Now that control is gone. it seems unreal.
Shes dreaming in digital. she dreams in digital.
Shes guilty by design. (cause its better than nothing.)
Now that control is gone. it seems unreal.
Shes dreaming in digital. (shes nothing more than fiction.)
Cause its better than nothing. now that control is gone.
It seems unreal.
Shes dreaming in digital.

song performed by Orgy
Added by Lucian Velea
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Fiction

she's lost in coma where it's beautiful.
Intoxicated from the deep sleep, deep sleep.
Do you wonder what it's like living in a permanent imagination.
Sleeping to escape reality, but you like it like that.
Guilty by design, she's nothing more than fiction.
She dreams in digital, cause it's better than nothing.
Now that control is gone. it seems unreal.
She's dreaming in digital, cause it's better than nothing
Now that control is gone. it seems unreal.
She's dreaming in digital. she dreams in digital.
And your pixel army can't save you now.
My finger is on the kill switch.
I remember i used to compose your dreams, control your dreams.
And don't be afraid to expose yourself before i shut you down.
You made some changes since the virus caught you sleeping.
Guilty by design, she's nothing more than fiction.
She dreams in digital, cause it's better than nothing.
Now that control is gone. it seems unreal.
She's dreaming in digital, cause it's better than nothing
Now that control is gone. it seems unreal.
She's dreaming in digital. she dreams in digital.
She's guilty by design. (cause it's better than nothing.)
Now that control is gone. it seems unreal.
She's dreaming in digital. (she's nothing more than fiction.)
Cause it's better than nothing. now that control is gone.
It seems unreal.
She's dreaming in digital.

song performed by Orgy
Added by Lucian Velea
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