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The King's Tragedy James I. Of Scots.—20th February 1437

I Catherine am a Douglas born,
A name to all Scots dear;
And Kate Barlass they've called me now
Through many a waning year.
This old arm's withered now. 'Twas once
Most deft 'mong maidens all
To rein the steed, to wing the shaft,
To smite the palm-play ball.
In hall adown the close-linked dance
It has shone most white and fair;
It has been the rest for a true lord's head,
And many a sweet babe's nursing-bed,
And the bar to a King's chambère.
Aye, lasses, draw round Kate Barlass,
And hark with bated breath
How good King James, King Robert's son,
Was foully done to death.
Through all the days of his gallant youth
The princely James was pent,
By his friends at first and then by his foes,

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poem by Dante Gabriel Rossetti
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Solving Mysteries

SOLVING MYSTERIES

Deep mysteries may be solved by analytic clarities,
but then dissolve as you dismantle their disparities,
their solution, if not leading to their dissolution,
depleting them of mystery which has suffered diminution.

Andrew Miller, whose latest novel Pure is about to be published, reviews Peter Carey's The Chemistry of Tears (NYTBR,5/27/10) :

In Peter Carey's 12th novel, much depends on two voices. The first belongs to Catherine Gehrig, an horologist working at the (fictional) Swinburne Museum in London. We join her — she begins to speak to us — at the very moment she learns of the sudden death of her lover, Matthew Tindall, Head Curator of Metals at the same institution. For 13 years, Catherine has been Tindall's mistress. He was older, married, a father, but the pair of them lived a blissful, secret life together. Now Tindall is gone — felled by a heart attack on the Underground — and gone with him, in Catherine's mind, is all good, all possibility of happiness….
Her boss gives her a project, which involves reading a pile of antique notebooks:
The notebooks introduce us to the novel's second voice, that of a wealthy mid-19th-century Englishman, Henry Brandling. As a voice, a narrator, Henry is not, at least at the start, much easier to be with than Catherine. He is fulsome, sentimental, the doting father of an ailing son, a boy whom Henry's wife, still mourning the death of another child, will neither nurse nor comfort. Henry seeks to keep the boy alive by continually exciting his interest in the world, but each success is temporary, and the next focus of interest, of enchantment, must always be more thrilling. So he decides to commission the building of an automaton, and not just any old automaton but a duck — he has seen a picture of it somewhere — that will eat grain, apparently digest it and then, with a whirring of springs, excrete the residue. To get it made he travels to Germany, to the Black Forest, and to the "mighty race of clockmakers" who live there. The notebooks are the journal of his travels, his search for a master technician.
Catherine, reading in the annex or (breaking all museum protocols) at home in her flat, calls Henry's narrative "intriguing, " but the diaries are often dense, awkward to read, somewhat dull. There is at first a type of comedy — the bumptious Englishman abroad, continually misunderstood by or misunderstanding his hosts. But then the tone darkens and takes on the feel of a fairy story by the Brothers Grimm, or something out of those monstrous cautionary tales in Hoffmann's "Straw Peter."
Henry finds his master clockmaker, a large, physically threatening man called Sumper, but Sumper isn't interested in a fecal duck. He has something much grander in mind for Henry and his son, and he teases Henry, torments him, hinting at mechanical wonders of an order the Englishman has not the wit to imagine. He recounts his adventures in Queen Victoria's England, where he worked as assistant to an inventor called Cruickshank, a character clearly modeled on the great Charles Babbage (whose prototype computer, the Difference Engine, has been reconstructed at the Science Museum in London) .
It is here, perhaps, in the watchmaker's hallucinogenic parable, that we come to what Carey is playing with in this novel: the illusory versus the actual, the mechanical versus the organic. The gap, if any, between that which, in its complexity, imitates life, and that which is living and may possess something else, something that isn't simply part of the works. A soul! Carey, of course, isn't going to come down on one side or the other of this venerable debate. Instead, he puts into the mouth of Catherine's boss the still persuasive Romantic plea for ambiguity, for the power and beauty of mysteries, for defending these from "analytical clarities." The closing scenes, in which Catherine and her young assistant finally recreate what Henry Brandling brought back from the forest, are among the best in the book, and the moment when it — the not-a-duck — is set in motion is thrilling.

5/28/12 #10340

poem by Gershon Hepner
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Argument

Fingal when very young, making a voyage to the Orkney Islands, was driven by stress of weather into a bay of Scandinavia, near the residence of Starno, king of Lochlin. Starno invites Fingal to a feast. Fingal, doubting the faith of the king, and mindful of a former breach of hospitality, refuses to go. — Starno gathers together his tribes; Fingal resolves to defend himself. — Night coming on, Duth-maruno proposes to Fingal to observe the motions of the enemy. — The king himself undertakes the watch. Advancing towards the enemy, he accidentally comes to the cave of Turthor, where Starno had confined Conban-Cargla, the captive daughter of a neighboring chief. — Her story is imperfect, a part of the original being lost. — Fingal comes to a place of worship, where Starno, and his son Swaran, consulted the spirit of Loda concerning the issue of the war. — The rencounter of Fingal and Swaran.— Duan first concludes with a description of the airy hall of Cruth-loda, supposed to be the Odin of Scandinavia.

The bards distinguished those compositions in which the narration is often interrupted by episodes and apostrophes, by the name of Duan.

A TALE of the times of old!

Why, thou wanderer unseen! thou bender of the thistle of Lora; why, thou breeze of the valley, hast thou left mine ear? I hear no distant roar of streams! No sound of the harp from the rock! Come, thou huntress of Lutha, Malvina, call back his soul to the bard. I look forward to Lochlin of lakes, to the dark billowy bay of U-thorno, where Fingal descends from ocean, from the roar of winds. Few are the heroes of Morven in a land unknown!

Starno sent a dweller of Loda to bid Fingal to the feast; but the king remembered the past, and all his rage arose. "Nor Gormal's mossy towers, nor Starno, shall Fingal behold. Deaths wander, like shadows, over his fiery soul! Do I forget that beam of light, the white-handed daughter of kings? Go, son of Loda; his words are wind to Fingal: wind, that, to and fro drives the thistle in autumn's dusky vale. Duth-maruno, arm of death! Cromma-glas, of Iron shields! Struthmor, dweller of battle's wing! Cromar, whose ships bound on seas, careless as the course of a meteor, on dark-rolling clouds! Arise around me, children of heroes, in a land unknown! Let each look on his shield like Trenmor, the ruler of wars." — "Come down," thus Trenmor said, "thou dweller between the harps! Thou shalt roll this stream away, or waste with me in earth."

Around the king they rise in wrath. No words come forth: they seize their spears. Each soul is rolled into itself. At length the sudden clang is waked on all their echoing shields. Each takes his hill by night; at intervals they darkly stand. Unequal bursts the hum of songs, between the roaring wind!

Broad over them rose the moon!

In his arms came tall Duth-maruno: he, from Croma of rocks, stern hunter of the boar! In his dark boat he rose on waves, when Crumthormo awaked its woods. In the chase he shone, among foes: No fear was thine, Duth-maruno!

'O Son of daring Comhal, shall my steps be forward through night? From this shield shall I view them, over their gleaming tribes? Starno, king of lakes, is before me, and Swaran, the foe of strangers. Their words are not in vain, by Loda's stone of power. Should Duth-maruno not return, his spouse is lonely at home, where meet two roaring streams on Crathmocraulo's plain. Around are hills, with echoing woods; the ocean is rolling near. My son looks on screaming sea-fowl, a young wanderer on the field. Give the head of a boar to Candona, tell him of his father's joy, when the bristly strength of U-thorno rolled on his lifted spear. Tell him of my deeds in war! Tell where his father fell!"

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poem by James Macpherson
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Temora - Book V1

ARGUMENT

This book opens with a speech of Fingal, who sees Cathmor descending to the assistance of his flying army. The king despatches Ossian to the relief of Fillan. He himself retires behind the rock of Cormul, to avoid the sight of the engagement between his son and Cathmor. Ossian advances. The descent of Cathmor described. He rallies the army, renews the battle, and, before Ossian could arrive, engages Fillan himself. Upon the approach of Ossian, the combat between the two heroes ceases. Ossian and Cathmor prepare to fight, but night coming on pre vents them. Ossian returns to the place where Cathmor and Fillan fought. He finds Fillan mortally wounded, and leaning against a rock. Their discourse. Fillan dies, his body is laid, by Ossian, in a neighboring cave. The Caledonian army return to Fingal. He questions them about his son, and understanding that he was killed, retires, in silence, to the rock of Cormul. Upon the retreat of the army of Fingal, the Fir-bolg advance. Cathmor finds Bran, one of the dogs of Fingal, lying on the shield of Fillan, before the entrance of the cave, where the body of that hero lay. His reflection thereupon. He returns, in a melancholy mood, to his army. Malthos endeavors to comfort him, by the example of his father, Borbar-duthul. Cathmor retires to rest. The song of Sul-malla concludes the book, which ends about the middle of the third night from the opening of the poem.

"Cathmor rises on his hill! Shall Fingal take the sword of Luna? But what shall become of thy fame, son of white-bosomed Clatho? Turn not thine eyes from Fingal, fair daughter of Inis-tore. I shall not quench thy early beam. It shines along my soul. Rise, wood-skirted Mora, rise between the war and me! Why should Fingal behold the strife, lest his dark -haired warrior should fall? Amidst the song, O Carril, pour the sound of the trembling harp! Here are the voices of rocks! and there the bright tumbling of waters. Father of Oscar! lift the spear! defend the young in arms. Conceal thy steps from Fillan. He must not know that I doubt his steel. No cloud of mine shall rise, my son, upon thy soul of fire!"

He sunk behind his rock, amid the sound of Carril's song. Brightening in my growing soul, I took the spear of Temora. I saw, along Moi-lena, the wild tumbling of battle; the strife of death, in gleaming rows, disjointed and broken round. Fillan is a beam of fire. From wing to wing is his wasteful course. The ridges of war melt before him. They are rolled, in smoke, from the fields!

Now is the coming forth of Cathmor, in the armor of kings! Dark waves the eagle's wing, above his helmet of fire. Unconcerned are his steps, as if they were to the chase of Erin. He raises, at times, his terrible voice. Erin, abashed, gathers round. Their souls return back, like a stream. They wonder at the steps of their fear. He rose, like the beam of the morning, on a haunted heath: the traveller looks back, with bending eye, on the field of dreadful forms! Sudden from the rock of Moi-lena, are Sul-malla's trembling steps. An oak takes the spear from her hand. Half bent she looses the lance. But then are her eyes on the king, from amid her wandering locks! No friendly strife is before thee! No light contending of bows, as when the youth of Inis-huna come forth beneath the eye of Conmor!

As the rock of Runo, which takes the passing clouds as they fly, seems growing, in gathered darkness, over the streamy heath; so seems the chief of Atha taller, as gather his people around. As different blasts fly over the sea, each behind its dark-blue wave; so Cathmor's words, on every side, pour his warriors forth. Nor silent on his hill is Fillan. He mixes his words with his echoing shield. An eagle be seemed, with sounding wings, calling the wind to his rock, when he sees the coming forth of the roes, on Lutha's rushy field!

Now they bend forward in battle. Death's hundred voices arise. The kings, on either side, were like fires on the souls of the host. Ossian bounded along. High rocks and trees rush tall between the war and me. But I hear the noise of steel, between my clanging arms. Rising, gleaming on the hill, I behold the backward steps of hosts: their backward steps on either side, and wildly-looking eyes. The chiefs were met in dreadful fight! The two blue-shielded kings! Tall and dark, through gleams of steel, are seen the striving heroes! I rush. My fears for Fillan fly, burning, across my soul!

I come. Nor Cathmor flies; nor yet comes on; he sidelong stalks along. An icy rock, cold, tall, he seems. I call forth all my steel. Silent awhile we stride, on either side of a rushing stream: then, sudden turning, all at once, we raise our pointed spears. We raise our spears, but night comes down. It is dark and silent round; but where the distant steps of hosts are sounding over the heath.

I come to the place where Fillan fought. Nor voice nor sound is there. A broken helmet lies on earth, a buckler cleft in twain. Where, Fillan, where art thou, young chief of echoing Morven? He hears me, leaning on a rock, which bends its gray head over the stream. He hears; but sullen, dark he stands. At length. I saw the hero.

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poem by James Macpherson
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The Iliad: Book 5

Then Pallas Minerva put valour into the heart of Diomed, son of
Tydeus, that he might excel all the other Argives, and cover himself
with glory. She made a stream of fire flare from his shield and helmet
like the star that shines most brilliantly in summer after its bath in
the waters of Oceanus- even such a fire did she kindle upon his head
and shoulders as she bade him speed into the thickest hurly-burly of
the fight.
Now there was a certain rich and honourable man among the Trojans,
priest of Vulcan, and his name was Dares. He had two sons, Phegeus and
Idaeus, both of them skilled in all the arts of war. These two came
forward from the main body of Trojans, and set upon Diomed, he being
on foot, while they fought from their chariot. When they were close up
to one another, Phegeus took aim first, but his spear went over
Diomed's left shoulder without hitting him. Diomed then threw, and his
spear sped not in vain, for it hit Phegeus on the breast near the
nipple, and he fell from his chariot. Idaeus did not dare to
bestride his brother's body, but sprang from the chariot and took to
flight, or he would have shared his brother's fate; whereon Vulcan
saved him by wrapping him in a cloud of darkness, that his old
father might not be utterly overwhelmed with grief; but the son of

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poem by Homer, translated by Samuel Butler
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Book VI: Ethandune, the Slaying of the Chiefs

As the sea flooding the flat sands
Flew on the sea-born horde,
The two hosts shocked with dust and din,
Left of the Latian paladin,
Clanged all Prince Harold's howling kin
On Colan and the sword.

Crashed in the midst on Marcus,
Ogier with Guthrum by,
And eastward of such central stir,
Far to the right and faintlier,
The house of Elf the harp-player,
Struck Eldred's with a cry.

The centre swat for weariness,
Stemming the screaming horde,
And wearily went Colan's hands
That swung King Alfred's sword.

But like a cloud of morning

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poem by G.K. Chesterton from The Ballad of the White Horse (1911)
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Temora - Book II

ARGUMENT.

This book opens, we may suppose, about midnight, with a soliloquy of Ossian, who had retired from the rest of the army, to mourn for his son Oscar. Upon hearing the noise of Cathmor's army approaching, he went to find out his brother Fillan, who kept the watch on the hill of Mora, in the front of Fingal's army. In the conversation of the brothers, the episode of Conar, the son of Trenmor, who was the first king of Ireland, is introduced, which lays open the origin of the contests between the Gael and the Fir-bolg, the two nations who first possessed themselves of that island. Ossian kindles a fire on Mora: upon which Cathmor desisted from the design he had formed of surprising the army of the Caledonians. He calls a council of his chiefs: reprimands Foldath for advising a night attack, as the Irish were so much superior in number to the enemy. The bard Fonar introduces the story of Crothar, the ancestor of the king, which throws further light on the history of Ireland, and the original pretensions of the family of Atha to the throne of that kingdom. The Irish chiefs lie down to rest, and Cathmor himself undertakes the watch. In his circuit round the army he is met by Ossian. The interview of the two heroes is described. Cathmor obtains a promise from Ossian to order a funeral elegy to be sung over the grave of Cairbar: it being the opinion of the times, that the souls of the dead could not be happy till their elegies were sung by a bard. Morning comes. Cathmor and Ossian part; and the latter, casually meeting with Carril the son of Kinfena, sends that bard, with a funeral song, to the tomb of Cairbar.

FATHER of heroes! O Trenmor! High dweller of eddying winds! where the dark-red thunder marks the troubled clouds! Open thou thy stormy halls. Let the bards of old be near. Let them draw near with songs and their half viewless harps. No dweller of misty valley comes! No hunter unknown at his streams! It is the car-borne Oscar, from the field of war. Sudden is thy change, my son, from what thou wert on dark Moi-lena! The blast folds thee in its skirt, and rustles through the sky! Dost thou not behold thy father, at the stream of night? The chiefs of Morven sleep far distant. They have lost no son! But ye have lost a hero, chiefs of resounding Morven! Who could equal his strength, when battle rolled against his side, like the darkness of crowded waters? Why this cloud on Ossian's soul? It ought to burn in danger. Erin is near with her host. The king of Selma is alone. Alone thou shalt not be, my father, while I can lift the spear!

I rose in all my arms. I rose and listened to the wind. The shield of Fillan is not heard. I tremble for the son of Fingal. "Why should the foe come by night? Why should the dark-haired warrior fall?" Distant, sullen murmurs rise; like the noise of the lake of Lego, when its waters shrink, in the days of frost, and all its bursting ice resounds. The people of Lara look to heaven, and foresee the storm! My steps are forward on the heath. The spear of Oscar is in my hand? Red stars looked from high. I gleamed along the night.

I saw Fillan silent before me, bending forward from Mora's rock. He heard the shout of the foe. The joy of his soul arose. He heard my sounding tread, and turned his lifted spear. "Comest thou, son of night, in peace? Or dost thou meet my wrath? The foes of Fingal are mine. Speak, or fear my steel. I stand not, in vain, the shield of Morven's race." "Never mayest thou stand in vain, son of blue-eyed Clatho! Fingal begins to be alone. Darkness gathers on the last of his days. Yet he has two sons who ought to shine in war. Who ought to be two beams of light, near the steps of his departure."

"Son of Fingal," replied the youth, "it is not long since I raised the spear. Few are the marks of my sword in war. But Fillan's soul is fire! The chiefs of Bolga crowd around the shield of generous Cathmor. Their gathering is on the heath. Shall my steps approach their host? I yielded to Oscar alone in the strife of the race of Cona!"

"Fillan, thou shalt not approach their host; nor fall before thy fame is known. My name is heard in song; when needful, I advance. From the skirts of night I shall view them over all their gleaming tribes. Why, Fillan, didst thou speak of Oscar? Why awake my sigh! I must forget the warrior, till the storm is rolled away. Sadness ought not to dwell in danger, nor the tear in the eye of war. Our fathers forgot their fallen sons, till the noise of arms was past. Then sorrow returned to the tomb, and the song of bards arose. The memory of those who fell quickly followed the departure of war: when the tumult of battle is past, the soul in silence melts away for the dead.

"Conar was the brother of Trathal, first of mortal men. His battles were on every coast. A thousand streams rolled down the blood of. his foes. His fame filled green Erin, like a pleasant gale. The nations gathered in Ullin, and they blessed the king; the king of the race of their fathers, from the land of Selma.

"The chiefs of the south were gathered, in the darkness of their pride. In the horrid cave of Moma they mixed their secret words. Thither often, they said, the spirits of their fathers came; showing their pale forms from the chinky rocks; reminding them of the honor of Bolga. 'Why should Conar reign,' they said, 'the son of resounding Morven?'

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poem by James Macpherson
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Carric-Thura

Fingal, returning from an expedition which he had made into the Roman province, resolved to visit Cathulla, king of Inistore, and brother to Comala, whose story is related at large in the preceding dramatic poem. Upon his coming in sight of Carric-thura, the palace of Cathulla, he observed a flame on its top, which, in those days, was a signal of distress. The wind drove him into a bay at some distance from Carric-thura, and he was obliged to pass the night on shore. Next day he attacked the army of Frothal, king of Sora, who had besieged Cathulla in his palace of Carric-thura, and took Frothal himself prisoner, after he had engaged him in a single combat. The deliverance of Carric-thura is the subject of the poem; but several other episodes are interwoven with it. It appears, from tradition, that this poem was addressed to a Culdee, or one of the first Christian missionaries, and that the story of the spirit of Loda, supposed to be the ancient Odin of Scandinavia, was introduced by Ossian in opposition to the Culdee's doctrine. Be this as it will, it lets us into Ossian's notions of a superior Being; and shows us that he was not addicted to the superstition which prevailed all the world over, before the introduction of Christianity.

HAST thou left thy blue course in heaven, golden-haired son of the sky! The west opened its gates; the bed of thy repose is there. The waves come to behold thy beauty. They lift their trembling heads. They see thee lovely in thy sleep; they shrink away with fear. Rest in thy shadowy cave, O sun! let thy return be in joy.

But let a thousand lights arise to the sound of the harps of Selma: let the beam spread in the hall, the king of shells is returned! The strife of Crona is past, like sounds that are no more. Raise the song, O bards! the king is returned with his fame!

Such were the words of Ullin, when Fingal returned from war; when he returned in the fair blushing of youth with all his heavy locks. His blue arms were on the hero; like a light cloud on the sun, when he moves in his robes of mist, and shows but half his beams. His heroes followed the king: the feast of shells is spread. Fingal turns to his bards, and bids the song to rise.

Voices of echoing Cona! he said; O bards of other times! Ye, on whose souls the blue host of our fathers rise! strike the harp in my hall: and let me hear the song. Pleasant is the joy of grief; it is like the shower of spring when it softens the branch of the oak, and the young leaf rears its green head. Sing on, O bards! to-morrow we lift the sail. My blue course is through the ocean, to Carric-thura's walls; the mossy walls of Sarno, where Comala dwelt. There the noble Cathulla spreads the feast of shells. The boars of his woods are many; the sound of the chase shall arise!

Cronnan, son of the song! said Ullin; Minona, graceful at the harp! raise the tale of Shilric, to please the king of Morven. Let Vinvela come in her beauty, like the showery bow when it shows its lovely head on the lake, and the setting sun is bright. She comes, O Fingal! her voice is soft, but sad.

Vinvela. My love is a son of the hill. He pursues the flying deer. His gray dogs are panting around him; his bow-string sounds in the wind. Dost thou rest by the fount of the rock, or by the noise of the mountain stream? The rushes are nodding to the wind, the mist flies over the hill. I will approach my love unseen; I will behold him from the rock. Lovely I saw thee first by the aged oak of Branno; thou wert returning tall from the chase; the fairest among thy friends.

Shilric. What voice is that I hear? that voice like the summer wind! I sit not by the nodding rushes; I hear not the fount of the rock . Afar, Vinvela, afar, I go to the wars of Fingal. My dogs attend me no more. No more I tread the hill. No more from on high I see thee, fair moving by the stream of the plain; bright as the bow of heaven; as the moon on the western wave.

Vinvela. Then thou art gone, O Shilric! I am alone on the hill! The deer are seen on the brow: void of fear they graze along. No more they dread the wind; no more the rustling tree. The hunter is far removed, he is in the field of graves. Strangers! sons of the waves! spare my lovely Shilric!

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poem by James Macpherson
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Orlando Furioso Canto 4

ARGUMENT
The old Atlantes suffers fatal wreck,
Foiled by the ring, and young Rogero freed,
Who soars in air till he appears a speck,
Mounted upon the wizard's winged steed.
Obediant to the royal Charles's beck,
He who had followed Love's imperious lead,
Rinaldo, disembarks on British land,
And saves Genevra, doomed to stake and brand.

I
Though an ill mind appear in simulation,
And, for the most, such quality offends;
'Tis plain that this in many a situation
Is found to further beneficial ends,
And save from blame, and danger, and vexation;
Since we converse not always with our friends,
In this, less clear than clouded, mortal life,
Beset with snares, and full of envious strife.

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poem by Ludovico Ariosto
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On Receiving A Letter From Marie

I wrote to the Sullivan family on the death of family member Catherine it seemed for me the proper thing to do
They were my friends and neighbours when I lived in Millstreet and to our old friends we must remain true
I was not expecting a letter in return and it came as a big surprise to me
When I received a letter from Catherine's elder sister Marie she now is Mrs Cregan from Tralee.

Marie from Claraghatlea one I remember her shiny wavy hair was chestnut brown
A cheerful and a very friendly person one of the nicest west of Millstreet Town
A warm hearted and a charming lady she always greeted with a big smile and hello
And hearing from her in her time of sorrow brought back the memories of long ago.

When she and Catherine and their younger brother James were going to school in Millstreet all three I recall were younger than I
Those were the happiest days that I remember but on looking back the years just seemed to fly
And our youthful Seasons for us went too quickly and the lust for wander carried us away
From Duhallow and the meadows west of Millstreet where in Summer weather we made cocks of hay.

She told me in her letter how she grieves for her sister Catherine they always were a close knit family
Our crosses to bear can sometimes prove quite heavy and how sad so very sad this life can be?
But time as we know is the greatest healer and though the pain of loss to heal may seem quite slow
As time goes by from her grief she will recover and her ache of loss from her eventually will go.

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poem by Francis Duggan
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