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That's My Boy

Cast: Adam Sandler, Andy Samberg, Leighton Meester, Susan Sarandon, James Caan, Milo Ventimiglia, Eva Amurri Martino, Nick Swardson, Ian Ziering, Will Forte, Vanilla Ice, Ciara

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Superlative Story

Superlative Story


I Syntaxical Sequence

II Strange Stanza Succession Starts

III Scenario Synopsis

IV Sensuality, sense, sensibility,

V Substitute Spousal Suggestions

VI Seesaw Simplicity: Seraglio Simularities Spurned

VII Solution

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I SYNTAXICAL SEQUENCE

Special scansion ‘S’ syllabic
specious solicisms scraps,
solo solving sounds strabismic,
syllogistic systole scraps.
Syllables spring, shuffle, scuttle,
skittle syntax, scintillate
syntonically sans snuffle, shuttle –
synonyms shake sides, spine straight.

Stanza stanza swift succeeding
senses sweeps, song swifter swims,
succulent succession seeding
substitutions, surface skims.
Scrupulous semantics subtle
switchback spiral, summarize,
seek solutions smart, scrolled, supple,
solve set spectrum's smallish size.

Synonymous synchronising
sympathetic symphony
scores - Socratic symbolizing –
swivelling sonority.
Scansion salvo salvo scansion
strong succeeds, succeeding sends
successors streamlined sampling surging –
sanction seems so slight, scourge spends.

Systematic symbol spreading
'sses something sacred, seeks, -

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The Idiot Boy

'Tis eight o'clock,--a clear March night,
The moon is up,--the sky is blue,
The owlet, in the moonlight air,
Shouts from nobody knows where;
He lengthens out his lonely shout,
Halloo! halloo! a long halloo!

--Why bustle thus about your door,
What means this bustle, Betty Foy?
Why are you in this mighty fret?
And why on horseback have you set
Him whom you love, your Idiot Boy?

Scarcely a soul is out of bed;
Good Betty, put him down again;
His lips with joy they burr at you;
But, Betty! what has he to do
With stirrup, saddle, or with rein?

But Betty's bent on her intent;
For her good neighbour, Susan Gale,
Old Susan, she who dwells alone,
Is sick, and makes a piteous moan
As if her very life would fail.

There's not a house within a mile,
No hand to help them in distress;
Old Susan lies a-bed in pain,
And sorely puzzled are the twain,
For what she ails they cannot guess.

And Betty's husband's at the wood,
Where by the week he doth abide,
A woodman in the distant vale;
There's none to help poor Susan Gale;
What must be done? what will betide?

And Betty from the lane has fetched
Her Pony, that is mild and good;
Whether he be in joy or pain,
Feeding at will along the lane,
Or bringing faggots from the wood.

And he is all in travelling trim,--
And, by the moonlight, Betty Foy
Has on the well-girt saddle set
(The like was never heard of yet)
Him whom she loves, her Idiot Boy.

And he must post without delay

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The Tale of Gamelyn

Fitt 1

Lithes and listneth and harkeneth aright,
And ye shul here of a doughty knyght;
Sire John of Boundes was his name,
He coude of norture and of mochel game.
Thre sones the knyght had and with his body he wan,
The eldest was a moche schrewe and sone bygan.
His brether loved wel her fader and of hym were agast,
The eldest deserved his faders curs and had it atte last.
The good knight his fadere lyved so yore,
That deth was comen hym to and handled hym ful sore.
The good knyght cared sore sik ther he lay,
How his children shuld lyven after his day.
He had bene wide where but non husbonde he was,
Al the londe that he had it was purchas.
Fayn he wold it were dressed amonge hem alle,
That eche of hem had his parte as it myght falle.
Thoo sente he in to contrey after wise knyghtes
To helpen delen his londes and dressen hem to-rightes.
He sent hem word by letters thei shul hie blyve,
If thei wolle speke with hym whilst he was alyve.

Whan the knyghtes harden sik that he lay,
Had thei no rest neither nyght ne day,
Til thei come to hym ther he lay stille
On his dethes bedde to abide goddys wille.
Than seide the good knyght seke ther he lay,
'Lordes, I you warne for soth, without nay,
I may no lenger lyven here in this stounde;
For thorgh goddis wille deth droueth me to grounde.'
Ther nas noon of hem alle that herd hym aright,
That thei ne had routh of that ilk knyght,
And seide, 'Sir, for goddes love dismay you nought;
God may don boote of bale that is now ywrought.'
Than speke the good knyght sik ther he lay,
'Boote of bale God may sende I wote it is no nay;
But I beseche you knyghtes for the love of me,
Goth and dresseth my londes amonge my sones thre.
And for the love of God deleth not amyss,
And forgeteth not Gamelyne my yonge sone that is.
Taketh hede to that oon as wel as to that other;
Seelde ye seen eny hier helpen his brother.'

Thoo lete thei the knyght lyen that was not in hele,
And wenten into counselle his londes for to dele;
For to delen hem alle to on that was her thought.
And for Gamelyn was yongest he shuld have nought.
All the londe that ther was thei dalten it in two,
And lete Gamelyne the yonge without londe goo,

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Ice Ice Baby

(vanilla ice, earthquake, m. smooth)
Yo, vip, lets kick it!
Ice ice baby, ice ice baby
All right stop, collaborate and listen
Ice is back with my brand new invention
Something grabs a hold of me tightly
Then I flow like a harpoon daily and nightly
Will it ever stop? yo -- I dont know
Turn off the lights and Ill glow
To the extreme I rock a mic like a vandal
Light up a stage and wax a chump like a candle.
Dance, bum rush the speaker that booms
Im killing your brain like a poisonous mushroom
Deadly, when I play a dope melody
Anything less than the best is a felony
Love it or leave it, you better gain way
You better hit bulls eye, the kid dont play
If there was a problem, yo, Ill solve it
Check out the hook while my dj revolves it
Ice ice baby vanilla, ice ice baby vanilla
Ice ice baby vanilla, ice ice baby vanilla
Now that the party is jumping
With the bass kicked in, the vegas are pumpin
Quick to the point, to the point no faking
Im cooking mcs like a pound of bacon
Burning them if theyre not quick and nimble
I go crazy when I hear a cymbal
And a hi hat with a souped up tempo
Im on a roll and its time to go solo
Rollin in my 5.0
With my ragtop down so my hair can blow
The girlies on standby, waving just to say hi
Did you stop? no -- I just drove by
Kept on pursuing to the next stop
I busted a left and Im heading to the next block
That block was dead
Yo -- so I continued to a1a beachfront ave.
Girls were hot wearing less than bikinis
Rockman lovers driving lamborghinis
Jealous cause Im out geting mine
Shay with a gauge and vanilla with a nine
Reading for the chumps on the wall
The chumps acting ill because theyre so full of eight balls
Gunshots ranged out like a bell
I grabbed my nine -- all I heard were shells
Falling on the concrete real fast
Jumped in my car, slammed on the gas
Bumper to bumper the avenues packed
Im trying to get away before the jackers jack
Police on the scene, you know what I mean

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Ice Ice Baby

(vanilla ice, earthquake, m. smooth)
Yo, vip, lets kick it!
Ice ice baby, ice ice baby
All right stop, collaborate and listen
Ice is back with my brand new invention
Something grabs a hold of me tightly
Then I flow like a harpoon daily and nightly
Will it ever stop? yo -- I dont know
Turn off the lights and Ill glow
To the extreme I rock a mic like a vandal
Light up a stage and wax a chump like a candle.
Dance, bum rush the speaker that booms
Im killing your brain like a poisonous mushroom
Deadly, when I play a dope melody
Anything less than the best is a felony
Love it or leave it, you better gain way
You better hit bulls eye, the kid dont play
If there was a problem, yo, Ill solve it
Check out the hook while my dj revolves it
Ice ice baby vanilla, ice ice baby vanilla
Ice ice baby vanilla, ice ice baby vanilla
Now that the party is jumping
With the bass kicked in, the vegas are pumpin
Quick to the point, to the point no faking
Im cooking mcs like a pound of bacon
Burning them if theyre not quick and nimble
I go crazy when I hear a cymbal
And a hi hat with a souped up tempo
Im on a roll and its time to go solo
Rollin in my 5.0
With my ragtop down so my hair can blow
The girlies on standby, waving just to say hi
Did you stop? no -- I just drove by
Kept on pursuing to the next stop
I busted a left and Im heading to the next block
That block was dead
Yo -- so I continued to a1a beachfront ave.
Girls were hot wearing less than bikinis
Rockman lovers driving lamborghinis
Jealous cause Im out geting mine
Shay with a gauge and vanilla with a nine
Reading for the chumps on the wall
The chumps acting ill because theyre so full of eight balls
Gunshots ranged out like a bell
I grabbed my nine -- all I heard were shells
Falling on the concrete real fast
Jumped in my car, slammed on the gas
Bumper to bumper the avenues packed
Im trying to get away before the jackers jack
Police on the scene, you know what I mean

[...] Read more

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William Cowper

Adam: A Sacred Drama. Act 3.

SCENE I.-- Adam and Eve.

Oh, my beloved companion!
Oh thou of my existence,
The very heart and soul!
Hast thou, with such excess of tender haste,
With ceaseless pilgrimage,
To find again thy Adam,
Thus solitary wandered?
Behold him! Speak! what are thy gentle orders?
Why dost thou pause? what ask of God? what dost thou?

Eve. Adam, my best beloved!
My guardian and my guide!
Thou source of all my comfort, all my joy!
Thee, thee alone I wish,
And in these pleasing shades
Thee only have I sought.

Adam. Since thou hast called thy Adam,
(Most beautiful companion),
The source and happy fountain of thy joy;
Eve, if to walk with me
It now may please thee, I will show thee love,
A sight thou hast not seen;
A sight so lovely, that in wonder thou
Wilt arch thy graceful brow.
Look thou, my gentle bride, towards that path,
Of this so intricate and verdant grove,
Where sit the birds embowered;
Just there, where now, with soft and snowy plumes,
Two social doves have spread their wings for flight,
Just there, thou shalt behold, (oh pleasing wonder),
Springing amid the flowers,
A living stream, that with a winding course
Flies rapidly away;
And as it flies, allures
And tempts you to exclaim, sweet river, stay!
Hence eager in pursuit
You follow, and the stream, as it it had
Desire to sport with you,
Through many a florid, many a grassy way,
Well known to him, in soft concealment flies:
But when at length he hears,
You are afflicted to have lost his sight,
He rears his watery locks, and seems to say,
Gay with a gurgling smile,
'Follow! ah, follow still my placid course!
If thou art pleased with me, with thee I sport.
And thus with sweet deceit he leads you on

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This Friendly World

R.E.M., Andy, Tony---This Friendly World
ANDY: Hi, Michael.
MICHAEL: Hi, Andy. Thanks for joining us. Do you
wanna ... you wanna sing a song together?
ANDY: Sure! Is it a sweet song?
MICHAEL: Yeah, it's real sweet.
ANDY: O.K.!
[They laugh.]
MICHAEL:
In this friendly, friendly world
With each day so full of joy
Why should any heart be lonely?
ANDY: My turn!
In this friendly, friendly world
With each night so full of dreams
Why should any heart be afraid?
The world is ...
MICHAEL ANDY:
... such a wonderful place
To wander through
When you've got someone you love
MICHAEL:
To wander along with you
ANDY: O.K., now take every second word! With ...
MICHAEL: ... the ...
ANDY: ... sky ...
MICHAEL: ... so ...
ANDY: ... full ...
MICHAEL: ... of ...
ANDY: ... stars
MICHAEL: And ...
ANDY: ... the ...
MICHAEL: ... river ...
ANDY: ... so ...
MICHAEL: ... full ...
ANDY: ... of ...
MICHAEL: ... song, Every ...
ANDY: ... heart ...
MICHAEL: ... should ...
ANDY: ... be ...
MICHAEL: ... so ...
ANDY: ... thankful
It's a friendly world! Don't you think so, Michael?
MICHAEL: Yup!
TONY: Oh yeah?! What's so friendly about it?!!
This is Tony Clifton, and, and I demand a part in
this song! I'm just as big a part of the movie as
these guys are! And, and I will not sit back while
some sought-after Colonel Kurtz wanna-be, uh, uh
has his day in the sun! I think he's enough

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Healthy Back Bag

animated bag of chips
amor dive bag
american eagle outfitters bags
ambag poly bags wholesale
american airlines bag limits
american beauty plastic bag theme mp3
amf bowling bag
aluminum tab weave bag
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alt ieri bassoon bag
almond flavored tea bags
ameribag shoulder bags
a mco saddel bags 1977
an enema bag for men
amulet bag book
analyse art falconers bag
amy butler sweet life bag
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alpha kappa alpha diva tote bag
amylou bag in eureka ca
ani hand bags
american west rodeo bags
amex insurance for delayed bags
an interchangeable foundation bag
al verio martini bags
animal bag mp3
american trail ventures atv cargo bags
aluminium coated plastic bags
amy butlet runaway bag pattern
angel bag
animae bop bag
allowed to carry on garment bag
a nimal bag print tote
an imal overnight bag
aloksak bags
amz bag fun src
ameribag microfiber bag
american tourister laptop bag
allied waste service blue bags
american indian medicine bags
alternative to plastic trash bags
amish buggy bag
alpha poly bag
ammo shoulder bag
american sign language tote bags
animated gif people with hand bags
amazing bag grace pipe
altieri bags

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The Troubadour. Canto 4

IT was a wild and untrain'd bower,
Enough to screen from April shower,
Or shelter from June's hotter hour,
Tapestried with starry jessamines,
The summer's gold and silver mines;
With a moss seat, and its turf set
With crowds of the white violet.
And close beside a fountain play'd,
Dim, cool, from its encircling shade;
And lemon trees grew round, as pale
As never yet to them the gale
Had brought a message from the sun
To say their summer task was done.
It was a very solitude
For love in its despairing mood,
With just enough of breath and bloom,
With just enough of calm and gloom,
To suit a heart where love has wrought
His wasting work, with saddest thought;
Where all its sickly fantasies
May call up suiting images:
With flowers like hopes that spring and fade
As only for a mockery made,
And shadows of the boughs that fall
Like sorrow drooping over all.

And LEILA , loveliest! can it be
Such destiny is made for thee?
Yes, it is written on thy brow
The all thy lip may not avow,--
All that in woman's heart can dwell,
Save by a blush unutterable.
Alas! that ever RAYMOND came
To light thy cheek and heart to flame,--
A hidden fire, but not the less
Consuming in its dark recess.

She had leant by his couch of pain,
When throbbing pulse and bursting vein
Fierce spoke the fever, when fate near
Rode on the tainted atmosphere;
And though that parch'd lip spoke alone
Of other love, in fondest tone,
And though the maiden knew that death
Might be upon his lightest breath,
Yet never by her lover's side
More fondly watch'd affianced bride,--
With pain or fear more anxious strove,
Than LEILA watch'd another's love.

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The Ghost,

There stands a City,-- neither large nor small,
Its air and situation sweet and pretty;
It matters very little -- if at all --
Whether its denizens are dull or witty,
Whether the ladies there are short or tall,
Brunettes or blondes, only, there stands a city!--
Perhaps 'tis also requisite to minute
That there's a Castle and a Cobbler in it.

A fair Cathedral, too, the story goes,
And kings and heroes lie entomb'd within her;
There pious Saints, in marble pomp repose,
Whose shrines are worn by knees of many a Sinner;
There, too, full many an Aldermanic nose
Roll'd its loud diapason after dinner;
And there stood high the holy sconce of Becket,
-- Till four assassins came from France to crack it.

The Castle was a huge and antique mound,
Proof against all th' artillery of the quiver,
Ere those abominable guns were found
To send cold lead through gallant warrior's liver.
It stands upon a gently rising ground,
Sloping down gradually to the river,
Resembling (to compare great things with smaller),
A well-scooped, mouldy Stilton cheese,-- but taller.

The Keep, I find, 's been sadly alter'd lately,
And, 'stead of mail-clad knights, of honour jealous,
In martial panoply so grand and stately,
Its walls are fill'd with money-making fellows,
And stuff'd, unless I'm misinformed greatly,
With leaden pipes, and coke, and coals, and bellows;
In short, so great a change has come to pass,
'Tis now a manufactory of Gas.

But to my tale.-- Before this profanation,
And ere its ancient glories were cut short all,
A poor hard-working Cobbler took his station
In a small house, just opposite the portal;
His birth, his parentage, and education,
I know but little of -- a strange, odd mortal;
His aspect, air, and gait, were all ridiculous;
His name was Mason -- he'd been christen'd Nicholas.

Nick had a wife possessed of many a charm,
And of the Lady Huntingdon persuasion;
But, spite of all her piety, her arm
She'd sometimes exercise when in a passion;
And, being of a temper somewhat warm,

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The Two Workmen

MILO. BATTUS.
MILO.
Well, my poor ploughman, and what ails thee now?
Thy furrow lies not even as of yore:
They fellows leave behind thy lagging plough,
As the flock leaves a ewe whose feet are sore:
By noon and midday what will be thy plight
If now, so soon, thy coulter fails to bite?

BATTUS.
Hewn from hard rocks, untired at set of sun,
Milo, didst ne'er regret some absent one?

MILO.
Not I. What time have workers for regret?

BATTUS.
Hath love ne'er kept thee from thy slumbers yet?

MILO.
Nay, heaven forbid! If once the cat taste cream!

BATTUS.
Milo, these ten days love hath been my dream.

MILO.
You drain your wine, while vinegar's scarce with me.

BATTUS.
-Hence since last spring untrimmed my borders be.

MILO.
And what lass flouts thee?

BATTUS.
She whom we heard play
Amongst Hippocoon's reapers yesterday.

MILO.
Your sins have found you out-you're e'en served right:
You'll clasp a corn-crake in your arms all night.

BATTUS.
You laugh: but headstrong Love is blind no less
Than Plutus: talking big is foolishness.

MILO.
I don't talk big. But lay the corn-ears low
And sing the while some love-song-easier so
Will seem your toil: you used to sing, I know.

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Lose Control

Music make u lose control
Music make u lose control
[Fatman Scoop]
Lets go
Yeah yeah yeah
Yeah yeah yeah
Here we go now
Here we go now
Here we go now
Here we go now
Watch out now
(music make u lose control)
Misdemeanors in da house
Ciaras in da house
Misdemeanors in tha house
Fat man scoop man scoop man scoop
[Missy Elliott]
I've got a cute face
Chubby waist
Thick legs in shape
Rump shakin both wayz
Make u do a double take
Planet Rocka show stopa
Flo froppa head knocka
Beat stalla tail droppa
Do ma thang muthafukas
Ma rose royce lamborghini
Blu madina alwayz beamin
Ragtop chrome pipes
Blu lights outta sight
Long weave sewed in
Say it again sewed in
Make dat money tho it n
Booty bouncin gon hit
[Missy Elliott & Ciara]
Everybody here
Get it outta control
Get yo backs off tha wall
Cuz misdemeanor said so
Everybody
Everybody
Everybody
[Missy Elliott]
Everybody
[Ciara]
Well ma name is ciara
4 all u fly fellaz
No 1 can do it betta
[Missy Elliott]
She'll sing on acapella

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John Milton

Paradise Lost: Book X

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know

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William Cowper

Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

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John Milton

Paradise Lost: Book 11

Undoubtedly he will relent, and turn
From his displeasure; in whose look serene,
When angry most he seemed and most severe,
What else but favour, grace, and mercy, shone?
So spake our father penitent; nor Eve
Felt less remorse: they, forthwith to the place
Repairing where he judged them, prostrate fell
Before him reverent; and both confessed
Humbly their faults, and pardon begged; with tears
Watering the ground, and with their sighs the air
Frequenting, sent from hearts contrite, in sign
Of sorrow unfeigned, and humiliation meek.
Thus they, in lowliest plight, repentant stood
Praying; for from the mercy-seat above
Prevenient grace descending had removed
The stony from their hearts, and made new flesh
Regenerate grow instead; that sighs now breathed
Unutterable; which the Spirit of prayer
Inspired, and winged for Heaven with speedier flight
Than loudest oratory: Yet their port
Not of mean suitors; nor important less
Seemed their petition, than when the ancient pair
In fables old, less ancient yet than these,
Deucalion and chaste Pyrrha, to restore
The race of mankind drowned, before the shrine
Of Themis stood devout. To Heaven their prayers
Flew up, nor missed the way, by envious winds
Blown vagabond or frustrate: in they passed
Dimensionless through heavenly doors; then clad
With incense, where the golden altar fumed,
By their great intercessour, came in sight
Before the Father's throne: them the glad Son
Presenting, thus to intercede began.
See$ Father, what first-fruits on earth are sprung
From thy implanted grace in Man; these sighs
And prayers, which in this golden censer mixed
With incense, I thy priest before thee bring;
Fruits of more pleasing savour, from thy seed
Sown with contrition in his heart, than those
Which, his own hand manuring, all the trees
Of Paradise could have produced, ere fallen
From innocence. Now therefore, bend thine ear
To supplication; hear his sighs, though mute;
Unskilful with what words to pray, let me
Interpret for him; me, his advocate
And propitiation; all his works on me,
Good, or not good, ingraft; my merit those
Shall perfect, and for these my death shall pay.
Accept me; and, in me, from these receive
The smell of peace toward mankind: let him live

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Little Saint Nick

Oooooooo
Merry christmas saint nick
Christmas comes this time each year
Oooooooo oooooooo
Well, way up north where the air gets cold
Theres a tale about christmas that youve all been told
And a real famous cat all dressed up in red
And he spends the whole year workin out on his sled
Its the little saint nick
Ooooo, little saint nick
Its the little saint nick
Ooooo, little saint nick
Just a little bobsled we call it old saint nick
But shell walk a toboggan with a four speed stick
Shes candy-apple red with a ski for a wheel
And when santa hits the gas, man, just watch her peel
Its the little saint nick
Ooooo, little saint nick
Its the little saint nick
Ooooo, little saint nick
Run run reindeer
Run run reindeer
Whoaa
Run run reindeer
Run run reindeer
He dont miss no one
And haulin through the snow at a frightenin speed
With a half a dozen deer with rudy to lead
Hes gotta wear his goggles cause the snow really flies
And hes cruisin every pad with a little surprise
Its the little saint nick
Ooooo, little saint nick
Its the little saint nick
Ooooo, little saint nick
Ahhhhhh
Oooooooo
Merry christmas saint nick
Christmas comes this time each year
Ahhhhhh
Oooooooo
Merry christmas saint nick
Christmas comes this time each year
Ahhhhhh
Oooooooo
Merry christmas saint nick
Christmas comes this time each year

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John Milton

Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

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The Wrath

Written by: vanilla ice, tha hit men, zero
Produced by: vanilla ice, tha hit men, zero
Published by: ice baby music, inc., dj zero music, inc.,
Oliver and cooley music publishing, bmi.
Vocals: deedee harris
Background vocals (rap): vanilla ice
Bass: mike daane
Mix by: vanilla ice
Synchclavier engineer: robert wechsler
Recorded & mixed at luminous studios, inc.
Here it is a dope hit.
Iceman comin with the dope hit.
Cuz a few suckers need their throats slit,
Jealous cause I went multi-platinum.
Now Im gonna blast them in the head,
Till theyre dead with my magnum lyrics.
Might be simplistic, but Im no gimp,
On the strength cuz I know how to pimp it.
Now I got grip and suckers keep sinkin in my quicksand,
Vanilla ice vocal hit man.
Got the number 3 in my crosses sittin on the rooftoop,
Pop-pop-pop,
Pop goes the weasel was a bag fa-flop-flop.
The brothers didnt like your record,
Cuz it wasnt hip-hop=hop,
But this aint a dis, cuz you sold gold.
Still a made a killin
Cuz it aint even a tenth of eleven million.
Givin my rhyme spice, while my djs on the slice,
Vanilla ice is back on the map, with the wrath of
The iceman.
Ice, ice, man...the wrath of the ice man
Im the ice, the iceman but Im no superhero,
So baby just cut that zero.
Im gettin tired of those punks gettin jealous,
Trying to say that I might be another elvis.
Forget that Im vanilla, the funky rhyme killa,
The dope song deala, ready to pilla cap of a wack mc
Theres no wack in me, and big dollars is all Im stackin g
So give a boost to the volume.
I got the funky-funky sounds to make the cars boom,
So step back and give me room, as I consume the others
The iceman is bringin doom to the suckers
Yes, for the lovers of hip-hop.
And for my foes they get popped, you shouldnt step to the man
When Im swingin like tyson.
Yo, punk this is the wrath of the iceman.
Now Im on everybodys hit list, so there gonna get dissed,
Now there on my hit list.
Its like that cause Im the mizzak I carry my striszap,

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Get Loose

Written by: vanilla ice, zero, marcus smith, tha hit men
Produced by: vanilla ice & zero
Published by: ice baby music, inc., dj zero music, inc., bmi.
Background vocals (rap): vanilla ice
Mix by: vanilla ice
Synchclavier engineer: rober wechsler
Recorded & mixed at luminous sound studios, inc.
Get loose
Vanilla ice is here with the juice.
No use for steppin so give the bass a boost
Produced by the 3 man crew
Not a deuce just a hit man.
Keepin rappers necks in a noose
Im gettin juiced up,
But vanillas not souped up.
Check out the read dope track that I looped up
All you poo but suckas plain the back in fact black.
If you run up Ill flip you like a flapjack,
An roll you up like a knappack
Crack that skull with bat
You shouldve known youre raps wacked
You lack the style and skill to even get paid.
Grab the mic and you will verbally get slayed.
I raid the track like a terrorist
And with my napalm bomb lyrics,
I got em scared of this.
So be prepared to be taken to the twilight zone
And the vip is bad to the bone.
Aint no way against me you can get juice
Aint no way against me you can get juice
Aint no way against me you can get juice
Back off the stage,
An watch vanilla ice get loose.
Get loose...all the ladies, get loose...all the fellas, get
Loose...all the brothers, get loose...all the mothers, get
Loose...all the sisters, get loose...now the dogs, get
Loose...everybody, here we go, here we go
Get loose as I boost the juice
Once more for the people who wanted it.
An didnt know whats in store,
Ive got another big hit
Of course a vanilla rides the groove like a gemballa
Porsche.
I got zero on the cut like a lumberjack better yet a
Butcher
Guaranteed to put cha in the right mood
We make ya dance in a frenzy.
Suckas gettin mad cuz Im getting all the skins g
Plus Im makin all the ends g.
And the women wanna ride my pickle like it was a bicycle

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Minutes Of Power

Written by: vanilla ice & tha hit men
Produced by: vanilla ice & tha hit men
Published by: ice baby music, inc.,
Oliver and cooley music publishing., bmi
Background vocals (rap): vanilla ice
Mix by: vanilla ice
Synchclavier engineer: rober wechsler
Recorded & mixed at luminous sound studios, inc.
Crank it up, yo, and let me hear that system bump.
Cuz with this here I gotta get over the hump.
And you know what that means (that means)
Kickin out funky rhymes g (rhymes g)
I got the funky rjymes thatll please (thatll please).
And my jams break overseas (overseas)
So when I come to town be prepared to be hyped up.
Cuz when the mics turned on I get psyched up (psyched up)
The v.i.p. gets it started with intro.
Bustin smooth moves on top of instrumental
Turn up the beats in the jeeps louder
Here we go yall - with minutes of power
Minutes of power
Minutes of power
When I step to the mic - bro.
Vanilla ice does it right
And what Im sayin is - yo!
Ya suckers frontin what ya wantin is for me to fade
Thought I was outta here fools,
I aint goin away.
Back with the track that will keep my bank fat.
Hua! vanillas got the flavor for the funky format.
An if youre not givin up the credit I seek -
Vips in the house and theyre ready to creep.
Now whatcha gonna do when my boys are on you?
You know a hard head makes for a soft shoe.
So turn it up for the passengers - louder!
Its vanilla killa with minutes of power.
Walk through the smoke on the stage
And the girls scream.
Ice gets em hot, then they melt like ice cream.
Flowin with the swiftness
Kickin it with the quickness.
Fells gettin jealous cuz their girlies want a quick kiss.
When Im rolllin around in my 5.0 drop top
Turning up the sounds,
Cuz I wanna bump the hip hop.
People gettin mad cuz they hear the big bass hit.
I turn it up more just to let cha know I wont quit.
Ice has got it locked down and theres no stoppin it.
When I hear a track like this
You know that Ill be rocking it.

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