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Quotes about spectral, page 2

Henry Wadsworth Longfellow

Tales Of A Wayside Inn : Part 1. The Landlord's Tale; Paul Revere's Ride

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, 'If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,--
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm.'

Then he said, 'Good night!' and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay

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Henry Wadsworth Longfellow

Paul Revere's Ride (The Landlord's Tale)

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in 'Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light, --
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm."

Then he said, "Good night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay

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My Soul And I

Stand still, my soul, in the silent dark
I would question thee,
Alone in the shadow drear and stark
With God and me!

What, my soul, was thy errand here?
Was it mirth or ease,
Or heaping up dust from year to year?
'Nay, none of these!'

Speak, soul, aright in His holy sight
Whose eye looks still
And steadily on thee through the night
'To do His will!'

What hast thou done, O soul of mine,
That thou tremblest so?
Hast thou wrought His task, and kept the line
He bade thee go?

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Patrick White

Something Continental Within Me Rising

Something continental within me rising.
Atlantis, surfacing. Pangaea coming back together,
synarthritically, after diversifying its sentient life forms,
from the preludes of the Burgess Shale
to the double-beamed diplodeci of Patagonia.
I can feel the shoulders of an ancient ocean
heaving up beneath me like a Leviathan of life
with the power to smash headlong through
the hull of the lifeboat of my psyche, or tip me
like a seal off this last ice floe I'm clinging to in the Arctic
with four polar bears, Henry Hudson, and a terrified tern.

Sublimely underwhelmed, everything I once transcended
crossing a burning bridge of stars in a long firewalk
now subscended like the underside of a leaf or a starmap
as if my vision of life, and this thread of blood,
this small mindstream at night I am in it, is being
woven and unravelled by the moon I'm giving birth to
in a fire womb of an underwater fumarole
umbilically connected to the magmatic core of the earth,

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The Garrison of Cape Ann

From the hills of home forth looking, far beneath the tent-like span
Of the sky, I see the white gleam of the headland of Cape Ann.
Well I know its coves and beaches to the ebb-tide glimmering down,
And the white-walled hamlet children of its ancient fishing town.

Long has passed the summer morning, and its memory waxes old,
When along yon breezy headlands with a pleasant friend I strolled.
Ah! the autumn sun is shining, and the ocean wind blows cool,
And the golden-rod and aster bloom around thy grave, Rantoul!

With the memory of that morning by the summer sea I blend
A wild and wondrous story, by the younger Mather penned,
In that quaint Magnalia Christi, with all strange and marvellous things,
Heaped up huge and undigested, like the chaos Ovid sings.

Dear to me these far, faint glimpses of the dual life of old,
Inward, grand with awe and reverence; outward, mean and coarse and cold;
Gleams of mystic beauty playing over dull and vulgar clay,
Golden-threaded fancies weaving in a web of hodden gray.

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Edgar Lee Masters

Epilogue

(THE GRAVEYARD OF SPOON RIVER. TWO VOICES ARE HEARD BEHIND A SCREEN DECORATED WITH DIABOLICAL AND ANGELIC FIGURES IN VARIOUS ALLEGORICAL RELATIONS. A FAINT LIGHT SHOWS DIMLY THROUGH THE SCREEN AS IF IT WERE WOVEN OF LEAVES, BRANCHES AND SHADOWS.)

FIRST VOICE

A game of checkers?

SECOND VOICE

Well, I don't mind.

FIRST VOICE

I move the Will.

SECOND VOICE

You're playing it blind.

FIRST VOICE

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The Watch At Midnight

Dead stars, beneath the midnight's granite cope
and round your dungeon-gulf that blindly grope
and fall not, since no lower than any place
needs when the wing is dash'd and foil'd the face:
is this your shadow on the watcher's thought
imposed, or rather hath his anguish taught
the dumb and suffering dark to send you out,
reptile, the doubles of his lurking doubt,
in coasts of night that well might be supposed
the exiled hall of chaos late-deposed,
to haunt across this hour's desuetude,
immense, that whelms in monumental mood
the broad waste of his spirit, stonily
strewn with the wreck of his eternity?

The plumes of night, unfurl'd
and eyed with fire, are whirl'd
slowly above this watch, funereal:
the vast is wide, and yet
no way lies open; set

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Carmen Sylva

Sadness

Thy sadness is a leaden shroud, a rock
Of Sisyphus, which thou must upward roll
By night and day, on, on. Its downward rush
Is no relief, no help, since it but seems
Heavier at each fresh start. And still thy strength
Is waning, and thy heart aches with the tears--
The unshed tears that lie like stones upon it,
While those that flowed are rivers in thy path--
Unfathomable, fordless, dark and deep.
These thou must wade, with all thy burdens--wade
And sink with every step as 'twere thy last,
And feel such deadly weakness seize on thee
As though some raging fever laid thee low.
Thy sadness is a Nessus robe, that clings
In burning folds about thee, sears thy flesh,
And eats into thy bones. 'Tis like a weapon
A man turns on himself, whose wound nought heals,
Since it is dealt against his inmost soul.
If, then, through clouds of sadness, thou perceivest
The world, well mayst thou say of it: 'Tis hell!

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Karl Kraus

Science is spectral analysis. Art is light synthesis.

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What appears spectral today will be natural tomorrow.

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