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The Shadow

Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.

Paul worked by the pointed, tulip-flame
Of a tallow candle, and became

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poem by Amy Lowell
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Animals outline their territories with their excretions, humans outline their territories by ink excretions on paper.

quote by Robert Anton Wilson
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The research is the easiest. The outline is the most fun. The first draft is the hardest, because every word of the outline has to be fleshed out. The rewrite is very satisfying.

quote by Ken Follett
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I outline fairly extensively because I'm usually dealing with real events. I don't need to give myself as much information as I used to, but I still like to have two pages of outline for every projected 100 pages of manuscript.

quote by Chelsea Quinn Yarbro
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A Molested Porcupine On My Head

Regarding the daily disintegration of my bad haircut
in awed astonishment, the moth-eaten ends forming
the outline of a badly battered mop

No amount of hair-spray, coaxing and determined blow-
waving can save the mutilated hair from resembling a
molested porcupine nestling on my head

Even greater my fascinated discovery that hubby thinks my
hair looks good, I made five backward somersaults in my
shock at his heresy, how strange the world

That he should like my Last-Of-The-Mohicans outline today,
I suppose I’m not a crocodile any more, more an electrified
hedgehog from now on...

poem by Margaret Alice
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The Red Lacquer Music-Stand

A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players
Sitting to viols or standing up to sing, four layers
Of music to serve every instrument, are there,
And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights,
When the sun flares the old barn-chamber with its flights
And skips upon the crystal knobs of dim sideboards,
Legless and mouldy, and hops, glint to glint, on hoards
Of scythes, and spades, and dinner-horns, so the old tools
Are little candles throwing brightness round in pools.

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poem by Amy Lowell
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Queen Mab: Part I.

HOW wonderful is Death,
Death, and his brother Sleep!
One, pale as yonder waning moon
With lips of lurid blue;
The other, rosy as the morn
When throned on ocean's wave
It blushes o'er the world;
Yet both so passing wonderful!

Hath then the gloomy Power
Whose reign is in the tainted sepulchres
Seized on her sinless soul?
Must then that peerless form
Which love and admiration cannot view
Without a beating heart, those azure veins
Which steal like streams along a field of snow,
That lovely outline which is fair
As breathing marble, perish?
Must putrefaction's breath
Leave nothing of this heavenly sight

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poem by Percy Bysshe Shelley
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The Creek of the Four Graves [Late Version]

A settler in the olden times went forth
With four of his most bold and trusted men
Into the wilderness—went forth to seek
New streams and wider pastures for his fast
Increasing flocks and herds. O’er mountain routes
And over wild wolds clouded up with brush,
And cut with marshes perilously deep,—
So went they forth at dawn; at eve the sun,
That rose behind them as they journeyed out,
Was firing with his nether rim a range
Of unknown mountains, that like ramparts towered
Full in their front. and his last glances fell
Into the gloomy forest’s eastern glades
In golden gleams, like to the Angel’s sword,
And flashed upon the windings of a creek
That noiseless ran betwixt the pioneers
And those new Apennines—ran, shaded o’er
With boughs of the wild willow, hanging mixed
From either-bank, or duskily befringed
With upward tapering feathery swamp-oaks,

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poem by Charles Harpur
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The Creek of the Four Graves

I
I verse a Settler's tale of olden times
One told me by our sage friend, Egremont;
Who then went forth, meetly equipt, with four
Of his most trusty and adventrous men
Into the wilderness - went forth to seek
New streams and wider pastures for his fast
Augmenting flocks and herds. On foot were all
For horses then were beast of too great price
To be much ventured on mountain routes,
And over wild wolds clouded up with brush,
And cut with marshes, perilously deep.

So went they forth at dawn: and now the sun
That rose behind them as they journeyed out,
Was firing with his nether rim a range
Of unknown mountains that, like ramparts, towered
Full in their front, and his last glances fell
Into the gloomy forest's eastern glades
In golden massses, transiently, or flashed

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poem by Charles Harpur
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Don Juan: Canto The Fifteenth

Ah!--What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An 'Oh!' or 'Ah!' of joy or misery,
Or a 'Ha! ha!' or 'Bah!'-- a yawn, or 'Pooh!'
Of which perhaps the latter is most true.

But, more or less, the whole's a syncope
Or a singultus - emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean,--
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

But all are better than the sigh supprest,
Corroding in the cavern of the heart,

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poem by Byron
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