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Quotes about voltaire

Resignation Pt 2

But what in either sex, beyond
All parts, our glory crowns?
'In ruffling seasons to be calm,
And smile, when fortune frowns.'

Heaven's choice is safer than our own;
Of ages past inquire,
What the most formidable fate?
'To have our own desire.'

If, in your wrath, the worst of foes
You wish extremely ill;
Expose him to the thunder's stroke,
Or that of his own will.

What numbers, rushing down the steep
Of inclination strong,
Have perish'd in their ardent wish!
Wish ardent, ever wrong!

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True Poet

She asked me if I was a poet?
I said ‘I Am.’
She asked me if I was a true poet?
I said that I was.
She asked me ‘What is a true poet?
I said ‘Someone who lives for poetry.’

Someone who has no choice
but to write evermore eternal poetry.
Someone who turns happiness
into moments of exquisite poetic joy.
Someone who turns tragedy
into intensified heightened transcendent expression.
Someone who watches a leaf fall
from rustic red golden autumn tree;
and has no choice but to fall
gliding, into rhythm of perpetual cyclic life.’

She asked me if you could be a poet
and not write a single poem.

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Cuban Crime of Passion

Well now Billy Voltaire was a piano player up from Miami way
He used to play in the bars, he could sound like the stars
Ladies would pay and pay
One night he did wind up playin' in Havana town
Nobody knew, least Billy Voltaire that these were his final sounds
He met up with Meritta, a dancer in from the coast
Half woman, half child, she drove him half wild
He loved that lady the most
One night he did find her in the arms of shrimper Dan
So he pulled a knife, took poor Danny's life
And then he turned his own cold hand

Chorus:
And it's just a Cuban crime of passion
Messy and old fashioned
Yeah, that's what the papers did say
It's just a Cuban crime of passion

Anjejo and knives a slashin'
Yeah but that's what the people like to read about

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Hymne aux Suisses de Chateauvieux

Salut, divin Triomphe! entre dans nos murailles!
Rends-nous ces guerriers illustrés
Par le sang de Désille, et par les fun7eacute;railles
De tant de Français massacrés.
Jamais rien de si grand n'embellit ton entrée,
Ni quand l'ombre de Mirabeau
S'achemina jadis vers la voûte sacrée
Où la gloire donne un tombeau,
Ni quand Voltaire mort, et sa centre bannie
Rentrèrent aux murs de Paris.
Vainqueurs du fanatisme et de la calomnie,
Posternés devant ses écrits.


(Hail, divine Triumph! enter into our walls!
Welcome back those warrious honored
For the blood shed of Désille and the funerals
Of so many Frenchmen massacred.
Never before your gates saw anything so fine.
Not even when the shade of Mirabeau

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A Visit From Voltaire l

(bedroom)

MM Voltaire! What are you doing here?
V Rummaging your drawers.
MM What for?
V Je cherche un manuscrit. Something I'm working on. Have you seen it?
MM What makes you think it's here, cher Monsieur?
V No particular reason. It's called 'Candide'.
MM It's already been published. To great acclaim. Reprinted
countless times. But that was long ago.
V What? Oh, good. Pardon, my memory's not what it used to be. It used
to be prodigious.I used to know the entire Bible by heart. However,
there is no such thing as 'a long time ago'. The best human thought
is beyond time, and therefore, always new. Only the dull and
disinterested-or worse-believe otherwise.You select out what you
agree with, and call it memorable.
MM Well, excuse me! It's a master-piece, anyway. But, was it useful,
knowing the Bible by heart?
V I can honestly say it was. Are you sure it's not here, the manuscrit?
MM Very.

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Victor Hugo

A qui la faute?

Tu viens d'incendier la Bibliothèque ?

- Oui.
J'ai mis le feu là.

- Mais c'est un crime inouï !
Crime commis par toi contre toi-même, infâme !
Mais tu viens de tuer le rayon de ton âme !
C'est ton propre flambeau que tu viens de souffler !
Ce que ta rage impie et folle ose brûler,
C'est ton bien, ton trésor, ta dot, ton héritage
Le livre, hostile au maître, est à ton avantage.
Le livre a toujours pris fait et cause pour toi.
Une bibliothèque est un acte de foi
Des générations ténébreuses encore
Qui rendent dans la nuit témoignage à l'aurore.
Quoi! dans ce vénérable amas des vérités,
Dans ces chefs-d'oeuvre pleins de foudre et de clartés,
Dans ce tombeau des temps devenu répertoire,
Dans les siècles, dans l'homme antique, dans l'histoire,

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Patrick White

The Birth Of Rain

Drifting on a drab Sunday in Perth among the ashtrays and leftover sublimities of the church bells. My studio window above the rooftops a smear of willow and wet pine undulating gently in the stillness that followed the rain. Wolves on the easel, waiting to pay the rent. May of the fifth year into the twenty-first century, fifty-six, I sit in a blizzard of tobacco crumbs because I'm too poor to buy tailor-mades, coughing at the computer, wiping small drops of water like pygmy tears from the Cyclopean eye of the screen that glows with the same effulgence as the dirty sheet of the sky. The main migrations are over, but maybe these words are rosaries of late-returning birds. Two anthracite, boat-tailed grackles on a branch just beyond the grimy glass and a gust of sparrows chirrup like squeaky alternator-belts, manically elated in the wake of the storm that has just passed. My freedoms are more sober, my resurgencies probably less profound than the gray roses I give birth to here at my desk, waiting for one of these terminal urgencies of insight to sway me like a bell.

Maybe Louise later today with her Cola and cassettes, and her rough, voluptuous, laughing humanity scorning the random acids of the vulgar world that schools her, a muse who doesn't take requests, a generous longing that's been through a lot. So I sublimate the root-fires of my leafless batons into an auto-de-fe of white canes tired of trying to tap their way through a maze of sexual creeds, blind. The result? A novel and dozens of poems apples above the worms. And I keep her cats, Morgan and Rain, mother and kitten almost fully grown. There are no humans Louise loves more.

The kitten was born beside me on the couch at one-thirty in the morning while Louise was in the hospital and I read La Mettrie, d'Holbach, Diderot, d'Alembert, Voltaire, Rousseau and Helvetius, eighteenth century French les philosophes. Two days ago, remembering, she asked me to write a poem to celebrate the birth. And it's two hundred and fifteen years since the French revolution went into convulsions and mothered daggers out of its wounds, and we are neither free, nor equal, nor brothers, and the birth of Rain, by association, is only the smallest of iota subscripts below the voluminous pretext of that slaughter, hardly, if at all, a mote that matters; but in a way she was born while the peasants stormed the Bastille, and time sent corpses and ideas floating facedown on one of its more famous rivers of blood all the way to the embryonic comma of this tender, contrary event. And there was honour in being a witness when Morgan jumped up beside me

and lay her head upon my right arm as a pillow, the great red text
with ivory pages open to the public like the Vatican before me
as the soft, gray satchel of her body shuddered with the natal lightning
of a different storm, the quickening eruptions of a different riddle
than the one that dropped its answer like a blade
on the necks of the cropped carnations as I kept on reading, thinking
to run for a towel before deciding not to disturb her,
that a little blood on the couch wouldn't hurt anything
compared to the streams of gore that caked the pages of my book.

And there was a humility in the act of watching, and a trust,
as if a great secret were demanding something of her
she was willing to go through hell to give. And my heart
laboured with her like a sympathetic strawberry, convinced of a miracle,

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Voltaire

Anything that is too stupid to be spoken is sung.

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Voltaire

Paradise is where I am.

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Voltaire

My life is a struggle.

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