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Quotes about syd OR NOT 2319=7937

Before the War

'Before the war,' she sighs. 'Before the war.'
Then blinks 'er eyes, an' tries to work a smile.
'Ole scenes,' she sez, 'don't look the same no more.
Ole ways,' she sez, 'seems to 'ave changed their style.
The pleasures that we had don't seem worth while
Them simple joys that passed an hour away
An' troubles, that we used to so revile,
'Ow small they look', she sez. ''Ow small today.

'This war!' sighs ole Mar Flood. An' when I seen
The ole girl sittin' in our parlour there,
Tellin' 'er troubles to my wife Doreen.
As though the talkin' eased 'er load 'uv care,
I thinks uv mothers, 'ere and everywhere,
Smilin' a bit while they are grievin' sore
For grown-up babies, fightin' Over There;
An' then I 'ears 'em sigh, 'Before the war.'

My wife 'as took the social 'abit bad.
I ain't averse - one more new word I've learned

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Shaero-shayri-4

SHAER(couplets) in hindi/urdu are the couplets which express the feelings of love, sadness, joy, affection and different other emotions in a beautiful poetic way in just two lines. The following couplets(from my book Sab Rang/2010) are posted in hindi alongwith its english version. English translation is posted bringing out the essence of the couplets to the best of my capability.

प ् य ा र क ो र ि श ् त े म े ं ब ं द न ा न ह ी ं ल ग त ा अ च ् छ ा
ब स , उ न क ा आ न ा ल ग े भ ल ा औ ज ा न ा ब ु र ा I
(Pyar ko rishte mei bandhna nahi lagta accha
Bus, unka aana lage bhalla aur jaana bura)

love likes not showing off relationship
smile on face or tear drops make it apparent.

प ् र े म ए क प ि ं ज र ा स ु न ् द र त ा ए क ज ा ल
फ ं स त ा ह ै फ ि र भ ी प ं छ ी , य ह ी ह ै क म ा ल .
(Prem ek pinjra, sunderta ek jaal
Phansta hai phir bee panchi, yehi hai kamaal.)

Beauty a trap and love being a cage
Wonder! gets entangled even a sage.

न फ र त क ी भ ी त ो ऐ स े , क ी म े र ा द ि ल ल े ग ए
ज ो प ् य ा र क र त े , त ो क ह र ढ ह ग य ा ह ो त ा .

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

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Dad

I've knowed ole Flood this last five year or more;
I knoo 'im when 'is Syd went to the war.
A proud ole man 'e was. But I've watched 'im,
An' seen 'is look when people spoke uv Jim:
As sour a look as most coves want to see.
It made me glad that this 'ere Jim weren't me.

I sized up Flood the first day that we met
Stubborn as blazes when 'is mind is set,
Ole-fashioned in 'is looks an' in 'is ways,
Believin' it is honesty that pays;
An' still dead set, in spite uv bumps 'e's got,
To keep on honest if it pays or not.

Poor ole Dad Flood, 'e is too old to fight
By close on thirty year; but if I'm right
About 'is doin's an' about 'is grit,
'E's done a fair bit over 'is fair bit.
They are too old to fight, but, all the same,
'Is kind's quite young enough to play the game.

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The Brus Book II

[Bruce escapes to Lochmaben]


The Bruys went till his innys swyth,
Bot wyt ye weile he wes full blyth
That he had gottyn that respyt.
He callit his marschall till him tyt
5 And bad him luk on all maner
That he ma till his men gud cher,
For he wald in his chambre be
A weile gret quhile in prevate,
With him a clerk foroutyn ma.
10 The marschell till the hall gan ga
And did hys lordys commanding.
The lord the Bruce but mar letting
Gert prevely bryng stedys twa,
He and the clerk foroutyn ma
15 Lap on foroutyn persavyng,
And day and nycht but sojournyng
Thai raid quhill on the fyften day

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment

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John Milton

Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.


ACT I

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.

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