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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

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poem by Conrad Potter Aiken
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Out on the Roofs of Hell

SING us a song in this cynical age,
Sing us a song, my friend,
While the Flesh and the Devil are all the rage
And Death seems the only end.
Give it the clatter of hoof-clipped bones
And a note like a dingo’s yell,
And the long, low sigh when the big mob moans
Out on the roofs of hell.

For Wool, Tallow, and Hides and Co.,
For Wool, Tallow, and Hides—
Over the roofs of hell we go
For Wool, Tallow, and Hides.

We take the route or we take the track,
Hell-doomed by the greed of man,
And we leave our wives in the scrubs out back
To struggle as best they can.
For the credit is short and the flour is low—
And this is the tale we tell—

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poem by Henry Lawson
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Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;

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poem by Henry Wadsworth Longfellow
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The Talking Oak

Once more the gate behind me falls;
Once more before my face
I see the moulder'd Abbey-walls,
That stand within the chace.

Beyond the lodge the city lies,
Beneath its drift of smoke;
And ah! with what delighted eyes
I turn to yonder oak.

For when my passion first began,
Ere that, which in me burn'd,
The love, that makes me thrice a man,
Could hope itself return'd;

To yonder oak within the field
I spoke without restraint,
And with a larger faith appeal'd
Than Papist unto Saint.

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poem by Alfred Lord Tennyson
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The Snatchers

When I was a kid,
And at noon hungry,
My mother gave me
A bit of bread
And I ate moving
In the street only in a shirt,
And sometime went
To the farther end of the street
But the crows
Sitting on the surrounding walls
Or edges of the roofs dived
One of them snatched the piece
And other cawed on the walls,
Or in the trees or on the roofs.
I returned weeping and wailing
Clang to my mother,
Who wiped my tears
With a corner of her clout
And gave me an other,
Reprimanding that I should eat

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poem by Muhammad Shanazar
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The House Of Dust: Part 01: 02: One, from his high bright window in a tower

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .

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poem by Conrad Potter Aiken
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The Tower

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .

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poem by Conrad Potter Aiken
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Climbing From Ruts

Not 'who' is he?
But 'what' is he?
To know.
Before the showing?
To have that showing...
Grow.
To be known.

Not 'who' is she?
But 'what' is she?
To know.
Before the showing?
To have that showing...
Grow.
To be known.

They are the ones,
Unstung.
And freed,
From under a thumb.

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poem by Lawrence S. Pertillar
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The Talking Oak

Once more the gate behind me falls;
Once more before my face
I see the moulder'd Abbey-walls,
That stand within the chace.

Beyond the lodge the city lies,
Beneath its drift of smoke;
And ah! with what delighted eyes
I turn to yonder oak.

For when my passion first began,
Ere that, which in me burn'd,
The love, that makes me thrice a man,
Could hope itself return'd;

To yonder oak within the field
I spoke without restraint,
And with a larger faith appeal'd
Than Papist unto Saint.

[...] Read more

poem by Alfred Lord Tennyson
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Senlin: His Dark Origins

1

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,--

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poem by Conrad Potter Aiken
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