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The Witch's frolic

[Scene, the 'Snuggery' at Tappington.-- Grandpapa in a high-backed cane-bottomed elbow-chair of carved walnut-tree, dozing; his nose at an angle of forty-five degrees,--his thumbs slowly perform the rotatory motion described by lexicographers as 'twiddling.'--The 'Hope of the family' astride on a walking-stick, with burnt-cork mustachios, and a pheasant's tail pinned in his cap, solaceth himself with martial music.-- Roused by a strain of surpassing dissonance, Grandpapa Loquitur. ]

Come hither, come hither, my little boy Ned!
Come hither unto my knee--
I cannot away with that horrible din,
That sixpenny drum, and that trumpet of tin.
Oh, better to wander frank and free
Through the Fair of good Saint Bartlemy,
Than list to such awful minstrelsie.
Now lay, little Ned, those nuisances by,
And I'll rede ye a lay of Grammarye.

[Grandpapa riseth, yawneth like the crater of an extinct volcano, proceedeth slowly to the window, and apostrophizeth the Abbey in the distance.]

I love thy tower, Grey Ruin,
I joy thy form to see,
Though reft of all,
Cell, cloister, and hall,
Nothing is left save a tottering wall,
That, awfully grand and darkly dull,

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poem by Richard Harris Barham
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Judging a man

Judging a man
By a man
Called misfortune.
Giving tune for a man
By a man
Called quean.

Leaving man
On his own way
Quicken him
again and again.

Man is unique
Not a play of gimmick.

poem by Gajanan Mishra
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Fringe flower

Small fragile
as if a piece of
bone china with a
creamy sheen landed
on cobblestones of
a Dublin street

she walked there those
uneven stones
beneath her feet
pasty hand clasped
secure in his grip
her eyes protruded
to try to touch
lifeless buildings
carriages horses
cobblestones below
life seemed slow

but then that grip

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poem by Walter Durk
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Here's to the Maiden of Bashful Fifteen

Here's to the maiden of bashful fifteen;
Here's to the widow of fifty;
Here's to the flaunting extravagant quean,
And here's to the housewife that's thrifty.

Chorus

Let the toast pass,--
Drink to the lass,
I'll warrant she'll prove an excuse for the glass.

Here's to the charmer whose dimples we prize;
Now to the maid who has none, sir:
Here's to the girl with a pair of blue eyes,
And here's to the nymph with but one, sir.

Chorus

Let the toast pass,--
Drink to the lass,

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poem by Richard Brinsley Sheridan
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The Wishing-Caps

Life's all getting and giving,
I've only myself to give.
What shall I do for a living?
I've only one life to live.
End it? I'll not find another.
Spend it? But how shall I best?
Sure the wise plan is to live like a man
And Luck may look after the rest!
Largesse! Largesse, Fortune!
Give or hold at your will.
If I've no care for Fortune,
Fortune must follow me still.

Bad Luck, she is never a lady
But the commonest wench on the street,
Shuffling, shabby and shady,
Shameless to pass or meet.
Walk with her once--it's a weakness!
Talk to her twice. It's a crime!
Thrust her away when she gives you "good day"

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poem by Rudyard Kipling
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O Tibbie, I Hae Seen The Day

Tune - "Invercauld's Reel, or Strathspey."

Choir. - O Tibbie, I hae seen the day,
Ye wadna been sae shy;
For laik o' gear ye lightly me,
But, trowth, I care na by.

Yestreen I met you on the moor,
Ye spak na, but gaed by like stour;
Ye geck at me because I'm poor,
But fient a hair care I.
O Tibbie, I hae seen the day, &c.

When coming hame on Sunday last,
Upon the road as I cam past,
Ye snufft and ga'e your head a cast-
But trowth I care't na by.
O Tibbie, I hae seen the day, &c.

I doubt na, lass, but ye may think,

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poem by Robert Burns
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To June. Written After An Ungenial May

I'll heed no more the poet's lay-
His false-fond song shall charm no more-
My heart henceforth shall but adore
The real, not the misnamed May.

Too long I've knelt, and vainly hung
My offerings round an empty name;
O May! thou canst not be the same
As once thou wert when Earth was young.

Thou canst not be the same to-day-
The poet's dream-the lover's joy:-
The floral heaven of girl and boy
Were heaven no more, if thou wert May.

If thou wert May, then May is cold,
And, oh! how changed from what she has been-
Then barren boughs are bright with green,
And leaden skies are glad with gold.

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poem by Denis Florence MacCarthy
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Epistle to Mrs. Scott

Gudewife of Wauchope-House, Roxburghshire

Gudewife,

I Mind it weel in early date,
When I was bardless, young, and blate,
An' first could thresh the barn,
Or haud a yokin' at the pleugh;
An, tho' forfoughten sair eneugh,
Yet unco proud to learn:
When first amang the yellow corn
A man I reckon'd was,
An' wi' the lave ilk merry morn
Could rank my rig and lass,
Still shearing, and clearing
The tither stooked raw,
Wi' claivers, an' haivers,
Wearing the day awa.

E'en then, a wish, (I mind its pow'r),

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poem by Robert Burns (March 1787)
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A Description of a City Shower

Careful Observers may fortel the Hour
(By sure Prognosticks) when to dread a Show'r:
While Rain depends, the pensive Cat gives o'er
Her Frolicks, and pursues her Tail no more.
Returning Home at Night, you'll find the Sink
Strike your offended Sense with double Stink.
If you be wise, then go not far to Dine,
You spend in Coach-hire more than save in Wine.
A coming Show'r your shooting Corns presage,
Old Aches throb, your hollow Tooth will rage.
Sauntring in Coffee-house is Dulman seen;
He damns the Climate, and complains of Spleen.

Mean while the South rising with dabbled Wings,
A Sable Cloud a-thwart the Welkin flings,
That swill'd more Liquor than it could contain,
And like a Drunkard gives it up again.
Brisk Susan whips her Linen from the Rope,
While the first drizzling Show'r is born aslope,
Such is that Sprinkling which some careless Quean

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poem by Jonathan Swift
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The Night Quatrains

THE Sun is set, and gone to sleep
With the fair princess of the deep,
Whose bosom is his cool retreat,
When fainting with his proper heat;
His steeds their flaming nostrils cool
In spume of the cerulean pool;
Whilst the wheels dip their hissing naves
[hubs]
Deep in Columbus's western waves.
From whence great rolls of smoke arise
To overshade the beauteous skies,
Who bid the World's bright eye adieu
In gelid tears of falling dew.
And now from the Iberian vales
Night's sable steeds her chariot hales,
Where double cypress curtains screen
The gloomy melancholic queen.
These, as they higher mount the sky,
Ravish all colour from the ey,
And leave it but an useless glass

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poem by Charles Cotton
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