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0021 Under the bridge of time

Oui, c'est beaux, le jardin... at this time of year;
mais... for myself,
a little too overgrown – but Monsieur
prefers it that way… you see him down there
by the lily pond, the nymphées?

He’s nearly blind now, yet he’s out all day
and nearly every day. He draws life from the garden,
je crois; and though there are some who laugh
and say, his paintings are now
mere daubs, when I see them
and then go out into the garden,
there’s a truth there, beyond what we see…
what passes, what floats serene and unaffected...
what floats on time itself...

You may find this fanciful, but I’ve watched Monsieur
over the years: first he had the garden made,
when he could afford it, and the bridge and then the pool
that slows the river… then he painted the lilies which we planted,

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poem by Michael Shepherd
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The Fruit Shop

Cross-ribboned shoes; a muslin gown,
High-waisted, girdled with bright blue;
A straw poke bonnet which hid the frown
She pluckered her little brows into
As she picked her dainty passage through
The dusty street. 'Ah, Mademoiselle,
A dirty pathway, we need rain,
My poor fruits suffer, and the shell
Of this nut's too big for its kernel, lain
Here in the sun it has shrunk again.
The baker down at the corner says
We need a battle to shake the clouds;
But I am a man of peace, my ways
Don't look to the killing of men in crowds.
Poor fellows with guns and bayonets for shrouds!
Pray, Mademoiselle, come out of the sun.
Let me dust off that wicker chair. It's cool
In here, for the green leaves I have run
In a curtain over the door, make a pool
Of shade. You see the pears on that stool -

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poem by Amy Lowell
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The Hammers

I

Frindsbury, Kent, 1786

Bang!
Bang!
Tap!
Tap-a-tap! Rap!
All through the lead and silver Winter days,
All through the copper of Autumn hazes.
Tap to the red rising sun,
Tap to the purple setting sun.
Four years pass before the job is done.
Two thousand oak trees grown and felled,
Two thousand oaks from the hedgerows of the Weald,
Sussex had yielded two thousand oaks
With huge boles
Round which the tape rolls
Thirty mortal feet, say the village folks.
Two hundred loads of elm and Scottish fir;

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poem by Amy Lowell
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The Ballad of Bouillabaisse

A street there is in Paris famous,
For which no rhyme our language yields,
Rue Neuve de petits Champs its name is -
The New Street of the Little Fields;
And there's an inn, not rich and splendid,
But still in comfortable case;
The which in youth I oft attended,
To eat a bowl of Bouillabaisse.

This Bouillabaisse a noble dish is -
A sort of soup, or broth, or brew,
Or hotchpotch of all sorts of fishes,
That Greenwich never could outdo;
Green herbs, red peppers, muscles, saffern,
Soles, onions, garlic, roach, and dace;
All these you eat at Terré's tavern,
In that one dish of Bouillabaisse.

Indeed, a rich and savory stew 'tis;
And true philosophers, methinks,

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poem by William Makepeace Thackeray
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The Ballad of Buillabaisse

A street there is in Paris famous,
For which no rhyme our language yields,
Rue Neuve de petits Champs its name is --
The New Street of the Little Fields;
And there's an inn, not rich and splendid,
But still in comfortable case;
The which in youth I oft attended,
To eat a bowl of Bouillabaisse.

This Bouillabaisse a noble dish is --
A sort of soup, or broth, or brew,
Or hotchpotch of all sorts of fishes,
That Greenwich never could outdo;
Green herbs, red peppers, muscles, saffern,
Soles, onions, garlic, roach, and dace;
All these you eat at Terré's tavern,
In that one dish of Bouillabaisse.

Indeed, a rich and savory stew 'tis;
And true philosophers, methinks,

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poem by William Makepeace Thackeray
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Souvenir De La Nuit Du 4 (Memory Of The Night Of The 4th)

L'enfant avait reçu deux balles dans la tête.
Le logis était propre, humble, paisible, honnête ;
On voyait un rameau bénit sur un portrait.
Une vieille grand-mère était là qui pleurait.
Nous le déshabillions en silence. Sa bouche,
Pâle, s'ouvrait ; la mort noyait son oeil farouche ;
Ses bras pendants semblaient demander des appuis.
Il avait dans sa poche une toupie en buis.
On pouvait mettre un doigt dans les trous de ses plaies.
Avez-vous vu saigner la mûre dans les haies ?
Son crâne était ouvert comme un bois qui se fend.
L'aïeule regarda déshabiller l'enfant,
Disant : - comme il est blanc ! approchez donc la lampe.
Dieu ! ses pauvres cheveux sont collés sur sa tempe ! -
Et quand ce fut fini, le prit sur ses genoux.
La nuit était lugubre ; on entendait des coups
De fusil dans la rue où l'on en tuait d'autres.
- Il faut ensevelir l'enfant, dirent les nôtres.
Et l'on prit un drap blanc dans l'armoire en noyer.
L'aïeule cependant l'approchait du foyer

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poem by Victor Hugo
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The Tragedy,

Quæque ipse miserrima vidi.-- VIRGIL.

Catherine of Cleves was a Lady of rank,
She had lands and fine houses, and cash in the Bank;
She had jewels and rings,
And a thousand smart things;
Was lovely and young,
With a rather sharp tongue,
And she wedded a Noble of high degree
With the star of the order of St. Esprit;
But the Duke de Guise
Was, by many degrees,
Her senior, and not very easy to please;
He'd a sneer on his lip, and a scowl with his eye,
And a frown on his brow,-- and he look'd like a Guy,--
So she took to intriguing
With Monsieur St. Megrin,
A young man of fashion, and figure, and worth,
But with no great pretensions to fortune or birth;
He would sing, fence, and dance

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poem by Richard Harris Barham
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Tour Abroad of Wilfrid the Great

By Jean Baptiste Trudeau.

W'en Queen Victoria calls her peup's
For mak' some Jubilee,
She sen' for men from all de worl' --
And from her colonie.

But mos' of all, she sen' dis word
To dis Canadian shore,
"If Wilfrid Laurier do not come,
I will be glad no more."

Den Wilfrid not hard-hearted, he
Lif' w'at you call de hat,
An' say, "Ma reine, you mus' not fret,
For little t'ing lak' dat.

"To Londres, on de day in June
You mention, I will come,

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poem by Alexander MacGregor Rose
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Lundi rue Christine

La mère de la concierge et la concierge laisseront tout passer
Si tu es un homme tu m'accompagneras ce soir
Il suffirait qu'un type maintînt la porte cochère
Pendant que l'autre monterait
Trois becs de gaz allumés
La patronne est poitrinaire
Quand tu auras fini nous jouerons une partie de jacquet
Un chef d'orchestre qui a mal à la gorge
Quand tu viendras à Tunis je te ferai fumer du kief
Ça a l'air de rimer
Des piles de soucoupes des fleurs un calendrier
Pim pam pim
Je dois fiche près de 300 francs à ma probloque
Je préférerais me couper le parfaitement que de les lui donner
Je partirai à 20 h. 27
Six glaces s'y dévisagent toujours
Je crois que nous allons nous embrouiller encore davantage
Cher monsieur
Vous êtes un mec à la mie de pain
Cette dame a le nez comme un ver solitaire

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poem by Guillaume Apollinaire
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Taking coffee 'with' Jean-Paul Sartre.

It was 1952. We had a limited travel currency.
In Paris, I went one morning to
the Dome Café. There
sat Jean-Paul Sartre, smoking
a large meerschaum pipe
such as Kierkegaard or Nietzsche might have smoked;
he had his morning coffee in front of him.
Simone had not yet joined him.

A circle of young admirers sat at a
discreet distance; most wore black
but the young women could not avoid
a certain Parisian chic in their sombreness,
their existential frown and turned-down lips
around bright eyes.

It was the chance of what we call
a lifetime. Dare I speak to him?
Nothing ventured, nothing gained:
a human being must live his words,

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poem by Michael Shepherd
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