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Quotes about leave nature to nature, page 2

Leave Those Cranky People Alone

It is best to leave those cranky alone.
It pays to leave those cranky people alone.

Leave those cranky people,
Seeking nothing but an evil.
You,
Just...
Leave those cranky people alone!

When you answer your telephone,
To stop a constant ringing.
Just leave those cranky people alone.

And all you hear is whining,
With a blues heard singing.
Just,
Leave those cranky people alone.
It pays to leave those cranky people alone.
It is best to leave those cranky...
Alone.

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Gaia’s Plan

Please, don’t sweep the leaves away –
Their essence gives to life’s decay.

Never hack the flowers down –
Their colours bless the laughing clown.

Now why the mowing of the lawn?
The severed grass will lie forlorn.

Let our flora live undressed,
Or under Man, will toil repressed!

I, the tree of standing still –
Erect and proud, and stout of will,
Aglow with motley bark of earth –
Advance my roots for all they’re worth,
Internalising Nature’s bowels
To snag the devil, tweak his jowls
And pull his hairs from whence they grow!
I’ll destroy his pagan show

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.

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Leave Them. Leave Them Alone

When people are immuned,
To get a message that is coming...
Leave them.
Leave them alone.
When people stubbornly refuse to hear a message,
Others hear...
Just leave them,
Alone on their own.

Too many have been fitted to be limited!
So leave them.
Leave them alone.
Too many have been gifted with the flapping of lips.
So leave them.
Leave them alone.

When people are immuned,
To get a message that is coming...
Just leave them.
Leave them alone.

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Stranded

Standing here helpless
Where do I go
If you leave me alone
Where do I turn now
If it don't work out
As for as I can see
This isn't the way
That you said it would be...

Don't leave me like this
Don't leave me stranded
If you walk away now
You leave me empty handed
Don't leave me like this
Don't leave me stranded
Don't leave me now
Don't leave me...

Wasn't it you
Who brought me here

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Love em & Leave em

My limousine is a-waitin
And I see you comin my way, hey, hey, hey
Im sittin by the window
And you ask me which hotel I stay in
Well, make a reservation
Between the hours of ten and two, how do you do
Youve got the time to remember
Ive gotta slick proposition you
Theres nothing else Id rather do
So you lift your dress
You wanna impress
Theres one thing Ive got to confess
Love em, leave em, love em, leave em
Love em, leave em, love em, leave em, yeah
Yeah, yeah
Mmm, so I give you my number
You say you will see me tonight
You just have to remember
Check with me if its alright
You wanna sit in my drivers seat

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Love 'em And Leave 'em

My limousine is a-waitin'
And I see you comin' my way, hey, hey, hey
I'm sittin' by the window
And you ask me which hotel I stay in
Well, make a reservation
Between the hours of ten and two, how do you do
You've got the time to remember
I've gotta slick proposition you
There's nothing else I'd rather do
So you lift your dress
You wanna impress
There's one thing I've got to confess
Love 'em, leave 'em, love 'em, leave 'em
Love 'em, leave 'em, love 'em, leave 'em, yeah
Yeah, yeah
Mmm, so I give you my number
You say you will see me tonight
You just have to remember
Check with me if it's alright
You wanna sit in my driver's seat

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,

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The Pleasures of Imagination: Book The First

With what attractive charms this goodly frame
Of nature touches the consenting hearts
Of mortal men; and what the pleasing stores
Which beauteous imitation thence derives
To deck the poet's, or the painter's toil;
My verse unfolds. Attend, ye gentle powers
Of musical delight! and while i sing
Your gifts, your honours, dance around my strain.
Thou, smiling queen of every tuneful breast,
Indulgent Fancy! from the fruitful banks
Of Avon, whence thy rosy fingers cull
Fresh flowers and dews to sprinkle on the turf
Where Shakespeare lies, be present: and with thee
Let Fiction come, upon her vagrant wings
Wafting ten thousand colours through the air,
Which, by the glances of her magic eye,
She blends and shifts at will, through countless forms,
Her wild creation. Goddess of the lyre,
Which rules the accents of the moving sphere,
Wilt thou, eternal Harmony! descend

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