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The Outsiders (alternate Version)

you took me to the restaurant where we first met.
you knocked a future shock crowbar upside my head.
I got caught with the stop of the tick tock, tick tock clock
when you told me what you knew.
lost in the moment, the day that the music stopped.
and I do remember you.
DRAWING PATTERNS WITH A CORK ON THE TABLECLOTH.
PROMISING VOLCANIC CHANGE OF PLOT.
WHERE WILL THIS LEAD US? I'M SCARED OF THE STORM.
THE OUTSIDERS ARE GATHERING. A NEW DAY IS BORN.
I tried to tell you I am not afraid
you looked up and saw it all across my face
so am I with you or am I against?
I don't think it's that easy, we're lost in regret.
now I'm trying to remember the feeling when the music stopped.
when you told me what you knew.
lost in the moment, the day that the music stopped.
and I do remember you.
DRAWING PATTERNS WITH A CORK ON THE TABLECLOTH.
PROMISING VOLCANIC CHANGE OF PLOT
WHERE DOES THIS LEAVE US, I'M SCARED OF THE STORM.
THE OUTSIDERS ARE GATHERING, A NEW DAY IS BORN.
DRAWING PATTERNS WITH A CORK ON THE TABLECLOTH.
PROMISING VOLCANIC CHANGE OF THOUGHT
WHERE DOES THIS LEAVE US? I'M SCARED OF THE STORM.
THE OUTSIDERS ARE GATHERING, A NEW DAY IS BORN.
THE OUTSIDERS ARE GATHERING, A NEW DAY IS BORN.
THE OUTSIDERS ARE GATHERING.
A man walks away. when every muscle says to stay.
how many yesterdays? they each weigh heavy.
who says what changes may come. who says what we call home.
I know you see right through me, my luminescence fades,
the dusk provides an antidote, I am not afraid.
I've been a million times, in my mind, and this is really just a technicality.
frailty. reality.
uh, It's time to breathe. Time to believe. Let it go and run towards the sea.
they don't teach that, they don't know what you mean.
they don't understand, they don't know what you mean.
they don't get it, I want to scream.
I want to breathe again, I want to dream.
I want to float a quote from Martin Luther King
I am not afraid I am not afraid I am not afraid
I AM NOT AFRAID I AM NOT AFRAID I AM NOT AFRAID I AM NOT AFRAID

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Cuckoo Clock

We knew it must have been late
(tick-tock, tick-tock)
We had no time to wait
(tick-tock, tick-tock)
I went to light the fireplace
(tick-tock, tick-tock)
I planned it all this way, and
(tick-tock, tick-tock)
I snuggled close to her
(tick-tock, tick-tock)
Her heart began to purr
(tick-tock, tick-tock)
I held my breath inside, and then
(tick-tock, tick-tock)
I put my arms around her
(tick-tock)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo
I put that birdie away
(tick-tock, tick-tock)
His cuckoo was gone to stay
(tick-tock, tick-tock)
We both apologized for why
(tick-tock, tick-tock)
Forgave that doggone cuckoo
I went back to her side
(tick-tock, tick-tock)
I had to swallow my pride
(tick-tock, tick-tock)
The fire had almost died away
(tick-tock, tick-tock)
We just got situated
(tick-tock)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo
I took that clock apart
(tick-tock, tick-tock)
I broke the cuckoos heart
(tick-tock, tick-tock)
Hell never bother us again
(tick-tock, tick-tock)
We just forgot about him
(tick-tock)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)

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Pleading For More Time

I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
And I don't want to be the one,
Pleading for more time.
And I don't want to be the one,
With a trying of time to find...
When it's gone!

I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
And I don't want to be the one,
Pleading for more time.
And I don't want to be the one,
With a trying of time to find...
When it's gone!

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Monitored or Not It Just Becomes Hypnotic

People think that happiness will come and just sit.
Just sit!
Just sit!
People think that happiness will come and just sit.
Just sit!
Just sit!
Like the hands of a clock that tocks with a tick.
Tock tick.
Tock tick.
Tock tick.
Tock tick.
And the running and humming becomes toxic.
Toxic.
Toxic.
And nothing exotic will make this erotic.
Monitored or not it just becomes hypnotic.
And people who want what they want wont stop!
Like the hands of a clock that ticks with a tock!
Tick tock.
Tick tock.
Tick tock.
Tick tock.
Or the chopping heard of meat on a butcher's block!
Sssshop chop.
Sssshop chop.
Sssshop chop.
Sssshop chop!
People like their beef stewed nice and hot!

And nothing exotic will make this erotic.
Monitored or not it just becomes hypnotic.
And people who want what they want wont stop!
Like the hands of a clock that ticks with a tock!
Tick tock.
Tick tock.
Tick tock.
Tick tock.

People think that happiness will come and just sit.
Just sit!
Just sit!
People think that happiness will come and just sit.
Just sit!
Just sit!
Like the hands of a clock that tocks with a tick.
Tock tick.
Tock tick.
Tock tick.
Tock tick.
And the running and humming becomes toxic.

[...] Read more

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The Outsiders

You took me to the restaurant where we first met
You knocked a future shock crowbar upside my head
I got caught with the stop of the tick-tock, tick-tock clock
When you told me what you knew
Lost in the moment
The day that the music stopped
And I do remember you
Drawing patterns with a cork on the tablecloth
Promising volcanic change of plot
Where will this lead us - I'm scared of the storm
The outsiders are gathering, a new day is born
I tried to tell you I am not afraid
You looked up and saw it all across my face
So am I with you or am I against
I don't think it's that easy - we're lost in regret
Now I'm trying to remember
The feeling when the music stopped
When you told me what you knew
Lost in the moment
The day that the music stopped
And I do remember you
Drawing patterns with a cork on the tablecloth
Promising volcanic change of plot
Where does this leave us - I'm scared of the storm
The outsiders are gathering, a new day is born
Drawing patterns with a cork on the tablecloth
Promising volcanic change of plot
Where does this leave us - I'm scared of the storm
The outsiders are gathering, a new day is born
The outsiders are gathering, a new day is born
The outsiders are gathering
A man walks away when every muscle says to stay
How many yesterdays - they each weigh heavy
Who says what changes may come?
Who says what we call home?
I know you see right through me, my luminescence fades
The dusk provides an antidote, I am not afraid
I've been a million times in my mind
This is really just a technicality, frailty, reality
Uh, it's time to breathe, time to believe
Let it go and run towards the sea
They don't teach that, they don't know what you mean
They don't understand, they don't know what you mean
They don't get it, I wanna scream
I wanna breathe again, I wanna dream
I wanna float a quote from Martin Luther King
I am not afraid
I am not afraid
I am not afraid
I am not afraid

[...] Read more

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Clockwork Creep

Im a clockwork creep
And I cant get to sleep
They wind me up and let me go
And I cant unwind
Going out of my mind
My time is coming soon you know
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Im a jumbo jet
With a brand new set
Of passengers and bags and crew
Ill spread my wings -
Do a thousand things
To prove how good I am to you
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Meanwhile in the cargo of escargot
The temperature is rising
Advertising that our time is running
Down, down, down, down, down
Oh with just one minute to live
Oh, no youll never get me up in one of these again
'cos what goes up must come
Down, down, down, down, down
Down, down, down, down, down
Oh, the gravity of the situation
Its only my willpower
That keeps this thing in operation
But were gonna crash thats for certain
The pilot is too busy flirtin
And he aint aware
That theres a bomb down there
And if he dont do something its curtains
Now just hold on,
Said the little bomb,
If you were just to hold my hands
Then time would stop
The plot would flop
And jumbo would be safe to land
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
My landings are the envy
Of sabena and pan am
From chattanooga to japan

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Sequel to Grandfather's Clock

Once again have I roamed thro' the old-fashioned house,
Where my grandfather spent his ninety years.
There are strangers in charge, and the change they have wrought--
Oh! it saddens me, even to tears.
Dear old clock! when they found you were speechless from grief,
Then they went and swapped you off, case and all.
For that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
For that vain, stuck-up thing on the wall.

Grandfather sleeps in his grave;
Strange steps resound in the hall!
And there's that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
There's that vain, stuck-up thing on the wall.

While we talked of the old clock they all ran it down.
Tho' they claimed that it couldn't be made to run.
It was useless they said-- it was quite out of style;
Built, no doubt, just about the year One.
And the words echoed round, with a faint, mocking sound,
As if some one gave assent to it all;
'Twas that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
'Twas that vain, stuck-up thing on the wall.

From the clock-peddler's cart in the junk-shop it went,
Where its cog-wheels were sundered one be one;
And the brass-founder joked as they writhed in the flames--
"Melt'em up," says he; "then they will run."
There is grief in my heart, there are tears in my eyes.
Yet indignantly the sight I recall
Of that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
For that vain, stuck-up thing on the wall.

"An extremely hard case!" said the junk-dealer's wife,
As she carried it for kindling wood and sighed--
That mahogany case, with its quaint, figured face,
Which so long was my grandfather's pride.
"There is hope for the small; there's a change for us all;
For the mighty ones of Time, they must fall!"
Says that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
Says that vain, stuck-up thing on the wall.

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Grand-Father's Clock

My grand-father's clock was too large for the shelf,
So it stood ninety years on the floor;
It was taller by half than the old man himself,
Though it weighed not a penny weight more.
It was bought on the morn of the day that he was born,
And was always his treasure and pride;
But it stopp'd short never to go again
When the old man died.

Ninety years, without slumbering (tick, tick, tick, tick)
His life seconds numbering (tick, tick, tick, tick)
It stopp'd short never to go again
When the old man died.

In watching its pendulum swing to and fro,
Many hours had he spent while a boy;
And in childhood and manhood the clock seemed to know
And to share both his grief and his joy.
For it struck twenty-four when he entered at the door,
With a blooming and beautiful bride;
But it stopp'd short never to go again
When the old man died.

Ninety years, without slumbering (tick, tick, tick, tick)
His life seconds numbering (tick, tick, tick, tick)
It stopp'd short never to go again
When the old man died.

My grandfather said that of those he could hire,
Not a servant so faithful he found;
For it wasted no time, and had but one desire --
At the close of each week to be wound.
And it kept in its place -- not a frown upon its face,
And its hands never hung by its side;
But it stopp'd short never to go again
When the old man died.

Ninety years, without slumbering (tick, tick, tick, tick)
His life seconds numbering (tick, tick, tick, tick)
It stopp'd short never to go again
When the old man died.

It rang an alarm in the dead of the night --
An alarm that for years had been dumb;
And we knew that his spirit was pluming for flight --
That his hour of departure had come.
Still the clock kept the time, with a soft and muffled chime,
As we silently stood by his side;
But it stopp'd short never to go again
When the old man died.

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Polka Patterns

Everywhere, I see them there
I stop and stare at patterns
I dont care, I must declare
Ive got a flair for patterns
On my hair, the clothes I wear
My savoir faire is patterns
All I see is patterns
The patterns that repeat
Lets go into the bathroom
I know were in a room where you would not expect much math
Usually youre in here for a shower or a bath
But if you gaze upon the floor, and if youre kinda smart
Youll see the repetition is like geometric art
Wow, haha
Look
Everywhere, I see them there
I stop and stare at patterns
I dont care, I must declare
Ive got a flair for patterns
On my hair, the clothes I wear
My savoir faire is patterns
All I see is patterns
The patterns that repeat
Hey!
A polkameister like myself never has to be bored
I just grab my ax and play some patterns on my keyboard
Nows the time for earplugs if you care about your health
So stand back, everybody, Im gonna express myself
Look at this, patterns
Ive got blisters on my fingers
Woo, hey, aw, get down
Yeah, help me, somebody, woo
Still there? okay
Next time you find yourself at an exciting polka party
You can make some patterns with your feet and with your body
If you dont know the steps yet, heres the gang with all the answers
Ladies and gentlemen, introducing, the weird al polka dancers
Here they are
Everywhere, we see them there
We stop and stare at patterns
We dont care, we must declare
Weve got a flair for patterns
On our hair, the clothes we wear
Our savoir faire is patterns
All we see is patterns
The patterns that repeat
Wallpaper, skyscrapers, funny papers, patterns
Evergreens, nouvelle cuisine, human beings, patterns
Garden rakes, wedding cakes, rattlesnakes, patterns
Golden wheat, little feet, my heartbeat

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Marshall's Mate

You almost heard the surface bake, and saw the gum-leaves turn --
You could have watched the grass scorch brown had there been grass to burn.
In such a drought the strongest heart might well grow faint and weak --
'Twould frighten Satan to his home -- not far from Dingo Creek.

The tanks went dry on Ninety Mile, as tanks go dry out back,
The Half-Way Spring had failed at last when Marshall missed the track;
Beneath a dead tree on the plain we saw a pack-horse reel --
Too blind to see there was no shade, and too done-up to feel.
And charcoaled on the canvas bag (`twas written pretty clear)
We read the message Marshall wrote. It said: `I'm taken queer --
I'm somewhere off of Deadman's Track, half-blind and nearly dead;
Find Crowbar, get him sobered up, and follow back,' it said.

`Let Mitchell go to Bandicoot. You'll find him there,' said Mack.
`I'll start the chaps from Starving Steers, and take the dry-holes back.'
We tramped till dark, and tried to track the pack-horse on the sands,
And just at daylight Crowbar came with Milroy's station hands.
His cheeks were drawn, his face was white, but he was sober then --
In times of trouble, fire, and flood, 'twas Crowbar led the men.
`Spread out as widely as you can each side the track,' said he;
`The first to find him make a smoke that all the rest can see.'

We took the track and followed back where Crowbar followed fate,
We found a dead man in the scrub -- but 'twas not Crowbar's mate.
The station hands from Starving Steers were searching all the week --
But never news of Marshall's fate came back to Dingo Creek.
And no one, save the spirit of the sand-waste, fierce and lone,
Knew where Jack Marshall crawled to die -- but Crowbar might have known.

He'd scarcely closed his quiet eyes or drawn a sleeping breath --
They say that Crowbar slept no more until he slept in death.
A careless, roving scamp, that loved to laugh and drink and joke,
But no man saw him smile again (and no one saw him smoke),
And, when we spelled at night, he'd lie with eyes still open wide,
And watch the stars as if they'd point the place where Marshall died.

The search was made as searches are (and often made in vain),
And on the seventh day we saw a smoke across the plain;
We left the track and followed back -- 'twas Crowbar still that led,
And when his horse gave out at last he walked and ran ahead.
We reached the place and turned again -- dragged back and no man spoke --
It was a bush-fire in the scrubs that made the cursed smoke.
And when we gave it best at last, he said, `I'LL see it through,'
Although he knew we'd done as much as mortal men could do.
`I'll not -- I won't give up!' he said, his hand pressed to his brow;
`My God! the cursed flies and ants, they might be at him now.
I'll see it so in twenty years, 'twill haunt me all my life --
I could not face his sister, and I could not face his wife.
It's no use talking to me now -- I'm going back,' he said,

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
Andwith best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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Frantic

If i could have my wasted days back
Would i use them to get back on track?
Stop to warm at karmas burning
Or look ahead, but keep on turning
Do I have the strength
To know how i'll go?
Can i find it inside
To deal with what a shouldn't know?
Could i have my wasted days back
Would i use them to get back on track?
You live it or lie it!(You live it or lie it)
My lifestile Determines my deathsstile
(My lifestile determines my deathstile)
Keep searching, keep on shearching
This serch gose on, this serch gose on
Frantic tick tick tick tick tick tick tock
Frantic tick tick tick tick tick tick tock
I've worn out always being afraid
An endless stream of fear that I've made
You live it or lie it!(you live it or lie it!)
My lifestile determines my deathstile
(my lifestile determines my deathstile)
Keep serching, keep on serching
This serch gose on, this serch gose on, on and on
Frantic tick tick tick tick tick tick tock
Frantic tick tick tick tick tick tick tock
My life style (Birth is pain)
Determines my deathstile (Life is pain)
A rising tide (death is pain)
that pushes to the other side (Its all the same)

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Amy Lowell

The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

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What You Waiting For?

What an amazing time.
What a family.
How did the years go by?
Now it's only me
Tick-tock
Tick-tock
Tick-tock
Tick-tock
Tick-tock
Tick-tock
Tick-tock
Tick-tock
La, la, la, la, la, la, la
Like a cat in heat stuck in a moving car
A scary conversation, shut my eyes, can't find the brake
What if they say that your a climber?
Naturally I'm worried if I do it alone
Who really cares cause it's your life?
You never know it could be great
Take a chance cause you might grow
Oh, oh ohhh
What you waiting
What you waiting
What you waiting
What you waiting
What you waiting for?
What you waiting
What you waiting
What you waiting
What you waiting
What you waiting for?
Tick-tock
Tick-tock
Tick-tock
Tick-tock
Take a chance you stupid hoe
Like an echo pedal you're repeating yourself.
You know it all by heart, why are you standing in one place?
Born to blossom, bloom to perish.
Your moment will run out 'cause of your sex chromosome.
I know its so messed how our society all thinks (for sure)
Life is short, your capable (uh-huh)
Oh, oh ohhh
Look at your watch now
You're still a super hot female
You got your million dollar contract
and they're all waiting for your hot track
What you waiting
What you waiting
What you waiting

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Tick, Tick, Bang

Ooh, I cant hold it
Ow! bang, b-b-bang, bang
Bang.
U, yeah.
Ure such a big tease, u get me all excited,
All excited then u go home.
Ure like ice cream,
Knew I got 2 getcha, got 2 getcha, before ure all gone.
Ure such a bombshell,
And if I ever get ya, ever get ya, ever get ya,
Theres no telling how long Id last
Before I tick, tick bang all over u
Tick, tick-a-tick, bang, bang all over u
Tick, tick-a-tick, bang, bang, bang, tick, bang, bang
U aint no cheap thrill,
Every time u tick Id rather u bang,
But u leave me in a fire sweat (leave me in a fire sweat)
Ure like a good pill
All I need is 2, and Im so into u, ure the best stuff that I could get.
Ure such a bombshell
If I ever get ya, ever get ya, ever get ya,
Theres no telling how long Id last.
Before I tick, tick, bang, all over u
All over u, tick, all over u, tick, bang, bang, bang, bang, bang, bang
Ooh, I cant hold it. ooh, its getting all over me.
Ooh, I cant hold it. ooh, its getting all over me.
Ure such a queen bee
Let me taste your honey, taste your honey, taste your honey, 4 it go bad
Youre so slippery
Like this chain around my hip, I want a 24k relationship.
So baby dont spit me out, tick, tick, bang, all over u.
Tick, tick-a-tick, bang
Ooh, I cant hold it. ooh, its getting all over me.
Ure such a bombshell
If I ever get ya, ever get ya, ever get ya,
Theres no telling how long Id last.
Before I tick, tick-a-tick, bang, bang, bang, bang, all over u
All over u, bang, all over u, tick, tick, bang, all over u
Tick, tick, bang, all over u. tick, tick, bang, all over u
All over, bang, all over, bang, all over, tick, bang

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Automation

Tick tock, tick tock,
computer's clock,
steal lady of the night.
She sits alone while birdies flock
to bid her a goodnight.

Tick tock, tick tock,
computer's clock,
the world's automated
and the lady in a metal cloak
will live alone, unaided.

Tick tock, tick tock,
computer's clock,
her hard drive stirs again
and while I type this poem,
so dies my mighty pen.

Tick tock, tick tock,
computer's clock,
so true, so true the fear
that life as we once knew it
has slowly disappeared.

Tick tock, tick tock,
computer's clock
we victims of our time.
The last bird flies above us
while all of nature dies.

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I remember, I remember - Past and Present after Thomas Hood and William Wordsworth - Lucy

I remember, I remember
the house where I was born
before foreclosure took away
the homestead I had sworn
in good faith, all attest 'tis true,
to leave grandchildren three: -
times change, leave little rest, I rue
that difference to me!

It seems so very long ago
the liberating Yanks
found welcome everywhere they'd go -
though some were pita swanks,
but since the Shah announced 'I ran'
our bearings all at sea
became - time reeled again would ban
all difference for me!

I remember, I remember
the sun porch, now in pawn,
proud flag a flying red, white, blue,
which now hangs so forlorn
Sun, moon spun round each priceless day,
or so I seemed to see,
four bucks a gallon gas I pay -
what difference to me!

My mind thought then nostalgic ease
eternally could last,
all my desires, priorities
seemed sated very fast,
The fever on my brow shoots higher
now Sheiks of Araby,
up ante for crude imports, tire -
what difference to me!

I remember, I remember
before Alaskan oil
had spilled upon once pristine shore,
polluting fauna, soil.
With climate change I'm feeling sore,
note each commodity
continues rising more and more -
what difference to me!

Back then I'd travel aimlessly,
cared not I ran Iraq,
from dawn till dark, from sea to sea
could, rising with the lark,
ignore the cost of gasoline

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken itI never saw the like:

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poem by from Don Juan (1824)Report problemRelated quotes
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by from The Ring and the BookReport problemRelated quotes
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