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Personality can open doors, but only character can keep them open.

quote by Elmer G. Letterman
Added by Lucian Velea
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The Only Way To Control Things

The only way to control things is with an open hand.
Water on rock
a fist can't do anything to stop the rain
that keeps washing its bloody knuckles
by kissing the raw red buds
of the pain-killing poppies clean.
Anger grows ashamed of itself
in the presence of unopposable compassion
just as planets are humbled by their atmospheres.
The soft supple things of life insist
and the hard brittle ones comply.
Bullies are the broken toys of wimps.
Power limps.
But space is an open hand.
Mass may shape it
but it teaches matter how to move
just as the sky converts its openness
into a cloud and a bird
or the silence nurtures
the embryo of a blue word
in the empty womb of the dark mother
like the echo of something that can't be said.

The only way to control things is with an open hand.
Not a posture of giving.
Not a posture of receiving.
Not a posture of greeting or farewell.
Not hanging on or letting go
but the single bridge they both make
when they're both at peace with the flow.
It's not the branch it's not the trunk
it's not the root it's not the fruit
but the open handedness of its leaves
that is a tree's consummate passion.
Isis tattoos her star on their palms
like sailors and sails
to keep them from drowning
and into the valleys of their open hands
that lie at the foot of their crook-backed mountains
the aloof stars risk the intimacy of fireflies
and fate flows down like tributaries into the mindstream
as life roots its wildflowers on both shores
as if there were no sides to the flowing
of our binary lifelines.

The only way to control things is with an open hand.
You cannot bind the knower to the knowing
as if time had to know where eternity was going
before anything could change.
X marks the spot where all maps are born

[...] Read more

poem by Patrick White
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One Way To Go

Youve got to lift yourself up so high
Youve got to lift yourself up so high
You cant see the ground
You cant see the ground
You dont hear a sound
You dont hear a sound
Youve got to move it up so slow
Youve got to move it up so slow
You see it all
You see it all
Youll probably fall
Youll probably fall
Id rather die than see you fly
Than see you try
Id rather die than see you fly
Id rather die than see you fly
Than see you try
Than see you try
Id rather die than see you fly
Than see you try
Its like pushing locked doors to get in your mind
I dont care what I find
Its like pushing locked doors to get in your mind
Its like pushing locked doors to get in your mind
I dont know what Ill find
I dont care what I find
Its like pushing locked doors to get in your mind
Youve got to move me up
I dont know what Ill find
So high it hurts
So high it burns
But if you let me down
Youve got to move me up
Dont bother to call
So high it hurts
Just let me fall
So high it burns
Id rather die than see you fly
But if you let me down
Than see you try
Dont bother to call
Id rather die than see you fly
Just let me fall
Than see you try
Id rather die than see you fly
Than see you try
Its like pushing locked doors to get in your mind
Id rather die than see you fly
I dont know what Ill find
Than see you try

[...] Read more

song performed by Verve
Added by Lucian Velea
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One Way To Go

Youve got to lift yourself up so high
Youve got to lift yourself up so high
You cant see the ground
You cant see the ground
You dont hear a sound
You dont hear a sound
Youve got to move it up so slow
Youve got to move it up so slow
You see it all
You see it all
Youll probably fall
Youll probably fall
Id rather die than see you fly
Than see you try
Id rather die than see you fly
Id rather die than see you fly
Than see you try
Than see you try
Id rather die than see you fly
Than see you try
Its like pushing locked doors to get in your mind
I dont care what I find
Its like pushing locked doors to get in your mind
Its like pushing locked doors to get in your mind
I dont know what Ill find
I dont care what I find
Its like pushing locked doors to get in your mind
Youve got to move me up
I dont know what Ill find
So high it hurts
So high it burns
But if you let me down
Youve got to move me up
Dont bother to call
So high it hurts
Just let me fall
So high it burns
Id rather die than see you fly
But if you let me down
Than see you try
Dont bother to call
Id rather die than see you fly
Just let me fall
Than see you try
Id rather die than see you fly
Than see you try
Its like pushing locked doors to get in your mind
Id rather die than see you fly
I dont know what Ill find
Than see you try

[...] Read more

song performed by Verve
Added by Lucian Velea
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Open Your Box

Open your box,
Open your box,
Open your trousers,
Open your thighs,
Open your legs,
Open, open, open, open, oooh.
Open, open, open, open,
Open your legs,
Open your flies,
Open your ears,
Open your nose,
Open your mouth,
Open, open, open, open, oooh.
Open.
Open your cold feet,
Open, open,
Open, open, open, let's open, let's open the cities.
Open the cities,
Open, open, open the world,
Open, let's open the world.
Open, open, oooh -
Open, open, ooh!

song performed by Yoko Ono
Added by Lucian Velea
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Open Your Box

Open your box,
Open your box,
Open your trousers,
Open your thighs,
Open your legs,
Open, open, open, open, oooh.
Open, open, open, open,
Open your legs,
Open your flies,
Open your ears,
Open your nose,
Open your mouth,
Open, open, open, open, oooh.
Open.
Open your cold feet,
Open, open,
Open, open, open, let's open, let's open the cities.
Open the cities,
Open, open, open the world,
Open, let's open the world.
Open, open, oooh -
Open, open, ooh!

song performed by Yoko Ono
Added by Lucian Velea
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Nature

Weather constantly changes.
No character, only dynamic.
Dull and dreary,
Or bitter and cold,
Or bright and shiny.
This is mother nature.
She is of this world.
She dictates the mood.
She affects mine.

Emotions, constantly changing.
Personality has dynamic,
But lacks character.
It is constantly changing.
Bitter and resentful,
Frustrated and annoyed
Happy & joyous.
This is human nature.
It is of this world.
It dictates our mood.
It affects another.

Mother nature cannot be controlled.
For she is not ours.
Yet mother nature controls me,
Though I am not hers.
Together, we must exist.
We must accept each as we both are.
Though one affects the other.
Based on emotion, not character.

During the storm,
The sky is still the sky,
The ground, is still the ground
The sun is still the sun.
This is the character of mother nature.
The snow may cover the ground,
But the ground remains.
The clouds may cover the sun,
But the sun remains.
Character is always constant.

Nature affects character.
Character is patience, kindness,
Compassion, empathy, forgiving.
Plain and simple,
Our character is love.
Human nature covers human character,
Although it might not be seen,
It still remains.

[...] Read more

poem by Ryan Lee Morris
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Packt Like Sardines In A Crushd Tin Box

there are bomb? doors and there are revolving doors doors on the rudders of big ships and there are revolving doors there are doors that open by themselves there are sliding doors and there are secret doors there are doors that lock and doors that don't there are doors that let you in and out but never open but there are trap doors that you can't come back from

song performed by Radiohead
Added by Lucian Velea
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Two Doors Down

Chorus:
Two doors down
Theyre laughing and drinkin, and having a party
Two doors down
Theyre not aware that Im around
Cause here I am
Crying my heart out, feelin sorry while
Theyre having a party two doors down
I think Ill dry these useless tears
And get myself together
I think Ill wonder down the hall
And have a look around
cause I cant stay inside
This lonely room and cry forever
I think I really rather join em
Two door down, yeah
Repeat chorus
cause here I am
No longer cryin an feelin sorry
Were having a party just two doors down
I cant believe Im standin here
Dry-eyed, all smiles and talkin
Making conversation with the new love I have found
I ask him if hed like to be alone and we start walkin
Down the hall to my place waitin two doors down, yeah
Repeat chorus
cause here I am
Feelin everything but sorry
Were having our own party two doors down
Oh, oh, oh, oh
Two doors down
Oh, oh, oh, oh
Two doors down
Oh, oh, oh, oh
Two doors down
Oh, oh, oh, oh
Two doors down, oh
Repeat chorus
cause here we am
Feelin everything but sorry
Were havin our own party
Two doors down, yeah
Fade:
Repeat chorus

song performed by Dolly Parton
Added by Lucian Velea
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Pull Pulk Revolving Doors

There are barn doors
And there are revolving doors

Doors on the rudders of big ships
We are revolving doors

There are doors that open by themselves
There are sliding doors
And there are secret doors

There are doors that lock
And doors that don't

There are doors that let you in
And out
But never open
But they are trapdoors
That you can't come back from

song performed by Radiohead
Added by Lucian Velea
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Pull / Pulk Revolving Doors

There are barn doors
And there are revolving doors
Doors on the rudders of big ships
And there are revolving doors
There are doors that open by themselves
There are sliding doors
And there are secret doors
There are doors that lock
And doors that dont
There are doors that let you in
And out
But never open
But there are trapdoors
That you cant come back from

song performed by Radiohead
Added by Lucian Velea
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Berenice by edgar allan poe

MISERY is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, -as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? -from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.

My baptismal name is Egaeus; that of my family I will not mention. Yet there are no towers in the land more time-honored than my gloomy, gray, hereditary halls. Our line has been called a race of visionaries; and in many striking particulars -in the character of the family mansion -in the frescos of the chief saloon -in the tapestries of the dormitories -in the chiselling of some buttresses in the armory -but more especially in the gallery of antique paintings -in the fashion of the library chamber -and, lastly, in the very peculiar nature of the library's contents, there is more than sufficient evidence to warrant the belief.

The recollections of my earliest years are connected with that chamber, and with its volumes -of which latter I will say no more. Here died my mother. Herein was I born. But it is mere idleness to say that I had not lived before -that the soul has no previous existence. You deny it? -let us not argue the matter. Convinced myself, I seek not to convince. There is, however, a remembrance of aerial forms -of spiritual and meaning eyes -of sounds, musical yet sad -a remembrance which will not be excluded; a memory like a shadow, vague, variable, indefinite, unsteady; and like a shadow, too, in the impossibility of my getting rid of it while the sunlight of my reason shall exist.

In that chamber was I born. Thus awaking from the long night of what seemed, but was not, nonentity, at once into the very regions of fairy-land -into a palace of imagination -into the wild dominions of monastic thought and erudition -it is not singular that I gazed around me with a startled and ardent eye -that I loitered away my boyhood in books, and dissipated my youth in reverie; but it is singular that as years rolled away, and the noon of manhood found me still in the mansion of my fathers -it is wonderful what stagnation there fell upon the springs of my life -wonderful how total an inversion took place in the character of my commonest thought. The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn, -not the material of my every-day existence-but in very deed that existence utterly and solely in itself.

Berenice and I were cousins, and we grew up together in my paternal halls. Yet differently we grew -I ill of health, and buried in gloom -she agile, graceful, and overflowing with energy; hers the ramble on the hill-side -mine the studies of the cloister -I living within my own heart, and addicted body and soul to the most intense and painful meditation -she roaming carelessly through life with no thought of the shadows in her path, or the silent flight of the raven-winged hours. Berenice! -I call upon her name -Berenice! -and from the gray ruins of memory a thousand tumultuous recollections are startled at the sound! Ah! vividly is her image before me now, as in the early days of her light-heartedness and joy! Oh! gorgeous yet fantastic beauty! Oh! sylph amid the shrubberies of Arnheim! -Oh! Naiad among its fountains! -and then -then all is mystery and terror, and a tale which should not be told. Disease -a fatal disease -fell like the simoom upon her frame, and, even while I gazed upon her, the spirit of change swept, over her, pervading her mind, her habits, and her character, and, in a manner the most subtle and terrible, disturbing even the identity of her person! Alas! the destroyer came and went, and the victim -where was she, I knew her not -or knew her no longer as Berenice.

Among the numerous train of maladies superinduced by that fatal and primary one which effected a revolution of so horrible a kind in the moral and physical being of my cousin, may be mentioned as the most distressing and obstinate in its nature, a species of epilepsy not unfrequently terminating in trance itself -trance very nearly resembling positive dissolution, and from which her manner of recovery was in most instances, startlingly abrupt. In the mean time my own disease -for I have been told that I should call it by no other appelation -my own disease, then, grew rapidly upon me, and assumed finally a monomaniac character of a novel and extraordinary form -hourly and momently gaining vigor -and at length obtaining over me the most incomprehensible ascendancy. This monomania, if I must so term it, consisted in a morbid irritability of those properties of the mind in metaphysical science termed the attentive. It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.

To muse for long unwearied hours with my attention riveted to some frivolous device on the margin, or in the topography of a book; to become absorbed for the better part of a summer's day, in a quaint shadow falling aslant upon the tapestry, or upon the door; to lose myself for an entire night in watching the steady flame of a lamp, or the embers of a fire; to dream away whole days over the perfume of a flower; to repeat monotonously some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind; to lose all sense of motion or physical existence, by means of absolute bodily quiescence long and obstinately persevered in; -such were a few of the most common and least pernicious vagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to anything like analysis or explanation.

Yet let me not be misapprehended. -The undue, earnest, and morbid attention thus excited by objects in their own nature frivolous, must not be confounded in character with that ruminating propensity common to all mankind, and more especially indulged in by persons of ardent imagination. It was not even, as might be at first supposed, an extreme condition or exaggeration of such propensity, but primarily and essentially distinct and different. In the one instance, the dreamer, or enthusiast, being interested by an object usually not frivolous, imperceptibly loses sight of this object in a wilderness of deductions and suggestions issuing therefrom, until, at the conclusion of a day dream often replete with luxury, he finds the incitamentum or first cause of his musings entirely vanished and forgotten. In my case the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance. Few deductions, if any, were made; and those few pertinaciously returning in upon the original object as a centre. The meditations were never pleasurable; and, at the termination of the reverie, the first cause, so far from being out of sight, had attained that supernaturally exaggerated interest which was the prevailing feature of the disease. In a word, the powers of mind more particularly exercised were, with me, as I have said before, the attentive, and are, with the day-dreamer, the speculative.

My books, at this epoch, if they did not actually serve to irritate the disorder, partook, it will be perceived, largely, in their imaginative and inconsequential nature, of the characteristic qualities of the disorder itself. I well remember, among others, the treatise of the noble Italian Coelius Secundus Curio 'de Amplitudine Beati Regni dei'; St. Austin's great work, the 'City of God'; and Tertullian 'de Carne Christi, ' in which the paradoxical sentence 'Mortuus est Dei filius; credible est quia ineptum est: et sepultus resurrexit; certum est quia impossibile est' occupied my undivided time, for many weeks of laborious and fruitless investigation.

Thus it will appear that, shaken from its balance only by trivial things, my reason bore resemblance to that ocean-crag spoken of by Ptolemy Hephestion, which steadily resisting the attacks of human violence, and the fiercer fury of the waters and the winds, trembled only to the touch of the flower called Asphodel. And although, to a careless thinker, it might appear a matter beyond doubt, that the alteration produced by her unhappy malady, in the moral condition of Berenice, would afford me many objects for the exercise of that intense and abnormal meditation whose nature I have been at some trouble in explaining, yet such was not in any degree the case. In the lucid intervals of my infirmity, her calamity, indeed, gave me pain, and, taking deeply to heart that total wreck of her fair and gentle life, I did not fall to ponder frequently and bitterly upon the wonder-working means by which so strange a revolution had been so suddenly brought to pass. But these reflections partook not of the idiosyncrasy of my disease, and were such as would have occurred, under similar circumstances, to the ordinary mass of mankind. True to its own character, my disorder revelled in the less important but more startling changes wrought in the physical frame of Berenice -in the singular and most appalling distortion of her personal identity.

During the brightest days of her unparalleled beauty, most surely I had never loved her. In the strange anomaly of my existence, feelings with me, had never been of the heart, and my passions always were of the mind. Through the gray of the early morning -among the trellised shadows of the forest at noonday -and in the silence of my library at night, she had flitted by my eyes, and I had seen her -not as the living and breathing Berenice, but as the Berenice of a dream -not as a being of the earth, earthy, but as the abstraction of such a being-not as a thing to admire, but to analyze -not as an object of love, but as the theme of the most abstruse although desultory speculation. And now -now I shuddered in her presence, and grew pale at her approach; yet bitterly lamenting her fallen and desolate condition, I called to mind that she had loved me long, and, in an evil moment, I spoke to her of marriage.

And at length the period of our nuptials was approaching, when, upon an afternoon in the winter of the year, -one of those unseasonably warm, calm, and misty days which are the nurse of the beautiful Halcyon*, -I sat, (and sat, as I thought, alone,) in the inner apartment of the library. But uplifting my eyes I saw that Berenice stood before me.

*For as Jove, during the winter season, gives twice seven days of warmth, men have called this clement and temperate time the nurse of the beautiful Halcyon -Simonides.

Was it my own excited imagination -or the misty influence of the atmosphere -or the uncertain twilight of the chamber -or the gray draperies which fell around her figure -that caused in it so vacillating and indistinct an outline? I could not tell. She spoke no word, I -not for worlds could I have uttered a syllable. An icy chill ran through my frame; a sense of insufferable anxiety oppressed me; a consuming curiosity pervaded my soul; and sinking back upon the chair, I remained for some time breathless and motionless, with my eyes riveted upon her person. Alas! its emaciation was excessive, and not one vestige of the former being, lurked in any single line of the contour. My burning glances at length fell upon the face.

The forehead was high, and very pale, and singularly placid; and the once jetty hair fell partially over it, and overshadowed the hollow temples with innumerable ringlets now of a vivid yellow, and Jarring discordantly, in their fantastic character, with the reigning melancholy of the countenance. The eyes were lifeless, and lustreless, and seemingly pupil-less, and I shrank involuntarily from their glassy stare to the contemplation of the thin and shrunken lips. They parted; and in a smile of peculiar meaning, the teeth of the changed Berenice disclosed themselves slowly to my view. Would to God that I had never beheld them, or that, having done so, I had died!

The shutting of a door disturbed me, and, looking up, I found that my cousin had departed from the chamber. But from the disordered chamber of my brain, had not, alas! departed, and would not be driven away, the white and ghastly spectrum of the teeth. Not a speck on their surface -not a shade on their enamel -not an indenture in their edges -but what that period of her smile had sufficed to brand in upon my memory. I saw them now even more unequivocally than I beheld them then. The teeth! -the teeth! -they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development. Then came the full fury of my monomania, and I struggled in vain against its strange and irresistible influence. In the multiplied objects of the external world I had no thoughts but for the teeth. For these I longed with a phrenzied desire. All other matters and all different interests became absorbed in their single contemplation. They -they alone were present to the mental eye, and they, in their sole individuality, became the essence of my mental life. I held them in every light. I turned them in every attitude. I surveyed their characteristics. I dwelt upon their peculiarities. I pondered upon their conformation. I mused upon the alteration in their nature. I shuddered as I assigned to them in imagination a sensitive and sentient power, and even when unassisted by the lips, a capability of moral expression. Of Mad'selle Salle it has been well said, 'que tous ses pas etaient des sentiments, ' and of Berenice I more seriously believed que toutes ses dents etaient des idees. Des idees! -ah here was the idiotic thought that destroyed me! Des idees! -ah therefore it was that I coveted them so madly! I felt that their possession could alone ever restore me to peace, in giving me back to reason.

And the evening closed in upon me thus-and then the darkness came, and tarried, and went -and the day again dawned -and the mists of a second night were now gathering around -and still I sat motionless in that solitary room; and still I sat buried in meditation, and still the phantasma of the teeth maintained its terrible ascendancy as, with the most vivid hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke in upon my dreams a cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices, intermingled with many low moanings of sorrow, or of pain. I arose from my seat and, throwing open one of the doors of the library, saw standing out in the antechamber a servant maiden, all in tears, who told me that Berenice was -no more. She had been seized with epilepsy in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.

I found myself sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware that since the setting of the sun Berenice had been interred. But of that dreary period which intervened I had no positive -at least no definite comprehension. Yet its memory was replete with horror -horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain; while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed -what was it? I asked myself the question aloud, and the whispering echoes of the chamber answered me, 'what was it? '

On the table beside me burned a lamp, and near it lay a little box. It was of no remarkable character, and I had seen it frequently before, for it was the property of the family physician; but how came it there, upon my table, and why did I shudder in regarding it? These things were in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular but simple ones of the poet Ebn Zaiat, 'Dicebant mihi sodales si sepulchrum amicae visitarem, curas meas aliquantulum fore levatas.' Why then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?

There came a light tap at the library door, and pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he? -some broken sentences I heard. He told of a wild cry disturbing the silence of the night -of the gathering together of the household-of a search in the direction of the sound; -and then his tones grew thrillingly distinct as he whispered me of a violated grave -of a disfigured body enshrouded, yet still breathing, still palpitating, still alive!

He pointed to garments; -they were muddy and clotted with gore. I spoke not, and he took me gently by the hand; -it was indented with the impress of human nails. He directed my attention to some object against the wall; -I looked at it for some minutes; -it was a spade. With a shriek I bounded to the table, and grasped the box that lay upon it. But I could not force it open; and in my tremor it slipped from my hands, and fell heavily, and burst into pieces; and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with thirty-two small, white and ivory-looking substances that were scattered to and fro about the floor.

poem by Erie Morganmaples
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Hall Of Doors

You walk through the hall of doors
With life in sight with death in mind
You watch people open their doors
And you think of how the doors and fate bind

You watch waiting to see your exit
As you see others turn down their path to their end
You know that the paths can not change
You know even with time fate shall not mend

Down the hall you walk
Doors lining each side
Every person holds the key to one of those locks
All around you people stride

Doors open
As people come to their door mats
You walk by doors just hoping,
hoping the next isn't yours, isn't your mat

You watch parents and children leaving eachothers sides
You see love being torn, hate being sewn
as the doors open wide
Some people leave together, some alone

You wait to see your door, your fate
You watch to see which door your key fits
You watch to see if your heart is with love or hate
You watch untill you find the mat at which you shall sit

You walk through the hall of doors
With life in sight, death in mind
You watch as people open their doors
You wait to see which door your fate lays behind.

poem by Bethany Maxwell
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Saturday

I'm good to go
And I'm going nowhere fast
It could be worse
It could be taking you there with me
I'm good to go
But it looks like I'm still on my own
I'm good to go
For something golden
Though the motions I've been going through have failed
And I'm coasting on potential towards the wall
At a 100 miles an hour
When I say
Two more weeks
My foot is in the door (yeah)
I can't sleep
In the wake of Saturday (Saturday)
Saturday
When these open doors were open-ended
Saturday
When these open doors were open-ended
Pete and I attacked
And lost the story
Oh we promised them decisions
The mass of youthful innocence
And I read about the afterlife
But I never really lived more than an hour (more than an hour)
When I say
Two more weeks
My foot is in the door (yeah)
I can't sleep
In the wake of Saturday (Saturday)
Saturday
When these open doors were open-ended
Saturday
When these open doors were open-ended
And I read about the afterlife
But I never really lived
And I read about the afterlife
But I never really lived
Two more weeks
My foot is in the door
Me and Pete
In the wake of Saturday
Saturday
When these open doors were open-ended
Saturday
When these open doors were open-ended
Saturday
Saturday

song performed by Fall Out Boy
Added by Lucian Velea
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It's Hard to Grow

Little do they know,
Each season has an ending.
With one clean sweep...
What was no longer is to be!

It's hard to grow,
And go through doors that have to close.
But for them...
They want these doors stayed open.

But they've been stopped...
Hitting bottom from the top.
Dropped and blocked.

Little do they know,
Each season has an ending...
Swoosh
With one clean sweep...
What was no longer is to be!
Oh Lawd it's hard to grow,
And go through doors that have to clossssuup.
But for them...
They want these doors stayed open.

Little do they know,
Each season has an ending.
With one clean sweep...
What was no longer is to be!

It's hard to grow,
And go through doors that have to close.
But for them...
They want these doors stayed open.
But for them...
They want these doors stayed open.
But for them...
These doors will not be opened again!

poem by Lawrence S. Pertillar
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Open Wide These Prison Doors

Written by: neil diamond and stewart harris
Tied by love to you, but I was tied too strong
Still Im afraid of knowing what leaving means
I know I lived for you, and all I tried to do
You were the keeper of my dreams
Open wide these prison doors
Take these chains from around my heart
Make believe that Im no more
And dont mind when I depart
Need to find another place
Where love is not just tossed away
If you really care for me
Open wide these prison doors
And set me free
You were always caring, always warm and kind
But that was long ago, when love was blind
And I dont want to hurt you, the way that Ive been hurt
But if I stay Ill lose my mind
Open wide these prison doors
Take these chains from around my heart
Make believe that Im no more
And dont mind when I depart
Need to find another place
Where love is not just tossed away
If you really care for me
Open wide these prison doors
And set me free
Time is always moving
While were here standing still
I love you even though Im leaving
And maybe I always will
But, open wide these prison doors
Take these chains from around my heart
Make believe that Im no more
And dont mind when I depart
Need to find another place
Where love is not just tossed away
And if you really care for me
Open wide these prison doors
And set me free
If you really care for me
Open wide these prison doors
And set me free
Set me free, yeah
Come on and set me free
Set me free

song performed by Neil Diamond
Added by Lucian Velea
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Behind Closed Doors

(kenny odell)
My baby makes me proud
Lord, dont he make me proud
He never makes a scene
By hangin all over me in a crowd
cause people like to talk
Lord, dont they like to talk
But when they turn out the lights
I know hell be leavin with me
And when we get behind closed doors
Then I let my hair hang down
He makes me glad that Im a woman
Oh, no one knows what goes on behind closed doors
My baby makes me smile
Lord, dont he make me smile
Hes never far away
Or too tired to say I want you
And Im always a lady
Just like a lady should be
But when they turn out the lights
Hes still my baby to me
And when we get behind closed doors
Then I let my hair hang down
Oh, he makes me glad Im a woman
Oh, no one knows what goes on behind closed doors
Oh, behind closed doors
I let my hair hang down
Im glad that Im a woman
No one knows what goes on behind closed doors
Behind closed doors
I let my hair hang down
He makes me glad Im a woman
No one knows what goes on behind closed doors
And when we get behind closed doors
Then I let my hair hang down

song performed by Diana Ross
Added by Lucian Velea
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Behind Closed Doors

Written by new order
There is a secret place
Underneath a tree
Where if you go and haste
You will find a key
The key will open doors
And you will look inside
The things that you will see
Will open up your eyes
At any given time
On every other street
The city comes to life
Though everyones asleep
A man beats up his wife
He doesnt wanna keep
Behind closed doors
Theyre in retreat
I dont know what makes me stay
The city life just aint the same
Theres something wrong with kids today
I blame the parents anyway
Theres no hope
No one to trust
I cant cope
Its obvious
Please dont take my drugs away
Im gonna give them up someday
There is a place somewhere
That I could call a home
Id live without a care
Id never be alone
One day I will get there
I feel it in my bones
I check upon the scores
I listen to the coors
Behind closed doors
Behind closed doors
Behind closed doors
Behind closed doors
They still want more
Behind closed doors

song performed by New Order
Added by Lucian Velea
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The Doors Are Locked

From inside of this room
I shall not exit
I have locked the doors
To the world outside.
It does not matter to me what is happening outside, because
Behind these locked doors
Is the world that I live in,
This land of my dreams that
I have fabricated for myself alone.
I recall my father recently reading me a story-
Of a woman who created a world within her dreams-
There she lived and locked herself
Inside of the doors that
Barred her from all that is real.
My father's hope was that
I would find my way out from
This place he called the land of my delusions.
This place which he calls the land of my delusions has become
My only veracity.
From the inside of this room
I shall not exit-it is here I safely converse with
The voices inside of my mind.
The doors to this room are locked, but
I can still hear my mother weeping, and
I hear my mother cry out from the midst of her tears-
What has become of my only child?
Inside of this room, I have constructed a world.
The doors are locked and
I have shut reality out-
The doors to my room are locked and
I have lost the key.
My mother is still weeping as her one and only
Has lost the key that would open the doors
To the world outside-
My mother is sobbing; the key is lost and alas-
Her only child's sanity has also been lost.

poem by Claudia Krizay
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Attempted Escape.

Each morning Tess waited nervously
for the nursing officer to arrive on
the locked ward, and spot on time
each morning he came with his small
black briefcase and went to his office
on the locked ward of the asylum, and
after a few minutes she was allowed
in for her daily requested interview.

She sat in the chair opposite him, he
fresh from the sane world, sat there
with his brushed teeth and groomed
hair, intent look behind his glasses.

When can I get out of his ward and
home? she asked him each morning;
when we consider you are ready and
safe to be let out, he replied each day
with the same calm voice, the same
deep tones. And off she'd go to begin
another day with those whom she
considered mad or seemingly dead.

Every day at the same time they would
bring along the meals from the kitchen;
they would unlock the double doors,
bring in the trays of meals from a trolley,
leave the doors unattended for the time
it took to bring in the trays, and then
locked the doors again. Tess waited and
watched every time they came timing
by the clock on the wall how long it took
and how long the doors were unlocked.

This day she waited; time ticked slowly,
as she stood in her dressing gown by the
doorway to the bedrooms and watched
as they unlocked the thick double doors.

She waited until they unlocked the doors
and entered with the first of the trays,
then she ran like one possessed, out of
the doors and along the corridors and
heard the commotion behind her as she
ran, and the shouting and screaming and
calls, and the thundering footsteps behind
and then two burly male nurses tackled
her to the ground and held her there
beneath their mass and smelly breath,
seeing the lights on the ceiling flicker on

[...] Read more

poem by Terry Collett
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The House Of Dust: Part 04: 03: Palimpsest: A Deceitful Portrait

Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,—
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark. Some few we know—
Or think we know. . . Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . .Closing then the door
I heard it die behind me, fade to whisper,—
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts—and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,—
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . .We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think—yet this is guesswork)
Will please him,—it is in a strain he fancies,—
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self—this too is guesswork)

The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,—
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him. He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'—There I let it end. . . .
Sometimes, of course, and when we least suspect it—
When we pursue our thoughts with too much passion,
Talking with too great zeal—our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . .but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes

[...] Read more

poem by Conrad Potter Aiken
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